法國 法蘭西第四共和國
(
1891年三月29日～
1950年二月27日)
二十世紀前半期最重要的法國現代主義詩人之一，共出版過十多詩作。他主要生活在兩次世界大戰之間，對現代詩歌感覺的形成做出重大貢獻。
伊凡·哥爾的詩歌風格現出從現主義到超現實主義這一轉變過程。他的早期作品富於現主義的抒情性，滲入他晚期作品的超現實主義精神中；他的晚期詩作比較朦朧，深入到人類精神、自我、夢幻和死亡的領域中進行探索。他以自己對超現實主義的理解方式去創造“超現實”，用新的聯想、意象、隱喻去寫作。
Yvan Goll, born Isaac Lange (Saint-Dié, March 29, 1891 - February 27, 1950) was a French-German poet who was perfectly bilingual and wrote in both French and German. He had close ties to both to German expressionism and to French surrealism. He escaped to Switzerland to avoid conscription into the army at the outbreak of World War I (he was a German citizen). He wrote many war poems, the most famous being "Requiem for the Dead of Europe," as well as several plays, including The Immortal One (1918). In 1927, he wrote the libretto for a surrealist opera, Royal Palace, set to music by composer Kurt Weill. He also wrote the scenario for Der Neue Orpheus, a cantata set by Weill.