This is a question for the painting, the poet read the description of six things Southern History painting, realizing the heart, swipes under the title of this poem. What is the artist who has been untraceable. He painted the six generations of the Southern Dynasties (Wu, Eastern Jin, Song, Qi, Liang and Chen) of the story, as were six generations of capital at Nanking. This artist does not whitewash of peace and prosperity for the Southern rulers, but to write its sad decline. He draws a lot of old wood in the picture cold clouds, drawn Siege broken battlements, people see three hundred years of Nanking, not a lush imperial state, it touches people the feeling of sadness in the city. This is really different from the general history of painting. Slightly earlier than the poet Wei high-toad wrote "Wang Jinling night": "Jade was with clouds return late, Utah to accompany the sun_set_ pan Qiusheng. Dan-hand infinite world, a sad picture fails. " End of the two, feeling deep. High toad had a premonition that the Tang Dynasty and dangerous, and irrevocably moving towards the end of total collapse, he was completely up_set_, but powerless. He attributed this potential crisis, "a sad"; and this "a sad," painters in general can not be expressed. Wei obviously read it the first high-toad, "Wang Jinling night," the. When he read that the story of six Southern painting, the high-toad, "a sad picture fails," the poem seems to emerge and from memory. "Why not a real one is painting?" You see this six Southern story, not have "a sad" draw out you! So he came to Gv, as if for high laevis retorted: "Who said that not a sad picture? Draw people by the world situation." Why not a society draw "a sad" it? Only because the artists just want to cater to the general world of vulgar psychology, designed to draw some cosmetic things of peace and prosperity, rather than reflect the true face of Bale. Denial of the poet, "not a sad picture," saying, after an excellent example cited to: "look at six Southern Jun things, the old wooden winter clouds over the Old City." See this "ling" it, the screen dry withered old trees, winter clouds shrouded, a desolate desert. Southern six Xiaochao Ting, which is not stupid is no way, the final end to the enemy to surrender their short-lived history? This is the bleak reality of the three hundred years a true portrayal of Nanking. High-toad's "Late Wang Jinling," and this make a comparison, quite interesting. A sigh, "a painting not a sad", a counter that is not the picture what it is! In fact, the two are by the late Tang Dynasty to express the reality of the old things of deep concern in the arts have the same purpose. (Liu Yisheng)【Source】 卷697_3
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