yuèdòuxī dé ní · xiè 'ěr dùn Sidney Sheldonzài小说之家dezuòpǐn!!! | |||||
cóng cǐ， tā kāi shǐ wéi rén suǒ zhī， jǐ nián měi gé jǐ nián dōuyào fā biǎo yī bù cháng piān xiǎo shuō， gòng jì 18 bù， qí zhōng xǔ duō zuò pǐn míng liè chàng xiāo bǎng shǒu。 tā hái chuàng zuò guò 20 duō bù diàn yǐng jù běn、 250 bù diàn shì jù běn hé jǐ bù wǔ tái jù， céng huò tuō ní jiǎng hé 'ào sī kǎ jiǎng。 tā de xiǎo shuō céng bèi yì chéng 51 zhǒng wén zì， biàn bù 180 duō gè guó jiā（ cǐ jì lù liè rù 1997 nián《 jí ní sī shì jiè jì lù dà quán》）， quán qiú zǒng xiāo liàng yú 3 yì cè。 2007 nián 1 yuè 30 rì， xiè 'ěr dùn zài luò shān jī bìng shì。
xī dé ní · xiè 'ěr dùn -【 zuò pǐn jiǎn píng】
tā de xiǎo shuō dà duō yǐ xī fāng shàng liú shè huì de huó dòng wéi bèi jǐng。 zǎo qī zuò pǐn zhùjué dōushì nián qīng měi lì 'ér cōng míng de jiān qiáng nǚ xìng， zhuózhòng miáo xiě tā men hùn jì yǎn yì juàn de jīng lì。 nǚ zhùjué men jīng guò gè zhǒng gè yàng de bēi cǎn zāo yù， zhōng yú gǔ qǐ yǒng qì， yǔ hēi 'àn miàn zuò pīn sǐ yī dǒu， bào lù liǎo měi guó hǎo lāi wù nèi bù de zhǒng zhǒng hēi 'àn hé xié 'è。
zì《 xuè yuán》 (Bloodline,1978) qǐ， xī dé ní · xiè 'ěr dùn kāi shǐ kuò zhǎn zì jǐ de chuàng zuò lǐng yù， zòng shēn fā zhǎn dào shè huì de gè zhǒng céng miàn hé gè zhǒng rén wù。 1985 nián de《 jiǎ rú míng tiān lái lín》 (IfTomorrowComes) bèi rèn wéi shì xī dé ní · xiè 'ěr dùn de nǚ xìng bào lù xiǎo shuō de dài biǎo zuò。 yǐ hòu de zuò pǐn duō yǐ nǚ xìng wéi zhù rén gōng， jì yòu xì nì de qíng gǎn miáo xiě yòu chōng mǎn liǎo chōng tū xuán niàn。
xī dé ní · xiè 'ěr dùn de xiǎo shuō jù yòu wú kě bǐ nǐ de kě dú xìng。 tā de gù shì qíng jié dié dàng qǐ fú、 yī bō sān zhé、 xuán niàn cóng shēng， shí kōng kuà dù dà、 rén wù duō、 shè zú lǐng yù guǎng， dú bà yòu hān chàng lín lí de gǎn jué。 duì qiáng zhě de tuī chóng yòu shè huì dá 'ěr wén zhù yì de qì xī。
xī dé ní · xiè 'ěr dùn -【 bù xiǔ de chuán qí】
tā shì měi guó xiǎo shuō jiè de chuán qí。 méi yòu jǐ gè rén huì xiàng tā yī yàng， zài zài yīnyuè、 diàn yǐng hé diàn shì sān dà wǔ tái huò dé zuì gāo róng yù jiǎng tuō ní jiǎng、 ào sī kǎ jiǎng hé 'ài měi jiǎng hòu， zài 52 suì shí yì rán fàng xià zì jǐ suǒ yòu shū róng， kuà rù xiǎo shuō zuò jiā hángliè。
méi yòu rèn hé yī gè rén néng xiàng tā yī yàng， zài 52 suì cái kāi shǐ xiě zuò， què néng píng jiè wén zì de mèi lì， ràng zì jǐ qián 17 běn xiǎo shuō quán bù dēng shàng guò《 niǔ yuē shí bào》 chàng xiāo shū páiháng bǎng de bǎng shǒu， yì chéng 51 zhǒng wén zì， yuǎn xiāo 180 duō gè guó jiā， chuàng xià 3 yì cè xiāo liàng。 qí zhōng《 wǔ yè qíng》 hái rù wéi《 niǔ yuē shí bào》 chàng xiāo shū míng dān 53 zhōu shí jiān， chuàng xià dāng shí jì lù。 ér dài biǎo zuò《 jiǎ rú míng tiān lái lín》 zé gèng shì zài shàng wèi wán gǎo de qíng kuàng xià， jiù bèi měi guó gē lún bǐ yà guǎng bō gōng sī zhī fù 100 wàn měi yuán， pò bù jí dài dì gòu mǎi cǐ shū de diàn yǐng bǎn quán。
gēn jù jí ní sī shì jiè jì lù de jìzǎi， tā shì shì jiè shàng bèi fān yì dé zuì duō de zuò jiā， tóng shí yě shì wéi yī yī gè jí 'ào sī kǎ jiǎng、 tuō ní jiǎng hé 'ài lún · pō jiǎng yú yī shēn de rén。
