Father's paternal male cousins who are younger than him Physician trained in herb medicine Ganchuoziqiu CAO points are Qundao advocate Chi Fu Anlu Exert a pernicious influence widely mourn for Have sent dedicate
Send Xu Huan End public Go South
accompany Cibu Cao lang In Ye The code Ocean State
To see (or walk) someone home Nine Jiangye Jun hou Seedling Ministry councillor member of gentry
accompany Xu tang Antecedent The official Jing County
Secretary to send letters Father's paternal male cousins who are younger than him Ministry councillor Jiao Pei went to Washington State Shang shu Are the provision of
Jing Hao: one for the basil
This is a chanting poems. On Ju Yong, throughout the vain words of a chrysanthemum, but no sentence left the Ju Ju's appearance is not surprising from, write it Aiju, noble character and then write chrysanthemum, chrysanthemum point out the main thrust of his Wing. Obviously, this poem is the poet of the first Ju Yong of statement of child care, using a symbolic approach.
Three, four two sentences of the poem's focus at the focus to write a chrysanthemum noble qualities and noble character. "Surge pool of dewy shore", a handful of Twentysomething, write autumn morning scene: the sun rising, patches of Marigold, full of dew, wet crystal clear, vivid colors and lovely; continuously fragrance, great, full of pond shore, it is refreshing, chrysanthemum independence with the charm of style, vivid and colorful. Here, the "wet" the word is very particular, people want to see that petals speckled with dew, exceptionally moist, exceptionally bright. "Full" character image appropriate, showing how it is refreshing fragrance, hanging by a thread. From which we see not only the unique image of the daisy, chrysanthemum, and also felt that specific environment, specific integration of the atmosphere generated by the charm intertwined. Ju describes the poet's temperament after it is natural to the subject comes down to Yong Ju: "Origin does not envy the Poisson high." Poisson, is a parasitic eaves tile in a tall building at the plant. Bachelor of Early Cui Rong Tang Chongwen Museum has a "Poisson Fu", the preface says: "Chongwen Museum Poisson those produced in the customs house slide on ... ... its shape loose, students must be in accordance with W, Gu Yue Poisson. "Although it can flower spit Poisson leaves, but" less than feet high, under which, such as inch, "no use, so" Tong Jun (MD) Mo tours, Zijiang (wood) screening is difficult. " On the shore of the pool house on the Chrysanthemum and the Poisson for high contrast, was intended to explain the growth of chrysanthemum, although low-lying land in the swamp, but noble, quiet, generously dedicated to the people it's fragrance; and Poisson, although squat high, in fact, "the people useless, as in the material no." Here, the chrysanthemum has been personified, the author does not seek to give it high, do not Murong Li ideological quality. "Origin" and "does not envy" Accordingly, more emphasis on the tone, highlighting the chrysanthemum noble integrity. This end of the sentence so that the theme of this poem has been Jue said, poetry has been sublimated.
Lyrical poetry can not do without things, but can not write material for the written material. Just write things, even if real, is nothing but "attack Maung left God", no anger. Ju characters meet a poem every word, and sentence have ignited the author's thoughts and feelings. Ju, is simply a symbol of the poet himself. (Xu Dingxiang)
【Collections】松树菊花【Source】 卷675_26
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