yīng guó wēn suō wáng cháo  (1867niánbāyuè14rì～1933niányuányuè31rì)

chūshēngdì：	lún dūn
 xiàn shí bǎi tài Realistic Fiction： 《píng guǒ shù The Apple Tree》 xī fāng xì jù occident drama： 《zhēng qiáng》 yuèdòuyuē hàn · gāo 'ěr sī huá suí John Galsworthyzài小说之家dezuòpǐn!!! yuèdòuyuē hàn · gāo 'ěr sī huá suí John Galsworthyzài影视与戏剧dezuòpǐn!!!

　　gāo 'ěr sī huá suí（ 1867-1933） shì yīng guó xiǎo shuō jiā、 jù zuò jiā， shēng yú lún dūn， céng zài niú jīn dà xué dú fǎ lǜ， hòu fàng qì lǜ shī gōng zuò cóng shì wén xué chuàng zuò。 1906 nián， gāo 'ěr sī huá suí wán chéng cháng piān xiǎo shuō《 yòu chǎn yè de rén》， xiǎo shuō huò dé guǎng fàn hǎo píng， tā yě yīn cǐ 'ér bèi gōng rèn wéi yīng guó dì yī liú zuò jiā。 gāo 'ěr sī huá suí shì gè duō chǎn zuò jiā， zài 'èr shí duō nián de chuàng zuò shēng yá zhōng， jīhū měi nián xiě yī bù xiǎo shuō hé yī bù jù běn。 1932 nián， gāo 'ěr sī huá suí “ yīn qí miáo shù de zhuó yuè yì shù -- zhè zhǒng yì shù zài《 fú 'ěr sài shì jiā》 zhōng dá dào gāo fēng ” ér huò dé nuò bèi 'ěr wén xué jiǎng jīn。
　　
　　 yuē hàn · gāo 'ěr sī huá suí - zhòng yào zuò pǐn
　　
　　 gāo 'ěr sī huá suí de zhòng yào zuò pǐn yòu： cháng piān xiǎo shuō sān bù qū《 fú 'ěr sài shì jiā》（ yóu《 yòu chǎn yè de rén》 1906、《 qí hǔ》 1920 hé《 chū zū》 1821 zǔ chéng）、 sān bù qū《 xiàn dài xǐ jù》（ yóu《 bái yuán》 1926、《 yín chí》 1926 hé《 tiān 'é zhī gē》 1928 zǔ chéng）、 sān bù qū《 wěi shēng》（《 nǚ shì》 1931、《 kāi huā de huāng yě》 1932 hé《 hé nà biān》 1933 zǔ chéng）， yǐ jí jù běn《 yín xiá》（ 1936）、《 dǒu zhēng》（ 1909）、《 qún zhòng》（ 1914） hé《 táo páo》（ 1926） děng。
　　
　　 gāo 'ěr sī huá suí de zuò pǐn yǐ shí jiǔ shì jì hòu qī hé 'èr shí shì jì chū qī de yīng guó shè huì wéi bèi jǐng， miáo xiě liǎo yīng guó zī chǎn jiē jí de shè huì hé jiā tíng shēng huó， yǐ jí shèng jí 'ér shuāi de lì shǐ。 tā de zuò pǐn yǔ yán jiǎn liàn， xíng xiàng shēng dòng， fěng cì xīn là。
　　
　　《 yòu chǎn yè de rén》（ 1906） shì gāo 'ěr sī huá suí de《 fú 'ěr sài shì jiā》 sān bù qū zhōng de dì yī bù。 shū zhōng suǒ miáo xiě de fú 'ěr sài shì jiā zhèng chù yú yóu xīng shèng dào shuāi luò de zhuǎn zhé shí qī。 fú 'ěr sài yī jiā shì jīn róng jiā、 jiāo yì suǒ jīng jì rén、 yōng yòu fáng dì chǎn huò zhě gǔ piào de zī chǎn jiē jí， tā men duì lì shēn chǔshì、 dài rén jiē wù， duì yī shí zhù xíng、 jiā tíng guān xì， duì zhí mín dì、 bù liè diān dì guó děngdōu xíng chéng liǎo běn zhì shàng xiāng tóng de kàn fǎ， zhè jiù shì shū zhōng suǒ jiǎng de“ fú 'ěr sài jīng shén”， tā de zhù yào tè zhēng shì“ jǐn zhuā zhù cái chǎn bù fàng， bù guǎn shì lǎo pó， hái shì fáng zǐ， hái shì jīn qián， hái shì míng yù”。
