Xie public parting Office: A place for Hsieh Ting separation
Xie Gongting Xuancheng ranked North, Xie Tiao Ren Xuancheng Prefecture, he had bid farewell to poet Yun Fan here.
"Parting at Pavilion Xie, landscape each new woe." Xie Tiao, FAN Yun-year separation between still around, see where each scene is today can not help but worry students. "Worry" the word meaning is very broad, but not think of the ancients and the hate, the degree and feel lonely today, even by the Xie Tiao's talent, friends, experiences, and the thought of his being jealous by the slander, they may contain them.
“客散”两句似乎已经括尽古今了，但意犹未足，接着两句“池花春映日，窗竹夜鸣秋”，不再用孤月、空山之类景物来写“生worry ", but described Xie Gongting night with the scene in spring and autumn season. Since the pool opened since the spring flowers and swayed down the window tall bamboo dart out in the quiet autumn night in the ring dart out to issue clear, the scenery, although good, staff have still lonely. Two seem just describe the scenery today, and since the Union has explained the "guest powder", "Mountain Air", the reader is not difficult from this beautiful scenery, feel the implication of the lonely poet, and his face memorial landscape of Xie Gongting reverie, with the desire of the ancient modal fugue.
"Heritage and a phase, long song nostalgia trip." Reverie in memory of the poet, seems vaguely imagine the style of the ancients, the boundaries of ancient and modern communication, as well as in spirit resonated. Here the so-called "one phase", is due to rapture and mentally fit with the ancients, is written in the spirit of public Jiuyou for Xie tracking. This is a memory of Xie Tiao's poems, but the reader has felt from the spirit of the character of Li Bai. His memory, the performance of his beautiful spiritual pursuit of the interest of feeling superb.
Li Bai of the five laws, with the law and early modern features. This, on the one hand is often not reflected in the rhythm of the constraints on the Late Antiquity in the system; and more important to his five laws is no floating Early Yan atmosphere, but loving the natural beauty of super-step. Like the song "Xie Gongting" rhythm from the parallelism point of view, and verses is not much difference between the Tang Dynasty general, but the spirit and fantastic point of view, it in a little old-fashioned in the Tang Dynasty is good. Early Poems of Li Bai intended to correct rhetoric pains to portray the ills of stress, the song "Xiegong Ting" is believed to not focus on the pen. "On-off casual blue sky, mountain air green water flow," Hun, including the public not to write a thank Tingbian scene after, and no detailed description, but the blue sky, the moon, empty mountains, clear water posed by the open but with loneliness the realm of means, but seems lofty. As for the poem, after four, Wang Fu-chih put it more incisively: "fifty-six not like nostalgia, is based on nostalgia. 'Heritage and a phase' five-word, do not ancient and modern humanity. Spiritual, Italy caused, wrist, Ruin also. "(" Poetry Award ") to build so-called" pool at Hua Chun Ying, Ming Qiu window bamboo night, "two, written in elegant and distant, seemingly painted scenery, and the nostalgia of the mind sees is resides in them. "Heritage and a phase" Five words, an ancient and modern at the time ruled out the obstacles, very vigorous. Especially the "one phase" words, after the death of illocutionary a grateful public, no one else, that "the eyes of dilute phase since ancient times" ("Story of Nanking under the moon yin") was intended. This makes the memory of Li Bai thank the public, and most people occasionally made a distinction between a little nostalgic, and especially look super far away. Fengshen spirit like this, to approaching poetry, and the Early Poems and the general look very different.
(Yu Shu Cheng)【Source】 卷181_39
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