【 yǔ zhòng bù tóng de xiě zuò fāng fǎ】
yǔ yī bān zuò jiā bù tóng， xiè 'ěr dùn bù huì zuò zài dǎ zì jī huò diàn nǎo qián“ kǔ gān”， tā de mù biāo jǐn jǐn shì měi tiān chéng wén 50 yè。
xiè 'ěr dùn yòu shí xiàng mì shū kǒu shù xiǎo shuō qíng jié， yòu shí zì jǐ yòng dǎ zì jī dǎ zì。 tā jué bù gǎn gōng， 50 yè yī dào， tā jiù lì jí tíng shǒu。 tā huì zài dì 'èr tiān xiū gǎi qián yī tiān nèi róng， zài xù xiě 50 yè。 dāng xiě gòu 1200 yè zhì 1500 yè shí， xiè 'ěr dùn biàn kāi shǐ fǎn fù xiū gǎi zhòng xiě。
“ wǒ huì wán quán zhòng xiě 12 zhì 15 cì， huā yī zhěng nián shí jiān zhòng xiě。” xiè 'ěr dùn shuō。
xiè 'ěr dùn de jīng jì rén mò tè · zhān kè luò 2004 nián shuō， xiè 'ěr dùn cháng shèng bù shuāi de yuán yīn shì tā hěn huì jiǎng gù shì， shì zhè fāng miàn de dà shī。 dú zhě guān xīn xiè 'ěr dùn bǐ xià de zhù rén gōng， tā men dà duō wéi shòu dào wēi xié de nǚ xìng， xiè 'ěr dùn shàn yú bǔ zhuō nǚ xìng de qíng gǎn。
zhí dé yī tí de shì， nǚ xìng yóu qí xǐ huān gòu mǎi xiè 'ěr dùn de zuò pǐn。 duì cǐ， xiè 'ěr dùn píng lùn shuō：“ wǒ xǐ huān miáo xiě nà xiē cōng míng 'ér yòu néng lì de nǚ xìng， dàn gèng zhòng yào de shì， zhè xiē nǚ xìng méi yòu sàng shī tā men de wēn róu。 nǚ xìng yòu jù dà de lì liàng héng héng héng tā men de wēn róu ràng nán rén wú fǎ kàng jù。”
xī dé ní · xiè 'ěr dùn -【 duō fāng miàn de cái huá】
cóng shì xiǎo shuō xiě zuò zhī qián， xiè 'ěr dùn zài yīnyuè、 diàn yǐng hé diàn shì jiè yě cóng shì guò xiě zuò gōng zuò， tā hái zuò guò dǎo yǎn hé zhì piàn rén。
xiè 'ěr dùn tì bǎi lǎo huì xiě guò jǐ bù yīnyuè jù zuò pǐn。 qí zhōng， píng jiè《 hóng fā rén》， xiè 'ěr dùn huò dé yīnyuè jù zuì gāo róng yù jiǎng tuō ní jiǎng。 tā zhòng xiě de yīnyuè jù《 fēng liú guǎ fù》、 zì chuàng de《 zhǐ pái》 hé《 xiānyuè piāo piāo》 jīhū tóng shí zài bǎi lǎo huì shàng yǎn， huò dé jù dà chéng gōng。
bǎi lǎo huì de chéng gōng jiāng xiè 'ěr dùn dài huí hǎo lāi wù。 tā chú xiě guò 20 yú bù diàn yǐng jù běn wài， hái chéng wéi bù shǎo yǐngpiān de dǎo yǎn hé zhì piàn rén。 píng jiè《 dān shēn hàn yǔ shí máo nǚ láng》， xiè 'ěr dùn yú 1947 nián wèn dǐng 'ào sī kǎ zuì jiā jù běn jiǎng。
hòu lái， diàn shì yè xīng qǐ， xiè 'ěr dùn xuǎn zé zhuǎn yè。 tā chuàng zuò hé zhì piàn de diàn shì lián xù jù《 mèng jiàn jīng líng》 yú 1965 nián zhì 1970 nián lián xù wǔ nián yóu měi guó quán guó guǎng bō gōng sī rè bō， tì tā jiāng 'ài měi jiǎng shōu rù náng zhōng。
xiè 'ěr dùn shuō， zài chuàng zuò《 mèng jiàn jīng líng》 de zuì hòu yī nián lǐ， tā jué xīn zhuàn xiě xiǎo shuō。“ měi tiān zǎo chén 9 shí zhì zhōng wǔ， wǒ dū ràng mì shū jiē tīng gōng zuò shì de suǒ yòu diàn huà。 měi gè zǎo chén wǒdōu zài xiě zuò héng héng héng yòu shí wǒ niàn mì shū xiě héng héng héng rán hòu wǒ cái kāi shǐ diàn shì yè wù。” xiè 'ěr dùn shuō。
xī dé ní · xiè 'ěr dùn -【 yòu zì jǐ de jiān chí】
zhí dé xiè 'ěr dùn jiāo 'ào de shì， tā jué duì zhōng shí yú xiě zuò xì jié。