　　
　　《 yòu chǎn yè de rén》 zhōng de zhù rén gōng suǒ mǐ sī bèi zuò zhě chēng wéi“ fú 'ěr sài jūn duì de xiān fēng”。 tā bǎ yī qiē dōng xī dū dāng zuò shāng pǐn、 dāng zuò zī běn， měi kàn jiàn yī fú míng huà、 yī jiàn gǔ wán， zǒng yào xiǎng dào zhè zài pāi mài xíng lǐ néng pāi mài shàng duō shǎo qián； tā mǎi dì zào wū， shǒu xiān kǎo lǜ de shì dì jià huì bù huì shàng zhǎng， fáng zǐ jiāng lái néng bù néng mài shàng gāo jià。 zài duì dài qī zǐ yī lín de tài dù shàng， gèng jiā míng xiǎn dì bào lù liǎo zhè zhǒng guān niàn。 tā kàn zhōng liǎo měi nǚ yī lín， xiǎng zhàn wéi jǐ yòu， biàn yòng jīn qián shōu mǎi liǎo yī lín de hòu mǔ， dá dào liǎo mùdì。 dàn tā bìng méi yòu bǎ yī lín kàn zuò yòu dú lì rén gé de rén， zhǐ shì xiàng shōu cáng míng huà yī yàng zhàn yòu tā， zì jǐ zé yóu yú " zài quán lún dūn rén miàn qián gǎn dào shì zhè gè yóu wù de zhàn yòu zhě“ ér zhān zhān zì xǐ， zì jué shēn jià bǎi bèi”。 hūn hòu， tā xiàng bǎo hù zì yǐ de cái chǎn yī yàng jǐn dīng zhe tā， bù ràng tā yǔ bié rén jiē chù。 dāng tā fā xiàn yī lín bù 'ài tā、 shèn zhì hèn tā shí， tā rèn wéi zhè jiǎn zhí shì wéi fǎn liǎo yī qiē fǎ lǜ zhōng zuì jī běn de guī dìng -- cái chǎn fǎ， biàn xiǎng zài xiāng xià zào yī suǒ bié shù bǎ tā jìn gù qǐ lái。 dāng yī lín 'ài shàng jiàn zhù shī bō xīn ní yǐ hòu， tā jiān jué bù tóng yì lí hūn， ér yòng mánhèng shǒu duàn“ xíng shǐ liǎo zhàng fū de quán lì”， hái bēi bǐ dì lì yòng jiàn zhù bié shù de cái wù jiū fēn xiàng fǎ yuàn kòng gào bō xīn ní， zào chéng liǎo bō xīn ní zǒu tóu wú lù、 shén zhì huǎng hū、 bèi mǎ chē zhuàng sǐ de bēi jù。 xiǎo shuō duì yú fú 'ěr sài yī jiā biǎo miàn shàng yī tuán hé qì、 nǐ lái wǒ wǎng， gǔ zǐ lǐ gòu xīn dǒu jiǎo、 hù xiāng cāi jì、 xìng zāi lè huò de zì sī xīn lǐ， yě zuò liǎo xì zhì de jiē lù。
　　
　　 xiǎo shuō duì zī chǎn zhě zuò liǎo xī lì de fěng cì， shì zuì néng tǐ xiàn gāo 'ěr sī huá suí jìn bù sī xiǎng hé yì shù shǒu fǎ de xiàn shí zhù yì jié zuò。 dàn tā yě fǎn yìng liǎo zuò zhě de sī xiǎng jú xiàn： miáo xiě de shēng huó juàn zǐ guò yú xiá 'ài， jú xiàn yú zī chǎn jiē jí zhōng shàng céng de jiā tíng、 hūn yīn、 dào dé lǐng yù， ér méi yòu zhǎn xiàn chū nà yī shí dài guǎng kuò de shè huì fēng mào； zài jiē lù hé fěng cì " fú 'ěr sài jīng shén " de tóng shí， què yòu duì fú 'ěr sài jiā zú mǒu xiē zhòng yào chéng yuán rú lǎo qiáo lǐ 'ēn děng rén zuò liǎo lǐ xiǎng huà de miáo xiě。
　　
　　 yuē hàn · gāo 'ěr sī huá suí - chuàng zuò fēng gé
