yán：
jiǎng，
shuō。
lì rú：
yán shuō、
yán dào、
yán huān。
qíng：
zhǐ nán nǚ xiāng '
ài de xīn lǐ zhuàng tài jí yòu guān de shì wù huò shì qíng。
lì rú：
ài qíng、
qíng rén、
qíng dòu chū kāi。
yán qíng：
jiǎng shù nán nǚ zhī jiān de '
ài qíng。
yán qíng xiǎo shuō：
yǐ jiǎng shù nán nǚ zhī jiān xiāng '
ài wéi zhōng xīn，
tōng guò wán zhěng de gù shì qíng jié hé jù tǐ de huán jìng miáo xiě lái fǎn yìng '
ài qíng de xīn lǐ、
zhuàng tài、
shì wù děng shè huì shēng huó de yī zhǒng wén xué tǐ cái。
yán qíng xiǎo shuō jiǎn dān dì shuō，
yī duàn nán nǚ zhù rén gōng zhī jiān de '
ài qíng gù shì。
ài qíng shì gè yǒng héng de huà tí，
shuídōu yòu，
shuídōu xiàn zài huò guò qù jīng lì，
tā kàn dé jiàn mō dé zhe，
ér qiě hái cún zài shì hěn dà de biàn huàn mò cè de kōng jiān。
ài qíng qián de yòu huò；
ài qíng zhōng de kǒng jù；
ài qíng hòu de shī luò ……。
zhè qī jiān，
fēn biàn bù qīng fāng xiàng，
fēn biàn bù qīng zī wèi，
fēn biàn bù qīng zì jǐ。
suǒ yǐ shuō，
yán qíng xiǎo shuō chuàng zuò shuō róng yì yě róng yì，
shuìnán yě nán。
gǔ rén yún：
wú yòng zhī yòng wéi dà yòng。
zuì róng yì chuàng zuò de xiǎo shuō，
qí shí yě shì zuì nán chuàng zuò de xiǎo shuō。
ràng dú zhě zài yán qíng xiǎo shuō lǐ，
liú zhe zì jǐ de yǎn lèi，
zhè cái shì yán qíng xiǎo shuō chuàng zuò de chéng gōng biāo zhǔn。
hái yòu rén zhè me jīng diǎn dì xiě dào：
“ yán qíng xiǎo shuō duì yú wèi liàn '
ài de rén lái shuō shì xiàng wǎng；
duì yú liàn '
ài zhōng de rén lái shuō shì jīng shū；
duì yú shī liàn de rén lái shuō shì tòng kǔ de huí yì；
duì yú xìng fú de rén lái shuō shì xiāo qiǎn；
duì yú zuò zhě lái shuō tā zhǐ shì wèile zuàn rén yǎn lèi。
”
yán qíng xiǎo shuō，
dì yī tā xiān yīnggāi mǎn zú xiǎo shuō de yào qiú，
nà me xiǎo shuō jiù yòu zuì jī běn de sān gè yào sù：
rén wù、
gù shì qíng jié、
huán jìng（
zì rán huán jìng hé shè huì huán jìng）。
yán qíng xiǎo shuō zhōng de rén wù，
wǒ men chēng wéi diǎn xíng rén wù；
zhè gè rén wù shì zuò zhě gēn jù xiàn shí shēng huó chuàng zuò chū lái de，
tā bù tóng yú zhēn rén zhēn shì， "
zá qǔ zhǒng zhǒng，
hé chéng yī gè "，
tōng guò zhè yàng diǎn xíng de rén wù xíng xiàng fǎn yìng '
ài qíng shēng huó，
gèng jí zhōng、
gèng yòu pǔ biàn de dài biǎo xìng。
xiǎo shuō sù zào rén wù de shǒu duàn kě yǐ shì gài kuò jiè shào，
kě yǐ shì jù tǐ de miáo xiě，
kě yǐ xiě rén wù de wài mào，
yě kě yǐ kè huà rén wù de xīn lǐ huó dòng；
jì kě yǐ rén wù de xíng dòng duì huà，
yě kě yǐ shìdàng chā rù zuò zhě de yì lùn；
jì kě yǐ zhèng miàn qǐ bǐ，
yě kě yǐ cè miàn hōng tuō。
yán qíng xiǎo shuō zhù yào shì tōng guò qíng hǎi shēng bō、
fēng yún tū biàn de '
ài qíng gù shì kuàng jià，
fā zhǎn lìng rén mí huò de qíng jié，
zhǎn xiàn chī nán yuàn nǚ de rén wù xìng gé，
biǎo xiàn lǐ zhì yǔ qíng gǎn、
jīng shén yǔ ròu yù bù duàn zhēngzhá de zhōng xīn sī xiǎng。
yán qíng xiǎo shuō de huán jìng miáo xiě hé rén wù de sù zào yǔ zhōng xīn sī xiǎng yòu jí qí zhòng yào de guān xì。
zài huán jìng miáo xiě zhōng，
shè huì huán jìng shì zhòng diǎn，
tā jiē shì liǎo zhǒng zhǒng fù zá de shè huì guān xì，
rú rén wù de shēn fèn、
dì wèi、
chéngzhǎng de lì shǐ bèi jǐng děng děng。