xiè 'ěr dùn 1987 nián shuō：“ rú guǒ wǒ xiě dào yī gè dì fāng， wǒ kěn dìng qù guò nà lǐ； rú guǒ wǒ xiě liǎo mǒu dào yìn dù ní xī yà cài， nà wǒ kěn dìng zài nà jiā cān tīng chī dào guò zhè dào cài。 wǒ bù xiǎng qī piàn dú zhě。” wéi zhuàn xiě《 xīn líng de fēng chē》， xiè 'ěr dùn hái cǎi fǎng guò qián zhōng yāng qíng bào jú jú cháng lǐ chá dé · mài jiā lā · hè 'ěr mǔ sī， dào 'ā gēn tíng hé luó mǎ ní yà lǚ yóu bìng zài xiǎo shuō zhù rén gōng shēng huó dì、 kān sà sī zhōu jiāo jiè chéng shēng huó liǎo yī zhōu shí jiān。
xiè 'ěr dùn shuō， xiǎo shuō chuàng zuò shì tā zuì xǐ huān de hángyè。 duì yú tū rán zhuǎn yè xiě xiǎo shuō， xiè 'ěr dùn biǎo shì， tā dāng shí gǎn jué dào tóu nǎo lǐ méng shēng yī xiē qíng jié fù zá de dōng xī， xiǎng yào jìn yī bù tàn jiū rén lèi de qíng gǎn hé xíng wéi dòng jī， zhè chāo yuè liǎo diàn yǐng hé diàn shì jù běn hán gài de fàn wéi。 tā shuō：“ cháng shì xiě zuò（ xiǎo shuō） shì wǒ dāng shí wéi yī de dá 'àn。”
xiǎo shuō yòu yī zhǒng qí miào de fēn wéi， xiǎo shuō de shì jiè lǐ yòu qí tā méi tǐ bù céng yōng yòu de zì yóu， xiè 'ěr dùn gào sù jì zhě。
【 chū shēn pín qióng， chuàng zào qí jì】
duì yú zì jǐ de chéng jiù， xiè 'ěr dùn rèn wéi， zhè kǒng pà suàn dé shàng yīcháng qí jì。
“ wǒ fù mǔ dōushì sān děng chuò xué zhě，” xiè 'ěr dùn shuō，“ wǒ fù qīn yī bèi zǐ méi dú guò yī běn shū， wǒ shì jiā lǐ wéi yī yī gè wán chéng gāo zhōng xué yè de rén。”
xiè 'ěr dùn zài gāo zhōng bì yè hòu huò dé liǎo qù xī běi dà xué shēn zào de jiǎng xué jīn， rán 'ér， yóu yú měi guó jīng jì chū xiàn dà xiāo tiáo， xiè 'ěr dùn bù dé bù zài dà xué yī nián jí shí fàng qì xué yè。
shù nián hòu， xiè 'ěr dùn huí yì dāng shí de qíng xíng shuō：“ wǒ kàn zhe nà xiē yī zhe rù shí de xué shēng， wǒ mò xiǎng， shù nián hòu， jiāng méi yòu rén zhī dào tā men de cún zài。 wǒ yào liú xià rén shēng de yìn jì， wǒ xiǎng yào rén men zhī dào wǒ lái guò。”
chuò xué de xiè 'ěr dùn zài zhī jiā gē zuò guò jù yuàn bào mù yuán、 pí xié xiāo shòu yuán hé yè zǒng huì yī mào jì cún chù fú wù yuán。 yòu yī tiān， yè zǒng huì yuèduì de zhù chàng chàng liǎo yī shǒu xiè 'ěr dùn xiě zuò de gēqǔ， zhè shǐ tā hòu lái huái chuài chéng wéi yīnyuè zuò cí rén de lǐ xiǎng， qián wǎng niǔ yuē。 zài nà lǐ， xiè 'ěr dùn kàn dào xǔ duō diàn yǐng bìng méng shēng liǎo xiě zuò diàn yǐng jù běn de niàn tóu， lái dào hǎo lāi wù。
rán 'ér， xiè 'ěr dùn zài hǎo lāi wù qiú zhí shí bù duàn zāo jù。 zài dé zhī hǎo lāi wù zhì piàn rén gù yōng dú zhě bāng zhù fēn xī jù běn hòu， xiè 'ěr dùn jìn xíng liǎo cháng shì， bìng huò dé gōng zuò jī huì。 tā dāng shí de zhōu xīn jǐn wéi yuē 20 měi yuán。
bù jiǔ hòu， dì 'èr cì shì jiè dà zhàn bào fā， xiè 'ěr dùn cān jiā měi guó kōng jūn。 bù guò， yóu yú jiàn kāng wèn tí， tā rù wǔ jǐ gè yuè hòu biàn lí kāi kōng jūn。 zhàn hòu， xiè 'ěr dùn kāi shǐ zài niǔ yuē chuàng zuò yīnyuè jù， bìng zài juàn zhōng shēng míng què qǐ。 zài hòu lái de 60 nián lǐ， xiè 'ěr dùn jīng jīng yè yè， zhōng yú xiě xià chuán qí yī shēng。
xī dé ní · xiè 'ěr dùn -【 rén shēng nián biǎo】
1917 nián 2 yuè 11 rì xī dé ní · xiè 'ěr dùn chū shēng yú yī lì nuò yī zhōu de zhī jiā gē
