guó zuòzhělièbiǎo
luò 杜洛 doswéi yōng Francois Villon
· bèi lāi Joachim du Bellaygāo nǎi Pierre Corneille
wéi duō · guǒ Victor Hugoxià 'ěr · lāi 'ěr Charles Baudelaire
fāng · měi Stephane Mallarmewèi 'ěr lún Paul-Marie Veriaine
luò léi 'ā méng Comte de Lautréamontlán Arthur Rimbaud
'ěr méng Remy de Gourmontbǎo 'ěr - ràng · lāi Paul-Jean Toulet
lǎng · Francis Jammes 'ěr Léon-Paul Fargue
luò dài 'ěr Paul Claudelbǎo 'ěr · léi Paul Valery
xià 'ěr · pèi Charles Peguy pèi wéi 'āi 'ěr Jules Supervielle
luò dōng André Bretonài Paul Eluard
ā nài 'ěr Guillaume Apollinaire · lāi wéi 'ěr Jacques Prévert
ā gòng Louis Aragonbǎo 'ěr · 'ěr Paul Fort
hēng · xiū Henri Michauxāi léi José Maria de Heredia
ā 'ěr tuō Antonin Artaud wéi Pierre Reverdy
bài Saint-John Perse duō Sully Prudhomme
nèi · xià 'ěr René Char fán · 'ěr Yvan Goll
kǎi Alain Bosquet Yves Bonnefoy
ān liè · bǎo 'ěr · yuē · André Paul Guillaume Gidemiù sài Alfred de Musset
· 'ěr Frédéric Mistral
fán · 'ěr Yvan Goll
guó lán gòng guó  (1891niánsānyuè29rì1950niánèryuè27rì)

shīcíshī xuǎn anthology》   
fán · 'ěr shī xuǎn

yuèdòu fán · 'ěr Yvan Gollzài诗海dezuòpǐn!!!
èr shí shì qián bàn zuì zhòng yào de guó xiàn dài zhù shī rén zhī gòng chū bǎn guò shí duō juàn shī zuò zhù yào shēng huó zài liǎng shì jiè zhàn zhī jiānduì xiàn dài shī gǎn jué de xíng chéng zuò chū zhòng gòng xiàn
fán · 'ěr de shī fēng xiàn chū cóng biǎo xiàn zhù dào chāo xiàn shí zhù zhè zhuǎn biàn guò chéng de zǎo zuò pǐn biǎo xiàn zhù de shū qíng xìngshèn wǎn zuò pǐn de chāo xiàn shí zhù jīng shén zhōng de wǎn shī zuò jiào méng lóngshēn dào rén lèi jīng shén mèng huàn wáng de lǐng zhōng jìn xíng tàn suǒ duì chāo xiàn shí zhù de jiě fāng shì chuàng zào chāo xiàn shí yòng xīn de lián xiǎng xiàngyǐn xiě zuò


  Yvan Goll, born Isaac Lange (Saint-Dié, March 29, 1891 - February 27, 1950) was a French-German poet who was perfectly bilingual and wrote in both French and German. He had close ties to both to German expressionism and to French surrealism. He escaped to Switzerland to avoid conscription into the army at the outbreak of World War I (he was a German citizen). He wrote many war poems, the most famous being "Requiem for the Dead of Europe," as well as several plays, including The Immortal One (1918). In 1927, he wrote the libretto for a surrealist opera, Royal Palace, set to music by composer Kurt Weill. He also wrote the scenario for Der Neue Orpheus, a cantata set by Weill.
    

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