zì rán huán jìng bāo kuò rén wù huó dòng de dì diǎn、
shí jiān、
jì jié、
qì hòu yǐ jí jǐng wù děng děng，
rú jùn nán měi nǚ fēng yuè wú biān de yǐ nǐ fēng guāng、
kū kū tí tí cuī rén lèi xià de qiū yè piāo líng děng děng。
yán qíng xiǎo shuō chú yǐ shàng yǔ qí tā xiǎo shuō de gòng tóng tè diǎn wài，
hái yòu tā zì jǐ de bù tóng de dì fāng。
yán qíng xiǎo shuō shì yī zhǒng zuì jiē jìn shēng huó de wén xué tǐ cái，
tā jù yòu tōng sú xìng，
xiǎo shuō de yǔ yán fēng gé yīnggāi shēng huó huà、
dà zhòng huà、
bìng bù xū yào tài duō huá lì cí zǎo de xiū shì，
dàn gēn jù qíng jié de xū yào gǎn qíng shàng de dú bái huò shī cí gē fù yě qǐ dào zhòng yào zuò yòng。
lì rú：《
dà huà xī yóu》
zhōng“
céng jīng yòu yī fēn '
ài qíng bǎi zài wǒ de miàn qián，
dàn wǒ bù zhī dào zhēn xī，
xiàn zài xiǎng qǐ zhuī huǐ mò jí，
rú guǒ shàng tiān gěi wǒ zài lái yī cì de jī huì，
wǒ huì duì nà gè nǚ hái shuō :
wǒ !
ài !
nǐ !
rú guǒ fēi yào zài zhè '
ài shàng jiā yī gè qī xiàn wǒ xī wàng shì héng yī wàn nián。”
yán qíng xiǎo shuō miáo xiě zhōng nán miǎn yòu nán nǚ '
ài mèi zhī shì de miáo xiě，
cū sú lù gǔ、
pū chén chǒu tài yín shēng jiù bù yào xiě，
xiǎn chū bǐ huì。
zhù zhāng zài miáo mó nán nǚ qíng xìng shí，
qí zì miàn shàng bù lù yī gè yín zì，
lìng rén mù xiǎng shén yóu，
ér yì wéi zhī yí，
suǒ wèi dà dào bù cāo gān máo yě。
bǎ xìng '
ài de miáo xiě jí dù dì shēng huá，
jiù xiàng yī piān sǎnwén shī，
xíng sàn '
ér shén bù sàn，
yào“
rù hū qí zhōng”
ér yòu“
chū hū qí wài”，
dú zhě kàn liǎo chù dòng xīn líng。
yě fǎn duì yòng“……”
dài tì，
qí shí měi gè réndōu yòu qíng，
měi gè rén yòu dū hǎo sè。
yóu qíng zhuǎn rù sè，
yóu sè zhuǎn rù xìng，
qíng、
sè、
xìng yě jiù gòu chéng liǎo wǒ men zhè gè shè huì de gēn jī。
shī qù liǎo zhè gè gēn jī de chuàng zuò，
ràng xiǎo shuō lí kāi zhè gè zhēn shí de shè huì yuǎn liǎo yī diǎn，
ràng xiǎo shuō shī qù tā běn lái yīnggāi yòu de sè cǎi。
yán qíng xiǎo shuō de wén xué yuān yuán hé fā zhǎn
yán qíng xiǎo shuō yòu zhe shēn hòu de zhōng guó wén xué yuān yuán。
làng màn '
ài qíng de yuán tóu kě yǐ zhuī sù dào《
shī jīng》
de shí wǔ guó fēng，
yín sòng zhì jīn de“
guān guān jū jiū，
zài hé zhī zhōu”
měi lì shī jù yíng zào chū '
ài qíng de yuán shǐ huà miàn，
ér hòu de《
chǔ cí》
jiāng qí làng màn zhù yì de fēn wéi zá róu qí zhōng。
zhè xiē wén zì bù dēng dà yǎ，
duō yǐ fēng huā xuě yuè hé shì jǐng shēng huó wéi gù shì bèi jǐng，
shì suí xīn zhī suǒ yù de qīng nián shēng huó yǔ mèng xiǎng，
yīn cǐ làng màn yán qíng xiǎo shuō dài zhe zhè gè“
fēng”
de shēn kè lào yìn ,
tā lái zì yú mín jiān，
shì fán fū dà zhòng de sī xiǎng、
yuàn wàng hé duì shēng huó de chōng jǐng。
xiǎo shuō tǐ cái qǐ yuán yú gǔ dài de shén huà chuán shuō hé xiān qín liǎng hàn de shǐ chuán wén xué，
rú《
zuǒzhuàn》、《
shǐ jì》，
xué zhě dà duō rèn wéi xiǎo shuō xíng chéng yú wèi jìn nán běi cháo shí qī，
yǐ zhì guài xiǎo shuō《
sōu shén jì》
hé zhì rén xiǎo shuō《
shì shuō xīn yǔ》
wéi dài biǎo；
zhí dào táng dài chuán qí jì chéng liù cháo bǐ jì xiǎo shuō de chuán tǒng，
kāi shǐ yòu wán zhěng de gù shì jié gòu hé rén wù guān xì，
bìng kāi shǐ fǎn yìng shè huì xiàn shí，
