yuèdòusī dì fēn · cí wēi gé Stefan Zweigzài小说之家dezuòpǐn!!! | |||||||||||||
斯蒂芬·茨威格yī bā bā yī nián shí yī yuè 'èr shí bā rì， cí wēi gé chū shēng zài 'ào xiōng dì guó shǒu dū wéi yě nà yī gè yóu tài fù shāng jiā lǐ。 tā zì yòu shòu dào liáng hǎo de jiào yù hé zī chǎn jiē jí shàng liú shè huì de wén yì xūn táo， shí liù suì biàn zài wéi yě nà《 shè huì》 zá zhì shàng fā biǎo shī zuò。 yī jiǔ nián zhōng xué bì yè， rù wéi yě nà dà xué gōng dú dé guó hé fǎ guó wén xué， jiē chù liǎo tuō 'ěr sī tài hé tuó sī tuǒ yé fū sī jī de zuò pǐn， yán jiū hé fān yì guò fǎ guó bō dé lāi 'ěr hé wèi 'ěr lún、 bǐ lì shí fán 'ěr hā lún de shī gē。 yī jiǔ líng líng nián céng qù bólín xué xí guò yī gè xué qī。 tā yòu yì shí dì shēn rù shè huì dǐ céng， liǎo jiě yī xiē zāo rén tuò qì de bēi jiàn zhě de shēng huó jīng lì hé nèi xīn shì jiè。 yī jiǔ líng sān nián huò bó shì xué wèi。
cí wēi gé zǎo qī de shī jí《 yín xián》 (1901) hé《 zǎo nián de huā guān》 (1906)、 xiǎo shuō jí《 āi lì kǎ · ài wǎ 'ěr dé zhī liàn》 (1904) děng， shòu dāng shí shèng xíng de yìn xiàng zhù yì hé xiàng zhēng zhù yì de yǐng xiǎng， quē fá nèi róng hé xīn yì。
cóng yī jiǔ líng qī nián dào dì yī cì shì jiè dà zhàn， tā zài chuàng zuò shàng jiàn qū chéng shú。 chú liǎo《 tài xī tè sī》 (1907)、《 hǎi bīn zhī wū》 (1912) hé《 huà shēn xì zǐ》 (1913) děng jù běn wài， tā hái fā biǎo liǎo xiǎo shuō jí《 zuì chū de jīng lì》 (1911)， yóu yòu shēng wàng de lāi bǐ xī dǎo yǔ chū bǎn shè chū bǎn。
yī jiǔ yī sì nián dì yī cì shì jiè dà zhàn bào fā。 cí wēi gé zài《 bólín rì bào》 (9 yuè 19 rì ) shàng fā biǎo《 zhì wài guó yǒu rén》 yī wén， biǎo míng zì jǐ zhōng yú tóng tā men de yǒu yì， yǐ jí lái rì hé tā men xié shǒu chóngjiàn 'ōu zhōu wén huà de yuàn wàng。 dì yī cì dà zhàn qī jiān， ōu zhōu xǔ duō zhī míng zuò jiādōu wèi néng bǎi tuō xiá 'ài mín zú zhù yì hé shā wén zhù yì de yǐng xiǎng， wéi yòu shǎo shù rén néng bǎo chí qīng xǐng de tóu nǎo， jiān chí fǎn zhàn lì chǎng， cí wēi gé biàn shì qí zhōng zhī yī。
cí wēi gé jīng lì liǎo zhàn hòu de zāinàn： jī jǐn、 hán lěng hé tōng huò péng zhàng； duì tā chù dòng zuì shēn de shì shè huì dào dé de lún sàng。 cǐ hòu de 'èr shí yú nián shì tā de chuàng zào lì zuì wàng shèng de shí qī， tā de zhù yào zuò pǐn， dà duō shì zhè yī shí qī de chǎn wù。
yī fāng miàn shì zhuànjì zhù zuò。 tā de《 sān dà shī》 (1920) lùn shù bā 'ěr zhā kè、 dí gèng sī hé tuó sī tuó yé fū sī jī。 jiē zhe， tā zhuàn xiě liǎo《 luó màn · luó lán》 (1921)。 qí tā de zhuànjì zhù zuò yòu：《 tóng mó guǐ zuò dǒu zhēng》 (1923， jì shù sān gè huàn jīng shén bìng de zuò jiā hé 'ěr dé lín、 kè lāi sī tè hé ní cǎi )，《 zì huà xiàng de míng shǒu》 (1928， jì shù kǎ sà nuò wǎ、 sī tānɡ dá hé tuō 'ěr sī tài )，《 jīng shén liáo fǎ》 (1931， jì shù fā míng cuī mián shù de 'ào dì lì yī shēng mò sī mò 'ěr、 suǒ wèi“ jiào kē xué” chuàng shǐ rén mǎ lì · bèi kè hé zhù míng jīng shén bìng xué zhě fú luò yī dé )，《 mǎ lì yà · ān tuō wàn nèi tè》 (1932) hé《 mǎ lì yà · sī tú yà tè》 (1933) děng。 zhè xiē zhù zuò biǎo dá liǎo tā duì yú yǐ zì yóu jīng shén hé rén dào zhù yì wéi zhōng xīn de xī 'ōu wén huà de zūn chóng。
