large strong bird of prey of the falcon family with very good eyesight
eagle
shrewd
engrave, inlay, carve
exhaust
zhòngyīngguànyòngduǎnyù
( dàibànyuántūtòujìngcéngdecǎisèdiànshìlùxiàngyòng ) fúdiāoyǐngpiān embossed film
( xiàng ) diāoxiàngyīyàngjìngzhǐbùdòng (as) motionless as a statue
( diāosùde ) niántǔyuánxíng a clay model
[ yàn ] xiǔmùdiāobùchéngměiqì。 One cannot make a silk purse out of a sow's ear.
n. diāokè , diāosù , diāokè ( shù ) sculpture
vt. kè, diāokè; qiēkāi carve
yīgèwěidàdeyìshùjiā [ huàjiā ,diāosùjiā , yīnyuèjiā , yǎnyuán , gēxīngděng ] a great artist
n. yīzhīyuèqǔ、 yīshǒushī、 yījiàndiāokè . a piece of music, poetry, sculpture
n. sānfúxiāngliándetúhuàhuòdiāokè( yóuzhǐzhìyújiàotángshèngtánshàngfāngde) . picture or carving on three panels fixed side by side, esp one placed over an altar in a church
biàndéqiángyìngdeyúfū; zhègènóngfū, hēipífū, shòuliǎn, néngshìyìngqiángfēng - luóbótè . líndé; wǒmendejìchéngzhě…kěyǐshìdiāokèshī, shìgèngjiānqiánghégèngwěndìngderén -v.s pǔruìqiētè。 hardened fishermen; a peasant, dark, lean-faced, wind-inured- Robert Lynd; our successors...may be graver, more inured and equable men- V.S.Pritchett.
dāngniándùsài 'ěrduōfūdeshìmíndézhīméiyòuzúgòudehéjīnláijiànchéngtāmen 'àidàidezhān · wēiliánwángzǐdeqímǎdiāoxiàngshí, tāmenjuānchūliǎozìjiādeyínqì。 Silver spoons were donated by the citizens of Dusseldorf when they learned that insufficient alloy was avail - able to complete their equestrian statue of popular prince Jan Wellem.
háiyòuxīrìchōngmǎnqiánhòudiàntánggègèyuánzhùzhījiāndewúshùdiāoxiàng, huòguì, huòzhàn, huòqímǎ, yòunán, yòunǚ, yòu 'értóng, háiyòuguówáng、 zhùjiào、 wèishì, shídiāode, dàlǐshíkède, jīnde, yínde, tóngde, shènzhìlàzhìde, suǒyòuzhèyīqiē, shìshuíbǎtāmencūbàodìyīsǎoguāngní? And those myriads of statues, which peopled all the spaces between the columns of the nave and the choir, kneeling,standing, equestrian, men, women, children, kings, bishops,gendarmes, in stone, in marble, in gold, in silver, in copper, in wax even,--who has brutally swept them away?
yīnjīngbóqǐdeyòubóqǐdeyīnjīngde。 yòngyúhuìhuàhuòzhědiāoxiàngdexiàngzhēng Having the penis erect. Used of graphic and sculptural representations.
diāokèdejīnzìtǎdezhuāngshì; zàishìjìdeyīngguóshǐyòng。 a carved pyramidal ornament; used in 13th century England.
zàijiùchénggǎizàochāiqiānzhōng, duìtǐxiànlǎoběijīngtèsèdesìhéyuànjìnxíngyòuqūbiédìshěnshènchǔlǐhébǎohù, bìngbǎyuányòugèzhǒngdìmíngdelìshǐ、 nèihán、 shìjiànděngcǎiqǔyuánzhǐbǎoliú、 bùfēnbǎoliúhuòyǐdiāosù、 shíkèděngshǒuduànjìlùxiàlái。 In the renovation of the old city, the quadrangles (siheyuan), which bear the features of the old city, will be carefully dealt with and protected in different ways; and records concerning the origin, connotations, and incidents related to the historical places will be entirely or partially inscribed on the spot by permanent means.
wǒkàndàoliǎoyīgèjìnǚdeshūzhuāngjiāndǎoméiyòuyàn 'èdexīnqíng, bùguǎnshìshénmedōngxī, wǒdōuráoyòuxīngqùdìxìxìjiànshǎngyīfān。 wǒfāxiànsuǒyòuzhèxiēdiāokèjīngzhàndeyòngjùshàngdūjuānkèzhegèzhǒngbùtóngderénmíngshǒuzìmǔhéwǔhuābāméndewénzhāngbiāojì。 I, who was not the least put out by the sight of the dressing-room of a kept woman, spent some time agreeably inspecting its contents, neglecting none of them, and I noticed that all these magnificently wrought implements bore different initials and all manner of coronets.