cái chéng wéi zhēn zhèng yì yì shàng de xiǎo shuō，
rú《
lǐ wá chuán》、《
huò xiǎo yù chuán》
děng；
yǐ《
dà táng sānzàng qǔ jīng shī huà》、《
qīng píng shān táng huà běn》、《
hóng lóu mèng》
sì dà míng zhù děng wéi dài biǎo de sòng yuán huà běn、
míng qīng xiǎo shuō gòu lè liǎo xiǎo shuō qīng xī de fā zhǎn mài luò。
yán qíng xiǎo shuō zuò wéi xiǎo shuō de fēn zhī，
xíng chéng dú lì liú pài de fā zhǎn jiào chí。
yǐ yán qíng wéi zhù tí xiǎo shuō wéi zài tǐ chǎn shēng yǐng xiǎng lì de chuàng zuò yīngshì qīng mò mín chū de xīn yuān yāng hú dié pài，
duō yǐ“
xiāng yuè xiāng liàn，
fēn chāi bù kāi，
liǔ yīn huā xià，
xiàng yī duì hú dié，
yī shuāng yuān yāng yī yàng”
de cái zǐ jiā rén liàn '
ài xiǎo shuō wéi zhù，
yǐ xú zhěn yà de《
yù lí hún》、
zhāng hèn shuǐ de《
tí xiào yīn yuán》
wéi qí dài biǎo，
dì yī cì xiàng shè huì dà zhòng zhǎn xiàn liǎo yán qíng yī pài de shòu huān yíng chéng dù ,
bìng bèi jì chéng jìn rù xià yī gè dú zhě qún guǎng fàn kuò dà de guāng máng shí qī。
èr shí shì jì bā jiǔ shí nián dài，
yán qíng xiǎo shuō yǐ xíjuǎn zhī zī fēngmǐ liǎo jǐ dài dú zhě，
qí zhòng yào yuán yīn zài yú nǚ xìng de dì wèi de tí gāo，
nǚ xìng shòu jiào yù chéng dù hé rén shù suí zhe mín zhù hé kē xué de jìn bù yòu liǎo hěn dà de fā zhǎn，
yǒng xiàn chū liǎo yī dà pī de nǚ xìng zuò zhě hé nǚ xìng dú zhě，
yīn cǐ zhēn zhèng yì yì shàng yán qíng xiǎo shuō de xíng chéng hé guǎng wéi rén zhī yě shì zài zhè yī shí qī，
zhè yě jiù shì chuán tǒng yì yì shàng de yán qíng xiǎo shuō。
suí gǎng tái děng yà zhōu sì xiǎo lóng de jué qǐ ,
zài xī màn yǐng xiǎng xià yán qíng xiǎo shuō dé dào liǎo jí dà de fā zhǎn ,
yǐ bā shí nián dài qióng yáo、
yì shū、
cén kǎi lún、
jī xiǎo tái děng zuò jiā wéi dài biǎo ,
bìng zài dà lù hé huá rén dì qū xùn sù cuàn hóng，
jiǔ shí nián dài yòu yǐ xí juàn、
yú qíng wéi dài biǎo de zhòng duō tái wān zuò zhě dài lái liǎo yán qíng xiǎo shuō de xīn gāo cháo。
huā yǔ zài zhè yī huáng jīn shí qī jīng xuǎn yǐn jìn yán qíng chū bǎn，
kuò zhǎn liǎo shì chǎng de tóng shí kāi shǐ dà lì péi yù dà lù yuán chuàng。
kě yǐ shuō，
yán qíng xiǎo shuō de fā zhǎn jìn chéng fǎn yìng liǎo nǚ xìng zì zhù dú lì、
zhǎn xiàn zì wǒ de guò chéng。
xiàn zài，
guó nèi de dú zhě bù zài mǎn zú yú tái shì de mèng jìng huàn xiǎng，
qī wàng zhe gèng néng fú hé guó nèi qíng kuàng hé xū qiú de yuán chuàng yán qíng xiǎo shuō de chū xiàn，
zài tái wān yǐng xiǎng de jī chǔ shàng，
guó nèi yuán chuàng yán qíng de jué qǐ，
jiè zhù wǎng luò píng tái de yǐng xiǎng，
fēng gé qǔ cái gèng wéi duō yàng huà，
xiān qǐ qīng chūn wén xué de rè làng，
gěi yán qíng xiǎo shuō de fā zhǎn dài lái liǎo xīn de tài shì hé qì jī。
wǒ men bù nán kàn dào ,
zài yǔ wǎng luò shí dài hé wú xiàn méi jiè tí gōng de gèng rén xìng de shēng huó hé xiāo fèi fāng shì xià ,
yán qíng jiāng jìn rù yī gè dú zhě xiǎng xiàng kōng jiān gèng dà de càn làn xīn shí qī。
bǎi huā qí fàng de fàn yán qíng xiǎo shuō gài niàn
wén xué de jīng shén zài yú diān fù chuán tǒng、
zài yú cuī kū lā xiǔ、
zài yú jiě fàng rén xìng de chuàng xīn、
chàng dǎo xīn de shēng huó fāng shì，
yīn cǐ jìn rù 21
