yǎn jiǎng zhě miàn duì guǎng dà tīng zhòng， yǐ kǒu tóu yǔ yán wéi zhù yào xíng shì、 fēi kǒu tóu yǔ yán wéi fǔ zhù xíng shì， jiù mǒu yī wèn tí fā biǎo zì jǐ de yì jiàn， huò chǎn shuō mǒu yī shì lǐ， bìng hù xiāng jiāo liú xìn xī de zhēn shí de shè huì huó dòng guò chéng， yě jiào yǎn shuō huò jiǎng yǎn。 qǐ yī zhǒng ràng rén xìn fú huò míng bái de zuò yòng
yǎn jiǎng de qǐ yuán
yóu yú rén lèi shè huì fā zhǎn de xū yào 'ér chǎn shēng liǎo yǔ yán； yóu yú yǔ yán de fā zhǎn hé fā yīn qì guān de jìn huà， ér shǐ yòu shēng yǔ yán chéng wéi zhù yào de biǎo dá fāng shì； yòu yóu yú yào gèng jiā chōng fēn dì biǎo dá sī xiǎng gǎn qíng， ér bǎ yòu shēng yǔ yán hé tài shì yǔ yán yòu jī dì jié hé qǐ lái， zhè jiù shì zuò wéi yī zhǒng yǔ yán biǎo dá fāng shì de yǎn jiǎng de qǐ yuán。
yǎn jiǎng de xìng zhì
yī、 shè huì xìng yǎn jiǎng huó dòng fā shēng zài shè huì chéng yuán zhī jiān， tā shì yī gè shè huì chéng yuán duì qí tā shè huì chéng yuán jìn xíng xuān chuán gǔ dòng huó dòng de kǒu yǔ biǎo dá xíng shì。 yīn cǐ， yǎn jiǎng bù zhǐ shì gè tǐ xíng wéi， hái jù yòu hěn qiáng de shè huì xìng。
èr、 xiàn shí xìng suǒ wèi xiàn shí xìng， shì zhǐ fú hé kè guān shì wù de zhǐ shì qíng kuàng de xìng zhì。
sān、 yì shù xìng yǎn jiǎng shì yōu yú yī qiē xiàn shí de kǒu yǔ biǎo xiàn xíng shì， tā yào qiú yǎn jiǎng zhě qù chú yī bān jiǎng huà zhōng de zá luàn、 sōng sàn、 píng bǎn de yīn sù， yǐ yī zhǒng jí zhōng、 níng liàn、 fù yǔ chuàng zào sè cǎi de miàn mào chū xiàn， zhè jiù shì yǎn jiǎng de yì shù xìng。
sì、 zōng hé xìng yǎn jiǎng zhǐ shì fā shēng zài yī dìng shí jiān nèi de huó dòng， ér wéi zhè yī huó dòng， yǎn jiǎng zhě yào yòu gè fāng miàn de chōng fēn zhǔn bèi， tóng shí， hái xū yào dà liàng de zǔ zhì gōng zuò yǔ zhī pèi hé。 zhè jiù shì yǎn jiǎng de zōng hé xìng。
wǔ、 luó ji xìng yǎn jiǎng zhě sī wéi yào zhěn mì， yǔ yán yīngyǒu tiáo lǐ， céng cì fēn míng， jié gòu qīng chǔ， zhè jiù shì yǎn jiǎng de luó ji xìng。
liù、 zhēn duì xìng yǎn jiǎng zhù tí yīngshì zhòng suǒ zhōu zhī de wèn tí， yào zhù yì tīng zhòng de nián líng、 shēn fèn、 wén huà chéng dù děng， zhè jiù shì yǎn jiǎng de zhēn duì xìng。
qī、 gǎn rǎn xìng yǎn jiǎng zhě yào yòu xiān míng de guān diǎn、 zì jǐ dú dào de jiàn jiě hé kàn fǎ yǐ jí shēn kè de sī xiǎng děng， yào shàn yú yòng liú chàng shēng dòng、 shēn kè fēng qù de yǔ yán hé qiàdàng de xiū cí dǎ dòng tīng zhòng， zhè jiù shì yǎn jiǎng de gǎn rǎn xìng。
yǎn jiǎng xué
yǎn jiǎng xué shì yán jiū yǎn jiǎng de fā shēng hé fā zhǎn guī lǜ yǐ jí yǎn jiǎng de fāng fǎ hé jì qiǎo de yī mén shè huì kē xué； bìng qiě shì yī mén dài yòu fāng fǎ lùn xìng zhì de kē xué， yī mén jù yòu hěn qiáng de shí jiàn xìng de kē xué。
