guó zuòzhělièbiǎo
āi lāi · Hélène Grimaud
fán · 'ěr Yvan Goll
guó lán gòng guó  (1891niánsānyuè29rì1950niánèryuè27rì)

shīcíshī xuǎn anthology》   
fán · 'ěr shī xuǎn

yuèdòu fán · 'ěr Yvan Gollzài诗海dezuòpǐn!!!
èr shí shì qián bàn zuì zhòng yào de guó xiàn dài zhù shī rén zhī gòng chū bǎn guò shí duō juàn shī zuò zhù yào shēng huó zài liǎng shì jiè zhàn zhī jiānduì xiàn dài shī gǎn jué de xíng chéng zuò chū zhòng gòng xiàn
fán · 'ěr de shī fēng xiàn chū cóng biǎo xiàn zhù dào chāo xiàn shí zhù zhè zhuǎn biàn guò chéng de zǎo zuò pǐn biǎo xiàn zhù de shū qíng xìngshèn wǎn zuò pǐn de chāo xiàn shí zhù jīng shén zhōng de wǎn shī zuò jiào méng lóngshēn dào rén lèi jīng shén mèng huàn wáng de lǐng zhōng jìn xíng tàn suǒ duì chāo xiàn shí zhù de jiě fāng shì chuàng zào chāo xiàn shí yòng xīn de lián xiǎng xiàngyǐn xiě zuò


  Yvan Goll, born Isaac Lange (Saint-Dié, March 29, 1891 - February 27, 1950) was a French-German poet who was perfectly bilingual and wrote in both French and German. He had close ties to both to German expressionism and to French surrealism. He escaped to Switzerland to avoid conscription into the army at the outbreak of World War I (he was a German citizen). He wrote many war poems, the most famous being "Requiem for the Dead of Europe," as well as several plays, including The Immortal One (1918). In 1927, he wrote the libretto for a surrealist opera, Royal Palace, set to music by composer Kurt Weill. He also wrote the scenario for Der Neue Orpheus, a cantata set by Weill.
    

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