shì jì de yán qíng，
kě wèi shì bǎi huā qí fàng。
jí jù“
tóng huà”
sè cǎi de qióng yáo xiǎo shuō，
jǐyǔ liǎo rén men rén xìng de huí guī yǔ xiàng wǎng。
jí biàn shì '
ēn yuàn fù chóu，
yě néng jiāng '
ài qíng yǎn yì dé làng màn '
ér wéi měi。
jùn nán měi nǚ de nán nǚ zhùjué，
wǎng wǎng dōushì shēn shì xiǎn hè de cái zǐ jiā rén，
xiǎo shuō suǒ fǎn yìng de gù shì miàn jiào xiá zhǎi，
jiào wéi tuō lí shè huì xiàn shí，
zhè yě ràng wéi shēng huó suǒ lěi de rén men dé yǐ duǎn zàn de yuè dú xìng fú，
kě yǐ shuō zhè yě shì yán qíng xiǎo shuō dé yǐ cháng hóng bù shuāi、
hóng biàn dà jiāng nán běi de yuán yīn，
bāo kuò zài zài dà lù de fēngmǐ yòu qí yī dìng de lì shǐ bì rán xìng，
zài wén gé gāng jié shù，
shí zhí gǎi gé kāi fàng de nèi dì，
duì yú rén men gāng cóng jìn gù zhōng zǒu chū，
kāi shǐ chóngxīn rèn shí“
ài qíng”
de tián mì shí，
qióng yáo mǎn zú liǎo rén men duì lìng yī gè fēi xiàn shí shì jiè de huàn xiǎng。
yǔ cǐ xiāng duì yìng de shì 30
nián dài zài jiù shàng hǎi“
chū míng yào chèn zǎo”
de zhāng '
ài líng。
zhāng '
ài líng xiǎo shuō de mèi lì zài yú qí chuán qí de shēn shì hé huá lì wén zì yíng zào de cāng liáng，
bǐ rú qí zhù míng de《
chén xiāng xiè》、《
jīn suǒ jì》、《
qīng chéng zhī liàn》
děng。
tā xiǎo shuō yòu rú mèng yǎn bān de fēn wéi，
shēn kè de rén xìng tòu lù chū nóng nóng de xiàn shí bēi '
āi，
zhāng xiǎn chū yǐ '
ài qíng wéi shì jiè de nǚ xìng de sī xiǎng yǔ gǎn wù，
zài dāng shí de zhàn luàn bèi jǐng xià chéng wéi nǚ xìng cānyù hé sī xiǎng de gāo fēng tǐ yàn。
jìn rù 60
nián dài de jīng jì gāo sù fā zhǎn shí qī，
xiělínlín de rén xìng bèi“
tóng huà”
shì qióng yáo làng màn chuān shàng de wéi měi de shā yī，
zhēng fú liǎo dú zhě de xīn。
jìn shí nián de jīng jì fā zhǎn hé shè huì wǎng luò huà，
gěi rén men de shēng huó fāng shì dài lái liǎo duō yuán huà de tǔ rǎng，
tái wān yán qíng wǎng luó zhòng duō xiě shǒu，
suí liǎng '
àn sān dì jiān de lián xì jiā qiáng，
tái wān yán qíng yǐ chéng wéi yán qíng xiǎo shuō de tè bié cún zài，
kě yǐ shuō dú lì xíng chéng liǎo jīng diǎn de pài bié，
bāo kuò lǜ hén、
xí juàn、
yú qíng、
zuǒ qíng wén、
gǔ líng、
diǎn xīn、
líng shū fēn děng zuò zhě；
ér guó nèi yuán chuàng zé yuán yú bù tóng wén huà yuán sù de shèn tòu ,
kě xǐ dì chéng xiàn chū yī pài huǒ hóng jǐng xiàng，
rú shēn shòu wǔ xiá yǐng xiǎng de téng píng、
cāng yuè，
bāo hán rì běn dòng màn yuán sù de qiáo kè tiān shǐ、
dǒng shān，
hán fēng guā qǐ de guō nī、
kě '
ài táo、
běn tǔ huà qīng chūn chéngzhǎng de míng xiǎo xī、
yú jiā，
chuān yuè hé shēn gōng de jīn zǐ、
fěi wǒ sī cún děng，
kě wèi yì cǎi fēn chéng。
zuò pǐn de pèi tú hé zhuāng zhēn yědōu suí zhe zhè xiē wén huà yuán sù de yǐng xiǎng，
yě yóu yú yìn shuà gōng yì de tí shēng '
ér yuè lái yuè huá lì huó pō，
xiàng dāng dài de yīnyuè yī yàng gè dé qí lè。
yōu xiù yán qíng zuò pǐn
xiàn dài yán qíng xiǎo shuō：
《
pān duǒ lā de yǎn lèi》（
hú hóng wěi）
《
zhū yù zài cè》 (
xí juàn )
《
jiù '
ài shuǎ xīn jī》 (
xí juàn )
《
yīng sù de qíng rén》 (
xí juàn )
《
ài wǒ bù bì tài chī xīn》（
xí juàn）
《
jīn suǒ jì》（
zhāng '
ài líng）
《
qīng chéng zhī liàn》（
zhāng '
ài líng）
