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This is a paean to high autumn. Entitled "Chang Qiu," but does not focus on that in the final "look" and the words in the Chang'an afar but praise Autumn. "Autumn," the outlook is the direct object to the performance of the poet.
Sentence points out "look" of the footing. "House leaned outside the frost tree," and "lean" is the meaning of Yili, focusing emphasis on tall buildings stand tall in his own gesture of registration; "outside" and "on" means. After the fall after the frost tree, Yellow Leaves mostly down, more and more showing its towering, and the floor and above the cream over the trees, in such a footing in order overview Cheung An Gaoqiu the global scene, to fully appreciate the Cheng Jie its lofty beauty. So this one is actually the starting point of the poem and infrastructure, and without it, there is no "hope" in what we had seen.
Second verse of hope seen in the Sky. "Mirror-day no single cent," said the sky was bright and clean clear clean face free of dust like a mirror, without any shadow of clouds. This is typical of Autumn Sky. The Cheng Jie to near empty, the sky bright and clean, but also further demonstrated the boundless autumn air of lofty, but also wrote the poet was feeling kind of refreshing and clean, a lofty state of mind.
"Mountain and Autumn, two-phase high momentum." Yuanwang third sentence written in pencil Zhongnanshan. It and "Autumn" compared to that in the Nanshan afar, it was wrote is the momentum into the cloud, like a lofty and boundless autumn to a season low.
Nanshan is the individual specific tangible things, and "Autumn" is an abstract virtual pan is a lot of characteristics with a fall landscape with the broad _set_ of concrete things, the two seem to not match. The poem is _set_ off, Nanshan Autumn with ingenuity. Autumn is difficult to describe, and it exists in all the scenery in the fall, and different authors have different viewing angles Autumn and feelings, and some blows whichever is desolate, and some bright and clean whichever Cheng Jie, whichever is some lofty boundless. This poem is clearly biased towards the appreciation of the lofty Autumn Promise, which is described in the previous two sentences is clear that the. But the fall of the "high" it is difficult to describe every minute of it (at this point, and write Autumn "desolate", the "clear" is very different), especially the kind of lofty it is polar momentum can be felt, is difficult to explained. In this case, in order to prop up the virtual reality will become effective artistic means. Specific tangible Nanshan, bring out the abstract virtual pan of Autumn, the reader through the "Mountain and Autumn, two-phase high-momentum" of the poem, not only can specifically feel the "Autumn" and "high", but even its momentum, spirit and also if the enlightened character.
The benefits of this poem, but also in its views in writing at the same time long-An Gaoqiu the spirit of the poet to write the character. It is closer to impressionistic paintings. Lofty, boundless, bright and clean in the Autumn, in fact, it is also a symbol of the poet and outside of the mind. Especially the last sentence of the poem, giving up the Mountain and Autumn a Junba dynamic, which is more clear-cut demonstration of the temperament of the poet's character, also makes the poem's momentum in the vibrant and in the end, leaving ample room for the imagination .
Tend to flow in the gentle late Tang Qi Yan, Qiu Jian the lack of clear just bones. This chapter is written in the first Five-character short lofty mood, momentum and health act, and the Tang poet Wang Zhihuan of "Deng Guanquelou the" spirit of the place together, in spite of vigorous magnificent, natural harmony inevitably also somewhat more fragile.
(Liu Kai)
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