唐代 李贺 Li He  唐代   (790~816)
hadorwould urge sb. to drink (at a banquet)
Li with Harp cited
残丝曲
还自会稽歌并序
Send out of town right to Qu Yang Jingzhi
示弟
Bamboo
s son-in-law Fu de A ditch which flows through the imperial garden water
Feng Li Yi started the Chang-gu to live away from civilization
the seventh evening of the seventh moon(when according to legend the Cowherd and the Weaver Maid meet in Heaven)
Guo Hua Qing
送沈亚之歌并序
Sing of one's feelings 2 Second
Recovery and Liu Yun
life Square is Sword child song words
贵公子夜阑曲
Yanmen Procurator Row
Levee Song
Shu string
Su xiaoxiao grave
Dream Days
唐儿歌
Green Chapter Letters do
Henan province prefectural examination under the former system of civil service examination Dec Words and Music an intercalary month
Multiple poems at a time
ancient style poetry

Chang-gu North park garden New shoots 4 Second,
昌谷北园新笋四首(其二)

   Li He

Chop taking glaucoma write Chu, Lili tired of black powder in Hong Chun.
Who see the merciless and hate? Lucy sings ten million tobacco pressure.
  Li Chang Valley is home, where there are clear water of Castle Peak, Lam Xiuzhu. Especially the bamboo and almost everywhere. "Bamboo incense over desolate silence, powder coating Health Green Day" ("Poet"). Li is love bamboo, apart from watching the stroke, wrote many poems Ode to bamboo, and sometimes directly to the poems written on bamboo, the book in his own mind sees.
  After the two focused on the expression of the feelings of resentment. "Cruel and hate", it seems that something in the bamboo on the poem. Hsinchu handsome poet destroyed face, can be said to be "ruthless" performance, and this "ruthless," but can not suppress smoldering resentment caused by the heart. In this regard, there is a very exciting Yaowen Xie Review: "not every good timber, the fixing to write a complaint; Fang-Dianran, no Juanai outside a feeling of hate inside gloomy." ("Chang Valley Annotations") poet Zengyi "Long Wood" ego, hoping he can do as the new shoots, night pumping thousand feet, straight Albatron, no one appreciated the results, Pichu village, and bamboo for the neighborhood. Poem on bamboo, is to distraction feelings of rage. Ye Hao, however cruel and hate Ye Hao, no one to see, No one knows. "Cruel and hate what people see?" Here with questions, rather than declarative sentences, the poetic opening and closing of turbulence, change scene. The last sentence on the sentence implicitly answered the question, measures language micro-wan, however, plenty of emotion. It is strongly characterized bamboo Choucan face: smoke-filled, face the enemy, like the sad beauty Yanmianerqi; and pressure in the exposed plot on bamboo leaves bamboo, dripping down from time to time, it's weeping and mourning is no different. On the surface, the anguish of bamboo in the writing, but in fact empathy on the matter, the people's grievances into a complaint of bamboo to create the things I Affinities, state to the moving scenes.
  This is a chanting poems. Written from start to finish bamboo, but nowhere did not face his own spirit the poet. Melancholy bamboo worry people like Yan Yan, bamboo grief is also interlinked with human grief. Bamboo also deemed to write to write, and its purport in the consciously or unconsciously, confusing, people uncertain, however, elegant Fengshen, Xing deep micro, far from the general expression of the poet's poems directly comparable.
  Throughout this poem using "than", "Xing" means, empathy on the matter, by of lyric. On the expression means, the written form of the bamboo is real, people's feelings are false; meaning from life, it is just the opposite, writing people's feelings are real, the shape of bamboo is true, because the poet wrote of bamboo, to express long smoldering in my mind feeling sad. Readers to comprehend the themes of poetry after the image of bamboo directly with the lyrical image of the poet himself together again and again, is no longer a separate entity itself. Write, there is indeed true, seems real and the imaginary, it seems false and indeed, both, garbage out, no clues, to give people a sense of endless pondering.
  (Zhu Shiying)
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