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Yangtze head Yangliu Chun, Yanghwa worry kill people crossing. Bagpipe sound from the booth a few nights, I asked Jun to Xiaoxiang Qin.
Quatrains from the late Tang Du Mu, Li Shang-yin after a simple discussion of wind gradually Chi, lyrical, musical and image are greatly diminished. The Valley of the Seven-Zheng is still maintained longer than lyrical, full of charm features. This poem is the poet in Yangzhou (that title puts it, "Huai") and made friends parted. And different from the usual off, this is a future for all to go to shake hands: friends crossing the South to Xiaoxiang (now Hunan area), north to Chang himself. A twenty-two Scenery lyrical, awoke leave, do not focus on written chic, unique to read a natural charm. Screen is nowhere dense: the head crossing the Yangtze River, willow green, breeze, willow breeze, Yanghwa drift. Shore, the boat moored to go, crossing southern friends will go. Light of a few, like a goodly fresh ink. King of Emotion, full of Han Yun. Yiyi curl of willow, a chain drag affectionate parting with each other, draw a "willow long, hard series Yu Cong," the injury from the Italian threading; misty waft of Yanghwa, provoked by the two sides away from the blinding restless thread, hook Roam from the horizon of wandering feeling. Good Egami Willow, pleasant spring, here is precisely the situation became Parting from the catalyst, so that "cross the river to kill people unhappy." Poet dyed with light ink landscape, with a heavy pen describe melancholy, seems less coordinated early, taste the harmony between the two parties are. Two in the "Yangtze River Head", "Yang Liuchun", "Yanghwa" and homophone intentional repetition, constitutes both a light cool fluent, and loop back and forth, full of Charm beauty of wind tone, people to read deep-felt feelings of both permanent and does not seem too heavy and sad. Second sentence, although a single mention of the "crossing," but each Roam wandering, deviation from north and south, Jun worry I worry, was originally self-evident. "Sound of bagpipes from the Pavilion a few nights, the Qin king to Xiaoxiang me." Three, four two, from the river close to the first view from the booths do not feast, describe shake hands at the front scene. Yiting feast do, Jiuhan Everlasting, dinner from a desolate playing the flute song Mu complain. Scenery lyrical, the play is perhaps a symbol of the parting of the "discount willow" it. This flute is to talk to each other from a concerted effort to make two friends about to break up the Tour in the ear then, the relatively quietly, his thoughts lingering in the wind far and wide. Away from the flute, the sky darkened as if unconsciously, the time to shake hands. Two friends in the dark dusk each other a treasure, separate ways ─ ─ Xiaoxiang me to the Qin king. Poetry here, stopped short.