yuèdòuhā wéi 'ěr Václav Havelzài小说之家dezuòpǐn!!! yuèdòuhā wéi 'ěr Václav Havelzài诗海dezuòpǐn!!! | |||||
哈维尔1936 nián 10 yuè 5 rì hā wéi 'ěr shēng yú bù lā gé yī gè yòu chǎn jiē jí jiā tíng， 1951 nián wán chéng shí nián zhì yì wù jiào yù zhī hòu， yīn wéi jiā tíng chū shēn de yuán yīn， tā bù néng jì xù shēng xué。 qí hòu sì nián dān rèn huà xué shí yàn shì zhù lǐ yuán qī jiān， tóng shí jìn rù yī suǒ yè xiào xué xí， 19 suì shí tā kāi shǐ zài wén xué hé xì jù zá zhì shàng fā biǎo wén zhāng。 zhè zhī hòu tā hái shàng guò liǎng nián jì gōng dà xué， 1957 nián jìn bù duì fú bīng yì， 1959 nián huí lái zhī hòu zài bù lā gé ABC jù yuàn zuò wǔ tái guǎn lǐ yuán， cóng cǐ hé xì jù jié xià bù jiě zhī yuán。 1960 nián， tā kāi shǐ wéi bā lǔ sī tè lā dé jù yuàn gōng zuò， zhè gè huó yuè yú dāng shí bù lā gé wǔ tái shàng de xiǎo jù chǎng， 1963 nián jiē shòu liǎo hā wéi 'ěr de dì yī gè yě shì zuì zhòng yào de jù běn《 huā yuán jù huì》， jiē zhe shàng yǎn liǎo tā de《 bèi wàng lù》（ 1965） hé《 sī xiǎng yuè lái yuè nán yǐ jí zhōng》（ 1968）， zhè xiē jù běn tǐ xiàn liǎo liù shí nián dài mí màn yú jié kè shè huì de mǒu zhǒng qíng xù， bèi chēng zhī wéi“ huāng dàn pài” xì jù， qí zhōng qiè 'ér bùshě dì tàn suǒ shēng huó de yì yì， què yǐ mǒu zhǒng huái yí zhù yì hé zì wǒ cháo fěng de miàn mào chū xiàn。 cǐ shí， hā wéi 'ěr yǐ jīng chéng wéi jié kè gōng zhòng shēng huó zhōng de yī wèi rén wù， dāng rán， qí zhù yào yǐng xiǎng hái shì zài xì jù、 wén huà jiè juàn nèi。
1967 nián 8 yuè 21 rì sū lián pài bīng zhàn lǐng bù lā gé shí， hā wéi 'ěr jiā rù zì yóu jié kè diàn tái， měi tiān dōuduì xiàn zhuàng zuò chū píng lùn。 bù lā gé zhī chūn hòu， hā wéi 'ěr bù dàn shòu dào jié kè guān fāng de gōng kāi pī pàn， zuò pǐn yě cóng tú shū guǎn xiāo shī， jiā zhōng yě bèi 'ān zhuāng qiè tīng qì， bìng qiě bèi sòng wǎng niàng jiǔ chǎng gōng zuò。 dàn shì hā wéi 'ěr réng rán chí xù xiě zuò bìng gōng kāi yào qiú tè shè zhèng zhì fàn， bìng qiě yǔ qí tā zuò jiā yǔ yì yì rén shì fā biǎo qī qī xiàn zhāng， yào qiú jié kè zhèng fǔ zūn shǒu hè 'ěr xīn jī xuān yán de rén quán tiáo kuǎn。
1968 nián sū jūn rù qīn zhī hòu cháng yī duàn shí jiān nèi， hā wéi 'ěr de jù běn bù néng dé dào shàng yǎn， hé xǔ duō dāng shí de yì shù jiā、 zhī shí fènzǐ bèi dǎ rù shè huì zuì dī céng yī yàng， 1974 nián hā wéi 'ěr zài yī gè pí jiǔ chǎng dǎ gōng， zǎo chén wǔ diǎn zhōng qǐ lái gǔn pí jiǔ tǒng。 dàn shì tā bìng méi yòu wàng jì zuò wéi yī gè gōng mín、 yī gè zhī shí fènzǐ zài shè huì shēng huó zhōng yīnggāi fā huī de zuò yòng。