lìng yī fāng miàn shì xiǎo shuō。《 xīn de jiāo zào》 shì tā wéi yī de cháng piān xiǎo shuō， zuò yú yī jiǔ sān bā nián。 zhè yī shí qī de zhōng duǎn piān bāo kuò：《 kǒng jù》 (1920； 1925 nián gǎi xiě )、《 mǎ lái kuáng rén》 (1922)、《 yī gè mò shēng nǚ rén de lái xìn》 (1922) hé《 yī gè nǚ rén yī shēng zhōng de 'èr shí sì xiǎo shí》 (1922)、《 yuè guāng hú tóng》 (1922)、《 kàn bù jiàn de zhēn cáng》 (1927) děng děng。 tā zuò pǐn de jī diào shì xiàn shí zhù yì de， tā zuì shàn cháng de shǒu fǎ shì xì nì de xīn lǐ miáo xiě。 tā yóu qí zhuózhòng xuǎn qǔ zī chǎn jiē jí shè huì zhōng fù nǚ de bù xìng zāo yù de tí cái， jiē lù“ wén míng rén” juàn zǐ de shēng huó kōng xū hé dào dé bài huài， qiǎn zé duì nǚ xìng de bù zūn zhòng hé duì rén de shàn liáng pǐn zhì de cán hài， zàn měi tóng qíng、 liǎo jiě、 rén 'ài hé kuān shù。 tā nǔ lì tàn suǒ rén wù de jīng shén shì jiè， miáo xiě dào dé bài huài gěi rén dài lái de qíng gǎn shàng de tòng kǔ， jiē shì gè rén xīn líng zhōng zhǒng zhǒng chōu xiàng de měi dé， shèn zhì ràng yǐ jīng duò luò de rén shēn shàng shǎn yào chū dào yì de huǒ huā， tā de mùdì shì yào gǎi jìn zī běn zhù yì shè huì de dào dé guān niàn hé rén men de jīng shén miàn mào。
yī jiǔ sān sān nián xī tè lè shàng tái， yī jiǔ sān sì nián fā shēng wéi yě nà shì jiàn， ào dì lì de fǎ xī sī fènzǐ yào qiú dé、 ào hé bìng， cí wēi gé bù dé yǐ qiān jū yīng guó。 yī jiǔ sān bā nián， ào dì lì bìng rù dé guó hòu， tā biàn jiā rù yīng guó jí， bù jiǔ yòu lí yīng fù měi， yī jiǔ sì líng nián jīng niǔ yuē qù bā xī。
yī jiǔ sì 'èr nián 'èr yuè 'èr shí sān rì， cí wēi gé hé tā de qī zǐ zài bā xī fú dú zì shā。 tā zài qù shì zhī qián， wán chéng liǎo《 zuó rì de shì jiè --- yī gè 'ōu zhōu rén de huí yì lù》， zhè shì tā yī shēng de lì shǐ， yě shì tā nà yī dài rén de lì shǐ； zhè shì duì zuó rì de shì jiè， yì jí duì zài dì 'èr cì shì jiè dà zhàn zhōng chén lún de zī chǎn jiē jí shì jiè de huí yì。 tā sǐ hòu fā biǎo de《 xiàng qí de gù shì》 (1941)， shì tā de zuì hòu yī piān xiǎo shuō， chén tòng dì sù shuō liǎo yī gè xīn líng hé cái zhì zāo dào nà cuì cuī cán de rén de jīng lì。
Life
