阅读杰克·伦敦 Jack London在小说之家的作品!!! | |||||||
杰克·伦敦
杰克·伦敦杰克.伦敦生于加利福尼亚旧金山一个破产农民家庭。他从幼年起就不得不出卖体力养活自己。他当过牧童、报童、童工、工人、水手。他还参加过1893年大恐慌中失业大军组成的队伍，以流浪罪被捕入狱，罚做苦工几个月。出狱后，他一边拼命干活，一边刻苦学习，广泛涉猎达尔文、斯宾塞、尼采和马克思等人的著作。他曾考进加利福尼亚大学，一年后辍学。后来受了阿拉斯加淘金热的影响，加入了淘金者的行列，却因病空手而归，但带回了北方故事的丰富素材。从此，他埋头写作，成为“出卖脑力劳动”的职业作家。
杰克·伦敦从1900年起连续发表了许多短篇小说，通称为“北方故事”，是他的成名之作。描写英国伦敦贫民窟和工人的悲惨生活《深渊中的人们》（1903）、自传体小说《马丁·伊登》（1909）、幻想小说《铁蹄》（1908）等许多中长篇小说和散文集。
杰克·伦敦在不长的十几年创作生涯中共写了19部长篇小说，150多篇中短篇小说和大量文学报告集、散文集和论文。其中比较优秀的还有《荒野的呼唤》（1903）、《白牙》（1906）、《天大亮》（1910）、《月谷》（1913）、《黑西哥人》（1913），和受到列宁赞赏的《热爱生命》（1906）。
1916年杰克·伦敦和他的代表作中的主人公马丁·伊登一样，在精神极度空虚和悲观失望中自杀身亡。
Family background
Biographer Clarice Stasz and others believe that London's father was astrologer William Chaney. London's mother, Flora Wellman, a music teacher and spiritualist who claimed to channel the spirit of an Indian chief, was living with Chaney in San Francisco and became pregnant. Whether Wellman and Chaney were legally married is unknown. Most San Francisco civil records were destroyed by the extensive fires that followed the 1906 earthquake; it is not known with certainty what name appeared on his birth certificate. Stasz notes that in his memoirs, Chaney refers to London's mother Flora Wellman as having been his "wife" and also cites an advertisement in which Flora called herself "Florence Wellman Chaney".
According to Flora Wellman's account, as recorded in the San Francisco Chronicle of June 4, 1875, Chaney demanded that she have an abortion. When she refused, he disclaimed responsibility for the child. In desperation, she shot herself. She was not seriously wounded, but she was temporarily deranged. After she gave birth, Flora turned the baby over to ex-slave Virginia Prentiss, who remained a major maternal figure throughout London's life. Late in 1876, Flora Wellman married John London, a partially disabled Civil War veteran, and brought her baby John, later known as Jack, to live with the newly married couple. The family moved around the San Francisco Bay Area before settling in Oakland, where London completed grade school.
In 1897, when he was 21 and a student at the University of California, Berkeley, London searched for and read the newspaper accounts of his mother's suicide attempt and the name of his biological father. He wrote to William Chaney, then living in Chicago. Chaney responded that he could not be London's father because he was impotent; he casually asserted that London's mother had relations with other men and averred that she had slandered him when she said he insisted on an abortion. He concluded that he was more to be pitied than London. London was devastated by his father's letter. In the months following, he quit school at Berkeley and went to the Klondike.
Early life
London and his dog Rollo. Nine years old, 1885
London was born near Third and Brannan Streets in San Francisco. The house burned down in the fire after the 1906 San Francisco earthquake; the California Historical Society placed a plaque at the site in 1953. Though the family was working class, it was not as impoverished as London's later accounts claimed. London was essentially self-educated.
In 1885 London found and read Ouida's long Victorian novel Signa. He credited this as the seed of his literary success. In 1886 he went to the Oakland Public Library and found a sympathetic librarian, Ina Coolbrith, who encouraged his learning. (She later became California's first poet laureate and an important figure in the San Francisco literary community).