1975 nián tā tí bǐ gěi dāng shí de jié kè zǒng tǒng hú sà kè xiě liǎo yī fēng cháng xìn， miáo shù liǎo dāng shí jié kè shè huì zài biǎo miàn shàng de fán róng wěn dìng zhī xià qián fú de dào dé hé jīng shén wēi jī： zài rén men gāo zhǎng de、 cóng wèi yòu guò de xiāo fèi rè qíng bèi hòu， shì jīng shén shàng hé dào dé shàng de qū cóng hé lěng mò， yuè lái yuè duō de rén biàn dé shénme dōubù xiāng xìn， chú liǎo yǐ jīng dào shǒu hé jí jiāng dào shǒu de gè rén lì yì。 hā wéi 'ěr zhǐ chū， zhè zhǒng qíng kuàng duì yú yī gè mín zú zhěng tǐ shàng de shāng hài shì jiǔ yuǎn de， zài zàn shí de wěn dìng bèi hòu， fù chū de jiāng shì wèi lái mǒu gè shí kè de“ chāo 'é shuì kuǎn”。
wǎ cí lā fū · hā wéi 'ěr zuò pǐn fēng miàn
1977 nián， yī gè jiào zuò“ yǔ zhòu sù liào rén” de yáo gǔn yuèduì de jǐ míng chéng yuán bèi bǔ， yǐ jù jié kè yǐ jīng jiā rù hè 'ěr xīn jī rén quán tiáo yuē de shì shí， hā wéi 'ěr hé tā de péng yǒu men fā qǐ liǎo yīcháng qiān míng yíng jiù yùn dòng， hūyù zhè gè guó jiā yǐ yòu de xiàn fǎ dé dào luò shí。 xiān hòu zài tóng yī fèn wén jiàn shàng qiān míng de yòu liǎng qiān duō rén， zhè jiù shì suǒ wèi“ qī qī xiàn zhāng yùn dòng”， hā wéi 'ěr shì zhè gè“ qī qī xiàn zhāng” de sān míng zhù yào fā yán rén zhī yī， yǔ cǐ tóng shí， hā wéi 'ěr hái shì yī gè jiào zuò“ bǎo hù shòu bù gōng zhèng qǐ sù de rén wěi yuán huì” de chéng yuán。 shì hòu hā wéi 'ěr bèi chuán xùn， tóng nián 10 yuè yǐ“ wēi hài gòng hé guó lì yì” wéi míng pàn chù shí sì gè yuè yòu qī tú xíng； 1979 nián hā wéi 'ěr gèng bèi yǐ“ diān fù gòng hé guó” míng yì pàn chù yòu qī tú xíng sì nián bàn， yǐn fā guó jì shè huì de zhù yì， ōu zhōu yì huì gèng yào qiú jié kè zhèng fǔ shì fàng bāo kuò hā wéi 'ěr zài nèi de zhèng zhì fàn。
1983 nián hā wéi 'ěr yīn fèi bìng chū yù， qí tā de xíng qī bèi yǐ“ jì niàn jiě fàng sì shí zhōu nián” wéi yóu bèi zhèng fǔ shè miǎn。 hā wéi 'ěr chū yù hòu jì xù dān rèn qī qī xiàn zhāng de fā yán rén， bìng qiě bù duàn fā biǎo jù zuò yǔ pī pàn wén zhāng， ér duō cì bèi jǐng fāng jū liú； 1988 nián 8 yuè hā wéi 'ěr fā biǎo《 gōng mín zì yóu quán yùn dòng xuān yán》， zài 1989 nián jié kè mín zhù huà hòu， hā wéi 'ěr zuò wéi“ gōng mín lùn tán” de zhù yào lǐng dǎo rén wù， cānyù dǎo zhì liǎo jié kè de“ tiān 'é róng gé mìng”。 