First Name: | 许文雄 | ||
Township: | 台湾台南市 | ||
Read works of Xu Daran at 散文天地 |
He is also the modern Chinese writing literary writers and poets, poetry and prose to create a modern, 17 Papers were published and a poetry collection, part of the work translated into English, French, German, Japanese, Korean.
He was devoted to prose poetry, his painting of social reality, full of philosophy and humanity, sweep away the flashy style, the tendency Yan prostitution. His first one is a collection of essays, "a tearful smile," is also famous for his, since 1979 have been published in the "soil" (1979), "spit" (1984), "distant", "water edge "(1984)," sidewalk "(1986)," wind breaks "(1986)," "sympathetic understanding" and other essays, the New Poetry "pyramid" by Wu Cho-liu prize for new poetry. His most profound work to the readers the impression that a very strong social consciousness, on the bottom of society is very concerned about the fate of common people. He has strongly called for prose writers "create more and more clear-cut theme, content with the thought, reflecting the era, including social prose," despise "the harsh reality when the cage bird play," the lyrical prose and the "self-center for me to quiet the style "the hat pieces. Xu of natural creation Another feature is that he relied heavily on imagery and attention to language enrichment, which is obviously affected by Modernist Literature, like the use of implied, contrast, contrast and other artistic techniques in image selection and construction of into own life , society, history, rational knowledge to form a special style of his prose. Promise of natural language prose has three main features: (1) concise narrative. However, in addition to the early promise of melancholy expression of his anguish, the emotion of his work most of the hair express themselves excluded, while the tendency of civil society or the subject of local sentiments. His prose is discarded indulge in elaborate expression, but a rational exploration. (2) jumping sentence. In a sentence, by deleting a number of redundant words. Readers, can not smooth but had a purpose, must be brain thinking. In addition, he also make good use of the top real syntax, so that meant swinging at the sound of rhythm. (3) the active use of the word. Ran Xu of the word often used to enhance the mood again and again, sometimes arranged in use to trigger the appearance of the text the text content of the potential. Such as "Lost Forest": "It (Shan) do not care civilization, but was kept in culture where everyone is forced to look at all everyone is not a monkey." This sentence tied to the performance of six characters trapped Shan crowded, more contrast Shan own lonely boring.
He wrote scholarly works in English and Chinese, some of the Chinese, Japanese translation.
He has Northwestern University (Illinois) retirement, the school also been awarded the title of honorary professor.
Tunghai University in Taichung, Taiwan when he was studying to senior Taiwan Yang Kuei-phase collected from the left-wing writers, and other senior Taiwanese writer Chung Chao, Yeh, Cheng, Chen Ying, Wang says, who is also quite friendship, and has long served as Taiwan Literature publication "the literary" on the editorial board, the research direction in recent years, Taiwan-based literary history.
November 10, 2005, he returned to his alma mater, Tunghai University in Taiwan as an expert in school.
Translated by Google