yǎn jiǎng xué de yán jiū duì xiàng yǎn jiǎng xué de yán jiū duì xiàng bāo kuò sān gè fāng miàn。 ① guān yú yǎn jiǎng duì shè huì shēng huó de zuò yòng yǔ fǎn zuò yòng de guī lǜ wèn tí。 zhū rú yǎn jiǎng zài shè huì shēng huó zhōng suǒ chù de dì wèi jí qí shè huì zuò yòng， yǎn jiǎng zì shēn de tè zhēng， yǐ jí yǎn jiǎng zì shēn de jì chéng、 gé xīn hé mín zú yǎn jiǎng de xiāng hù yǐng xiǎng děng děng。 ② guān yú yǎn jiǎng huó dòng běn shēn de guī lǜ wèn tí。 zhū rú yǎn jiǎng de fēn lèi， yǎn jiǎng de nèi róng yǔ xíng shì， yǎn jiǎng de zhǔn bèi jiē duàn yǐ jí yǎn jiǎng huó dòng de guò chéng děng děng。 ③ guān yú yǎn jiǎng de jiàn shǎng hé pī píng de yī bān guī lǜ wèn tí。 zhū rú jiàn shǎng de yǐ jù hé pī píng de biāo zhǔn， rú hé tōng guò jiàn shǎng yǔ pī píng tuī dòng yǎn jiǎng zì shēn de fā zhǎn děng děng。 shàng shù sān gè fāng miàn jì yòu gè zì de xiāng duì dú lì xìng， yòu yòu xiāng hù jiān de yǐ cún xìng。 shuō tā men xiāng duì dú lì， shì yīn wéi měi yī gè fāng miàn dōushì cóng mǒu yī jiǎo dù chū fā de， shuō tā men hù xiāng yǐ cún， shì yīn wéi zuò wéi yī gè yòu jī de zhěng tǐ， bù fēn yǔ bù fēn zhī jiān cún zài zhe mìqiè de lián xì， quē shǎo nǎ gè bù fēn dū jiāng yǐng xiǎng zhěng tǐ de wán shàn xìng。
yǎn jiǎng jì qiǎo
yǎn jiǎng jì qiǎo zhōng de 4P shì zhǐ： Plan( jìhuà )、 Prepare( zhǔn bèi )、 Practice( lián xù ) hé Present( yǎn jiǎng )。
jìhuà (Plan) shú xī nǐ de guān zhòng， bāo kuò zhī shí、 jīng yàn、 xū qiú hé mùdì。 gēn jù nǐ xī wàng nǐ tīng zhòng cǎi qǔ hé zhǒng xíng dòng lái zhì dìng què nǐ yǎn jiǎng de mùdì。
xiǎng xiàng nǐ chéng gōng de yàng zǐ
xiǎng xiàng nǐ de guān zhòng rú hé fǎn yìng
gěi zì jǐ dǎ qì
zhǔn bèi kāi chǎng bái yǐ yī gè yǔ guān zhòng xū qiú xiāng guān de wèn tí wéi kāi chǎng bái
zhēn chéng gǎn xiè
yī gè xiāng guān de shì qíng shì shí hé zhèng jù tǒng jì shù jù
lèi bǐ
shì fàn
shēng míng huò yǐn yòng
shì jiàn
zhǎn shì
bù tóng huà tí zhī jiān de zì rán guò dù
zhǔn bèi yī gè lìng rén nán wàng de jié wěi
3E zhǔn bèi tōng guò xià miàn 3E de zhǔn bèi， kě yǐ wéi zì jǐ jiàn lì zì xìn xīn， shì yǎn jiǎng chéng gōng de guān jiàn： wèishénme nǐ huò dé (Earn) fā biǎo yǎn jiǎng de quán lì huò jī huì
wèishénme nǐ duì fēi cháng xǐ huān (Excite) zhè gè huà tí
wèishénme nǐ pò bù jí dài dì (Eager) jiù xiǎng yǔ nǐ de tīng zhòng fēn xiǎng nǐ de zhī shí
1. hé wèi shàn yòng kōng jiān de yǎn jiǎng
suǒ wèi kōng jiān jiù shì zhǐ jìn xíng yǎn shuō de chǎng suǒ fàn wéi、 yǎn jiǎng zhě suǒ zài zhī chù yǐ jí yǔ tīng zhòng jiān de jù lí děng děng。 yǎn shuō zhě suǒ zài zhī chù yǐ wèi jū tīng zhòng zhù yì lì róng yì huì jí de dì fāng zuì wéi lǐ xiǎng。 lì rú kāi huì de shí hòu、 zhù xí duō bàn wèi jū huì yì zhuō de shàng fāng、 yīn wéi gāi chù zhèng shì zuì róng yì huì jí chū xí zhě zhù yì lì de dì fāng。
