唐代 李白 Li Bai  唐代   (701~762)
Song Form
Same Name
IN THE QUIET NIGHT
archaism
No public cross the river
Hard Roads in Shu
Liang Fu Yin
Wu Yeti
Bringing in the Wine
apo- leave
Trekking Youqieliepian
On Climbing in Nanjing to the Terrace of Phoenixes
The Hard Road
Tianmu Mountain Ascended in a Dream
A FAREWELL TO SECRETARY SHUYUN AT THE XIETIAO VILLA IN XUANZHOU
To Wang Lun
Alone Looking at the Mountain
Through the Yangzi Gorges
DOWN ZHONGNAN MOUNTAIN TO THE KIND PILLOW AND BOWL OF HUSI
Drinking Alone under the Moon
IN SPRING
THE MOON AT THE FORTIFIED PASS
BALLADS OF FOUR SEASONS: SPRING
Ballads of Four Seasons: Summer
Multiple poems at a time
ancient style poetry

Archaism he Score four
古风(其二十四)

   Li Bai

Cart Yang dust, Ting Wu dark terraced rice paddies.
In the more expensive gold, Lian open Jiazhai.
Road every cock who HE Hui He canopy cover.
Breath of dry rainbow, pedestrians are Chuti.
World without washing ears Weng, Yao and plantar Who knows!
  The late Emperor, the political from the open into corruption. His term eunuch pet, so that these people with power, wantonly blackmail, "so a homes, famous gardens, the sweet, the name of the field as a human person, semi-Gyeonggi carry on." ("New Book of Tang Huanzhe passing on") Emperor also like cockfighting in play, according to Chinese Chen Hong, "East Side father Biography" cloud, then known as the "God of chicken boy" Jia-chang, as the Emperor's love of fortune, "Jinbo of thanks to his family" , a folk saying: "Jia's thirteen children, riches and honor on behalf of the inferior." These eunuchs and chicken child Shichong unbridled arrogance, arrogance. Chang Li Bai in the time, the upper deeply corrupt rulers, the song "archaic" is the reality at that time made a profound caricature.
  Eunuch poetry written before the eight chicken child of luxury living and domineering arrogance. Fortunately, the poet of these villains have no comprehensive description of life and only interception of the two scenes on the Avenue Beijing, put it neatly outlines the readers eyes.
  Write the first eunuch scene. Poem beginning, as the film lenses, introduced a dusty screen: "cart Yang dust, Ting Wu dark terraced rice paddies." "Ting Wu" is noon, "Crossroad" originally referred to the field path, here refers to the capital Boulevard. The brightest noon day, but then not see the dark terraced rice paddies, we can see the dust of the big. The dust is so big, "cart" up there, which in turn wrote the cart and moving as much as swift. This is the scenery, the characters appeared for the later to pave the way soon. So, who so brazenly Speed gallop it? The poet said: "the more expensive gold, Lian open Jia Zhai." "In you" and "the elegant" the ministry said, referring to the powerful eunuchs. "Jiazhai", fingers and other mansion. "Lian" shape of its volume, mansion high and wide, straight upward. The poet wrote the car are not only eunuchs, and write why they can be so arrogant because they have potential, money, they are drove back to the luxurious mansion. There is no direct description of the poet not only eunuch in the car, there is no description of the pedestrian on the road, just by writing to dust, Lian mansion, to render the atmosphere, figures show, there Hongyuntuoyue essence.
  People feeling the last two sentences to write poetry. "Weng ear wash" refers to the promise. According to Mi "Goldsmith Biography" said Yao had wanted the world to the promise by the HUI from not accept that these words of his ear pollution, go to water's edge to wash ears. There is no promise by the world as people who did not Murong Li, who can distinguish the saints (Yao) and thieves (plantar) it? Poet scornfully to eunuchs, children and other sycophants of chicken as a villain robbers harm people, but also the supreme ruler of the dark thorn was not identified, "Yao and plantar."
  This poem by the people depicted Guihe cock, deep irony of the villains get the upper hand after the sycophants, the arrogance of the political darkness at that time expressed indignation.
  The first eight narrative poems, the latter two arguments. Specific narrative, image, full of irony, the final arguments will become the natural eruption of anger, stretch absorbed, the emotional climax, by the irony sycophants, the villain, look to expand to a broader reality, rich content of the poem, improve theme of the meaning.
  (Zhang Yanjin)

【Source】 卷161_1


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