Wood at the end of hibiscus flowers, mountains, red calyx. Stream households lonely nobody, have open and down.
This is Wang Weitian Garden Poems "Chuan _set_ of" twenty first in the eighteenth. This all five unique poems, like pieces depicting beautiful paintings, many depicting Chuan from the vicinity of the scenery. Author is very good from the ordinary things found in the United States, not only with detailed pen and ink to write clear image of the scene, and often written from the scene in an environmental atmosphere and ethos. Wang's "Chuan _set_" gives the impression of wandering is the mountains and scenery, but also part of the chapter in the performance of the poet's mood is not so quiet and indifferent. The poems in the end of the poems, like "Magnolia dock" following a "park paint": "The ancients not proud of officials, from Que Jingshi service. Even send a micro-officer, the number of strains of whirling tree" on quite Fate. Then next, but also poems of the last chapter, "Law Park": "Zun Gui Ying Tai Son, Kakitsubata gifts beauty. Pepper paste lay Yao I, want to cloud the next king," even with "Songs of the South" vanilla touching beauty . Pei Di poem in and simply use the "fortune worthy of tune with the tripod is ready to hang Jun pick" its intention to point out. Hence, if these poems together to see, "Magnolia dock" at the same time also can not help but paint a portrait with sustenance. Qu Yuan, the magnolia as the fragrant wood, repeatedly written his own poem in it is not strange. It is facing the chilly cold spell every year, in the tall branches, blossoms Pa spit fun. "Wood at the end of hibiscus flowers, mountains, red calyx." This is what Spring brings the image of the school of life and outlook issued. However, this tree Fanghua face is "Stream family lonely no" environment. The poem written by the blooming flowers, and to a description of environment into which, before and after the situation different from the hair to scattered. While it seems implied the screen, but it can make people feel a sense of the historical environment of loneliness. The so-called "Year of China to make shake off, Fang He actually intended to" (ang "sense of the event") and emotion, although not directly say it, but it can be implied in the image. (Yu Shu Cheng)