yuèdòuluó bīn · kē kè Robin Cookzài小说之家dezuòpǐn!!! | |||
《 jǐn jí chuán rǎn》 zhè bù xiǎo shuō jiǎng de shì 1996 nián 3 yuè de jǐ tiān shí jiān lǐ fā shēng de shì。 měi guó de “ dà píng guǒ ” niǔ yuē shì jiē 'èr lián sān chū xiàn hǎn jiàn de 'è xìng chuán rǎn bìng， xiān shì shǔ yì， jiē zhe shì tù rè bìng、 luò jī shān bān zhěn rèhuo fèi yán， děng děng， wú gū huàn zhě hé yī wù rén yuán jiē lián sǐ wáng。 shén mì de jué zhèng yán zhòng wēi xié zhe zhè zuò shì jiè dà dū shì guǎng dà shì mín de shēng mìng 'ān quán。 chuán méi hōng dòng， yī yuàn zhē yǎn tángsè， zhuān jiā zhòng shuō fēn yún。 yī xué jiǎn chá guān jié kè gǎn jué zài zhè yī xì liè 'è xìng chuán rǎn de bèi hòu yí diǎn shèn duō， shǐ zhōng pái huái zhe yī gè kě pà de yōu líng。 zhè wèi“ zhēn tàn dà fū” lì pái zhòng yì， bù gù gè rén 'ān wēi， dǐng zhù shàng sī de yā lì hé lái zì hēi shè huì de wēi xié， duō cì gǎn fù 'àn fā xiàn chǎng diào chá yán jiū。 jié kè de xíng dòng què shòu dào jīhū suǒ yòu rén de huái yí、 fǎn duì， sān cì xiǎn zāo móu shā。“ jié kè tīng dào yī zhèn jiǎo bù shēng cháo zì jǐ zǒu guò lái， tā xī liǎo yī kǒu qì， zhuǎn guò tóu lái。 dāng tā kàn qīng lái rén shì shuí de shí hòu， tā dùn shí mù dèng kǒu dāi。” jié kè zài wán quán chū hū tā zì jǐ hé bāo kuò yì zhě zài nèi de suǒ yòu dú zhě yì liào de qíng kuàng xià chá qīng liǎo shì jiàn mù hòu zhù shǐ rén， àn qíng dà bái yú tiān xià。
wǒ men zhī dào， jìn rù 90 nián dài， ōu měi dà pī zuò jiā tòng gǎn lì shǐ hé xiàn shí yǔ tā men kāi liǎo yī gè dà wán xiào， jīhū shì zài yī yè zhī jiān jiāng tā men zhōng de xǔ duō rén yuǎn yuǎn dì pāo zài liǎo hòu biān。 cǎn dàn jīng yíng duō shí de zuò pǐn qǐng kè jiān biàn chéng yī duī fèi zhǐ。 xī rì de wú shù“ jiàndié xiǎo shuō”、“ lěng zhàn zuò jiā” lì mǎ chéng liǎo xiàn dài táng jí hē dé。 luó bīn · kē kè zé shì wéi shǔbù suàn tài duō de lì wài zhī yī， tā shí yòu xīn zuò wèn shì， lǚ lǚ shòu dào xīn lǎo dú zhě de huān yíng。 jiū qí yuán yīn， wǒ men rèn wéi， shuō luó bīn · kē kè kāi liǎo yī gè pǐn zhǒng de tōng sú xiǎo shuō de xiān hé， zhè huà bìng bù guòfèn。
luó bīn · kē kè lì lái yǐ tā de“ yī xué jīng xiǎn xiǎo shuō” zhù chēng， tā de zuò pǐn jiān yòu shè huì xiǎo shuō hé jīng xiǎn xiǎo shuō liǎng fāng miàn de tè sè。 tā bǐ xià de rén wù dà duō wéi xiàng nǐ wǒ yī yàng de pǔ tōng rén， yī bān de yī shēng、 jǐng chá、 jì zhě děng děng， zuò pǐn guān zhù de yě shì yǔ pǔ tōng rén de shēng huó xī xī xiāng guān de shè huì wèn tí， yǔ xiàn dài shè huì shēng huó de xiē hé hěn jǐn mì。 tā de gù shì wǎng wǎng yǐ lèi sì zhēn tàn xiǎo shuō de shǒu fǎ zhǎn kāi， qíng jié qū zhé， huán huán xiāng kòu， yǐn rén rù shèng。 běn shū yòu yī cì zhǎn shì liǎo zuò zhě zài chuàng zuò shàng de zhè xiē tè sè。 quán shū shǐ zhōng guàn chuānzhuó yī tiáo pū shuò mí lí kòu rén xīn xián de zhù xiàn， xiǎo shuō zhù rén gōng、 yī xué jiǎn chá guān jié kè de mìng yùn shǐ zhōng qiān dòng zhe dú zhě de xīn。 zhěng gè gù shì qíng jié de fā zhǎn chōng mǎn xuán niàn， chū rén yì liào， dàn yī qiē yòu jìn zài qíng lǐ zhī zhōng。 wǒ men yī jīng kāi juàn biàn bù rěn shì shǒu， zhěng gè gù shì kě yǐ yī kǒu qì kàn xià qù。 zhè yě shì luó bīn · kē kè zuò pǐn de yī zhǒng mèi lì。