　　
　　 yuē hàn · gāo 'ěr sī huá suí（ 1867 héng 1933） shì yīng guó 'èr shí shì jì jì chéng pī pàn xiàn shí zhù yì de dài biǎo zuò jiā。 fù qīn shì lún dūn de zhù míng lǜ shī。 yī bā jiǔ jiǔ nián gāo 'ěr sī huá suí zài niú jīn dà xué fǎ lǜ xì bì yè， dàn duì lǜ shī yè wù bù gǎn xīng qù， ér zhuān xīn cóng shì wén xué xiě zuò。 tā zǎo qī yǐ yuē hàn · xīn yuē hàn de bǐ míng xiě liǎo jǐ bù xiǎo shuō， dàn méi yòu yǐn qǐ rén men zhù yì。《 dǎo guó de fǎ lì sài rén》 shì tā yòng zhēn míng fā biǎo de yī bù bǐ jiào chéng shú de cháng piān xiǎo shuō。 xiǎo shuō de zhù rén gōng lǐ chá · xiè 'ěr dùn de jīng lì yòu diǎn hé zuò zhě xiāng sì， dà xué bì yè hòu bù yuàn dāng lǜ shī， dào chù yóu lì。 tā jié shí liǎo yī gè wài jí qīng nián fèi lǎng dé； fèi lǎng dé cù shǐ tā yǐ xīn de yǎn guāng lái guān chá zì jǐ jiǔ yǐ shú xī de shēng huó huán jìng， hòu lái tā yòu jiàn shí liǎo lún dūn pín mín kū qióng rén de shēng huó qíng jǐng， cóng 'ér rèn shí dào fǎ lì sài rén de hòu yì héng héng zī chǎn jiē jí de xū wěi、 qī zhà、 fǔ xiǔ běn zhì。 zài gù shì mò wěi， xiè 'ěr dùn fā xiàn hé zì jǐ dìng hūn de gū niàn yě shǔ yú fǎ lì sài rén zhī lèi de jiā tíng， bìng zài shēng huó de jī běn wèn tí shàng yǔ zì jǐ de zhòng dà fēn qí， yú shì yì rán hé tā jiě yuē。
　　
　　《 yòu chǎn yè de rén》（ 1906） miáo xiě yǐ fú 'ěr sài jiā zú wéi dài biǎo de yīng guó zhōng shàng céng jiē jí。 tā men jì bù shì gōng yè jiā， yòu bù shì kāi diàn de， ér shì suí zhe yīng guó gōng yè fā zhǎn hé dì guó zhù yì rì yì qiáng dà 'ér jué qǐ de nà xiē yōng yòu fáng dì chǎn hé yòu jià zhèng quàn de suǒ wèi yòu chǎn yè de rén。 fú 'ěr sài jiā zú chéng yuán de zhù yào tè zhēng shì cái chǎn yì shí； tā men zhàn yòu de duì xiàng bù jǐn bāo kuò jīn qián、 fáng dì chǎn、 gōng zhài、 gǔ piào、 yì shù pǐn děng， yě bāo kuò zì jǐ de qī zǐ。 zhè bù shū chū bǎn hòu bù dàn fēng xíng yī shí， bìng qiě diàn dìng liǎo gāo 'ěr sī huá suí zài yīng guó wén xué jiè de dì wèi。《 zhuāng yuán》（ 1907） miáo xiě dì zhù jiē jí de xiá 'ài qù wèi。《 yǒu 'ài》（ 1909） shū xiě zī chǎn jiē jí zhī shí fènzǐ de jí duān gè rén zhù yì， céng jīng bèi gāo 'ěr jī yù wéi yǐ jù jiàng de shǒu wàn xiě chéng de zuò pǐn。
　　