Zweig was the son of Moritz Zweig (1845-1926), a wealthy Jewish textile manufacturer, and Ida Zweig née Brettauer (1854-1938), from a Jewish banking family. Joseph Brettauer did business for twenty years in Ancona, Italy, where his second daughter Ida was born and grew up, too. Zweig studied philosophy at the university of Vienna and in 1904 earned a doctoral degree with a thesis on "The Philosophy of Hippolyte Taine". Religion did not play a central role in his education. "My mother and father were Jewish only through accident of birth," Zweig said later in an interview. Yet he did not renounce his Jewish faith and wrote repeatedly on Jewish themes. Although his essays were published in the Neue Freie Presse, whose literary editor was the Zionist leader Theodor Herzl, Zweig was not attracted to Herzl's Jewish nationalism.
In the First World War Zweig served in the Archives of the Ministry of War, and soon acquired a pacifist stand like his friend Romain Rolland, winner of the Nobel Prize for Literature 1915. Zweig remained pacifist all his life and advocated the unification of Europe. Like Rolland, he wrote many biographies. His Erasmus of Rotterdam he called a "concealed self-portrayal" in The World of Yesterday.
Zweig fled Austria in 1934, following Hitler's rise to power in Germany. He then lived in England (in London and from 1939 in Bath) before moving to the United States in 1940. In 1941 he went to Brazil, where in 1942 he and his second wife Lotte (née Charlotte Elisabeth Altmann) committed suicide together in Petrópolis, despairing at the future of Europe and its culture. "I think it better to conclude in good time and in erect bearing a life in which intellectual labour meant the purest joy and personal freedom the highest good on Earth," he wrote. His autobiography The World of Yesterday is a paean to the European culture he considered lost.
Work
Stefan Zweig was a prominent writer in the 1920s and 1930s. Though he is still well-known in many European countries, his work has become less familiar in the anglophone world. Since the 1990s there has been an effort on the part of several publishers (notably Pushkin Press and New York Review of Books) to get Zweig back into print in English.
Zweig is best known for his novellas (notably The Royal Game, Amok, Letter from an Unknown Woman - filmed in 1948 by Max Ophuls), novels (Beware of Pity, Confusion of Feelings, and the posthumously published The Post Office Girl) and biographies (notably Erasmus of Rotterdam, Conqueror of the Seas: The Story of Magellan, and Mary, Queen of Scotland and the Isles). At one time his works were published in English under the pseudonym 'Stephen Branch' (a translation of his real name) when anti-German sentiment was running high. His biography of Queen Marie-Antoinette was later adapted for a Hollywood movie, starring the actress Norma Shearer in the title role.