《
pào mò zhī xià》（
míng xiǎo xī）
《
míng ruò xiǎo xī》（
míng xiǎo xī）
《
yī lián yōu mèng》（
qióng yáo）
《
yān yǔ méng méng》（
qióng yáo）
《
méi huā sān nòng》（
qióng yáo）
《
xián yún gōng zǐ》（
yú qíng）
《
zhòng shén mèng jì》（
lǜ hén）
《
qíng dìng jīn líng》（
lǜ hén）
《
cì kè lièzhuàn》（
lǜ hén）
《
yì wàn zǒng cái yǔ yī yuán xīn niàn》（
jiǎn yīng）
《
cáng '
áo》
yáng zhì jūn
《
jí pǐn jiā dīng》
yǔ yán
gǔ dài yán qíng xiǎo shuō：
《
qiǎng lái de xīn niàn》 (
xí juàn )
《
huáng shàng shuō de shì》 (
xí juàn )
《
huā lóng xì fèng》 (
xí juàn )
lǐ yān shuǐ sǎnrén de《
nǚ kāi kē chuán》、《
hé pǔ zhū》、《
yuān yāng pèi》、《
míng yuè tái》；
hé guān shǐ zhě de《
chūn liǔ yīng》；
wú zhōng pèi héng zǐ de《
wú jiāng xuě》；
huì shuǐ '
ān yáng jiǔ mín de《
qíng mèng tuò》；
lóng qiū bái yún dào rén《
yù lóu chūn》；
wèi bīn lì fū de《
gū shān zài mèng》；
yān xiá sǎnrén de《
fèng huáng chí》；
bái yún dào rén de《
sài huā líng》；
xī huā sǎnrén de《
wǎn rú yuē》；
nán yuè dào rén de《
hú dié méi》；
yún yáng chī chī dào rén de《
wǔ fèng yín》；
yān xiá yì shì de《
qiǎo lián zhū》；
sū '
ān zhù rén de《
xiù píng yuán》；
gǔ wú sù '
ān zhù rén de《
jǐn xiāng tíng》
zuǒ qíng wén de《
hái jūn míng zhū》；
gù màn de《
hé yǐ shēng xiāo mò》；
diǎn xīn de《
huà méi》、《
yōu lán》
gǔ líng de《
chū jià cóng fū xì liè（
yǔn lù、
mǎn '
ér）》
téng píng de“
qíng suǒ”
xì liè：《
suǒ tán jīng》（
rén piān）、《
suǒ qín juàn》（
shén piān）、《
suǒ xīn yù》（
guǐ piān）
téng píng de“
jiǔ gōng wǔ”
xì liè：《
tài cù jiǎo wǔ》、《
jūn tiān wǔ》、《
gū xǐ zhǐ wǔ》、《
nán lǚ yǔ wǔ》、《
sì fēng shī yuèwǔ》、《
tài hé wǔ》、《
sòng shén wǔ》、《
xiāng chū shàng wǔ》、《
xiāng chū shàng wǔ ·
zài shàng》、《
xiāng chū shàng wǔ ·
zhōng shàng》、《
zǐ jí wǔ》
téng píng de“
shí wǔ sī hú jì”
xì liè：《
rén '
ǒu》、《
jiéfà》、《
wú sè xuè》
chuān yuè tí cái lèi
《
jiāo cuò shí guāng de '
ài liàn》 -
zhōng guó shǒu běn chéng míng de chuān yuè yán qíng xiǎo shuō (
xí juàn )
《
qīng mèng qí yuán》（
shuǐ xiē jiā rén） 2007-04
《
shí kōng cuò ·
jǐn fèng chéng huáng》（
shuǐ xiē jiā rén） 2008-06
《
yóu lì lì shǐ zhī gǔ lǚ：
chuān yuè shì jiàn bù》（
shuǐ xiē jiā rén）
《
mó huàn shǒu jī》（
jiǔ nián） 2008-07
《
mèng huí dà qīng》（
jīn zǐ )2006-01
《
bù bù jīng xīn》（
tóng huá） 2006-04
《
wǎn qīng sī》（
bō bō） 2006-12
《
xiāo rán mèng》（
xiǎo yì） 2007-06
《
dú bù tiān xià》（
lǐ xīn） 2007-04
《
yòu yuán qiān lǐ lái xiāng huì》（
shí guāng nì zhuǎn）
wèi zhī
《
xún zhǎo qián shì zhī lǚ》（ Vivibear） 2006-01
《
mù jǐn huā xī yuè jǐn xiù》（
hǎi piāo xuě） 2007-07
《
fù shí》 (
jūn zhǐ liǔ )
bù xiáng
《
xún lóng jì》（ Vivibear）
wèi zhī
《
dài zhe huáng zǐ huí xiàn dài》
wèi zhī
《
fèng yú jiǔ tiān》（
fēng nòng）
《
fèng bà tiān xià》
《
xiāng sī jué》
《
huáng hòu chóngshēng》
《
chuān yuè yǔ fǎn chuān yuè》（
yāo zhōu）
《
wǒ de hòu bàn shēng》
《
qìng yú nián》 (
māo nì )
《
huí dào míng cháo dāng wáng yé》
yán qíng xiǎo shuō zuàn shí jí zǒng cái lèi
《
ài qíng fàn làn》
nán zhù jiǎo lín shuài yǔ
《
wēi jī lǎo pó》
nán zhùjué luò yè chén
《
yín yì tiān shǐ》
nán zhùjué sù yǔ '
áng
《
chǒng huài xiǎo '
è nǚ》
ōu zhōng kǎi
《
wǒ de fàn diàn qíng rén》
《
jué dài hǎo nán rén》
《
jià gěi zǒng cái yào xiǎo xīn》
《
xīn hūn zāinàn rì》