In 1889, London began working 12 to 18 hours a day at Hickmott's Cannery. Seeking a way out, he borrowed money from his black foster mother Virginia Prentiss, bought the sloop Razzle-Dazzle from an oyster pirate named French Frank, and became an oyster pirate. In his novel, John Barleycorn, he claims to have stolen French Frank's mistress Mamie. After a few months, his sloop became damaged beyond repair. London became hired as a member of the California Fish Patrol.
In 1893, he signed on to the sealing schooner Sophie Sutherland, bound for the coast of Japan. When he returned, the country was in the grip of the panic of '93 and Oakland was swept by labor unrest. After grueling jobs in a jute mill and a street-railway power plant, he joined Kelly's Army and began his career as a tramp. In 1894, he spent 30 days for vagrancy in the Erie County Penitentiary at Buffalo. In The Road, he wrote:
"Man-handling was merely one of the very minor unprintable horrors of the Erie County Pen. I say 'unprintable'; and in justice I must also say undescribable. They were unthinkable to me until I saw them, and I was no spring chicken in the ways of the world and the awful abysses of human degradation. It would take a deep plummet to reach bottom in the Erie County Pen, and I do but skim lightly and facetiously the surface of things as I there saw them."
After many experiences as a hobo and a sailor, he returned to Oakland and attended Oakland High School. He contributed a number of articles to the high school's magazine, The Aegis. His first published work was "Typhoon off the Coast of Japan", an account of his sailing experiences.
London desperately wanted to attend the University of California, Berkeley. In 1896 after a summer of intense cramming to pass certification exams, he was admitted. Financial circumstances forced him to leave in 1897 and he never graduated. No evidence suggests that London wrote for student publications while studying at Berkeley.
Gold rush and first success
On July 12, 1897, London (age 21) and his brother-in-law James Shepard sailed to join the Klondike Gold Rush. This was the setting for some of his first successful stories. London's time in the Klondike, however, was detrimental to his health. Like so many other men who were malnourished in the goldfields, London developed scurvy. His gums became swollen, leading to the loss of his four front teeth. A constant gnawing pain affected his hip and leg muscles, and his face was stricken with marks that always reminded him of the struggles he faced in the Klondike. Father William Judge, "The Saint of Dawson," had a facility in Dawson that provided shelter, food and any available medicine to London and others. His struggles there inspired London's short story, "To Build a Fire", which many critics assess as his best.
His landlords in Dawson were mining engineers Marshall Latham Bond and Louis Whitford Bond, educated at Yale and Stanford. The brothers' father, Judge Hiram Bond, was a wealthy mining investor. The Bonds, especially Hiram, were active Republicans. Marshall Bond's diary mentions friendly sparring with London on political issues as a camp pastime.
London left Oakland with a social conscience and socialist leanings; he returned to become an activist for socialism. He concluded that his only hope of escaping the work "trap" was to get an education and "sell his brains." He saw his writing as a business, his ticket out of poverty, and, he hoped, a means of beating the wealthy at their own game. On returning to California in 1898, London began working deliberately to get published, struggle described in his novel, Martin Eden. His first published story was "To the Man On Trail", which has frequently been collected in anthologies. When The Overland Monthly offered him only five dollars for it—and was slow paying—London came close to abandoning his writing career. In his words, "literally and literarily I was saved" when The Black Cat accepted his story "A Thousand Deaths," and paid him $40—the "first money I ever received for a story."
London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short fiction. In 1900, he made $2,500 in writing, about $65,000 in current value. His career was well under way.
Among the works he sold to magazines was a short story known as either "Batard" or "Diable", in two editions of the same basic story. A cruel French Canadian brutalizes his dog. The dog retaliates and kills the man. London told some of his critics that man's actions are the main cause of the behavior of their animals, and he would show this in another short story.