Zweig enjoyed a close association with Richard Strauss, and provided the libretto for Die schweigsame Frau (The Silent Woman). Strauss famously defied the Nazi regime by refusing to sanction the removal of Zweig's name from the program for the work's première on June 24, 1935 in Dresden. As a result, Goebbels refused to attend as planned, and the opera was banned after three performances. Zweig later collaborated with Joseph Gregor, to provide Strauss with the libretto for one other opera, Daphne, in 1937. At least one other work by Zweig received a musical setting: the pianist and composer Henry Jolles, who like Zweig had fled to Brazil to escape the Nazis, composed a song, "Último poema de Stefan Zweig", based on "Letztes Gedicht", which Zweig wrote on the occasion of his 60th birthday in November 1941.
There are important Zweig collections at the British Library and at the State University of New York at Fredonia. The British Library's Zweig Music Collection was donated to the library by his heirs in May 1986. It specialises in autograph music manuscripts, including works by Bach, Haydn, Wagner, and Mahler. It has been described as "one of the world's greatest collections of autograph manuscripts". One particularly precious item is Mozart's "Verzeichnüß aller meiner Werke" - that is, the composer's own handwritten thematic catalogue of his works.
Bibliography
The dates mentioned below are the dates of first publication in German.
Note: This bibliography is still incomplete. Please refer to the German version for more information.
Fiction
* The Love of Erika Ewald, 1904 (Original title: Die Liebe der Erika Ewald)
* Burning Secret, 1913 (Original title: Brennendes Geheimnis)
* Letter from an Unknown Woman, 1922 (Original title: Brief einer Unbekannten) - novella
* Amok, 1922 (Original title: Amok) - novella, initially published with several others in Amok. Novellen einer Leidenschaft
* Fear, 1925 (Original title: Angst. Novelle)
* The Eyes of My Brother, Forever, 1925 (Original title: Die Augen des ewigen Bruders)
* The Invisible Collection see Collected Stories below , (Original title: Die Unsichtbare Sammlung, first published in book form in 'Insel-Almanach auf das Jahr 1927')
* The Refugee, 1927 (Original title: Der Flüchtling. Episode vom Genfer See).
* Confusion of Feelings or Confusion: The Private Papers of Privy Councillor R. Von D, 1927 (Original title: Verwirrung der Gefühle) - novella initially published in the volume Verwirrung der Gefühle: Drei Novellen
* Twenty-Four Hours in the Life of a Woman, 1927 (Original title: Vierundzwanzig Stunden aus dem Leben einer Frau) - novella initially published in the volume Verwirrung der Gefühle: Drei Novellen
* Short stories, 1930 (Original title: Kleine Chronik. Vier Erzählungen) - includes Buchmendel
* Collected Stories, 1936 (Original title: Gesammelte Erzählungen) - two volumes of short stories:
1. The Chains (Original title: Die Kette)
2. Kaleidoscope (Original title: Kaleidoskop). Includes: Casual Knowledge of a Craft, Leporella, Fear, Burning Secret, Summer Novella, The Governess, Buchmendel, The Refugee, The Invisible Collection, Fantastic Night and Moonbeam Alley
* Beware of Pity, 1939 (Original title: Ungeduld des Herzens) novel
* The Royal Game or Chess Story (Original title: Schachnovelle; Buenos Aires, 1942) - novella written in 1938-41, published posthumously
* Clarissa, 1981 unfinished novel, published posthumously
* The Post Office Girl, 1982 (Original title: Rausch der Verwandlung. Roman aus dem Nachlaß; The Intoxication of Metamorphosis) - unfinished novel, published posthumously, and in 2008 for the first time in English.
Biographies and Historical Texts
* Béatrice Gonzalés-Vangell, Kaddish et Renaissance, La Shoah dans les romans viennois de Schindel, Menasse et Rabinovici, Septentrion, Valenciennes, 2005, 348 pages.