《
zǒng cái de jiāo qī》
《
qīn '
ài de，
nǐ bèi bǔ liǎo》
《
qī nú》
yú jié
《
lìng lèi tóng yǎng xí》
jiāng hán tāo
《
zǒng cái nào bié niǔ》
fù yì fán
《
qīn qīn wú qī》
lín luò tíng
《
mǔ dān liàn》
wèi fēng
《
liè '
ài jiān hù rén》
《
wēn nuǎn nǐ de xīn》
《
měi tiān gēn zhe nǐ》
《
kōng jiě bù yào wáng zǐ》
《
huài dàn shì zěn yàng liàn chéng de II》
《
shén tōu gōng zhù》
《
nǚ '
ér =
lǎo pó》
《
chóngshēng zhī yú lè zhì zūn》
《
fēng qīng chéng zhī mò xī běi de jiāng hú》
《
shé xiē》
《
yuè gōng chūn》
《
wǒ shì yī zhǐ hú lí jīng》
《
mào sì chún jié》
《
zhū guāng bǎo qì zhī jué mì zhǐ lìng》
《
jiāo qī yǎng chéng rì jì》
《
gōng zhù jià dào》
《
gǔ huò zhī wū nǚ》
《
wǒ de shēn shàng yòu měi nǚ》
《
lóng yù dū shì》
《 QQ
yī yè qíng》
《
fù guì gōng zǐ qióng shēng huó》
《
jùn lóng bǎi měi yuán》
《
chāo jí xì tǒng》
《
zhuǎn jiǎo zhuàng dào shén》
《
dà mó fǎ shī dū shì yóu》
《
yāo yàn huā cóng》
《
quán xīn rén shēng》
《
huī huáng zhōng guó》
《
sūn wù kōng zhī qī rì jiàqī》
《
lìng lèi shā shǒu yàn fú xīng》
《
wǒ de wán měi nǚ yǒu hé yǔ qíng》
《
chéng wéi wù kōng shī dì de rì zǐ》
《
hēi dào xué shēng iii
tiān mén lóng fèng》
《
wǒ de lǎo pó shì chóngshēng de》
《
měi nǚ xiōng měng》
《
mèng xiǎng rén shēng》
《
lǎo pó '
ài shàng wǒ》
《
gǔ sè shēng xiāng》
《
zhàn dì yī shēng zài dū shì》
《
gōng zǐ gē》
《
pào gè qíng dí zuò lǎo pó》
《
wú liáng tiān shī》
《
guān lù tiáo tiáo》
《
bā yuán qián pào liǎo gè jí pǐn kōng jiě》
《
jùn lóng bǎi měi yuán》
《
zhuǎn jiǎo zhuàng dào shén》
《
wú liáng tiān shī》
《
měi nǚ xiōng měng》
Introduction: speaking, said. For example: words that made Road, made to join.
Love: that love between men and women and the psychological state of things, or things. For example: love, lover, First love.
Romance: about love between men and women.
Love Story: The love between men and women about the center, through the complete story and detailed description of environment to reflect the psychology of love, status, social life, things such as a literary genre.
Romantic novels, the first novel that it first must meet the requirements, then the novel, there are three basic elements: characters, plot and environment (natural and social environment).
Love Story in the figure, we called the typical characters; this character is created out of real life under, he is different from the true story, "taking all kinds of complex synthesis of a" typical characters through this reflects the love life, more concentrated, more widely representative. Novel means of shaping the character can be outlined, can be a specific description, you can write characters appearance, can also be psychological characterization activities; both dialogue and action figures, could also be inserted on the arguments; both positive started to write, can also be indirect foil.
Love Story mainly through the Qinghai health wave, despite drastic changes in the framework of the love story, the development of confusing plot, showing crazy man Maid of the personality, the performance of Sense and Sensibility, the spirit of the central idea of struggling with lust.