George Sterling, Mary Austin, Jack London, and Jimmie Hooper on the beach at Carmel, California.
"On January 26, 1903, Jack London submitted the completed manuscript of 'The Call of the Wild' to The Saturday Evening Post. On February 12 the editor agreed to purchase the story if he would cut it by five thousand words, and they asked him to set his price. Jack agreed to shorten it and set the price at three cents a word. On March 3 he received a check for seven hundred and fifty dollars. Twenty-two days later Macmillan bought the book rights for two thousand dollars with a promise to give it extensive advertising. At the time it seemed a very sensible thing to do. His previous books had not hit the best seller lists, and neither he nor Macmillan New York publisher George Platt Brett, Sr. had any idea that The Call of the Wild would do much better. If Jack had known at the time that his book would become a classic in American literature, and the royalties from it would have made him wealthy, he would have bargained differently. Yet, without the extensive promotional program, it could have easily become just another dog book. The answer will never be known, but Jack never regretted his decision, feeling that the extra promotion by Macmillan had been a major factor in its success."
The story begins on an estate in the Santa Clara Valley and features a St. Bernard/Scotch Shepherd mix named Buck. The opening scene describes the Bond family farm, which London visited at one time. Buck was based on a dog which the Bond brothers loaned London in Dawson.
While living at his rented villa on Lake Merritt in Oakland, London met poet George Sterling and in time they became best friends. In 1902, Sterling helped London find a home closer to his own in nearby Piedmont. In his letters London addressed Sterling as "Greek," owing to his aquiline nose and classical profile, and signed them as "Wolf." London was later to depict Sterling as Russ Brissenden in his autobiographical novel Martin Eden (1909) and as Mark Hall in The Valley of the Moon (1913).
In later life London indulged his wide-ranging interests by accumulating a personal library of 15,000 volumes. He referred to his books as "the tools of my trade."
First marriage (1900-1904)
London married Elizabeth "Bessie" Maddern on April 7, 1900, the same day The Son of the Wolf was edited. Bess had been part of his circle of friends for a number of years. Stasz says, "Both acknowledged publicly that they were not marrying out of love, but from friendship and a belief that they would produce sturdy children.", Kingman says, "they were comfortable together... Jack had made it clear to Bessie that he did not love her, but that he liked her enough to make a successful marriage."
During the marriage, London continued his friendship with Anna Strunsky, co-authoring The Kempton-Wace Letters, an epistolary novel contrasting two philosophies of love. Anna, writing "Dane Kempton's" letters, arguing for a romantic view of marriage, while London, writing "Herbert Wace's" letters, argued for a scientific view, based on Darwinism and eugenics. In the novel, his fictional character contrasted two women he had known.
Bessie Maddern London and daughters, Joan and "Becky."
London's pet name for Bess was "Mother-Girl" and Bess's for London was "Daddy-Boy". Their first child, Joan, was born on January 15, 1901, and their second, Bessie (later called Becky), on October 20, 1902. Both children were born in Piedmont, California. Here London wrote one of his most celebrated works, The Call of the Wild.
While London had pride in his children, the marriage was under strain. Kingman (1979) says that by 1903 they were close to separation as they were "extremely incompatible". Nevertheless, "Jack was still so kind and gentle with Bessie that when Cloudsley Johns was a house guest in February 1903 he didn't suspect a breakup of their marriage."
London reportedly complained to friends Joseph Noel and George Sterling that, "[Bessie] is devoted to purity. When I tell her morality is only evidence of low blood pressure, she hates me. She'd sell me and the children out for her damned purity. It's terrible. Every time I come back after being away from home for a night she won't let me be in the same room with her if she can help it.". Stasz writes that these were "code words for [Bess's] fear that [Jack] was consorting with prostitutes and might bring home venereal disease."
On July 24, 1903, London told Bessie he was leaving and moved out. During 1904 London and Bess negotiated the terms of a divorce, and the decree was granted on November 11, 1904.