chēng zhī wéi“ tiān 'é róng shì de”， shì yīn wéi zhè chǎng gé mìng cóng tóu zhì wěi méi yòu dǎ suì yī kuài bō lí chuāng， méi yòu diǎn rán yī bù xiǎo qì chē， méi yòu rèn hé chōng jī zhèng fǔ jī guān bù mén de jī liè xíng wéi。 1990 nián chū rèn jié kè sī luò fá kè lián bāng zǒng tǒng。 1992 nián yóu yú sī luò fá kè dú lì， hā wéi 'ěr cí qù lián bāng zǒng tǒng yī zhí； 1993 nián hā wéi 'ěr chū rèn jié kè gòng hé guó zǒng tǒng， bìng qiě yú 1998 nián lián rèn。
hā wéi 'ěr zài dāng zǒng tǒng qī jiān guǎng fàn jiē chù guó jì shè huì， xiān hòu fǎng wèn liǎo hěn duō guó jiā， duì guó jì shì wù zuò chū fā yán， bìng shǐ zhōng shòu dào gāo dù zhòng shì。 tā céng huò dé hěn duō jiǎng xiàng hé xǔ duō dà xué de róng yù xué wèi。
wǎ cí lā fū · hā wéi 'ěr - zhé xué sī xiǎng
zuò wéi dào dé de zhèng zhì
bù tóng yú mǎ jī yǎ wéi lì yǐ lái de xī fāng zhèng zhì zhé xué de zhù liú， zài fāng fǎ shàng yě bù tóng yú xué yuàn lǐ de zhèng zhì zhé xué de jiào shòu men， méi yòu luó 'ěr sī、 nuò qí kè、 hā bèi mǎ sī men de yán mì lùn zhèng hé luó ji tuī yǎn， hā wéi 'ěr yòng zì jǐ de sī xiǎng hé xíng dòng， lì tú jiāng yī zhǒng rén xìng de chǐ dù、 jiāng rén lèi jīng shén hé dào dé de wéi dù dài dào zhèng zhì hé shēng huó zhōng qù。 jiù xiàng pī píng tā de rén shuō de nà yàng， tā zǒng shì shì tú jiāng liǎng zhǒng bù kě néng jié hé de dōng xī jié hé qǐ lái： dào dé hé zhèng zhì。 zài zhè yī diǎn shàng， hā wéi 'ěr suǒ zuò de zhèng rú kāng dé suǒ lùn zhèng de：“ zài kè guān shàng（ zài lǐ lùn shàng）， dào dé hé zhèng zhì zhī jiān gēn běn jiù méi yòu rèn hé zhēng lùn。” bù tóng de shì kāng dé zài《 yǒng jiǔ hé píng lùn》 yī wén fù lù lǐ de jù tǐ lùn zhèng， biàn chéng liǎo hā wéi 'ěr de sī xiǎng hé xíng dòng。 zài hā wéi 'ěr de shì yě lǐ， zhèng zhì jué bù zài shì quán lì de yóu xì hé gōng lì mùdì de shǒu duàn。 tā míng què de xuān chēng：“ zhèng zhì bù zài shì quán lì de jìliǎng hé cāo zòng， bù zài shì gāo yú rén men de kòng zhì huò xiāng hù lì yòng de yì shù， ér shì yī gè rén xún zhǎo hé huò zì dé yì de shēng huó de dào lù， shì bǎo hù rén men hé fú wù yú rén men de tú jìng。 wǒ zàn tóng zhèng zhì zuò wéi duì rén lèi tóng bāo zhēn zhèng fù yòu rén xìng de guān huái。
shēng huó zài zhēn shí zhōng