　　 gāo 'ěr sī huá suí bù jǐn shì gè jié chū de xiǎo shuō jiā， yě shì zhù míng de xì jù zuò jiā。 tā de jù běn rú《 yín xiá》（ 1909），《 dǒu zhēng》（ 1909），《 zhèng yì》（ 1910）， zài wǒ guó dū zǎo yǐ yòu liǎo yì běn。 zài gāo 'ěr sī huá suí de xǔ duō xiǎo shuō zhōng， piān fú zuì wéi jù dà， yě zuì wéi shì rén zhǔ mùdì， dāng yǐ《 yòu chǎn yè de rén》 wéi kāi duān de xǔ duō dú lì 'ér yòu yòu lián xù xìng de cháng piān xiǎo shuō。 zhè xiē yǐ《 yòu chǎn yè de rén》（ 1906）、《 qí hǔ》（ 1920） hé《 chū zū》（ 1921） yǐ jí liǎng gè chāqǔ《 cán xià》 hé《 jué xǐng》 hé wéi dì yī gè sān bù qū《 fú 'ěr sài shì jiā》； yǐ《 bái yuán》（ 1 gāo 'ěr sī huá suí sǎnwén jí 924）、《 yín chí》（ 1926） hé《 tiān 'é zhī gē》（ 1928） hé wéi dì 'èr gè sān bù qū《 xiàn dài xǐ jù》； yǐ《 nǚ shì》（ 1931）、《 kāi huā de huāng yě》（ 1932） hé《 guò hé》（ 1933， sǐ hòu yóu qí fū rén zhěng lǐ chū bǎn） hé wéi dì sān gè sān bù qū《 wěi shēng》。 chú liǎo zhè jiǔ dà bù wài， hái chū bǎn liǎo liǎng bù yòu guān fú 'ěr sài jiā zú de duǎn piān xiǎo shuō jí。 zhè xiē shì gāo 'ěr sī huá suí yī shēng chuàng zuò jīng lì zhī suǒ cuì， yě shì wǒ men gū jì tā de wén xué zào yì yīngdāng zhuózhòng kǎo lǜ de zuò pǐn。 cóng《 yòu chǎn yè de rén》 qǐ dào《 guò hé》 wéi zhǐ， zhōng jiān xiāng gé 'èr shí liù、 qī nián de shí jiān。 zài zhè duàn màn cháng de suì yuè lǐ， bù lùn yīng guó guó nèi xíng shì， huò zhě shì jiè xíng shì， dū fā shēng liǎo jù dà biàn huà： yīng bō zhàn zhēng， dì yī cì shì jiè dà zhàn， shí yuè gé mìng， yīng guó gōng dǎng de zhú jiàn zhuàng dà hé xíng jiāng zhí zhèng děng děng， zhè yī qièbù néng bù duì gāo 'ěr sī huá suí de zuò pǐn chǎn shēng chéng dù bù tóng de yǐng xiǎng。 cóng zǒng de qū xiàng kàn， tā zài《 xiàn dài xǐ jù》 hé《 wěi shēng》 zhōng suǒ biǎo xiàn de fěng cì lì liàng yào bǐ《 fú 'ěr sài shì jiā》 lái dé chā， ér jiù《 fú 'ěr sài shì jiā》 sān bù qū lái shuō，《 qí hǔ》 hé《 chū zū》 zài zhè fāng miàn yòu shāo xùn yú《 yòu chǎn yè de rén》。 dàn zài wán chéng zhè gè sān bù qū de zǒng xù lǐ， zuò zhě què chéng rèn zhè gè zhōng shàng céng jiē jí lián tóng qí tā bō xuē jiē jí quán jiāng jìn rù wú shēng xī zhuàng tài， ér rén men zhǐ néng zài wén xué de lì shǐ bó wù guǎn zhōng jiàn dào tā men， zhè què shì tā zài《 yòu chǎn yè de rén》 zhōng suǒ méi yòu míng bái biǎo shì guò de。
　　
　　 yuē hàn · gāo 'ěr sī huá suí - xuǎn jí
　　
　　DelosCuatroVientos,1897 nián ( zuò wéi yuē hàn ・ Sinjohn)
　　
　　 gāo 'ěr sī huá suí sǎnwén jí Jocelyn,1898 nián ( zuò wéi yuē hàn・ Sinjohn)
　　
　　 bié shù Rubein,1900 nián ( zuò wéi yuē hàn・ Sinjohn)
　　
　　 dé wén jùn de yī gè rén ,1901 nián ( zuò wéi yuē hàn・ Sinjohn)
　　
　　 hǎi dǎo Pharisees,1904 nián
　　
　　 yín sè xiāng zǐ ,1906 nián
　　
　　Forsyte yīngxióngchuánqí ,1906-21
　　
　　 dào jù yuán ,1906 nián
　　
　　 zài dàng 'àn guǎn ,1920 nián
　　
　　 huàn xǐng ,1920 nián
　　
　　 ràng ,1921 nián
　　
　　 xiāng jiān bié shù ,1907 nián
　　
　　 yī gè píng lùn ,1908 nián