1937 nián xiè 'ěr dùn lái dào hǎo lāi wù。 zài huán qiú diàn yǐng gōng sī zhǎo liǎo yī fèn dú gǎo yuán de gōng zuò， měi zhōu gōng zī 17 měi yuán。 tā hái yǔ běn · luó bó cí hé zuò xiě liǎo xǔ duō B jí diàn yǐng。
1941 nián xiè 'ěr dùn fú yì yú kōng jūn， zuò wéi yī míng fēi xíng yuán cān jiā 'èr zhàn。
tóng nián， chuàng zuò《 GamblingDaughters》 ( biān jù )
《 BorrowedHero》 ( biān jù )
《 Mr.DistrictAttorneyintheCarterCase》 ( biān jù )
《 bā ná mǎ zhī nán》 yīng wén yuán míng：《 SouthofPanama》 ( biān jù )
1942 nián chuàng zuò《 Fly-By-Night》 ( biān jù )
《 She'sintheArmy》 ( biān jù )
tóng nián， xiè 'ěr dùn chuàng zuò de sān gè yīnyuè jù héng héng《 fēng liú guǎ fù》、《 zhǐ pái》 hé《 xiānyuè piāo piāo》 zài bǎi lǎo huì tóng shí shàng yǎn。 40 nián dài zhōng qī， xiè 'ěr dùn chóngfǎn hǎo lāi wù， zuò wéi yī míng chéng gōng de biān jù， tā zài mǐ gāo méi hé pài lā méng diàn yǐng gōng sī kāi shǐ liǎo cháng qī de zhí yè shēng yá。
1947 nián chuàng zuò《 dān shēn hàn yǔ shí máo nǚ láng》， yīng wén yuán míng：《 TheBachelorandtheBobby-Soxer》 ( biān jù )
tóng nián， běn zuò huò dé“ 1947 nián piào fáng zuì gāo róng yù jiǎng” de jù běn jiǎng。
1948 nián xiè 'ěr dùn de《 dān shēn hàn yǔ shí máo nǚ láng》 huò dé 'ào sī kǎ zuì jiā yuán chuàng jù běn jiǎng。《 fù huó jié yóu xíng》 róng huò měi guó yǐng shì zuò jiā xié huì zuì jiā yīnyuè jù běn jiǎng， tóng shí duó dé běn nián dù“ piào fáng zuì gāo róng yù jiǎng” de jù běn jiǎng。
tóng nián， chuàng zuò《 huā kāi dié mǎn zhī》 yīng wén yuán míng：《 EasterParade》 ( biān jù )
1949 nián chuàng zuò《 jīn fěn dì hòu》 yīng wén yuán míng：《 TheBarkleysofBroadway》 ( biān jù )
1950 nián chuàng zuò《 NancyGoestoRio》 ( biān jù )
《 fēi yàn jīn qiāng》， yòu yì《 ān nī， ná qǐ nǐ de qiāng》 yīng wén yuán míng：《 AnnieGetYourGun》 ( biān jù )
1951 nián xiè 'ěr dùn de《 ān nī， ná qǐ nǐ de qiāng》 huò dé měi guó yǐng shì zuò jiā xié huì bān fā de zuì jiā yīnyuè jù běn jiǎng。
tóng nián， chuàng zuò《 ThreeGuysNamedMike》 ( biān jù )
《 NoQuestionsAsked》 ( biān jù )
《 Rich,YoungandPretty》 ( biān jù )
1953 nián chuàng zuò《 RemainstoBeSeen》 ( biān jù )
《 DreamWife》 ( dǎo yǎn、 biān jù )
1955 nián chuàng zuò《 chūn xiāo zhī fěn kè》 yīng wén yuán míng：《 You'reNeverTooYoung》 ( biān jù )
1956 nián chuàng zuò《 niǎo yǔ mì fēng》 yīng wén yuán míng：《 TheBirdsandtheBees》 ( biān jù )
《 AnythingGoes》 ( biān jù )
《 liǎng shǎ zhuō shī jì》 yīng wén yuán míng：《 Pardners》 ( biān jù )
1957 nián chuàng zuò《 TheBusterKeatonStory》（ dǎo yǎn、 biān jù、 zhì zuò rén )
1959 nián zàn huí bǎi lǎo huì。 xiè 'ěr dùn hé bié rén hé zuò de《 hóng fā rén》 huò dé tuō ní jiǎng。
1961 nián chuàng zuò《 AllinaNight'sWork》 ( biān jù )
1965 nián chuàng zuò《 tài kōng xiān nǚ liàn》 yīng wén yuán míng：《 IDreamofJeannie》 ( biān jù、 zhì zuò rén )
1962 nián chuàng zuò《 jiāng hú nǚ》 yīng wén yuán míng：《 BillyRose'sJumbo》 ( biān jù )
1964 nián xiè 'ěr dùn hé yíng píng jīng huá gōng sī hé zuò， gòu sī zhuàn xiě hé zhì zuò《 mèng jiàn jīng líng》