hā wéi 'ěr de zhèng zhì zhé xué de lìng yī gè zhòng yào tǐ xiàn， jiù shì tā de yī jù kǒu hào： shēng huó zài zhēn shí zhōng。 hā wéi 'ěr rèn wéi：“ shēng huó zài zhēn shí zhōng jù yòu dú yī wú 'èr de bù kě gūliáng de bào zhà xìng de zhèng zhì lì liàng。” jìn guǎn hā wéi 'ěr céng jīng yǐ huāng dàn pài xì jù jiā wén míng yú shì， dàn zuò wéi sī xiǎng jiā hé zhèng zhì jiā， hā wéi 'ěr guān zhù xiàn shí， zhòng shì shēng huó de zhēn shí hé rén xìng cóng xū wěi xiàng zhēn shí de huí guī。 hā wéi 'ěr de jiàn lì zài dào dé、 liáng xīn hé zhēn shí cún zài jī chǔ shàng de zhèng zhì zhé xué， méi yòu xì zhì de gài niàn tuī yǎn hé yán mì de luó ji fēn xī， jìn guǎn tā shòu dào xī fāng dào dé zhù yì zhèng zhì zhé xué shèn zhì hǎi dé gé 'ěr zhé xué de yǐng xiǎng， dàn shì tā de zhé xué sī xiǎng bù shì xué yuàn huà de， bù shì xì tǒng huà de huì sè de cháng piān lùn shù， ér shì zhí jiē cóng xiàn shí de zhèng zhì shēng huó zhōng guān chá chū lái de， bìng qiě， yě shì yǐ cǐ wéi wǔ qì zhí jiē cānyù zhèng zhì dǒu zhēng hé zhèng zhì jiàn shè zhōng qù de。 hā wéi 'ěr de zhèng zhì zhé xué shì tā gè rén zhèng zhì huó dòng de gāng lǐng， shì tā zuò wéi zhèng zhì jiā de xìn tiáo， tā yǐ yī shēng de chū sè de zhèng zhì shí jiàn wèitā de zhèng zhì zhé xué zuò liǎo zuì shēng dòng hé zuì shēn kè de quán shì。
wǎ cí lā fū · hā wéi 'ěr - zhù yào zuò pǐn
wǎ cí lā fū · hā wéi 'ěr zǒng tǒng
《 qǐ gài de gē wǔ jù》
《 wú quán lì zhě de quán lì》
《 gěi 'ào 'ěr jiā de xìn》
《 hā wéi 'ěr zìzhuàn》
《 fǎn fú mǎ》
wǎ cí lā fū · hā wéi 'ěr - rén wù píng jià
hā wéi 'ěr běn rén bìng bù shì yī gè zhuān yè de zhé xué jiā， bù tóng yú xiàn zài de yán jiū zhé xué shǐ de xī fāng zhé xué jiā。 ér qiě rú yòu de lùn zhě suǒ yán， hā wéi 'ěr de gù shì bǐ qí sī xiǎng gèng zhí dé guān zhù。 zuò wéi yī gè yòu zhe dú tè mèi lì de sī xiǎng jiā hé zhèng zhì jiā， hā wéi 'ěr de sī xiǎng、 zhù zuò jí qí shí jiàn zhōng， yòu zhe jiān dìng de zhé xué lǐ niàn de zhī chēng， duì yú zhè yī lǐ niàn de shū lǐ， huò yòu qí yì yì。
Beginning in the 1960s, his work turned to focus on the politics of Czechoslovakia. After the Prague Spring, he became increasingly active. In 1977, his involvement with the human rights manifesto Charter 77 brought him international fame as the leader of the opposition in Czechoslovakia; it also led to his imprisonment. The 1989 "Velvet Revolution" launched Havel into the presidency. In this role he led Czechoslovakia and later the Czech Republic to multi-party democracy. His thirteen years in office saw radical change in his nation, including its split with Slovakia, which Havel opposed, its accession into NATO and start of the negotiations for membership in the European Union, which was attained in 2004.
