This is a poem pregnant. Problems in the near the river, learning refers to the Emperor of the Tang Tongji open drainage of the eastern section, that the canal from the board Nagisa (today Xingyang North) to a section of Xuyi Ruhuai. Emperor to visit Jiangdu year, before and after mobilization of the economy more than a million migrant workers dug drainage, planting willow trees along the river bank, the Bank said Sui embankment. Sea also Bianshui luxurious palace built. This near the river, is the extravagant Emperor, the people run out of cream, and ultimately self-defeating to witness history. This poet's Diaogu hurt feelings, a sense of the historical vicissitudes that lead from the front near the river out.
Sui death sentence aside old things, positive re-pen near the river spring. Bianshui blue, long east, embankments Bi Liu shade, Rose willowy, green cross thousands of miles, Tianchou phase, a boundless hope in the spring. Yo away the water near the river, the introduction of attention in the imagination a thousand miles across the strait spring, so that the already relatively abstract "infinite Spring" has a distinct image of the sense of words, implied the transition to the second sentence. Liu Yuxi "willow leaves," said: "The Royal Palace Bianshui Yang Bin." The second sentence, "Sui family palace" that is specific to the edge of Yang Di Bianshui palace. Spring often, but when it has been abandoned luxury Suigong deteriorate, leaving only the well off people pay tribute for the ruins. "Dust has become" pen and ink with exaggerated emphasis on luxury gone past, and the last sentence of endless spring, the eternal, the formation of a strong control shocking to see this world the vicissitudes of life, history, ruthless. "Taiwan city of six generations of competing luxury, Results matter most extravagant spring chi Pro. Million one thousand into the weeds, just because a backyard flower" (Liu Yuxi "Five Issues Taiwan Jinling City"), included in the "palace has been home Sui into the dust "in the meaning, it is this deep history is not feeling it?
First, twenty-two or to spring often, luxury does not exist that express a sense of general, three, four further seize Bianshui typical Spring ─ ─ Sui Green is the Willow dike to Writing with emotion. Catkins spring, drift like snow, tired of the mood swing is really good spring, but the front of this embankment Liu Bian, but string together a knot in the rise and fall of the Sui Dynasty, the vicissitudes of history, Spring everywhere, not only do not make people cheer pleasing to the eye, Instead, people create more sentimental. Emperor alongside bank willow tree that year, he traveled south this is the extravagant behavior of Jiangdu dotted landscape and in the end, it had become dissolute Sui Yan Liu embankment subjugation of the historical evidence, so that future generations in the face of deeply felt extravagant it is easy do, history ruthless. That wind drift, filled the air Yanghwa, With a deep history in the eyes of emotion, the poet, as if it is a symbol of disappearing luxury Sui (Sui and Yang Yang YANG Hua Yang also constitutes an idea on natural connection, it is likely to create associations from here). However, an even greater sense of endless sad, perhaps, or such an objective reality: Despite the near Kam Sui, mistakes in the former, but the contemporary feudal rulers from the dead but did not learn the history of Sui profound lesson. Sad without warning, so that future generations can only be re-sad people today. This is, perhaps, "Do pedestrians look on the Long Beach, the wind from the YANG Hua worry kill" These two lines of the story contains the deeper intention of it.
History of nostalgia and Ode to writing a history of emotion, feelings that ignited the reality of political point of view, there are common. However, because many things Wing Hing sense of history, focusing on blending the historical meaning of warning; nostalgia is more than recalling the tragic, focusing on past and present express a sense of ups and downs. The former is more real, the latter more virtual; the former is more specific, which is more ethereal. Li Yi's poem and the subject matter, content with which the history of similar chant Seven-yin "Suigong" strategy as the control, we can see both the similarities and differences. "Suigong" catch "Spring Palace Kam Nationwide Conference, a half as a barrier for mud half sail" of the typical examples, see the Southern tour the enormous wastefulness Jiangdu, Luxury, Indulgence by blending the history of subjugation and lessons learned; "Bian River Song" is But Bianshui Spring, banks and Sui Gong Liu fly desolate desolation as the control against the background, blending in the past and present history of Rise and Fall of emotion. One focuses on "See Examples of trouble fee", an emphasis, "cited the rise and fall of ancient pity." If you do not see they have in common, can be as simple can Diaogu Poems in the history of the sentimental and, ignoring the injury of which the story contains the meaning of this; if they do not see the difference, often easy to think that Poems in pan is too empty. Poems in value is often difficult to be fully understood, it is probably an important reason.
(Liu Kai)
【Collections】杨树花【Source】 卷283_66
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