　　
　　 lián yì huì ,1909 nián
　　
　　 yín sè xiāng zǐ ,1909 nián
　　
　　 biàn jiě wéi xì jù shěn chá ,1909 nián
　　
　　 chōng tū ,1909 nián
　　
　　 lián yì huì ,1909 nián
　　
　　 xǐ yuè ,1909 nián
　　
　　 zhèng yì ,1910 nián
　　
　　 wǔ yán liù sè ,1910 nián
　　
　　 chǔfá de jīng shén ,1910 nián
　　
　　 mǎ zài kuàng ,1910 nián
　　
　　Patrician,1911 nián
　　
　　 gāo 'ěr sī huá suí sǎnwén jí xiǎo de mèng xiǎng ,1911 nián
　　
　　 gē zǐ ,1912 nián
　　
　　 zhǎngzǐ ,1912 nián
　　
　　 xīn qíng、 gēqǔ , hé Doggerels,1912 nián
　　
　　 wéi yě shòu 'ài ,1912 nián
　　
　　 níng jìng lǚ diàn ,1912
　　
　　 hēi 'àn de huā ,1913 nián
　　
　　 táo wáng zhě ,1913 nián
　　
　　 bào mín ,1914 nián
　　
　　Freelands,1915 nián
　　
　　 xiǎo rén ,1915 nián
　　
　　 wèi de 'ài ,1915 nián
　　
　　 kǔn ,1916 nián
　　
　　 wài miàn ,1917 nián
　　
　　 wǔ gè chuán shuō ,1918 nián
　　
　　 shèng tú de jìn zhǎn ,1919 nián
　　
　　 dì zhǐ zài měi guó ,1912 nián
　　
　　 jī chǔ ,1920 nián
　　
　　 zài dàng 'àn guǎn ,1920 nián
　　
　　 huàn xǐng ,1920 nián
　　
　　 pí fū bǐ sài ,1920 nián
　　
　　 ràng ,1920 nián
　　
　　 yòu jiā shì de rén ,1922 nián
　　
　　 xiǎo rén ,1922 nián
　　
　　 yòu chǎn zhě zhōng chéng ,1922 nián
　　
　　 chuāng kǒu ,1922 nián
　　
　　 bǔ huò ,1923 nián
　　
　　Abracadabra,1924 nián
　　
　　 sēn lín ,1924 nián
　　
　　 lǎo yīng yǔ ,1924 nián
　　
　　 zhǎn shì ,1925 nián
　　
　　 táo mìng ,1926 nián
　　
　　 shī gē xīn hé lǎo ,1926 nián
　　
　　 chéng bǎo zài xī bān yá ,1927 nián
　　
　　 yī gè xiàn dài xǐ jù ,1924-1928
　　
　　 bái sè hóu zǐ ,1924 nián
　　
　　 yín sè chí zǐ ,1926 nián
　　
　　 tiān 'é gēqǔ ,1928 nián
　　
　　 èr zhī Forsyte chāqǔ ,1927 nián
　　
　　Manaton biān ji ,1923-26( huì jí ,30vols。 )
　　
　　Exiled,1929 nián
　　
　　 wū dǐng ,1929 nián
　　
　　 zài Forsyte biàn dòng ,1930 nián
　　
　　 guān yú kāng liè dé de 'èr piān zá wén ,1930 nián
　　
　　Soames hé qí zǐ ,1930 nián
　　
　　 zì fú de chuàng zuò zài wén xué lǐ ,1931 nián (Romanes yǎn jiǎng wéi 1931)。
　　
　　 yōng rén zài děng dài ,1931 nián
　　
　　 yuē hàn · gāo 'ěr sī huá suí sì shí shǒu shī ,1932 nián
　　
　　 kāi huā de yuán yě ,1932 nián
　　
　　 zài hé ,1933 nián
　　
　　Galsworthy zìzhuàn tǐ xìn jiàn : yī fēng shū xìn yǔ tǎn shuài de hā lǐ sī ,1933 nián
　　
　　 shù cóng biān ji ,1927-34( huì jí ,27Vols。 )
　　
　　 bèi shōu jí de shī ,1934 nián
　　
　　 jié wěi de zhāng jié ,1934 nián ( sān bù qū )
　　
　　 měng jī hé qù ,1935 nián
　　
　　 shēng huó hé xìn jiàn ,1935 nián
　　
　　Wintergarden,1935 nián
　　
　　Forsytes,Pendyces hé qí tā rén ,1935 nián
　　
　　 jié wěi de zhāng jié ,1935 nián
　　
　　 xuǎn zé de duǎn piān xiǎo shuō ,1935 nián