1967 nián 《 mèng jiàn jīng líng》 huò dé 'ài měi jiǎng de jié chū xǐ jù zuò pǐn chéng jiù jiǎng tí míng。
1970 nián xiè 'ěr dùn dì yī bù xiǎo shuō《 luǒ liǎn》 chū bǎn， bìng huò dé měi guó tuī lǐ zuò jiā xié huì bān fā de 'ài lún · pō jiǎng。
1974 nián xiè 'ěr dùn de dì 'èr bù xiǎo shuō《 wǔ yè lìng yī miàn》 zài《 niǔ yuē shí bào》 chàng xiāo shū páiháng bǎng shàng bǎng 53 zhōu， chuàng xià jì lù。 tóng nián， chuàng zuò《 BusterandBillie》 ( dǎo yǎn )
1975 nián xiè 'ěr dùn《 jìng zǐ lǐ de mò shēng rén》 chū bǎn， qí jīng zhuāng běn hé píng zhuāng běn dōuchéng wéi dāng shí de chàng xiāo shū。
1977 nián xiè 'ěr dùn de dì sì bù xiǎo shuō《 zhū mén xuè hén》（ yòu yì《 jì sì jiā rén》、《 xuè tǒng》， yīng wén yuán míng：《 Bloodline》） chéng wéi chàng xiāo shū dì yī míng。
tóng nián， chuàng zuò《 wǔ yè qíng tiǎo》 yīng wén yuán míng：《 TheOtherSideofMidnight》 ( biān jù )
1979 nián chuàng zuò《 HarttoHart》 ( biān jù )
yǐng shì bǎn《 xuè tǒng》 yīng wén yuán míng：《 Bloodline》 ( biān jù )
1980 nián 《 tiān shǐ de fèn nù》（ yīng wén yuán míng：《 RageofAngels》） chū bǎn hòu xuán jí dēng shàng chàng xiāo páiháng bǎng bǎng shǒu， bìng chí xù 18 zhōu。 lián xù shàng bǎng shí jiān wéi 42 zhōu。
1982 nián dì liù bù xiǎo shuō《 móu lüè dà shī》（ yīng wén yuán míng：《 MasteroftheGame》） yī liàng xiāng jiù dēng shàng《 niǔ yuē shí bào》 chàng xiāo shū páiháng bǎng， bìng tíng liú liǎo 11 zhōu。
1983 nián “ xī dé ní · xiè 'ěr dùn” rì zài tā de jiā xiāng jǔ xíng。 zhī jiā gē shì cháng xuān bù qìng zhù yí shì kāi shǐ。
tóng nián， chuàng zuò yǐng shì bǎn《 tiān shǐ de fèn nù》 yīng wén yuán míng：《 RageofAngels》 ( biān jù、 zhì zuò rén )
1984 nián chuàng zuò diàn yǐng bǎn《 móu lüè dà shī》（ yòu yì：《 yóu xì gāo shǒu》） yīng wén yuán míng：《 MasteroftheGame》 ( biān jù )
yǐng shì bǎn《 luǒ liǎn》 yīng wén yuán míng：《 TheNakedFace》 ( biān jù )
1986 nián lìng yī bù No.1 chàng xiāo shū《 jiǎ rú míng tiān lái lín》 chū bǎn。
tóng nián， chuàng zuò《 tiān shǐ de fèn nù xù jí》 yīng wén yuán míng：《 RageofAngels:TheStoryContinues》 ( biān jù、 zhì zuò rén )
chuàng zuò《 jiǎ ruò míng tiān lái lín》 yīng wén yuán míng：《 IfTomorrowComes》 ( biān jù )
1987 nián dì bā bù xiǎo shuō《 zhòng shén de fēng chē》 gěi wēi lián · mò luò chū bǎn shè dài lái gōng sī lì shǐ shàng zuì dà yī bǐ yù dìng dān。 gāi xiǎo shuō zài guān fāng zhèng shì fā xíng zhī qián liǎng tiān， yǐ jīng dēng shàng chàng xiāo shū páiháng bǎng bǎng shǒu。
1988 nián xiǎo shuō《 shí jiān zhī shā》（ yīng wén yuán míng：《 TheSandsofTime》） tóng yàng zài guān fāng zhèng shì fā xíng zhī qián， yǐ jīng róng dēng《 niǔ yuē shí bào》 chàng xiāo shū páiháng bǎng， yù dìng dān chāo guò 100 wàn cè。 tóng nián， xiè 'ěr dùn de míng zì bèi xiě kè zài hǎo lāi wù xīng guāng dà dào shàng。
tóng nián， chuàng zuò yǐng shì bǎn《 zhòng shén de fēng chē》 yīng wén yuán míng：《 WindmillsoftheGods》 ( biān jù )
1990 nián dì shí bù xiǎo shuō《 wǔ yè de huí yì》（《 wǔ yè lìng yī miàn》 de xù jí）， wéi wēi lián · mò luò chū bǎn shè chuàng zào liǎo shǒu fā 110 wàn cè de lì shǐ jì lù。