tóng shí， luó bīn · kē kè de zuò pǐn shǐ zhōng jù yòu xiàn dài chàng xiāo shū de kuài jié、 liú chàng de tè diǎn。《 jǐn jí chuán rǎn》 zhè bù xiǎo shuō yě hé zuò zhě de qí tā zuò pǐn yī yàng， dú zhě kàn bù dào wú bìng shēn yín shì de rǒng cháng dào bái hé lìng rén shēng yàn de、 chún shǔ làng fèi piān fú de jǐng wù miáo xiě。 dàn xiàn dài chàng xiāo shū de zhè zhǒng kuài jié、 liú chàng de tè diǎn bìng méi yòu yǐng xiǎng zuò zhě duì rén wù de kè huá。 zuò zhě de shì xiàn jù jiāo zài zhù rén gōng jié kè de shēn shàng。 yī xué jiǎn chá guān jié kè nián qīng shí shì yè shòu cuò， bìng wéi cǐ fù chū liǎo xuè de dài jià。 è yùn shǐ jié kè xiāo chén， dàn méi yòu shǐ tā dào dé lún sàng。 lì jìn cāng sāng de jié kè yǐ jiù jí 'è rú chóu， rè xīn rè cháng。 tóng shí， zuò pǐn yě yǐ jiǎn jié míng kuài de xiàn tiáo， jiāng tā de liǎng wèi nǚ yǒu láo ruì hé tè ruì xī kè huá dé shí fēn xiān huó， zhāo rén xǐ 'ài。 láo ruì hé tè ruì xī shì dāng jīn shì jiè bǐ jiào diǎn xíng de zhí yè fù nǚ de xíng xiàng。 tā liǎ dōuyòu qiáng liè de shì yè xīn， duì shēng huó yědōu yòu zhí zhe de zhuī qiú， dàn liǎng gè rén de xìng gé què jiǒng rán bù tóng。 zhè zhǒng xìng gé shàng de chā yì zuì zhōng dǎo zhì liǎo liǎng gè zhí yè fù nǚ de bù tóng jié jú。 xiǎo shuō zhōng de qí tā jǐ gè rén wù， rú jié kè de tóng shì qiē tè， wēi shēng wù mí lǐ chá dé， yī xué jiǎn chá guān bàn gōng chù chù cháng bīn hàn děng xíng xiàng yědōu kè huá dé xiàn tiáo liú chàng， xǔ xǔ rú shēng。
yì zhě xiāng xìn， běn shū yě huì xiàng shí duō nián qián suǒ jiè shào de《 shī shēn rén miàn xiàng》 yī yàng， shòu dào guǎng dà dú zhě de huān yíng。
luó bīn · kē kè bì jìng shì zhōng guó dú zhě de lǎo péng yǒu liǎo。
hé wén 'ān
1996 nián 5 yuè yī 9 yuè
chóngqìng xī nán shī fàn dà xué
He is best known for combining medical writing with the thriller genre. Many of his books have been bestsellers on the New York Times Bestseller List. Several of his books have also been featured in Reader's Digest. His books have sold nearly 100 million copies.
Biography
Cook is a graduate of Wesleyan University and Columbia University School of Medicine. He finished his postgraduate medical training at Harvard. He divides his time between homes in Boston and Naples, Florida where he lives with his wife, Jean, and son. He is currently on leave from the Massachusetts Eye and Ear Infirmary. He has successfully combined medical fact with fantasy to produce a succession of bestselling books. Cook's medical thrillers are designed, in part, to keep the public aware of both the technological possibilities of modern medicine and the ensuing ethical problems.
