yuèdòukè lā lín Leopoldo Alaszài小说之家dezuòpǐn!!! | |||
xī bān yá xiǎo shuō jiā、 wén yì píng lùn jiā。 yuán míng lāi 'ào bō 'ěr duō · ā lā sī， shēng yú sà mò lā chéng。 1859 nián suí jiā yí jū 'ào wéi yà duō， dú wán zhōng xué hé dà xué。 1882 nián rèn sà lā gē sà dà xué jiào shòu， cì nián zhuǎn rù 'ào wéi yà duō dà xué rèn luó mǎ fǎ xué、 zhèng fǎ jīng jì xué jiào shòu。 hòu zài mǎ dé lǐ shēng huó duō nián。
kè lā lín yī shēng zhǐ xiě guò liǎng bù cháng piān xiǎo shuō《 nǚ dāng jiā de》 (1884) hé《 dú shēng zǐ》 (1891)， shòu fǎ guó zuò jiā zuǒ lā děng rén de yǐng xiǎng， dài yòu nóng hòu de zì rán zhù yì sè cǎi。 qián zhě miáo xiě nián qīng mào měi de 'ān nà · ā suǒ léi sī xián qì nián lǎo de zhàng fū， yǔ rén sī tōng， zhàng fū fèn 'ér yǔ jiān fū jué dǒu 'ér sǐ。 zuò pǐn shēn kè fǎn yìng liǎo 19 shì jì xī bān yá nèi dì de shè huì fēng mào hé zhèng zhì xiàn xiàng， jiē lù jiào huì de hēi 'àn。 hòu zhě zé xiě bō ní fǎ xī 'ào · léi yī sī de hūn yīn hé jiā tíng bēi jù， qiǎn zé liǎo 19 shì jì xī bān yá wán gù de bǎo shǒu shì lì。
kè lā lín yǔ 'ā lā 'ěr kǒng hé bā sāng 3 rén bèi yù wéi xiàn dài xī bān yá duǎn piān xiǎo shuō de sān dà míng jiā。 qí duǎn piān zuò pǐn fēn wéi liǎng lèi： yī lèi yǐ shū qíng jiàn cháng， rú《 bó luó ní yà》、《 xiàn jǐng》 děng； lìng yī lèi wéi yōu mò fěng cì zuò pǐn， rú《 cōng míng de cāng yíng》、《 hòu xuǎn rén》、《 wū yā》 děng。
kè lā lín de zhù yào zuò pǐn yòu： tíng cháng fū rén
Alas spent his childhood living in León and Guadalajara, until he moved to Oviedo in 1865. There he studied Bachillerato (high school) and began his law studies. He lived in Madrid from 1871 to 1878, where he began his career as a journalist (adopting the pen-name "Clarín" in 1875) and he graduated with the thesis El Derecho y la Moralidad (Law and Morality) in 1878. He taught in Zaragoza from 1882 to 1883. In 1883 he returned to Oviedo to take up a position as professor of Roman law.
Above all, Clarín is the author of La Regenta, his masterpiece and one of the best novels of the 19th century. It is a long work, similar to Flaubert's Madame Bovary, one of its influences. Other influences included Naturalism and Kraussism, a philosophical current which promoted the cultural and ethical regeneration of Spain.
La Regenta is special for its great wealth of characters and secondary stories, while the main character's description is left slightly unfocused and vague. On the other hand, the downfall of the provincial lady has place amidst two very diverse suitors: the most handsome man in the city and the cathedral's priest. The depiction of this priest is a key part of the book.
For the description of the provincial atmosphere and the city's collective life, Clarín used techniques such as the internal monologue or the free indirect style, which makes the story be narrated by the characters themselves and allows the reader to penetrate in their intimacy.
In 1890, he published a new novel, Su único hijo. Even though most critics consider it as a lesser novel in comparison with La Regenta, it is equal to the former in the skill with which the technical resources are used. Su único hijo was originally meant to be the introduction to a trilogy, but aside from an outline and a few fragments of the two sequels, Su único hijo was Clarín's last full-length novel.
Apart from these works, Clarín is also the author of magnificent stories and of a large number of journalistic articles. He also wrote an essay, "La Literatura en 1881" (1882), in collaboration with Armando Palacio Valdes.
Leopoldo Alas remains a rather enigmatic figure in the Spanish literary world, leaving a legacy that encouraged the search for God and humanism simultaneously. This aberrant confluence has facilitated the presence of various interpretations regarding the author's writings, most noticeably of his masterpiece, La Regenta.
[edit]Works
La Regenta (The Regent's Wife) (1884–85) [Novel]
Su único hijo (His Only Son) (1890) [Novel]
Doña Berta (1892)
¡Adiós, Cordera! (1892)
Cuentos morales (Moral Stories) (1896)
El gallo de Sócrates (Socrates' Rooster) (1900)
[edit]Essays
"Solos de Clarín" (1881)
"La literatura en 1881" (1882)
"Sermón perdido" (1885)
"Nueva campaña" (1887)
"Ensayos y revistas" (1892)
"Palique" (1894)