Read works of Gu Kuang at 诗海 | |||
Yuan Jie Gu and at the same time and a little later. He is also a concern of the people suffering in the new conservatory. Poem can pay attention to "sound teaching" and not just the pursuit of "literary grace of Korea" ("Elegy order"). He was under the "Book of Songs" was allegorical spirit, "even in Ancient Chapter 13 Addendum Xun," admonish the irony for all of them are a direct reflection of reality, such as "child."
[Dali, a poet Zhen Yuan]
And Liu Changqing, Frontier Fortress poet in the same time, care situation is a more characteristic figure. Gu (? -
806 after) the word Bu Weng, sea salt (modern Zhejiang) were and Ultimate II contains (757) Scholars, a former Key Periods Magistrate, Works
Zuo Lang.
Proud of his character, "can not Mu-Shun, the row for the public" (Huang Fushi "Poems of Gu order"), "Although the princes of your
And who at the turn, must play humiliates "(" Old Tang Biography of Gu "), the Secretary was banished Raozhou households to join the army, to settle in his old age Mao
Hill, since the true number Huayang Plaza. The "Huayang set."
Gu has written a number of sufferings of the people concerned, reflecting the social reality of the poems, such as antique mean quite the "ancient of even
Chapter 13 Addendum Xun, "which like" child, "a reflection of the suffering of slaves central Fujian. But this is not the poetry of Gu
Mainstream, his poems more to express their subjective feelings of life. Because of his arrogant and stubborn by nature, have been repeatedly
Exclusion, state of mind is very painful. In "Elegy," in one, that he used to rise every day apart, Ferry was no bridge, on the mountain insurance,
Kap Shui well away from the four metaphor to describe their grief; in the "difficulties in traveling" has bitterly lamented in "life to the people of Hepatobiliary
Try, met as strangers. "But he like Liu Changqing, Frontier Fortress as to suppress the pain in the hearts of their own
Resolved gradually in the landscape of intoxication to win peace of mind. He felt that the influence of Taoist ghost, so often by the
Days into the earth, trance into the ghost of the imagination to express their feelings in life, and placed his own ideals, as Qi Wu Cheng said,
His "Fairy will poem" ("with the return of Gu Wei Xiaqing send Maoshan"). Therefore, he inherited some poems Songs of the South and travel
Fairy poetry tradition, often in the realm of fantasy and jump weird language to express their own turbulent feelings.
Bold and uninhibited personality Gu, another good painting music solution, Caiqihengyi, which made him take to the road of poetry talent; he
Good at learning, on the one hand the momentum of open draw before the generation of poets, Gao Yang Tao-Li Li style and fine dense Six rhetoric, a
Aspects of the absorption of Southern folk songs (including the delivery of temple Wizard of Divine Comedy) of natural, fresh, varied format, language style,
Plus poetry about immortals of miraculous color, in the poem, especially the archaic Chanting formed its own characteristics. First of all, his
Poetry imaginative fancy. Such as "underwater exercise," write the rivers flood, will cause the "Dragon King Palace water shortage";
"Leung smear Song" was painting the beauty of flowers, turned out to be painting the sky looked like fairies marry Leung; "Hermit painting mountain range
Water Song "to write their own look at the paintings, the paintings become a true trance Zhongshan Mountain, his standing in Piedmont, but is" a dream around the mountains themselves are not
Line. "The role of imagination in this, he also presents the image of the poem for the strange appearance, such as the waterfall is a" fire lightning
Shan Chu spray day "(" Song to Li Gu Lushan Waterfall "), Pipa Sheng is a" wonderful spirits wish to receive sound knowledge, chilly wind earnestly on all sides to "
("Liu Chan playing the pipa Slave Song"), playing the zither sound, then think of "red carp exposed dorsal bristles," "White Yuanbi extension Cheek" ("Cheng
Female bomb Zheng Song "). Especially the "moss folk songs," common moss, was badly described as:
As Bai Yunfei the wall, the second like showers before rock drops, such as Teng Tigers want roar three, four, such as lazy dragon was thunder.
Secondly, the verse of Gu telescopic flexible, changing the rhythm. Chanting his many miscellaneous words such as "Yaocao Spring"
Is three words, Wu Yan, Seven staggered stack up, "Hermit Fan Song Landscape Painting" is three, seven, six, four words are; "with PEI
Observation of East Lake looking folk "or sentence from the rhyme, or a few sentences ranging from land-for-rhyme, gives a tortuous pulsating rhythm, and
"Lee Harp song dedicated to bomb," the sentence changing rhyme is also changing, vivid picture of a "national champion verse" spring
Wonderful time playing harp effect. The scattered the length of the sentence, change the rhythm and flow of the rhythm of lively jump, so he
Opening and closing poems haunted, unpredictable and full of music sense and impact. Again, he often used vulgar spoken in the poems,
As "ancient fairy circles" in the "mountains who burn, suspected side altar Festival. Immortals wrong down, clapping laughing side altar," "Du scholar painting
Li go Buffalo Song "," Kunlun children, riding a white elephant, a lion always locked items "," 80 wife clap laugh, envy him Vega
Married cows "and so on, all understand that if, at the time, these fresh and lively popular poetic language is also really unique.
Poetry of Gu in large calendar, and Zhenyuan difference between the momentum of the opening, a unique language, gives a strange impression, the
To later Huang Fushi in the "Poems of Gu order" in that his poetry is "the day of hearts, through on threats, accidents amazing language, non-search
Can and often. "This inspired Tang Yuan and the second peak during the Tang Dynasty some of the poets to explore new horizons.
(History of Chinese Literature, Pei Luo Yu, youth sweep school)
Translated by Google