1991 nián chuàng zuò xù jí xìng zhì de《 IStillDreamofJeannie》 ( biān jù )
yǐng shì bǎn《 wǔ yè de huí yì》 yīng wén yuán míng：《 MemoriesofMidnight》 ( yǎn yuán、 biān jù、 zhì zuò rén )
1993 nián xiè 'ěr dùn zài fǎ guó dù wēi 'ěr diàn yǐng jié shàng huò dé wén xué jiǎng。
1992 nián chuàng zuò《 Zvezdasherifa》 ( biān jù )
yǐng shì bǎn《 shí jiān zhī shā》 ( biān jù、 zhì zuò rén )
1993 nián chuàng zuò yǐng shì bǎn《 jìng zǐ lǐ de mò shēng rén》 ( biān jù )
1994 nián xī dé ní · xiè 'ěr dùn chū bǎn liǎo tā de dì 13 bù xiǎo shuō，《 shì wú dìng shì》（ yīng wén yuán míng：《 NothingLastsForever》）， zhè bù lìng rén yǎn huā liáo luàn de xiǎo shuō ràng dú zhě jìn rù kuáng rè zhuàng tài。 tóng nián， xiè 'ěr dùn bèi zhǐ dìng wéi wèi lái tú shū guǎn de guó jiā fā yán rén。
tóng nián， chuàng zuò《 HarttoHart:HomeIsWheretheHartIs》 ( biān jù )
1995 nián xiè 'ěr dùn bèi měi guó tú shū guǎn xié huì hé luò shān jī gōng gòng tú shū guǎn shòu yú róng yù shì mín jiǎng。
tóng nián， chū bǎn dì 14 bù xiǎo shuō《 huò qǐ xiāo qiáng》（ yīng wén yuán míng：《 Morning,Noon&Night》）
chuàng zuò《 HarttoHart:TwoHartsin3/4Time》 ( biān jù )
yǐ jí yǐng shì bǎn《 shì wú dìng shì》 ( biān jù )
1996 nián chuàng zuò《 HarttoHart:HartsinHighSeason》 ( biān jù )
1997 nián xiè 'ěr dùn yīn“ shì jiè shàng zuò pǐn bèi fān yì chéng zuì duō yǔ yán de zuò jiā” ér zài rù jí ní sī shì jiè jì lù。 tóng nián，《 tiān yī wúfèng》（ yòu míng《 è mó de yóu xì》） chū bǎn， shǒu fā 100 wàn cè， dēng shàng《 niǔ yuē shí bào》 chàng xiāo shū páiháng bǎng。
1998 nián 《 gào sù wǒ nǐ de mèng》（ yòu míng《 xiāo shī de dì píng xiàn》， yīng wén yuán míng《 TellMeYourDreamst》） chū bǎn， dēng shàng《 niǔ yuē shí bào》 chàng xiāo shū páiháng bǎng。
1999 nián xī dé ní · xiè 'ěr dùn de xiào xiàng chū xiàn zài“ 20 shì jì wěi dà zuò jiā” de yóu piào shàng，“ xī dé ní · xiè 'ěr dùn” rì zài bèi fó lì shān jǔ xíng。
2000 nián chū bǎn dì shí liù bù xiǎo shuō《 miè dǐng zhī zāi》（ yīng wén yuán míng《 TheSkyisFalling》）
2004 nián xiè 'ěr dùn zuì hòu yī bù xiǎo shuō《 nǐ pà hēi má》 chū bǎn（ yīng wén yuán míng《 AreYouAfraidoftheDark》）
2005 nián xiè 'ěr dùn zìzhuàn tǐ xiǎo shuō《 wǒ de lìng yī miàn》 chū bǎn（ yīng wén yuán míng《 TheOtherSideofMe》）
2007 nián 1 yuè 30 rì xī dé ní · xiè 'ěr dùn bìng shì。 qī zǐ yà lì shān dé lā péi bàn zài tā shēn biān。
xī dé ní · xiè 'ěr dùn -【 xī dé ní · xiè 'ěr dùn zhù yào xiǎo shuō zhōng wén bǎn chū bǎn liè biǎo】
1.《 luǒ liǎn》（ TheNakedFace， 1970）： hēi lóng jiāng cháo xiān mín zú chū bǎn shè 1985（《 luǒ liǎn》）， zuò jiā chū bǎn shè 1988（《 jiǎ miàn》）。
2.《 zǐ yè de lìng yī miàn》（ TheOtherSideofMidnight， 1974）： gān sù rén mín chū bǎn shè 1985（《 wǔ yè qíng》）， hǎi nán rén mín chū bǎn shè 1985（《 zhēng níng de yè》）， gān sù rén mín chū bǎn shè 1986（《 qíng yǔ chóu》）， bǎi huā wén yì chū bǎn shè 1989（《 zuì 'è yǔ 'ài qíng》）， zhōng guó zàngxué chū bǎn shè 1994（《 wǔ yè qíng tiǎo》）。