* Emile Verhaeren, 1910
* Three Masters: Balzac, Dickens, Dostoeffsky, 1920 (Original title: Drei Meister. Balzac – Dickens – Dostojewski)
* Romain Rolland. The Man and His Works, 1921 (Original title: Romain Rolland. Der Mann und das Werk)
* Nietzsche, 1925 (Originally published in the volume titled: Der Kampf mit dem Dämon. Hölderlin – Kleist – Nietzsche)
* Decisive Moments in History, 1927 (Original title: Sternstunden der Menschheit)
* Adepts in Self-Portraiture: Casanova, Stendhal, Tolstoy, 1928 (Original title: Drei Dichter ihres Lebens. Casanova – Stendhal – Tolstoi)
* Joseph Fouché, 1929 (Original title: Joseph Fouché. Bildnis eines politischen Menschen)
* Mental Healers: Franz Mesmer, Mary Baker Eddy, Sigmund Freud, 1932 (Original title: Die Heilung durch den Geist. Mesmer, Mary Baker-Eddy, Freud)
* Marie Antoinette: The Portrait of an Average Woman, 1932 (Original title: Marie Antoinette. Bildnis eines mittleren Charakters) ISBN 4-87187-855-4
* Erasmus of Rotterdam, 1934 (Original title: Triumph und Tragik des Erasmus von Rotterdam)
* Mary, Queen of Scotland and the Isles or The Queen of Scots, 1935 (Original title: Maria Stuart)
* The Right to Heresy: Castellio against Calvin, 1936 (Original title: Castellio gegen Calvin oder Ein Gewissen gegen die Gewalt)
* Conqueror of the Seas: The Story of Magellan, 1938 (Original title: Magellan. Der Mann und seine Tat) ISBN 4-87187-856-2
* Amerigo, 1944 (Original title: Amerigo. Geschichte eines historischen Irrtums) - written in 1942, published the day before he died
* Balzac, 1946 - written, as Richard Friedenthal describes in a postscript, by Zweig in the Brazilian summer capital of Petrópolis, without access to the files, notebooks, lists, tables, editions and monographs that Zweig accumulated for many years and that he took with him to Bath, but that he left behind when he went to America. Friedenthal wrote that Balzac "was to be his magnum opus, and he had been working at it for ten years. It was to be a summing up of his own experience as an author and of what life had taught him." Friedenthal claimed that "The book had been finished," though not every chapter was complete; he used a working copy of the manuscript Zweig left behind him to apply "the finishing touches," and Friedenthal rewrote the final chapters (Balzac, translated by William and Dorothy Rose [New York: Viking, 1946], pp. 399, 402).
Plays
* Tersites, 1907 (Original title: Tersites)
* Das Haus am Meer, 1912
* Jeremiah, 1917 (Original title: Jeremias)
Other
* The World of Yesterday (Original title: Die Welt von Gestern; Stockholm, 1942) - autobiography
* Brazil, Land of the Future (Original title: Brasilien. Ein Land der Zukunft; Bermann-Fischer, Stockholm 1941)
Books on Stefan Zweig
* Elizabeth Allday, Stefan Zweig: A Critical Biography, J. Philip O'Hara, Inc., Chicago, 1972
* Alberto Dines, Morte no Paraíso, a Tragédia de Stefan Zweig, Editora Nova Fronteira 1981, (rev. ed.) Editora Rocco 2004
* Alberto Dines, Tod im Paradies. Die Tragödie des Stefan Zweig, Edition Büchergilde, 2006
* Randolph J. Klawiter, Stefan Zweig. An International Bibliography, Ariadne Press, Riverside, 1991
* Donald A. Prater, European of Yesterday: A Biography of Stefan Zweig, Holes and Meier Publ., (rev. ed.) 2003
* Marion Sonnenfeld (editor), The World of Yesterday's Humanist Today. Proceedings of the Stafan Zweig Symposium, texts by Alberto Dines, Randolph J. Klawiter, Leo Spitzer and Harry Zohn, State University of New York Press, 1983
* Friderike Zweig, Stefan Zweig, Thomas Y. Crowell Company, 1946 (An account of his life by his first wife)