Bohemian Club
London (right) at the Bohemian Grove with his friends Porter Garnett and George Sterling. A painting parodies his book The White Silence.
On August 18, 1904, London went with his close friend, the poet George Sterling, to "Summer High Jinks" at the Bohemian Grove. London was elected to honorary membership in the Bohemian Club and took part in many activities. Other noted members of the Bohemian Club during this time included Ambrose Bierce, John Muir, Gelett Burgess, and Frank Norris.
Beginning in December 1914, London worked on The Acorn Planter, A California Forest Play, to be performed as one of the annual Grove Plays, but it was never selected—it was described as too difficult to set to music. London published The Acorn Planter in 1916.
Second marriage
Jack and Charmian London,
ca. 1911, possibly at Beauty Ranch.
After divorcing Maddern, London married Charmian Kittredge in 1905. London was introduced to Kittredge by his MacMillan publisher, George Platt Brett, Sr., while Kittredge served as Brett's secretary. Biographer Russ Kingman called Charmian "Jack's soul-mate, always at his side, and a perfect match." Their time together included numerous trips, including a 1907 cruise on the yacht Snark to Hawaii and Australia. Many of London's stories are based on his visits to Hawaii, the last one for 10 months beginning in December 1915.
The couple also visited Goldfield, Nevada in 1907, where they were guests of the Bond brothers, London's Dawson City landlords. The Bond brothers were working in Nevada as mining engineers.
London had contrasted the concepts of the "Mother Woman" and the "Mate Woman" in The Kempton-Wace Letters. His pet name for Bess had been "mother-girl;" his pet name for Charmian was "mate-woman." Charmian's aunt and foster mother, a disciple of Victoria Woodhull, had raised her without prudishness. Every biographer alludes to Charmian's uninhibited sexuality.
Noel (1940) calls the events from 1903 to 1905 "a domestic drama that would have intrigued the pen of an Ibsen.... London's had comedy relief in it and a sort of easy-going romance." In broad outline, London was restless in his marriage; sought extramarital sexual affairs; and found, in Charmian Kittredge, not only a sexually active and adventurous partner, but his future life-companion. They attempted to have children. One child died at birth, and another pregnancy ended in a miscarriage.
In 1906, London published in Collier's magazine his eye-witness report of the San Francisco earthquake.
Beauty Ranch (1905-1916)
The cottage where London died (in the left sleeping porch) on November 22, 1916
In 1905, London purchased a 1,000 acre (4 km²) ranch in Glen Ellen, Sonoma County, California, on the eastern slope of Sonoma Mountain, for $26,450. He wrote that "Next to my wife, the ranch is the dearest thing in the world to me." He desperately wanted the ranch to become a successful business enterprise. Writing, always a commercial enterprise with London, now became even more a means to an end: "I write for no other purpose than to add to the beauty that now belongs to me. I write a book for no other reason than to add three or four hundred acres to my magnificent estate." After 1910, his literary works were mostly potboilers, written out of the need to provide operating income for the ranch.
London in 1914.
Stasz writes that London "had taken fully to heart the vision, expressed in his agrarian fiction, of the land as the closest earthly version of Eden … he educated himself through the study of agricultural manuals and scientific tomes. He conceived of a system of ranching that today would be praised for its ecological wisdom."Template:Citation needed - page number He was proud to own the first concrete silo in California, a circular piggery which he designed. He hoped to adapt the wisdom of Asian sustainable agriculture to the United States. He hired both Italian and Chinese stonemasons, whose distinctly different styles are obvious.
The ranch was an economic failure. Sympathetic observers such as Stasz treat his projects as potentially feasible, and ascribe their failure to bad luck or to being ahead of their time. Unsympathetic historians such as Kevin Starr suggest that he was a bad manager, distracted by other concerns and impaired by his alcoholism. Starr notes that London was absent from his ranch about six months a year between 1910 and 1916, and says, "He liked the show of managerial power, but not grinding attention to detail …. London's workers laughed at his efforts to play big-time rancher [and considered] the operation a rich man's hobby."Template:Citation needed - page
London spent $80,000 to build a 15,000-square-foot (1,400 m2) stone mansion ("Wolf House") on the property. Just as the mansion was nearing completion, two weeks before the Londons planned to move in, it was destroyed by fire.