Biography
Václav Havel was born in Prague, on October 5, 1936. He grew up in a well-known and wealthy entrepreneurial and intellectual family, which was closely linked to the cultural and political events in Czechoslovakia from the 1920s to the 1940s. His father was the owner of the suburb Barrandov which was located on the highest point of Prague. Havel's mother came from a well known family; her father was an ambassador and well-known journalist. Because of Havel's bourgeois history, the Communist regime did not allow Havel to study formally after he had completed his required schooling in 1951. In the first part of the 1950s, the young Havel entered into a four-year apprenticeship as a chemical laboratory assistant and simultaneously took evening classes; he completed his secondary education in 1954. For political reasons, he was not accepted into any post-secondary school with a humanities program; therefore, he opted to study at the Faculty of Economics of Czech Technical University in Prague but dropped out after two years. In 1964, Havel married proletarian Olga Šplíchalová, much to the displeasure of his mother.
Early theater career
The intellectual tradition of his family compelled[clarification needed] Václav Havel to pursue the humanitarian values of Czech culture. After military service (1957–59), he worked as a stagehand in Prague (at the Theater On the Balustrade - Divadlo Na zábradlí) and studied drama by correspondence at the Theater Faculty of the Academy of Performing Arts in Prague (DAMU). His first publicly performed full-length play, besides various vaudeville collaborations, was The Garden Party (1963). Presented in a season of Theater of the Absurd, at the Balustrade, it won him international acclaim. It was soon followed by The Memorandum, one of his best known plays, and the The Increased Difficulty of Concentration, all at the Balustrade. In 1968, The Memorandum was also brought to The Public Theater in New York, which helped establish his reputation in the United States. The Public continued to produce his plays over the next years, although after 1968 his plays were banned in his own country, Havel was unable to leave Czechoslovakia to see any foreign performances.
Dissident
During the first week of the Warsaw Pact invasion of Czechoslovakia, Havel provided a commentary on the events on Radio Free Czechoslovakia in Liberec. Following the suppression of the Prague Spring in 1968 he was banned from the theatre and became more politically active. He was forced to take a job in a brewery, an experience he wrote about in his play Audience. This play, along with two other "Vaněk" plays (so-called because of the recurring character Ferdinand Vaněk, a stand in for Havel), became distributed in samizdat form across Czechoslovakia, and greatly added to Havel's reputation of being a leading revolutionary (several other Czech writers later wrote their own plays featuring Vaněk). This reputation was cemented with the publication of the Charter 77 manifesto, written partially in response to the imprisonment of members of the Czech psychedelic band The Plastic People of the Universe. He also co-founded the Committee for the Defense of the Unjustly Persecuted in 1979. His political activities resulted in multiple stays in prison, the longest being four years, and also subjected him to constant government surveillance and harassment. His longest stay in prison, from June 1979 to January 1984, is documented in Letters to Olga, his late wife.
He was also famous for his essays, most particularly for his articulation of “Post-Totalitarianism” (Power of the Powerless), a term used to describe the modern social and political order that enabled people to "live within a lie." A passionate supporter of non-violent resistance, a role in which he has been compared, by former US President Bill Clinton, to Mohandas Karamchand Gandhi and Martin Luther King Jr., he became a leading figure in the Velvet Revolution of 1989, the bloodless end to communism in Czechoslovakia.
His motto was "Truth and love must prevail over lies and hate."
Presidency
The neutrality of this section is disputed. Please see the discussion on the talk page. Please do not remove this message until the dispute is resolved. (October 2010)
Václav Havel and Karol Sidon (left), his friend and later chief Czech rabbi
Flag of the president of the Czech Republic
On 29 December 1989, while leader of the Civic Forum, he became president by a unanimous vote of the Federal Assembly. This was an ironic turn of fate for a man who had long insisted that he was uninterested in politics. He joined many dissidents of the period arguing that political change should happen through civic initiatives autonomous from the state, rather than through the state itself. He was awarded the Prize For Freedom of the Liberal International in 1990.