　　
　　 piē jiàn hé fǎn shè ,1937 nián
　　
　　 gěi Leon shī zǐ de Galsworthy de xìn jiàn ,1968 nián
　　
　　 cóng yuē hàn・ de xìn jiàn Galsworthy1900-1932,1970 nián

　　John Galsworthy OM (pronounced /ˈɡɔːlzwɜrði/; 14 August 1867 – 31 January 1933) was an English novelist and playwright. Notable works include The Forsyte Saga (1906—1921) and its sequels, A Modern Comedy and End of the Chapter. He won the Nobel Prize in Literature in 1932.
　　
　　John Galsworthy was born at Kingston Hill in Surrey, England into an established wealthy family, the son of John and Blanche Bailey (née Bartleet) Galsworthy. His large Kingston upon Thames estate is now the site of three schools: Marymount International, Rokeby Preparatory School and Holy Cross. He attended Harrow and New College, Oxford, training as a barrister and was called to the bar in 1890. However, he was not keen to begin practising law and instead travelled abroad to look after the family's shipping business interests. During these travels he met Joseph Conrad, then the first mate of a sailing-ship moored in the harbour of Adelaide, Australia, and the two future novelists became close friends. In 1895 Galsworthy began an affair with Ada Nemesis Pearson Cooper (1864–1956), the wife of Major Arthur Galsworthy, one of his cousins. After her divorce ten years later, the pair married on the 23 September 1905, and stayed together until his death in 1933. Prior to their marriage they stayed clandestinely in a farmhouse called Wingstone in the village of Manaton on Dartmoor, Devon. From 1908 he took out a long lease on part of the building and made it their regular second home until 1923.
　　
　　From the Four Winds, a collection of short stories, was Galsworthy's first published work in 1897. These, and several subsequent works, were published under the pen name John Sinjohn and it would not be until The Island Pharisees (1904) that he would begin publishing under his own name, probably owing to the death of his father. His first play, The Silver Box (1906), became a success and he followed it up with The Man of Property (1906), the first in the Forsyte trilogy. Although he continued writing both plays and novels it was as a playwright that he was mainly appreciated for at the time. Along with those of other writers of the time, such as George Bernard Shaw, his plays addressed the class system and social issues, two of the best known being Strife (1909) and The Skin Game (1920).