The Cousteau Society recruited Cook to run its blood-gas lab in the South of France. Intrigued by diving, he later called on a connection he made through Jacques Cousteau to become an aquanaut with the US Navy Sealab when he was drafted in 1969.
Cook is a private member of the Woodrow Wilson Center's Board of Trustees. The Board of Trustees, led by Chairman Joseph B. Gildenhorn, are appointed to six-year terms by the President of the United States.
[edit]Novels
Cook's novels have anticipated national controversy. Interviewer Stephen McDonald talked to him about his novel Shock; Cook admits the timing of Shock was fortuitous. "I suppose that you could say that it's the most like Coma in that it deals with an issue that everybody seems to be concerned about," he says, "I wrote this book to address the stem cell issue, which the public really doesn't know anything about. Besides entertaining readers, my main goal is to get people interested in some of these issues, because it's the public that ultimately really should decide which way we ought to go in something as ethically questioning as stem cell research."
To date, he has explored issues such as organ donation, genetic engineering, fertility treatment, in - vitro fertilization, research funding, managed care, medical malpractice, medical tourism, drug research, and organ transplantation.
I joke that if my books stop selling, I can always fall back on brain surgery," he says. "But I am still very interested in it. If I had to do it over again, I would still study medicine. I think of myself more as a doctor who writes, rather than a writer who happens to be a doctor." He explained the popularity of his works thus: "The main reason is, we all realize we are at risk. We're all going to be patients sometime," he says. "You can write about great white sharks or haunted houses, and you can say I'm not going into the ocean or I'm not going in haunted houses, but you can't say you're not going to go into a hospital.
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Cook says he chose to write thrillers because the forum gives him "an opportunity to get the public interested in things about medicine that they didn't seem to know about. I believe my books are actually teaching people."
The author admits he never thought that he would have such compelling material to work with when he began writing fiction in 1970. "If I tried to be the writer I am today a number of years ago, I wouldn't have very much to write about. But today, with the pace of change in biomedical research, there are any number of different issues, and new ones to come," he says.
[edit]Film and Television Adaptations
Coma was made into a successful feature film (directed by fellow author/doctor Michael Crichton), as well as Sphinx starring Lesley-Anne Down and Frank Langella; and other Cook novels have also been made into television productions. In December 1993, CBS - TV aired Robin Cook's Harmful Intent; in November 1994, NBC - TV aired Mortal Fear; in May 1995, NBC - TV aired "Virus", based on Outbreak; and in February 1996 NBC - TV aired Terminal. In 2008, a prequel of Cook's forthcoming novel Foreign Body was produced as a 50-episode webseries by Michael Eisner's Vuguru and Big Fantastic, the creators of "Prom Queen (internet series)." In addition to Invasion, NBC - TV has two other Cook novels in production.
[edit]Bibliography
Year of the Intern (1972), ISBN 0-451-16555-1
Coma (1977), ISBN 0-451-20739-4
Sphinx (1979), ISBN 0-451-15949-7
Brain (1981), ISBN 0-451-15797-4
Fever (1982), ISBN 0-425-17420-4
Godplayer (1983), ISBN 0-425-17638-X
Mindbend (1985), ISBN 0-451-14108-3
Outbreak (1987), ISBN 0-425-10687-X
Mortal Fear (1988), ISBN 0-425-11388-4
Mutation (1989), ISBN 0-425-11965-3
Harmful Intent (1990), ISBN 0-425-12546-7
Vital Signs (1991), ISBN 0-425-13176-9
Blindsight (1992), ISBN 0-425-13619-1
Terminal (1993), ISBN 0-425-15506-4
Fatal Cure (1994), ISBN 0-399-13879-X
Acceptable Risk (1994), ISBN 0-399-13971-3
Contagion (1995), ISBN 0-425-15594-3
Chromosome 6 (1997), ISBN 0-425-16124-2
Invasion (1997), ISBN 0-425-21957-7
Toxin (1998), ISBN 0-425-16661-9
Vector (1999), ISBN 0-425-17299-6
Abduction (2000), ISBN 0-425-17736-X
Shock (2001), ISBN 0-425-18286-X
Seizure (2003), ISBN 0-425-19794-8
Marker (2005), ISBN 0-425-20734-X
Crisis (2006), ISBN 0-425-21657-8
Critical (2007), ISBN 978-0-399-15423-2
Foreign Body (2008), ISBN 0-399-15502-3
Intervention (2009), ISBN 0-399-15570-8
Cure (2010), ISBN 0-399-15662-3