fǎn zhī， rú guǒ zhù xí wèi jū huì yì zhuō zhī zhèng zhōng yāng， zé huì yì de jìn hángqíng kuàng huì biàn rú hé ní？ kǒng pà huì shǐ chū xí zhě zhù yì lì sǎnmàn liǎo， qiě yòu huì yì rǒng cháng bù xiū de gǎn jué？ yīn cǐ， ràng zì jǐ wèi jū tīng zhòng zhù yì lì róng yì huì jí zhī chù， bù dàn néng gòu tí shēng tīng zhòng duì yú yǎn jiǎng de guān zhù， shèn zhì jù yòu zēng qiáng yǎn shuō zhě xìn lài dù quán wēi gǎn de xiào guǒ。
2. yǎn jiǎng shí de zī shì rú hé
yǎn shuō shí de zī shì（ posture） yě huì dài gěi tīng zhòng mǒu zhǒng yìn xiàng， lì rú táng táng zhèng zhèng de yìn xiàng huò zhě wèi wèi suō suō de yìn xiàng。 suī rán gè rén de xìng gé yǔ píng rì de xí guàn duì cǐ yǐng xiǎng pō jù， bù guò yī bān 'ér yán réng yòu fāng biàn yǎn jiǎng de zī shì， jí suǒ wèi “ qīng sōng de zī shì ”。 yào ràng shēn tǐ fàng sōng， fǎn guò lái shuō jiù shì bù yào guò dù jǐn zhāng。 guò dù de jǐn zhāng bù dàn huì biǎo xiàn chū bèn zhuō jiāng yìng de zī shì， ér qiě duì yú shé tóu de dòng zuò yě huì zào chéng bù liáng de yǐng xiǎng。
jué qiào zhī yī shì zhāng kāi shuāng jiǎo yǔ jiān tóng kuān， tǐng wěn zhěng gè shēn qū。 lìng yī gè jué qiào shì xiǎng bàn fǎ kuò sàn bìng jiǎn qīng shī jiā zài shēn tǐ shàng de jǐn zhāng qíng xù。 lì rú jiāng yī zhǐ shǒu shāo wēi chā rù kǒu dài zhōng， huò zhě shǒu chù zhuō biān、 huò zhě shǒu wò mài kè fēng děng děng。
3. yǎn jiǎng shí de shì xiàn
zài dà zhòng miàn qián shuō huà， yì jí biǎo shì bì xū rěn shòu zhòng mù kuí kuí de zhù shì。 dāng rán， bìng fēi měi wèi tīng zhòng dū huì duì nǐ bào yǐ shàn yì de yǎn guāng。 jìn guǎn rú cǐ， nǐ hái shì bù kě yǐ mò shì tīng zhòng de yǎn guāng， bì kāi tīng zhòng de shì xiàn lái shuō huà。 yóu qí dāng nǐ zǒu dào mài kè fēng bàng biān zhàn lì zài dà zhòng miàn qián de nà yī shùn jiān， lái zì tīng zhòng de shì xiàn yòu shí shèn zhì huì ràng nǐ jué dé cì tòng。
kè fú zhè gǔ shì xiàn yā lì de mì jué， jiù shì yī miàn jìn xíng yǎn jiǎng； yī miàn cóng tīng zhòng dāng zhōng zhǎo xún duì yú zì jǐ tóu yǐ shàn yì 'ér wēn róu yǎn guāng de rén。 bìng qiě wú shì yú nà xiē lěng dàn de yǎn guāng。 cǐ wài， bǎ zì jǐ de shì xiàn tóu xiàng qiáng liè“ diǎn tóu” yǐ shì shǒu kěn de rén， duì gǒng gù xìn xīn lái jìn xíng yǎn shuō yě jù yòu xiào guǒ。
4. yǎn jiǎng shí de liǎn bù biǎo qíng
yǎn jiǎng shí de liǎn bù biǎo qíng wú lùn hǎo huài dū huì dài gěi tīng zhòng jí qí shēn kè de yìn xiàng。 jǐn zhāng、 pí láo、 xǐ yuè、 jiāo lǜ、 děng qíng xù wú bù qīng chǔ dì biǎo lù zài liǎn shàng， zhè shì hěn nán jiè yóu běn rén de yì zhì lái jiā yǐ kòng zhì de。 yǎn jiǎng de nèi róng jí shǐ zài jīng cǎi， rú guǒ biǎo qíng zǒng jué quē fá zì xìn， lǎo shì wèi wèi suō suō， yǎn jiǎng jiù hěn róng yì biàn dé qiàn quē shuō fú lì。