London's last visit to Hawaii, beginning in December 1915, lasted eight months. He met with Duke Kahanamoku, Prince Jonah Kūhiō Kalaniana'ole, Queen Lili‘uokalani and many others, before returning to his ranch in July 1916. He was suffering from kidney failure, but he continued to work.
The ranch (abutting stone remnants of Wolf House) is now a National Historic Landmark and is protected in Jack London State Historic Park.
Accusations of plagiarism
London was vulnerable to accusations of plagiarism not only because he was such a conspicuous, prolific, and successful writer, but also because of his methods of working. He wrote in a letter to Elwyn Hoffman, "expression, you see—with me—is far easier than invention." He purchased plots and novels from the young Sinclair Lewis and used incidents from newspaper clippings as writing material.
Egerton R. Young claimed The Call of the Wild was taken from his book My Dogs in the Northland. London acknowledged using it as a source and claimed to have written a letter to Young thanking him.
In July 1901, two pieces of fiction appeared within the same month: London's "Moon-Face," in the San Francisco Argonaut, and Frank Norris's "The Passing of Cock-eye Blacklock," in Century. Newspapers showed the similarities between the stories, which London said were "quite different in manner of treatment, [but] patently the same in foundation and motive."[citation needed] London explained both writers based their stories on the same newspaper account. A year later, it was discovered that Charles Forrest McLean had published a fictional story also based on the same incident.
In 1906, the New York World published "deadly parallel" columns showing eighteen passages from London's short story "Love of Life" side by side with similar passages from a nonfiction article by Augustus Biddle and J. K Macdonald, entitled "Lost in the Land of the Midnight Sun." London noted the World did not accuse him of "plagiarism," but only of "identity of time and situation," to which he defiantly "pled guilty."[citation needed]
The most serious charge of plagiarism was based on London's "The Bishop's Vision", Chapter 7 of his The Iron Heel. The chapter is nearly identical to an ironic essay which Frank Harris published in 1901, entitled "The Bishop of London and Public Morality."[citation needed] Harris was incensed and suggested he should receive 1/60th of the royalties from The Iron Heel, the disputed material constituting about that fraction of the whole novel. London insisted he had clipped a reprint of the article, which had appeared in an American newspaper, and believed it to be a genuine speech delivered by the Bishop of London.
Political views
Socialism
London joined the Socialist Labor Party in April 1896. In the same year, the San Francisco Chronicle published a story about the twenty-year-old London giving nightly speeches in Oakland's City Hall Park, an activity he was arrested for a year later. In 1901, he left the Socialist Labor Party and joined the new Socialist Party of America. He ran unsuccessfully as the high-profile Socialist nominee for mayor of Oakland in 1901 (receiving 245 votes) and 1905 (improving to 981 votes), toured the country lecturing on socialism in 1906, and published collections of essays about socialism (The War of the Classes, 1905; Revolution, and other Essays, 1906). As London explained in his essay, "How I Became a Socialist", his views were influenced by his experience with people at the bottom of the social pit. His optimism and individualism faded, and he vowed never to do more hard work than necessary. He wrote that his individualism was hammered out of him, and he was politically reborn. He often closed his letters "Yours for the Revolution."
In his Glen Ellen ranch years, London felt some ambivalence toward socialism and complained about the "inefficient Italian labourers" in his employ. In 1916, he resigned from the Glen Ellen chapter of the Socialist Party, but stated emphatically he did so "because of its lack of fire and fight, and its loss of emphasis on the class struggle."
Stasz notes that "London regarded the Wobblies as a welcome addition to the Socialist cause, although he never joined them in going so far as to recommend sabotage." Stasz mentions a personal meeting between London and Big Bill Haywood in 1912.