　　
　　He is now far better known for his novels and particularly The Forsyte Saga, his trilogy about the eponymous family and connected lives. These books, as with many of his other works, dealt with class, and in particular upper-middle class lives. Although sympathetic to his characters he highlights their insular, snobbish and acquisitive attitudes and their suffocating moral codes. He is viewed as one of the first writers of the Edwardian era; challenging in his works some of the ideals of society depicted in the preceding literature of Victorian England. The depiction of a woman in an unhappy marriage furnishes another recurring theme in his work. The character of Irene in The Forsyte Saga is drawn from Ada Pearson even though her previous marriage was not as miserable as that of Irene.
　　
　　Bury House, Galsworthy's West Sussex home.His work is often less convincing when it deals with the changing face of wider British society and how it affects people of the lower social classes. Through his writings he campaigned for a variety of causes including prison reform, women's rights, animal welfare and the opposition of censorship. During World War I he worked in a hospital in France as an orderly after being passed over for military service. He was elected as the first president of the International PEN literary club in 1921, was appointed to the Order of Merit in 1929—after earlier turning down a knighthood—and was awarded the Nobel Prize in 1932. He was too ill to attend the Nobel awards ceremony, and died six weeks later.
　　
　　John Galsworthy lived for the final seven years of his life at Bury in West Sussex. He died from a brain tumour at his London home, Grove Lodge, Hampstead. In accordance with his will he was cremated at Woking with his ashes then being scattered over the South Downs from an aeroplane, but there are also memorials in Highgate 'New' Cemetery and in the cloisters of New College, Oxford (the latter cut and placed in the cloisters by Eric Gill). The popularity of his fiction waned quickly after his death but the hugely successful adaptation of The Forsyte Saga in 1967 renewed interest in his work.
　　
　　A number of John Galsworthy's letters and papers are held at the University of Birmingham Special Collections.
　　
　　In 2007, Kingston University, London opened a new building named in recognition of his local birth.
　　
　　Adaptation
　　
　　The Forsyte Saga has been filmed several times:
　　
　　That Forsyte Woman (1949), dir. by Compton Bennett, an MGM adaptation in which Errol Flynn played a rare villainous role as Soames.
　　
　　BBC television drama (1967), dir. by James Cellan Jones, David Giles, starring Eric Porter, Nyree Dawn Porter, Kenneth More, Susan Hampshire, Joseph O'Conor, adaptor Lennox Philips and others, 26 parts
　　
　　Granada television drama (2002), dir. by Christopher Menaul, starring Gina McKee, Damian Lewis, Rupert Graves, Corin Redgrave, 13 parts.
　　
　　The Skin Game was adapted and directed by Alfred Hitchcock in 1931. It starred C.V. France, Helen Haye, Jill Esmond, Edmund Gwenn, John Longden.
　　
　　Escape was filmed in 1930 and 1948. The latter was directed by Joseph L. Mankiewicz, starring Rex Harrison, Peggy Cummins, William Hartnell. The screenplay was by Philip Dunne.
　　
　　One More River (a film version of Galsworthy's Over the River) was filmed by James Whale in 1934. The film starred Frank Lawton, Colin Clive (one of Whale's most frequently used actors), and Diana Wynyard. It also featured Mrs. Patrick Campbell in a rare sound film appearance.
　　
　　The First and the Last, a short play, was adapted as 21 Days, starring Vivien Leigh and Laurence Olivier.