kòng zhì liǎn bù de fāng fǎ， shǒu xiān“ bù kě chuí tóu”。 rén yī dàn“ chuí tóu” jiù huì yú rén“ sàng qì” zhī gǎn， ér qiě ruò shì xiàn bù néng yǔ tīng zhòng jiē chù， jiù nán yǐ xī yǐn tīng zhòng de zhù yì。 lìng yī gè fāng fǎ shì“ huǎn màn shuō huà”。 shuō huà sù dù yī dàn huǎn màn， qíng xù jí kě wěn dìng， liǎn bù biǎo qíng yě dé yǐ fàng sōng , zài zhě， quán shēn shàng xià yě néng gòu wéi zhī tài rán zì ruò qǐ lái。
5. yòu guān fú shì hé fā xíng
fú zhuāng yě huì dài gěi guān zhòng gè zhǒng yìn xiàng。 yóu qí shì dōng fāng nán xìng zǒng shì xǐ huān chuānzhuó huī sè huò zhě lán sè xì liè de fú zhuāng， nán miǎn gěi rén guò yú kè bǎn wú qù yìn xiàng。 qīng sōng de chǎng hé bù fáng chuānzhuó shāo wēi huā qiào yī diǎn de fú zhuāng lái cān jiā。 bù guò rú guǒ shì zhèng shì de chǎng hé， yī bān lái shuō réng yǐ shēn sè xī fú、 nán shì wú wěi wǎn yàn fú（ tuxedo)、 yǐ jí yàn wěi fú wéi yí。 qí cì， fàxíng yě kě sù zào chū gè zhǒng xíng xiàng lái。 cháng fā hé guāng tóu gè zì yùn hán qí qiáng liè de xíng xiàng， ér bìn jiǎo de cháng duǎn yě bèi rèn wéi shì gè rén xǐ hǎo de biǎo zhēng。 zhàn chū lái yǎn jiǎng zhī jì， nǐ de fú zhuāng、 jiū jìng dài gěi duì fāng hé zhǒng yìn xiàng？ xī wàng gè wèi hǎohǎo dì sīliáng yī fān。
6. shēng yīn hé qiāng diào
shēng yīn hé qiāng diào nǎi shì yǔ shēng jù lái de， bù kě néng yīzhāoyīxī zhī jiān yòu suǒ gǎi shàn。 bù guò yīn zhì yǔ cuò cí duì yú zhěng gè yǎn shuō yǐng xiǎng pō jù， zhè dǎo shì shì shí。 gēn jù mǒu xiàng yán jiū bào gào zhǐ chū shēng yīn dī chén de nán xìng bǐ shēng yīn gāo kàng de nán xìng， qí xìn lài dù jiào gāo。 yīn wéi shēng yīn dī chén huì ràng rén yòu zhǒng wēi yán chén zhe de gǎn jué。 jìn guǎn rú cǐ， gè wèi hái shì bù kě néng mǎ shàng jiù gǎi biàn zì jǐ de shēng yīn。 zǒng zhī， zhòng yào de shì ràng zì jǐ de shēng yīn qīng chǔ dì chuán dá gěi tīng zhòng。 jí shǐ shì yīn zhì bù hǎo de rén， rú guǒ néng gòu bǐng chí zì jǐ de zhù zhāng yǔ xìn niàn de huà， yǐ jiù kě yǐ xī yǐn tīng zhòng de rèqiè guān zhù。
shuō huà de sù dù yě shì yǎn jiǎng de yào sù。 wèile yíng zào chén zhe de qì fēn， shuō huà shāo wēi màn diǎn shì hěn zhòng yào。 biāo zhǔn dà zhì wéi 5 fēn zhōng sān zhāng zuǒ yòu de A4 yuán gǎo， bù guò， cǐ dì yào zhù yì de shì， cháng ruò cóng tóu zhì wěi yī zhí yǐ xiāng tóng de sù dù lái jìn xíng， tīng zhòng huì shuì jué de。
