现代中国  (1937年7月11日)

籍贯：	广西桂林
 戏剧评论 dramatic comment： 《奼紫嫣红牡丹亭》 《牡丹还魂》 青春校园 prime campus： 《孽子》 小说选集 novel anthology： 《台北人》 《青春念想》 女性小说 Women's fiction： 《玉卿嫂》 白 杨 | 流失在历史洪流中的“台北人”——从白先勇的《台北人》到朱天文的《世纪末的华丽》 阅读白先勇 Bai Xianyong在小说之家的作品!!! 阅读白先勇 Bai Xianyong在影视与戏剧的作品!!!

　　当代著名作家。广西桂林人。国民党高级将领白崇禧之子。在读小学和中学时深受中国古典小说和“五四”新文学作品的浸染。童年在重庆生活，后随父母迁居南京、香港、台湾、台北建国中学毕业后入台南成功大学，一年后进台湾大学外文系。1958年发表第一篇小说《金大奶奶》。1960年与同学陈若曦、欧阳子等人创办《现代文学》杂志，发表了《月梦》、《玉卿嫂》、《毕业》等小说多篇。1961年大学毕业。1963年赴美国，到衣阿华大学作家工作室研究创作，1965年获硕士学位后旅居美国，任教于加州大学。出版有短篇小说集《寂寞的十七岁》、《台北人》、《纽约客》，散文集《蓦然回首》，长篇小说《孽子》等。白先勇吸收了西洋现代文学的写作技巧，融合到中国传统的表现方式之中，描写新旧交替时代人物的故事和生活，富于历史兴衰和人世沧桑感。

　　Kenneth Hsien-yung Pai (Chinese: 白先勇; pinyin: Bái Xiānyǒng, born July 11, 1937) is a writer who has been described as a "melancholy pioneer." He was born in Guilin, Guangxi, China at the cusp of both the Second Sino-Japanese War and subsequent Chinese Civil War. Pai's father was the famous Kuomintang (KMT) general Bai Chongxi (Pai Chung-hsi), whom he later described as a "stern, Confucian father" with "some soft spots in his heart." Pai was diagnosed with tuberculosis at the age of seven, during which time he would have to live in a separate house from his siblings (of which he would have a total of nine). He lived with his family in Chongqing, Shanghai, and Nanjing before moving to the British-controlled Hong Kong in 1948 as CPC forces turned the tide of the Chinese Civil War. In 1952, Pai and his family resettled in Taiwan, where the KMT had relocated the Republic of China after Japan's defeat in 1945.
　　
　　Chronology
　　
　　Pai studied in La Salle College, a Hong Kong Catholic boys high school, until he left for Taiwan with his family. In 1956, Pai enrolled at National Cheng Kung University as a hydraulic engineering major, because he wanted to participate in the Three Gorges Dam Project. The following year, he passed the entrance examination for the foreign literature department of National Taiwan University and transferred there to study English literature. In September 1958, after completing his freshman year of study, he published his first short story "Madame Ching" in the magazine Literature. Two years later, he collaborated with several NTU classmates — e.g., Chen Ruoxi, Wang Wenxing, Ouyang Tzu — to launch Modern Literature (Xiandai wenxue), in which many of his early works were published.
　　
　　Pai went abroad in 1963 to study literary theory and creative writing at the University of Iowa in the Iowa Writers' Workshop. That same year, Pai's mother, the parent with whom Pai had the closest relationship, died, and it was this death to which Pai attributes the melancholy that pervades his work. After earning his M.A. from Iowa, he became a professor of Chinese literature at the University of California, Santa Barbara, and has resided in Santa Barbara ever since. Pai retired from UCSB in 1994.
　　Major works
　　
　　Pai's most famous work of fiction, Taipei People (臺北人, Táiběirén, 1971), is a seminal work of Chinese modernism that mixes both literary Chinese and experimental modernist techniques. In terms of his choice of themes, Pai's work is also far ahead of its time. His novel, Crystal Boys (孽子, Nièzǐ, 1983), tells the story of a group of homosexual youths living in 1960s Taipei largely from the viewpoint of a young, gay runaway who serves as its main protagonist. The novel's comparison of the dark corners of Taipei's New Park, the characters' main cruising area, with the cloistered society of Taiwan of that period proved quite unacceptable to Taipei's then KMT-dominated establishment, though Pai has generally remained a loyal KMT supporter.
　　Influence
　　
　　Among other Taiwanese writers, Pai is appreciated for sophisticated narratives that introduce controversial and groundbreaking perspectives to Chinese literature. His major works, discussed above, have been widely influential.
　　
　　Further, Pai's writings while in the US in the early 1960s have greatly contributed to an understanding of the Chinese experience in postwar America. "Death in Chicago" (1964) is a semi-autobiographical account of a young Chinese man who, on the eve of his graduation from the English Literature department of the University of Chicago, discovers that his mother has died back home. "Pleasantville" (1964) explores the depressed state of a Chinese mother in the upper-class New York suburbs who feels alienated by the "Americanization" of her Chinese husband and daughter. Both "Death in Chicago" and "Pleasantville" subtly criticize America as a superficial and materialistic culture that can cause immigrant Chinese to feel lonely and isolated.
　　
　　In recent years, Pai has gained some acclaim in Mainland Chinese literary circles. He has held various lectures at Beijing Normal University, among others. In the Beijing University Selection of Modern Chinese Literature: 1949-1999 published in 2002, three of Pai's works are included under the time period 1958-1978. These stories reflect the decadence of Shanghai high society in the Republican era. This subject matter constitutes only a small segment of Pai's diverse work, yet it fits particularly well with orthodox renditions of pre-1949 history taught on the Mainland.
　　
　　In April 2000, a series of five books representing Pai's lifework was published by Huacheng Publishing House in Guangzhou. This series is widely available in Mainland bookstores. It includes short stories, essays, diary entries, and the novel Niezi. A lengthy preface in Volume 1 was penned by Ou Yangzi, a fellow member of the group that founded the journal Xiandai Wenxue in Taiwan in the 1950s.
　　
　　Although he was born Muslim and attended missionary Catholic schools, Pai came to embrace Buddhism in America.
　　Sexuality
　　
　　Pai is openly gay. Pai has explained that he believed his father knew of his homosexuality and "never made it an issue," though it was never discussed.
　　References
　　
　　 1. ^ Zhongguo Dangdai Wenxue Zuopin Jingxuan: 1949-1999. Beijing Daxue Chubanshe, 2002.
　　 2. ^ Bai Xianyong: Bai Xianyong Wenji. Huacheng Chubanshe, 2000.
　　 3. ^ Peony Dreams Retrieved 12-6-2008.