yòufútūdiāoshìdeyòngtūqǐdeshìpǐnzhuāngshìde Decorated with raised ornaments.
fúdiāoyòngzuòzhuāngshìdetūqǐqūyù A raised area used as ornamentation.
zhǐyàoyītíqǐyìshùhéwénhuàxiàngmù, yīxiēzhèngfǔlǐngdǎojiùhuìxīngfènbùyǐ, tāmentāotāobùjuédìshuōzheměilìdegōngyuán, chéngshìzhōngxīnpiàoliàngdediāosù, háiyòumǎnshìxīshìzhēnbǎodeyìshùzhǎnlǎnguǎn。 tāmenrènwéizàijīngjìfāzhǎnzhōng, méiyòushénmebǐzhèxiēyìshùxiàngmùgèngzhòngyàoliǎo。 Many leaders of government always go into raptures at the mere mention of artistic and cultural projects. They are forever talking about the nice parks, the smart sculptures in central city and the art galleries with various valuable rarities. Nothing, they maintain, is more essential than such projects in the economic growth.
xiànzàidediāosùpǐnhěnshǎoshǐwǒmengǎndàojīngqíliǎo。 Modern sculpture rarely surprise us any more.
wèijīngdiāozhuódezìrán Nature in the raw.
bìkānqiángbìshàng 'āojìnqùdekōngjiān, yòngláixuánguàdiāoxiànghuòzhuāngshìpǐn A recess in a wall, as for holding a statue or an urn.
tāmenbùmiànxiàngshēnghuó, érshìmiànxiàngzìwǒ, bǎzìjǐjúxiànzàichúnyìshùdediāochóngxiǎojìzhīzhōng…… mùqiánliúxíngdechúnyìshùhéjǐnduìyìshùjiādejìqiǎozuòchūdefǎnxiǎngdeshímáozuòfǎshìduìyìshùkuílìjíqícāngbáiwúlìdefǎnyìng, huòzhěgēnběnméiyòushěnměitǐyàn。 Instead of pointing outward toward life, they are self-referential, confining themselves to the bric-a-brac of the art as an art. The currently fashionable practice of treating art as art and responding to the technique of the artist is either a very pallid response to the power of art or not an aesthetic experience at all..
fánfù 'érhuáměidejùyòujīngxīndiāozhuóhéyǔyánhuòwénxuéfēnggézhītèdiǎnde Marked by elaborate and refined language or literary style.
yìshùjiānénggòutōngguòxiǎngxiànghétiānfùchuàngzàochūyòuměixuéjiàzhíyìshùpǐnderén, rúhuàjiāhuòdiāosùjiā, yóuzhǐ( biǎoxiàn) zàihǎodeyìshùzuòpǐnzhōng One, such as a painter or sculptor, who is able by virtue of imagination and talent to create works of aesthetic value, especially in the fine arts.
kàozhèzhǒngshèngyúcáifù, jiànzàoqǐliǎobātáinóngshéndiànhéxīlàyǎdiǎnwèichéngderùkǒu, gòumǎiliǎofěidíyàsīdediāokèzuòpǐn, jǔbànliǎoqìngzhùshèngdiǎn, āisīkùluósī · sùfúkèlèsī、 ōulǐbìdésīhé 'ālǐsītuōfēndexìjù, jiùshìwéizhèxiēshèngdiǎnchuàngzuòde。 From such a surplus the Parthenon and the Propylaea were built, the sculptures of Pheidias paid for, and the festivals celebrated, for which AEschylus, Sophocles, Euripides,and Aristophanes composed their dramas.
yěbùnéngbǎwǒmenshèngmǔyuànlièrùnàlèigāodà、 tītòu、 shìmǎncǎisèbōlíchuānghégèzhǒngdiāosùdejiàotángjiāzú; Impossible to place our Cathedral in that other family of lofty, aerial churches,rich in painted windows and sculpture;
mǐluòsīdǎoxīlàdōngnánbùyīdǎoyǔ, wèiyú 'àiqínhǎidejīkèlādíqúndǎo。 gǔshíwéiyīfánróngdemàoyìzhōngxīnjíhēiyàoyáncǎijuézhōngxīn, dànzìqīngtóngdàitìhēiyàoyánchéngwéizhìzàogōngjùhéwǔqìdecáiliàozhīhòu, gāichéngzhújiànmòluò。 zhùmíngdemǐluòsīdǎodewéinàsīdiāoxiàngyú 1820 niánfāxiànyúcǐ An island of southeast Greece in the Cyclades Islands of the Aegean Sea. It was a flourishing trade and obsidian-mining center in ancient times but lost importance when bronze replaced obsidian as a material for tools and weapons. The famous statue Venus de Milo was discovered here in1820.