3.《 jìng zǐ lǐ de mò shēng rén》（ AStrangerintheMirror， 1976）： jí lín rén mín chū bǎn shè 1988（《 míng xīng de zhuì luò》）， hēi lóng jiāng rén mín chū bǎn shè 1988（《 jìng zǐ lǐ de mò shēng rén》）， bǎo wén táng shū diàn 1988（《 jìng zǐ lǐ de mò shēng rén》）， běi jīng rì bào chū bǎn shè 1989（《 zuì niè de yòu huò》）。
4.《 xuè zú》（ Bloodline， 1977）： shǎn xī rén mín chū bǎn shè 1983（《 xuè yuán》）， hú nán rén mín chū bǎn shè 1984（《 xuè yuán》）， ān huī wén yì chū bǎn shè 1986（《 jì sì jiā rén》）， zhōng guó zàngxué chū bǎn shè 1994（《 xuè zú》）。
5.《 tiān shǐ de fèn nù》（ RageofAngels， 1980）： jiāng sū rén mín chū bǎn shè 1982， dé hóng mín zú chū bǎn shè 1995。
6.《 yóu xì gāo shǒu》（ MasteroftheGame， 1982）： hēi lóng jiāng cháo xiān mín zú chū bǎn shè 1985（《 nǚ qiáng rén》）， ān huī wén yì chū bǎn shè 1986（《 dī xuè de zuàn shí》）， huáng hé wén yì chū bǎn shè 1986（《 móu lüè dà shī》）， lù jiāng chū bǎn shè 1987（《 sài chǎng lǎo shǒu》）， hú nán rén mín chū bǎn shè 1987（《 jìng jì chǎng shàng de nǚ rén》）， zhōng guó zàngxué chū bǎn shè 1994（《 yóu xì gāo shǒu》）。
7.《 jiǎ ruò míng tiān lái lín》（ IfTomorrowComes， 1985）： lí jiāng chū bǎn shè 1986（《 jiǎ ruò míng tiān lái lín》）， shàng hǎi wén huà chū bǎn shè 1986（《 lái zì dì yù de nǚ rén》）， hǎi nán rén mín chū bǎn shè 1986（《 yòu cháo yī rì》）。
8.《 zhū shén de fēng chē》（ WindmillsoftheGods， 1987）： chūn fēng wén yì chū bǎn shè 1987（《 mó guǐ de luó wǎng》）， hēi lóng jiāng cháo xiān mín zú chū bǎn shè 1987（《 tè shū shǐ mìng de nǚ rén》）， jiāng sū wén yì chū bǎn shè 1987（《 mó guǐ de fēng chē》）， níng xià rén mín chū bǎn shè 1988（《 shàng dì de fēng chē》）。
9.《 shí jiān zhī shā》（ TheSandsofTime， 1988）： hú nán rén mín chū bǎn shè 1988（《 sì xiū nǚ》）， fǎ lǜ chū bǎn shè 1989（《 xiǎn 'è de táo wáng》）， hā 'ěr bīn chū bǎn shè 1989（《 luònàn de xiū nǚ》）， zhōng guó zàngxué chū bǎn shè 1994（《 shí jiān zhī shā》）。
10.《 zǐ yè de huí yì》（ MemoriesofMidnight， 1990，《 zǐ yè de lìng yī miàn》 xù jí）： yì lín chū bǎn shè 1991（《 wǔ yè hún》）， zhè jiāng wén yì chū bǎn shè 1991（《 zǐ yè de huí yì》）。
11.《 shì jiè mò rì de yīn móu》（ TheDoomsdayConspiracy， 1991）： zhōng guó wén lián chū bǎn gōng sī 1991（《 shì jiè mò rì yīn móu》）， yì lín chū bǎn shè 1992（《 shì jiè mò rì de yīn móu》）， sì chuān wén yì chū bǎn shè 1995（《 mò rì zhuī shā》）。
12.《 mìng yùn zhī xīng》（ 1992）： yì lín chū bǎn shè 1994。
13.《 shì wú dìng shì》（ 1994）： yì lín chū bǎn shè 1996。
14.《 huò qǐ xiāo qiáng》（ 1995）： yì lín chū bǎn shè 1996。
15.《 tiān yī wúfèng》（ 1997）： yì lín chū bǎn shè 1998。
16.《 gào sù wǒ nǐ de mèng》（ 1998）： yì lín chū bǎn shè 2000。
17.《 miè dǐng zhī zāi》（ 2000，《 tiān yī wúfèng》 xù jí）： yì lín chū bǎn shè 2001
18.《 nǐ pà hēi má》（ 2004）： yì lín chū bǎn shè
Life and career
Sheldon was born Sidney Schechtel in Chicago, Illinois, to parents of Russian Jewish ancestry, Ascher "Otto" Schechtel (1894–1967), manager of a jewelry store, and Natalie Marcus. At 10, he made his first sale, $5 for a poem. During the Depression, he worked at a variety of jobs, and after graduating from Denver East High School, attended Northwestern University and contributed short plays to drama groups.