Environment Description of romantic novels and characters portrayed and the central idea has a very important relationship. In the description of environment, social environment is the key, it reveals all sorts of complex social relations, such as the identity of characters, status, growth and so the historical background. Activities of the natural environment including the location of people, time, season, climate and scenery, etc., such as the Eternal's enchanting scenery beautiful people, the eloquent tears fall Ye Piaoling so.
Love Story In addition to these common characteristics with other novels, there are different parts of its own.
Love Story is a literary genre closest to life, it has the popularity, the novel's language style should be life, popular, does not require much modification of the flowery language, but according to the seriousness of the need to read the feelings of white or poetry Fu also plays an important role. For example: "Westward Journey" in the "Love has a sub-placed in front of me, but I do not know the treasure, now think of repentant, if God give me the chance again, I would have said to the girl: I! Love! You! If you have to add a time limit on this love I hope - a million years. "
Origin and Development of Literary Love Stories
Romantic novels of Chinese literature has a deep origin. Romantic love can be traced back, "Book of Songs" 15 MAK, recited so far, "customs cock sing, Island in the river," a beautiful love poem to create the original picture, then the "Songs of the South" to the romantic Mixture in which the atmosphere of Marxism. These words do not board the Taiga, mostly romantic and Civic Life is the story background is the noble blossoms and dreams of young life, so romantic romantic novels with the "wind" profound mark on it from the people, the unholy and the general public ideas, aspirations and vision of life.
Fiction genre originated in the ancient myths and legends and the Qin and Han's history literature, such as "Zuo Zhuan", "Historical Records", most scholars believe that fiction was formed in the Wei and Jin period, Ghost Stories, "Immortals" and the bloggers novel " Shi Shuo Xin Yu "to represent; until the Tang Dynasty legend inherited the tradition of the Six Sketches, began full story structure and character relationships, and begin to reflect the social reality can become the true sense of the novel, such as" Tale of Li Wa ", "The Story of Huo", etc.; to "learn big Zang Poetry," "ion of the," "Dream of Red Mansions" as the representative of the four famous words of the Song, Ming and Qing novels clearly outlines the development of novel context.
Romantic novels as a novel branch of the formation of independent schools in the development of late. To the theme of romance novels as a carrier created an impact force should be the new Butterfly Late Qing Dynasty, more use of "gracious in love with does not split open, Liuyin under flower, like a pair of butterflies, like a pair of mandarin ducks" The Romantic love stories mainly to Xu Zhenya's "Jade Pear", and Zhang "Lovers Destiny" as its representative, for the first time to show the sentimental school of public popularity, and was inherited into the next readers extensive expansion of the light period.
Can be said that romance novels reflect the development process of female self-independence, the process of expressing themselves. Now the reader no longer satisfied with desktop dream fantasy, look forward to better meet the needs of the original domestic situation and the emergence of romantic novels in Taiwan based on the impact of domestic original romance of the rise of the network platform with the impact of style drawn more diversified, the heat wave youth literature to the development of romantic novels brought new momentum and opportunity. Is not difficult to see with the Internet Age and wireless media to provide more humane living and consumption patterns, romance will enter the reader to imagine a more glorious new era of space.
The concept of flourishing pan-romantic novels
Literature is to subvert the spirit of tradition, is Cuikulaxiu is the liberation of human innovation, advocating new lifestyles, so the 21st century romance, can be said to blossom.
And this corresponds to 30 years old Shanghai, "known to be as early as possible," Zhang Ailing. Zhang Ailing's charm lies in its legendary life experience and gorgeous desolation created by the text, such as his famous "Chen Xiangxie", "Golden Lock", "Fallen" and so on. Her novels are like a nightmare-like atmosphere, profound reality of human nature reveals deep sorrow, love manifest to the world of women's thinking and perception, at the time of war as women's participation in the context of peak experience and ideas. Into the 60's period of rapid economic development, bloody human being "fairy tale" type of romantic wear Qiong Yao's aesthetic Sha Yi, conquered the hearts of readers.