After the free elections of 1990 he retained the presidency. Despite increasing tensions, Havel supported the retention of the federation of the Czechs and the Slovaks during the breakup of Czechoslovakia. On 3 July 1992 the federal parliament did not elect Havel — the only candidate — due to a lack of support from Slovak MPs. The largest party, the Civic Democratic Party, let it be known it would not support any other candidate. After the Slovaks issued their Declaration of Independence, he resigned as president on 20 July, saying he would not preside over the country's breakup.
However, when the Czech Republic was created, he stood for election as president on 26 January 1993, and won. Unlike in Czechoslovakia, he was not the Czech Republic's chief executive. However, owing to his prestige, he still commanded a good deal of moral authority.
Although Havel has been quite popular throughout his career, his popularity abroad surpassed his popularity at home
, and he was no stranger to controversy and criticism. An extensive general pardon, one of his first acts as a president, was an attempt to both lessen the pressure in overcrowded prisons and release those who may have been falsely imprisoned during the Communist era. He had felt that decisions of a corrupt court of the previous regime could not be trusted, and that most in prison had not been fairly tried. Critics claimed that this amnesty raised the crime rate. According to Havel's memoir To the Castle and Back, most of those released had less than a year of their sentence to run. Statistics have not lent clear support to that allegation.
In an interview with Karel Hvížďala (also included in To the Castle and Back), Havel stated that he felt his most important accomplishment as president was the dissolution of the Warsaw Pact. This proved quite complicated, as the infrastructure created by the pact was so ingrained in the workings of the countries involved and indeed in their general consciousness. It took two years before the Soviet troops finally fully withdrew from Czechoslovakia.
Following a legal dispute with his sister-in-law, Havel decided to sell his 50% stake in the Lucerna Palace on Wenceslas Square, a legendary dance hall built by his grandfather Václav Havel. In a transaction arranged by Marián Čalfa, Havel sold the estate to Václav Junek, a former communist spy in France and leader of soon-to-be-bankrupt conglomerate Chemapol Group, who later openly admitted he bribed politicians of Czech Social Democratic Party.
In December 1996 the chain smoking Havel was diagnosed as having lung cancer. The disease reappeared two years later. He later quit smoking. In 1996, Olga, beloved by the Czech people and his wife of 32 years died of cancer. Less than a year later Havel remarried, to actress Dagmar Veškrnová.
The former political prisoner was instrumental in enabling the transition of NATO from being an anti-Warsaw Pact alliance to its present inclusion of former-Warsaw Pact members, like the Czech Republic. Havel advocated vigorously for the expansion of the military alliance into Eastern Europe, including the Czech Republic.
Havel was re-elected president in 1998. He had to undergo a colostomy in Innsbruck when his colon ruptured while on holiday in Austria. Havel left office after his second term as Czech president ended on 2 February 2003; Václav Klaus, one of his greatest political opponents, was elected his successor on 28 February 2003. Margaret Thatcher writes of the two men in her foreign policy treatise, Statecraft, reserving greater respect for Havel, whose dedication to democracy and defying the Communists earned her admiration.
Post-presidential career
In his post-presidency Havel has focused on European affair
Since 1997, Havel has hosted a conference entitled Forum 2000. In 2005, the former President occupied the Kluge Chair for Modern Culture at the John W. Kluge Center of the United States Library of Congress, where he continued his research in human rights. In November and December 2006, Havel spent eight weeks as a visiting artist in residence at Columbia University. The stay was sponsored by the Columbia Arts Initiative and featured "performances, and panels center[ing] on his life and ideas", including a public "conversation" with former U.S. President Bill Clinton. Concurrently, the Untitled Theater Company #61 launched a Havel Festival, the first complete festival of his plays in various venues throughout New York City, including The Brick Theater, in celebration of his 70th birthday.
Havel's memoir of his experience as President, To the Castle and Back, was published in May 2007. The book mixes an interview in the style of Disturbing the Peace with actual memoranda he sent to his staff with modern diary entries and recollections.