Influence on writing
London wrote from a socialist viewpoint, which is evident in his novel The Iron Heel. Neither a theorist nor an intellectual socialist, London's socialism grew out of his life experience.
In his late (1913) book The Cruise of the Snark, London writes, without empathy, about appeals to him for membership of the Snark's crew from office workers and other "toilers" who longed for escape from the cities, and of being cheated by workmen.
In an unflattering portrait of London's ranch days, Kevin Starr (1973) refers to this period as "post-socialist" and says "… by 1911 … London was more bored by the class struggle than he cared to admit." Starr maintains London's socialism
always had a streak of elitism in it, and a good deal of pose. He liked to play working class intellectual when it suited his purpose. Invited to a prominent Piedmont house, he featured a flannel shirt, but, as someone there remarked, London's badge of solidarity with the working class "looked as if it had been specially laundered for the occasion." [Mark Twain said] "It would serve this man London right to have the working class get control of things. He would have to call out the militia to collect his royalties."
Jack London bust at Centenary College of Louisiana in Shreveport
Racial views
London shared common Californian concerns about Asian immigration and "the yellow peril", which he used as the title of a 1904 essay. This theme was also the subject of a story he wrote in 1910 called "The Unparalleled Invasion". Taking place in a fictional 1975, London describes a China with an ever-increasing population taking over and colonizing its neighbors, with the intention of taking over the entire Earth. The Western Nations respond with biological warfare and bombard China with dozens of the most infectious diseases. The genocide, described in considerable detail, is throughout the book described as justified and "the only possible solution to the Chinese problem".
Many of London's short stories are notable for their empathetic portrayal of Mexican ("The Mexican"), Asian ("The Chinago"), and Hawaiian ("Koolau the Leper") characters. London's war correspondence from the Russo-Japanese War, as well as his unfinished novel Cherry, show he admired much about Japanese customs and capabilities.Template:Citation needed- what do critics say?
In London's 1902 novel Daughter of the Snows, the character Frona Welse has a speech about Teutonic virtues in contrast to the characteristics of other "races". The scholar Andrew Furer, in a long essay exploring the complexity of London's views, says there is no doubt that Frona Welse is acting as a mouthpiece for London in this passage.[citation needed]:
London's 1904 essay, "The Yellow Peril", criticizes Asians. He admits, "[I]t must be taken into consideration that the above postulate is itself a product of Western race-egotism, urged by our belief in our own righteousness and fostered by a faith in ourselves which may be as erroneous as are most fond race fancies."
In "Koolau the Leper", London describes Koolau, who is a Hawaiian leper—and thus a very different sort of "superman" than Martin Eden—and who fights off an entire cavalry troop to elude capture, as "indomitable spiritually—a . . . magnificent rebel".
An amateur boxer and avid boxing fan, London reported on the 1910 Johnson-Jeffries fight, in which the black boxer Jack Johnson vanquished Jim Jeffries, the "Great White Hope". In 1908, according to Furer, London praised Johnson highly, contrasting the black boxer's coolness and intellectual style, with the apelike appearance and fighting style of his white opponent, Tommy Burns: "what . . . [won] on Saturday was bigness, coolness, quickness, cleverness, and vast physical superiority... Because a white man wishes a white man to win, this should not prevent him from giving absolute credit to the best man, even when that best man was black. All hail to Johnson." Johnson was "superb. He was impregnable . . . as inaccessible as Mont Blanc."[citation needed]
Those who defend London against charges of racism cite the letter he wrote to the Japanese-American Commercial Weekly in 1913:
In reply to yours of August 16, 1913. First of all, I should say by stopping the stupid newspaper from always fomenting race prejudice. This of course, being impossible, I would say, next, by educating the people of Japan so that they will be too intelligently tolerant to respond to any call to race prejudice. And, finally, by realizing, in industry and government, of socialism—which last word is merely a word that stands for the actual application of in the affairs of men of the theory of the Brotherhood of Man.