Outstanding works of romance
Modern Love:
"Pandora's Tears" (Hu Hongwei)
"Treasure in the side" (Xi Juan)
"Want, playing jokes on love" (Xi Juan)
"Poppy's Lover" (Xi Juan)
"Love me not too fond" (Xi Juan)
"Narration" (Eileen Chang)
"Fallen" (Eileen Chang)
"Summer Bubble" (Ming Xiao Xi)
"If Ming Xiao River" (Ming Xiao Xi)
"Yilianyoumeng" (Chiung Yao)
"Amidst the Rain" (Chiung Yao)
"Plum Blossom" (Chiung Yao)
"Lonely son" (Yu Qing)
"Gods Dreams" (Lvhen)
"Love in Jinling" (Lvhen)
"Legends of Assassins" (Lvhen)
"One hundreds of millions of dollars, President and bride" (Jane Ying)
"Tibetan Mastiff" Yang Zhijun
"Need Jia Ding" Yu Yan
Ancient Love Story:
"Robbed the bride" (Xi Juan)
"The emperor said" (Xi Juan)
"Flower Dragon and Phoenix" (Xi Juan)
Li Yan Shui San Ren's "Female Open Division Biography", "Hepu Pearl," "Mandarin Duck with", "moon Taiwan";
He Guan Shi's "Spring Warblers";
Wuzhong Pei-heng, son of "Wujiang snow";
Huishui Anyang wine people, "Love Dream Hierarchical";
Long Qiu Baiyun Taoist "Yu Louchun";
Bin Li-fu's "dream again Gushan";
Haze scattered people, "Phoenix Pool";
Baiyun Taoist's "race Boll";
Flower lovers scattered people "like some";
Southern Mountain Taoist "butterfly media";
Yunyang Chi Chi Taoist's "Wufeng Yin";
Haze Recluse's "a clever joint beads";
Su An Zhu's "Sau Ping Yuan";
Old Wu Su An Zhu's "Jin Xiang Ting"
Zuoqing Wen "also monarch Pearl";
Gu Man's "How silent farewell music";
Code of mind "babbler", "Orchids"
DIE's "marriage from the husband's family (Yun Lu, full of children)"
Teng Ping's "Love Lock" series: "Lock Tan Jing" (people articles), "Qin lock volume" (God chapter), "lock heart jade" (ghost articles)
Teng Ping's "Nine Power Dance" series: "Too cluster Corner Dance", "Jun Tian Dance", "Gu Xi Zheng Dance", "South Luzon Yu Dance," "worship style music and dance teacher," "Wo Dance" "Send-off Dance", "Hong beginning of the Dance", "Hong beginning of the dance again," "In the beginning of the dance final at the Hong", "purple pole dance"
Teng Ping's "15 Division Fox Festival" series: "dolls", "The Statement", "colorless blood"
Through the subject category
"Staggered time of love" - the first crossing of the famous romantic novels (Xi Juan)
"Sleep Wonders" (water scorpion beautiful woman) 2007-04
"In the wrong Kam Fung Cheng Huang" (water scorpion beautiful woman) 2008-06
"Tour of ancient history tour: through the Chronicles" (water scorpion beautiful woman)
"Magic phone" (nine) 2008-07
"Dream Back the Qing" (gold) 2006-01
"Surprised step by step" (Tong Hua) 2006-04
"York black hair" (the ball) 2006-12
"Xiao Ran Dream" (Little Lost) 2007-06
"Eulogy world" (Li Xin) 2007-04
"Little place" (time-reversed) unknown
"In Search of Past Tour" (Vivibear) 2006-01
"Althea West on Fairview" (Sea snow) 2007-07
"Tie Stone" (Jun Chih-matte) unknown
"Xunlong Ji" (Vivibear) unknown
"With Prince back to the modern" Unknown
"Phoenix in nine days" (Wind Alley)
"Pa Phoenix world"
"Acacia feel"
"Queen's born again"
"Crossing and anti-crossing" (demon boat)
"My Later Life"
"Qingyu year" (transmission of the disease)
"Back to the Ming Dynasty, when the prince"
Love Story Diamond Class President
"Spread love," actor Lin Yu Shuai
"Crisis wife" actor Chen Luo Night
"Silver Wing Angel" actor language Aung Su
"Spoiled Little Evil" Kai Europe
"My hotel lover"
"Marie-man"
"Married president to be careful"
"Wedding Disaster Day"
"President's young wife"
"Honey, you arrested"
"Wife slave" Yu Jie
"Alternative child brides," Jiang Hantao
"President gets up," Fu Yi-Van
"Kiss my wife," MARC Display Ting
"Peony Love" Wei Feng
"Love Hunting guardian"
"Warm your heart"
"Every day with you"
"Do not Prince stewardess"
"How to Make the bad guys II"
"The Precious Princess"
"My daughter = wife"
"Rebirth of the Entertainment Extreme"
"Fallen City Mosey North Wind Swordsman"
"Snake"
"Spring Moon"
"I am a fox"
"Seemingly pure"
"Gem of the honey directive must"
His "young wife develop Diary"
"Princess drive to"
"Spell of the Witch"
"I have beautiful body"
"Long To City"
"QQ one-night stand"
"Rich and the poor son of life"
"Juno 100 US-edge"
"Super System"
"God hit the corner"
"Great magician City Tour"
"Glamorous flowers"
"New Life"
"Glory of China"
"Monkey King of the seven holidays"
"Alternative killer Yan Fu Star"
"I'm the perfect girlfriend He Yuqing"
"The Young's days as Wukong"
"Underworld students iii Heavenly Gate Dragon"
"My wife is the rebirth"
"Beauty fierce"
"Dream Life"
"My wife fell in love"
"Insanity color and aroma"
"Battlefield doctors in the city"
"Son of man"
"Bubble a rival for a wife"
"Unscrupulous Fearless"
"Journey to the official"
"Eight dollars bubble had a superb flight attendants"
"Juno 100 US-edge"
"God hit the corner"
"Unscrupulous Fearless"
"Beauty fierce"