On 4 August 2007, Havel met with members of the Belarus Free Theatre at his summer cottage in the Czech Republic in a show of his continuing support, which has been instrumental in the theatre's attaining international recognition and membership in the European Theatrical Convention. Havel's first new play in over 18 years, Leaving (Odcházení), was published in November 2007, and was to have had its world premiere in June 2008 at the Prague theater Divadlo na Vinohradech, but the theater withdrew it in December. The play instead premiered on 22 May 2008 at the Archa Theatre to standing ovations. Havel based the play on King Lear, by William Shakespeare, and on The Cherry Orchard, by Anton Chekhov; "Chancellor Vilém Rieger is the central character of Leaving, who faces a crisis after being removed from political power." In September, the play had its English language premiere at the Orange Tree Theatre in London. Currently, Havel is working on directing a film version of that play.
In 2008 Havel became Member of the European Council on Tolerance and Reconciliation, an NGO designed to monitor tolerance in Europe and to prepare practical recommendations on fighting anti-Semitism, racism and xenophobia on the continent.
Havel met with U. S. President Barack Obama at the European Union (EU) and United States (US) summit in Prague on 5 April 2009. He had written Obama a letter inviting the president to come to Prague.
Havel is the chair of the International Council of the Human Rights Foundation.
Award
On 4 July 1994 Václav Havel was awarded the Philadelphia Liberty Medal. In his acceptance speech, he said: "The idea of human rights and freedoms must be an integral part of any meaningful world order. Yet I think it must be anchored in a different place, and in a different way, than has been the case so far. If it is to be more than just a slogan mocked by half the world, it cannot be expressed in the language of departing era, and it must not be mere froth floating on the subsiding waters of faith in a purely scientific relationship to the world." In 1997 he was the recipient of the Prix mondial Cino Del Duca.
In 2002, he was the third recipient of the Hanno R. Ellenbogen Citizenship Award presented by the Prague Society for International Cooperation. In 2003 he was awarded the International Gandhi Peace Prize, named after Mohandas Karamchand Gandhi by the government of India for his outstanding contribution towards world peace and upholding human rights in most difficult situations through Gandhian means. In 2003, Havel was the inaugural recipient of Amnesty International's Ambassador of Conscience Award for his work in promoting human rights. In 2003, he received the Presidential Medal of Freedom. In January 2008, the Europe-based A Different View cited Havel to be one of the 15 Champions of World Democracy. Other champions mentioned were Nelson Mandela, Lech Wałęsa, and Corazon Aquino. As a former Czech President, Havel is a member of the Club of Madrid. In 2009 he was awarded the Quadriga Award.
Havel has also received multiple honorary doctorates from various universities.
He was elected in 1993 an Honorary Fellow of the Royal Society of Literature
State Award
Country Awards Date Place
Argentina Order of the Liberator San Martin Collar 09/1996 Buenos Aire
Austria Decoration for Science and Art 11/2005 Vienna
Brazil Order of the Southern Cross Grand Collar
Order of Rio Branco Grand Cross 10/1990
09/1996 Prague
Brasília
Canada Order of Canada Honorary Companion 03/2004 Prague
Czech Republic Order of the White Lion 1st Class (Civil Division) with Collar Chain
Order of Tomáš Garrigue Masaryk 1st Class 10/2003 Prague
Estonia Order of the Cross of Terra Mariana The Collar of the Cross 04/1996 Tallinn
France Légion d'honneur Grand Cro
Order of Arts and Letters Commander 03/1990
02/2001 Pari
Germany Order of Merit of the Federal Republic of Germany Special class of the Grand Cross 05/2000 Berlin
Hungary Order of Merit of Hungary Grand Cross with Chain 09/2001 Prague
India Gandhi Peace Prize 08/2003 Delhi
Italy Order of Merit of the Italian Republic Grand Cross with Cordon 04/2002 Rome
Jordan Order of Hussein ibn' Ali Collar 09/1997 Amman
Latvia Order of the Three Stars Grand Cross with Collar 08/1999 Prague
Lithuania Order of Vytautas the Great Grand Cross 09/1999 Prague
Poland Order of the White Eagle 10/1993 Warsaw
Portugal Order of Liberty Grand Collar 12/1990 Lisbon
Republic of China (Taiwan) Order of Brilliant Star with Special Grand Cordon 11/2004 Taipei
Slovakia Order of the White Double Cross 01/2003 Bratislava
Slovenia The Golden honorary Medal of Freedom 11/1993 Ljubljana
Spain Order of Isabella the Catholic Grand Cross with Collar 07/1995 Prague
Turkey National Decoration of Republic of Turkey 10/2000 Ankara
Ukraine Order of Yaroslav the Wise 10/2006 Prague
United Kingdom Order of the Bath Knight Grand Cross(Civil Division) 03/1996 Prague
USA Presidential Medal of Freedom 07/2003 Washington D.C.