　　
　　Selected work
　　
　　From The Four Winds, 1897 (as John Sinjohn)
　　
　　Jocelyn, 1898 (as John Sinjohn)
　　
　　Villa Rubein, 1900 (as John Sinjohn)
　　
　　A Man Of Devon, 1901 (as John Sinjohn)
　　
　　The Island Pharisees, 1904
　　
　　The Silver Box, 1906 (his first play)
　　
　　The Forsyte Saga, 1906–21, 1922
　　
　　The Man Of Property, 1906
　　
　　(interlude) Indian Summer of a Forsyte, 1918
　　
　　In Chancery, 1920
　　
　　(interlude) Awakening, 1920
　　
　　To Let, 1921
　　
　　The Country House, 1907
　　
　　A Commentary, 1908
　　
　　Fraternity, 1909
　　
　　A Justification For The Censorship Of Plays, 1909
　　
　　Strife, 1909
　　
　　Fraternity, 1909
　　
　　Joy, 1909
　　
　　Justice, 1910
　　
　　A Motley, 1910
　　
　　The Spirit Of Punishment, 1910
　　
　　Horses In Mines, 1910
　　
　　The Patrician, 1911
　　
　　The Little Dream, 1911
　　
　　The Pigeon, 1912
　　
　　The Eldest Son, 1912
　　
　　Moods, Songs, And Doggerels, 1912
　　
　　For Love Of Beasts, 1912
　　
　　The Inn Of Tranquillity, 1912
　　
　　The Dark Flower, 1913
　　
　　The Fugitive, 1913
　　
　　The Mob, 1914
　　
　　The Freelands, 1915
　　
　　The Little Man, 1915
　　
　　A Bit's Love, 1915
　　
　　A Sheaf, 1916
　　
　　The Apple Tree, 1916
　　
　　Beyond, 1917
　　
　　Five Tales, 1918
　　
　　Saint's Progress, 1919
　　
　　Addresses In America, 1912
　　
　　The Foundations, 1920
　　
　　In Chancery, 1920
　　
　　Awakening, 1920
　　
　　The Skin Game, 1920
　　
　　 To Let, 1920
　　
　　A Family Man, 1922
　　
　　The Little Man, 1922
　　
　　Loyalties, 1922
　　
　　Windows, 1922
　　
　　Captures, 1923
　　
　　Abracadabra, 1924
　　
　　The Forest, 1924
　　
　　Old English, 1924
　　
　　The Show, 1925
　　
　　Escape, 1926
　　
　　Verses New And Old, 1926
　　
　　Castles In Spain, 1927
　　
　　A Modern Comedy, 1924–1928, 1929
　　
　　The White Monkey, 1924
　　
　　(Interlude) a Silent Wooing, 1927
　　
　　The Silver Spoon, 1926
　　
　　(Interlude) Passers By, 1927
　　
　　Swan Song, 1928
　　
　　Two Forsyte Interludes, 1927
　　
　　The Manaton Edition, 1923–26 (collection, 30 vols.)
　　
　　Exiled, 1929
　　
　　The Roof, 1929
　　
　　On Forsyte 'Change, 1930
　　
　　Two Essays On Conrad, 1930
　　
　　Soames And The Flag, 1930
　　
　　The Creation Of Character In Literature, 1931 (The Romanes Lecture for 1931).
　　
　　Maid In Waiting, 1931
　　
　　Forty Poems, 1932
　　
　　Flowering Wilderness, 1932
　　
　　Over the River, 1933
　　
　　Autobiographical Letters Of Galsworthy: A Correspondence With Frank Harris, 1933
　　
　　The Grove Edition, 1927–34 (collection, 27 Vols.)
　　
　　Collected Poems, 1934
　　
　　End Of the Chapter, 1931–1933, 1934 (posthumously)
　　
　　Maid In Waiting, 1931
　　
　　Flowering Wilderness, 1932
　　
　　One More River, 1933 (originally the English edition was called Over the River)
　　
　　Punch And Go, 1935
　　
　　The Life And Letters, 1935
　　
　　The Winter Garden, 1935
　　
　　Forsytes, Pendyces And Others, 1935
　　
　　Selected Short Stories, 1935
　　
　　Glimpses And Reflections, 1937
　　
　　Galsworthy's Letters To Leon Lion, 1968
　　
　　Letters From John Galsworthy 1900–1932, 1970