Fu _set_tled Chengdu, Sichuan famous landscape painter Wang understanding of slaughter, should be invited first year in the Spring (760) for this first poem on painting. Wang's original is not handed down, however, kill the king because the character of Du Fu familiar with his works, through his flash in the pan, as if for future generations magnificent reproduction of Landscape painting, poetic, all very enjoyable.
Putting aside the first four paintings, strongly praised the king slaughter serious, meticulous creative attitude. Urging by the time he would not, in haste, on the 10th and ducks were slaughtered painting of water a stone. Only after a long period of time, the answers, to the enthusiasm that only a leisurely writing brush painting, leaving the real handwriting in the world. It was all grace, the works of natural superb. Then the poet then describes the white wall hanging in the Diocese of Kunlun side pot map. Kunlun, the legendary Western Mountains. Side pot, mythology, mountains East China Sea. This refers to the mountains, not the actual means. The extreme west of the Kunlun Mountains and the Far East in the side pot on the move, mountain peaks and ridges, towering high-rise, from west to east, the rugged, continuous, vertical and horizontal intricate, magnificent. Distant screen space is very vast, magnificent composition, artistically lively, gives a magnificent magnificent feeling. "Zhuang Zai" is to express the poet's aesthetic view of the painting experience and heartfelt praise. This picture is obviously not the field sketches of a mountain, but mountains of the motherland typical concentration in art summary, with a rich imagination of Chinese landscape painting, composition and clever features.
The middle five, Du Yun repledge level tone from the oblique tones East, Zhong Yun, sonorous tone with high-spirited on the screen KIWI tracing water potential, and towering mountains and white, pen and ink hearty. "Baling Dongting East Japan" sentence even give three names, all in one, the performance graph river west from the Dongting Lake, has been the flow of the sea east of Japan, has a long history, blew out, and magnificent. Poems are not real names but refers to a general reference, is typical of the art of exaggeration and generalization. "Water and Galaxy Chian links" and "The Yellow River on the white clouds far away" (Wang Zhihuan "Frontier"), serves the same purpose, water potential of the vast vague and remote river bank, connecting the sky, forming one seems interlinked with the Galaxy. Here describe the water potential of the sublime, the magnificent mountains described above echoes, landscape one, complement each other. "There are clouds with the dragon" sentence, semantic out "Happy Excursion": "Gushe mountain man of God, by clouds, Royal Dragon, and travel outside the almost universal." Ancient book is also a "cloud from the Dragon" argument. This refers to the erratic screen hazy clouds, the clouds flew round and round. Poet of the virtual as real, and clouds contrast to the fierce wind, the wind can be so elusive image reflected. Natural and lively gestures. In the wind stream, take a boat to sail to the shore fishermen anxiously to avoid the mountain trees were _set_ off waves of the storm blew Tao Yan falls prone. "The mountains of wood to make Yahong Tao Feng", Asia, through pressure, overlooking the falls Yan; with a "sub" word, he gave the performance of wind power in vivid. The poet deliberately rendered fierce wind, wave height, water needs, the entire screen charm flew.
The artistic charm of this great how is it? King of the poet to comment further slaughter unparalleled drawing skills: "much work, especially the potential of ancient Moby, right close by should be on the thousands of miles." Away potential far as paintings in the flat, depth, and height of the composition background. Wang spoke highly of the poet Landscape slaughtered in the business location, composition ratio of the layout and perspective techniques so unheralded, in Chifu rivers and mountains are drawn on the screen scene. "Right close by should be on the Miles", this can also be seen as the poet of a very refined poetic language to summarize the performance characteristics of our landscape, full of aesthetic significance. Landscape painting the poet was deeply attracted by the artistic charm: "nothing and the state quickly scissors, scissor Wusong half the river." Poet like painting a very realistic, exclaimed: I do not know where did you get sharp scissors, the river also Wusong cut here! End of the two allusions, semantic related. According to legend, Gu Kai Jin Suo Jing watch draw, dumping stricken, can not help but praise: "not hate and the state quickly with scissors, the scissors go back Songjiang demi practice patterns." Fu was in here to Suojing self than to kill the king painting and drawing compare Gu Kai to commend the great Kunlun side pot figure artistic appeal, implicitly written concise, no more than fine.
The song line poems, written in a lively and effortless. Poetic integration, but also those who do not know what poetry is and what is painting, can be described as flawless. Qing Xun in the "art of mountain retreat," said: "Reading Lao Du into the gorge of various poems, Chin is full, the king is killed Xiu Wu Landscape of Health. Unsolicited poem on painting the pen is also provided that such old and picturesque. "Picture Poem of Du Fu has always been seen praised a significant influence.
(Ho Kwok Chi)
【Collections】松树【Source】 卷219_7
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