Uruguay Medal of the Republic 09/1996 Montevideo
Work
Havel with American poet, Hedwig Gorski
Collections of poetry
Čtyři rané básně
Záchvěvy I & II, 1954
První úpisy, 1955
Prostory a časy (poesie), 1956
Na okraji jara (cyklus básní), 1956
Anticodes, (Antikódy)
Play
Motormorphosis 1960
An Evening with the Family, 1960, (Rodinný večer)
The Garden Party (Zahradní slavnost), 1963
The Memorandum, 1965, (Vyrozumění)
The Increased Difficulty of Concentration, 1968, (Ztížená možnost soustředění)
Butterfly on the Antenna, 1968, (Motýl na anténě)
Guardian Angel, 1968, (Strážný anděl)
Conspirators, 1971, (Spiklenci)
The Beggar's Opera, 1975, (Žebrácká opera)
Unveiling, 1975, (Vernisáž)
Audience, 1975, (Audience) - a Vanӗk play
Mountain Hotel 1976, (Horský hotel)
Protest, 1978, (Protest) - a Vanӗk play
Mistake, 1983, (Chyba) - a Vanӗk play
Largo desolato 1984, (Largo desolato)
Temptation, 1985, (Pokoušení)
Redevelopment, 1987, (Asanace)
Tomorrow, 1988, (Zítra to spustíme)
Leaving (Odcházení), 2007
Non-fiction book
The Power of the Powerless (1985) [Includes 1978 titular essay.]
Living in Truth (1986)
Letters to Olga (Dopisy Olze) (1988)
Disturbing the Peace (1991)
Open Letters (1991)
Summer Meditations (1992/93)
Towards a Civil Society (Letní přemítání) (1994)
The Art of the Impossible (1998)
To the Castle and Back (2007)
Cultural allusions and interest
Havel was a major supporter of The Plastic People of the Universe, becoming a close friend of its members, such as its leader Milan Hlavsa, its manager Ivan Martin Jirous and guitarist/vocalist Paul Wilson (who later became Havel's English translator and biographer) and a great fan of the rock band The Velvet Underground, sharing mutual respect with the principal singer-songwriter Lou Reed, and is also a lifelong Frank Zappa fan.
Havel is also a great supporter and fan of jazz and frequented such Prague clubs as Radost FX and the Reduta Jazz Club, where President Bill Clinton played the saxophone when Havel brought him there.
The period involving Havel's role in the Velvet Revolution and his ascendancy to the presidency is dramatized in part in the play Rock 'n' Roll, by Czech-born English playwright Tom Stoppard. One of the characters in the play is called Ferdinand, in honor of Ferdinand Vaněk, the protagonist of three of Havel's plays and a Havel stand-in.
In 1996, due to his contributions to the arts, he was honorably mentioned in the rock opera Rent during the song La Vie Boheme, though his name was mispronounced on the original soundtrack.
Samuel Beckett's 1982 short play "Catastrophe" was dedicated to Havel while he was held as a political prisoner in Czechoslovakia.
"What makes... the Gaia hypothesis so inspiring?" Mr. Havel asked in a 1994 talk.