jièyúqiǎnfúdiāohégāofúdiāozhījiāndeyīzhǒngfúdiāo 。 a sculptural relief between low relief and high relief.
yǐqiǎnfúdiāodexíngshìkèchūláidedōngxī。 anything carved in low relief.
fúdiāozhuāngshìkèzàiqiǎnfúdiāoshàngdezhuāngshì An ornament carved in low relief.
suǒyòurénderéntǐxiàngjiēxìgāofúdiāo 。 All those figures are in high relief.
zōngjiàoshàngbǐjiàobǎoshǒudefùmǔměiniándūjiélìyàozàixuéxiàolǐjìnzhǐdiāowànshèngjiéqiányènánguā, huòchuānguǐguàifúzhuāng, tāmenxuānchēngzhèhuìjiàoháizǐmenchóngbàisǎdàn。 Religiously conservative parents make annual attempts to ban Halloween pumpkins and ghost costumes from schools because, they claim,it teaches the children to worship Satan.
diāosùpǐndemǐnruìguānshǎngjiābìxūxuéhuìbǎxíngtǐdāngzuòxíngtǐqùgǎnjué, érbùdāngzuòmiáoshùhuòliánxiǎngqùgǎnjué。 And the senstive observer of sculpture must learn to feel shape simply as shape, not as description or reminiscence.
diāosùpǐndemǐnruìguānshǎngjiābìxūxuéhuìbǎxíngtàizhǐzuòwéixíngtàiqùgǎnjué, érbùzuòwéimiáoshùhuòliánxiǎngqùgǎnjué。 And the sensitive observer of sculpture must also learn to feel shape simply as shape, not as description or reminiscence.
yuánchūzhùyìhuàjiādeshǔyúhuòguānyúzhōngshìjìhòuqīhuòwényìfùxīngzhīqiánde 'ōuzhōuhuàjiāhuòdiāosùjiāde Of or relating to late medieval or pre-Renaissance European painters or sculptors.
duōnàtàiluóyìdàlìdiāosùjiā, shìwényìfùxīngfēnggédexiānqūzhě, yǐqíshēngdòngzìrán、 xíngxiàngbīzhēnderénwùxiàngzhùmíng, dàibiǎozuòyòuqīngtóngdiāoxiàngdàwèixiàng Italian sculptor renowned as a pioneer of the Renaissance style with his natural, lifelike figures, such as the bronze statue David.
wǎsàlǐ, qiáojí 'ào 1511- 1574 yìdàlìhuàjiā、 jiànzhùshīhéyìshùlìshǐxuéjiā, tāchuàngzuòliǎozuìpòjìndeyìdàlìjiànzhùshī、 huàjiāhédiāosùjiādeshēnghuó( 1550 nián), zhèshìyībùguānyúwényìfùxīngyìshùdelìshǐ Italian painter, architect, and art historian who wrote Lives of the Most Imminent Italian Architects, Painters, and Sculptors(1550), a history of Renaissance art.
jiāotuōfóluólúnsàhuàjiā、 jiànzhùshīhédiāosùjiā。 bèirènwéishìwényìfùxīngzhīqiányìdàlìzuìwěidàdehuàjiā, tācóngbàizhàntíngxíngshìhuàdefēnggézhuànxiàngduìrénlèidebiǎoqínghédòngzuòdegèngzìránbiǎoxiàn Florentine painter, architect, and sculptor. Considered the greatest painter of pre-Renaissance Italy, he turned from the formulaic Byzantine style to a more natural representation of human expression and movement.
yòuyītiānwǒzǒujìnqǐjūshì, wúyìzhōngcháoshāfābàngdedìbǎnkànliǎoyīyǎn, nàlǐbǎizhejǐniánqiánmǎideshānmǔdiāosùfùzhìpǐn。 One day as I walked into our living room, I happened to glance down on the floor next to our sofa where we had a sculptured replica of Sam that we had bought a few years before.
kě 'ài, bìngbùxūyàowàiláidezhuāngshì, tiānrándekě 'àiyuǎnbǐdiāoshìdegèngkě 'ài。 hénghéng j· tānɡpǔsēn Loveliness, needs not the foreign aid of ornament, but is when unadorn'd, adorn'd the most. hénghéng James Thompson