In 1937 he moved to Hollywood, California, where he reviewed scripts and collaborated on a number of B movies. Sheldon enlisted in the military during World War II as a pilot in the War Training Service, a branch of the Army Air Corps, However, his unit was disbanded before Sheldon could see any action. He then returned to civilian life and moved to New York where he began writing musicals for the Broadway stage while continuing to write screenplays for both MGM Studios and Paramount Pictures. He earned a reputation as a prolific writer; for example, at one time he had three musicals on Broadway: a rewritten The Merry Widow, Jackpot, and Dream with Music. His success on Broadway brought him back to Hollywood where his first assignment was The Bachelor and the Bobby-Soxer, which earned him the Academy Award for Best Original Screenplay of 1947.
When television became the new hot medium, he decided to try his hand in it. "I suppose I needed money," he remembered. "I met Patty Duke one day at lunch. So I produced The Patty Duke Show, and I did something nobody else in TV ever did. For seven years, I wrote almost every single episode of the series." He also wrote for the series Hart to Hart and Nancy. Most famously he wrote the series I Dream of Jeannie, which he also created and produced, which lasted for five seasons from 1965–1970. It was "During the last year of I Dream of Jeannie, I decided to try a novel," he said in 1982. "Each morning from 9 until noon, I had a secretary at the studio take all calls. I mean every single call. I wrote each morning - or rather, dictated - and then I faced the TV business."
In 1969, Sheldon wrote his first novel, The Naked Face, which earned him a nomination for the Edgar Allan Poe Award from the Mystery Writers of America in the category of Best First Novel. His next novel, The Other Side of Midnight, went to #1 on The New York Times bestseller list as did several ensuing novels, a number of which were also made into motion pictures or TV miniseries.
His novels often featured determined women who persevere in a tough world run by hostile men. The novels contained a lot of suspense and devices to keep the reader turning the page:
"I try to write my books so the reader can't put them down," he explained in a 1982 interview. "I try to construct them so when the reader gets to the end of a chapter, he or she has to read just one more chapter. It's the technique of the old Saturday afternoon serial: leave the guy hanging on the edge of the cliff at the end of the chapter."
Most of his readers were women. Asked why this was the case he said: "I like to write about women who are talented and capable, but most important, retain their femininity. Women have tremendous power - their femininity, because men can't do without it." Books were Sheldon's favorite medium. "I love writing books," he commented. "Movies are a collaborative medium, and everyone is second-guessing you. When you do a novel you're on your own. It's a freedom that doesn't exist in any other medium."
Sheldon created, produced and wrote I Dream of Jeannie in his co-production capacity with Screen Gems. He wrote all but two dozen scripts in five years, sometimes using three pseudonyms {"Mark Rowane", "Allan Devon", "Christopher Golato"}, while simultaneously writing scripts for "The Patty Duke Show". He also used the same pseudonyms in writing all seventeen episodes of Nancy. Sheldon did this because, as he later admitted, he felt his name was appearing too often in the credits as creator, producer, copyright owner and writer of his TV series.
Sheldon was married for 30 years to Jorja Curtright Sheldon, a stage and film actress who later became an accomplished and well known interior designer. She died of a heart attack in 1985. He then remarried Alexandra Kostoff, a former child actress and advertising executive of Macedonian origin, in Las Vegas in 1989. His daughter, Mary Sheldon, became a novelist in her own right.
He struggled with bipolar disorder for years; he contemplated suicide at 17 (talked out of it by his father, who discovered him), as detailed in his autobiography published in 2005, The Other Side of Me
Sheldon died on January 30, 2007 from complications arising from pneumonia at Eisenhower Medical Center in Rancho Mirage, California.
He was cremated. His ashes were interred in Westwood Village Memorial Park Cemetery.
[edit]Awards
Sheldon won an Academy Award for Writing Original Screenplay (1947) for The Bachelor and the Bobby-Soxer, a Tony Award (1959) for his musical Redhead, and was nominated for an Emmy Award for his work on I Dream of Jeannie, an NBC sitcom.
[edit]Bibliography
[edit]Novels
The Naked Face (1970)
The Other Side of Midnight (1973)
A Stranger in the Mirror (1976)
Bloodline (1977)
Rage of Angels (1980)
Master of the Game (1982)
If Tomorrow Comes (1985)
Windmills of the Gods (1987)
The Sands of Time (1988)
Memories of Midnight (1990)
The Doomsday Conspiracy (1991)
The Stars Shine Down (1992)
Nothing Lasts Forever (1994)
Morning, Noon and Night (1995)
The Best Laid Plans (1997)
Tell Me Your Dreams (1998)
The Sky Is Falling (2001)
Are You Afraid of the Dark? (2004)
Sidney Sheldon's Mistress of the Game by Tilly Bagshawe (2009)
Sidney Sheldon's After the Darkness by Tilly Bagshawe (2010)
[edit]Autobiography
The Other Side of Me (2005)
[edit]Broadway Plays
The Merry Widow
Alice in Arms
Redhead
Roman Candle
Gomes(London)
[edit]Films
The Bachelor and the Bobby-Soxer
Three Guys Named Mike
Annie Get Your Gun
Dream Wife
You're Never Too Young
Anything Goes
Billy Rose's Jumbo
Bloodline
[edit]Television
I Dream of Jeannie
If Tomorrow Comes
The Patty Duke Show
Hart to Hart