The speaker to face the general audience, the main form of oral language, non-verbal language is secondary forms, on an issue to express their views, or explain that a good sense, and exchanged information on the real process of social activities, also known as speech or presentation. Play a role in convincing or understand
The origin of speech
As the human development of society arising from the language; Because of language development and the evolution of speech organs, Er Shi You sound Yuyan Chengweizhuyao the Biaodafangshi; And as they have Gengjiachongfen De expression of thoughts and feelings, and the audio language He state language Youji to together, this is a language of expression as the origin of speech.
The nature of speech
First, social lecture took place in the community among the members, it is a member of society members of other social propaganda activities in the form of oral expression. Therefore, the speech is not just individual behavior, is also very social.
Second, the so-called reality reality, and is consistent with the objective nature of things, just situations.
Third, artistic presentation is better than the oral form of all reality, it requires the speaker to remove the clutter in general speech, loose, flat element, to a centralized, concise, rich colors to create the look and appear, this is the speech artistry.
4, integrated nature of speech occur only within a certain time activity, and Wei the event, speakers Yaoyou Ge Fang Mian's full preparations, it is also necessary with a large number of organizations Gongzuo 配合. This is a comprehensive presentation.
5, logical thinking should be careful speaker, language should be organized and structured, the structure clearly, this is the logic of speech.
6, specific speech topics should be known for their problems, pay attention to the audience's age, identity, education, etc. This is the speech targeted.
7, infectious speaker must have a fresh point of view, their unique insights and ideas as well as deep thinking, etc., must be good with a smooth and vivid, funny and profound language and appropriate rhetoric moves people, and this is speaking of infection.
Public Speaking
Speech is the study of the occurrence and development of speech laws, and lecture methods and techniques of a social science; and is a character with the methodology of science, a highly practical science.
Presentation Skills
Speaking skills in the 4P is: Plan (Plan), Prepare (ready), Practice (continuous) and Present (speech).
Plan (Plan) are familiar with your audience, including the knowledge, experience, needs and objectives. According to what you want your audience to take action to develop really the purpose of your speech.
Imagine the way your success
Imagine your audience how to react
To encourage yourself
Prepared opening remarks to an audience demand issues related to opening
Sincere thanks
A related statistical data on the facts and evidence do
Analogy
Demonstration
Statement or reference
Event
Show
Natural transition between the different topics
Prepare a memorable end
3E 3E prepared by following the preparation, you can _set_ up their own self-confidence is the key to successful speech: Why do you get (Earn) speech rights or opportunities
Why do you love (Excite) to this topic
Why you can not wait (Eager) wanted to share with your audience your knowledge
1. What is good use of space in the speech
Space is the place means to address the scope of the speaker where it was located as well as the distance between the audience and so on. Speakers among the listeners attention to where the penalty easily the most ideal place together. For example, when meeting the President most of the top ranked conference table, because it is most likely to present the attention of the local pool.
Conversely, if the center of the President among the conference table, then the proceedings of the Conference will become then? I am afraid that will present the attention of sloppy, and there is the feeling of endless tedious meetings? Therefore, let your attention among the audience easily converge, not only to enhance the audience's attention for a speech, and even a sense of authority with enhanced reliability speaker effect.
2. A speech at the position to
Speech posture (posture) will give the audience an impression, such as upright image or timid impression. Although the individual's personality and daily habits have enormous influence, but generally speaking there is still convenient position, the so-called "relaxed posture." Let the body relax, the other hand is not too tight. Excessive tension will not only show awkward rigid posture, and movement for the tongue can also cause adverse effects.
One know-how to open your feet shoulder width, very steady throughout the body. Another way is to spread know-how and applied to reduce the tension in the body. Such as a hand into a little pocket, or touch the table, or holding a microphone and so on.
3. A speech at the line of sight
Speak in public before, that is, full view of the attention that must be endured. Of course, not every audience will respond with goodwill to your eyes. However, you still can not ignore the audience's perspective, avoiding the audience's attention to words. Especially when you come to the microphone stand next to the moment before the general public from the audience's attention and sometimes even make you feel hurt.
Overcome the pressure of the secret shares of view, is to speak on one side; side from the audience vote were looking for their own good and gentle insight. And ignore those cold eyes. In addition, his own sights on a strong "nod" to show approval of the people who carried out the consolidation of confidence in his speech also has effect.
4. Speech and facial expression
Speech and facial expression, whether good or bad will bring the audience very impressed. Tension, fatigue, joy, anxiety, and other emotions without clear to reveal the face, it is difficult to come by, I will be controlled. Even if the content of speech wonderful, if the expression always feel lack of confidence, always timid, it is easy to become convincing speech.
Control method of the face, first of all "non-nutation." Were once the "nutation" will be people "frustrated" in a sense, but if the line of sight can not be contacted with the audience, it is difficult to attract the audience's attention. Another approach is to "slow to speak." Once the speech rate is slow, you can stabilize mood, facial expressions are also able to relax, Furthermore, the whole body up and down is also poised to whom.
5. The costumes and hair
Clothing will also bring viewers a variety of impressions. In particular, the East men always like to wear gray or blue range of apparel, will inevitably give the impression of rigidity boring. The casual dress might fancy a little bit of clothing to participate. However, if a formal occasion, in general, still dark suits, men no tail dinner service (tuxedo), and the tuxedo is appropriate. Second, the hair can also create a variety of images to. Long hair and shaved head contains its own strong image, but the length of temple is also considered the characterization of personal preference. Stand the occasion of a speech, your clothes, what kind of impression of what to bring each other? Hope you good to ponder.
6. Voice and accent
Sound and tone but born, can not be improved between overnight. However, the wording of sound quality and enormous influence of the whole speech, it is true. According to a research report that low voice, male voice high-pitched than the male, the higher its reliability. Because a low voice, make people feel a kind of dignified calm. However, you still can not immediately change their voice. In short, it is important to make our voices clearly communicated to the audience. Even the sound quality of poor people, if their claims are founded on the words and belief, still keen to attract audience attention.
The speed of speech is a speech elements. To create a calm atmosphere, to speak a little slower is very important. Standards is roughly about 5 minutes 3 A4 manuscript, however, to note here is that if the same speed from beginning to end has been carried out, the audience will be sleeping.
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