In the meantime the nations and races are only unruly boys who have not yet grown to the stature of men. So we must expect them to do unruly and boisterous things at times. And, just as boys grow up, so the races of mankind will grow up and laugh when they look back upon their childish quarrels.
In Yukon in 1996, after the City of Whitehorse renamed two streets to honor London and Robert Service, protests over London's racialist views forced the city to change the name of "Jack London Boulevard" back to "Two-mile Hill".
Death
Grave of Jack and Charmian London
Many older sources describe London's death as a suicide, and some still do. This conjecture appears to be a rumor, or speculation based on incidents in his fiction writings. His death certificate gives the cause as uremia, following acute renal colic, a type of pain often described as "the worst pain [...] ever experienced", commonly caused by kidney stones. Uremia is also known as uremic poisoning.
London died November 22, 1916, in a sleeping porch in a cottage on his ranch. He was in extreme pain and taking morphine, and it is possible that a morphine overdose, accidental or deliberate, may have contributed to his death. The biographer Stasz writes, "Following London's death, for a number of reasons, a biographical myth developed in which he has been portrayed as an alcoholic womanizer who committed suicide. Recent scholarship based upon firsthand documents challenges this caricature."
London's fiction featured suicides. In his autobiographical novel Martin Eden, the protagonist commits suicide by drowning. In his autobiographical memoir John Barleycorn, he claims, as a youth, to have drunkenly stumbled overboard into the San Francisco Bay, "some maundering fancy of going out with the tide suddenly obsessed me". He said he drifted and nearly succeeded in drowning before sobering up and being rescued by fishermen. In the dénouement of The Little Lady of the Big House, the heroine, confronted by the pain of a mortal gunshot wound, undergoes a physician-assisted suicide by morphine.
London had been a robust man but had suffered several serious illnesses, including scurvy in the Klondike. At the time of his death, he suffered from dysentery and uremia. During travels on the Snark, he and Charmian may have picked up unspecified tropical infections. Most biographers, including Russ Kingman, now agree he died of uremia aggravated by an accidental morphine overdose.
London's ashes were buried, together with those of his second wife Charmian (who died in 1955), in Jack London State Historic Park, in Glen Ellen, California. The simple grave is marked only by a mossy boulder.
Works
Short stories
Western writer and historian Dale L. Walker writes:
London's true métier was the short story …. London's true genius lay in the short form, 7,500 words and under, where the flood of images in his teeming brain and the innate power of his narrative gift were at once constrained and freed. His stories that run longer than the magic 7,500 generally—but certainly not always—could have benefited from self-editing.
London's "strength of utterance" is at its height in his stories, and they are painstakingly well-constructed.[citation needed] "To Build a Fire" is the best known of all his stories. Set in the harsh Klondike, it recounts the haphazard trek of a new arrival who has ignored an old-timer's warning about the risks of traveling alone. Falling through the ice into a creek in seventy-five-below weather, the unnamed man is keenly aware that survival depends on his untested skills at quickly building a fire to dry his clothes and warm his extremities. After publishing a tame version of this story—with a sunny outcome—in The Youth's Companion in 1902, London offered a second, more severe take on the man's predicament in The Century Magazine in 1908. Reading both provides an illustration of London's growth and maturation as a writer. As Labor (1994) observes: "To compare the two versions is itself an instructive lesson in what distinguished a great work of literary art from a good children's story."
Other stories from the Klondike period include: "All Gold Canyon", about a battle between a gold prospector and a claim jumper; "The Law of Life", about an aging American Indian man abandoned by his tribe and left to die; "Love of Life", about a trek by a prospector across the Canadian tundra; "To the Man on Trail," which tells the story of a prospector fleeing the Mounted Police in a sled race, and raises the question of the contrast between written law and morality; and "An Odyssey of the North," which raises questions of conditional morality, and paints a sympathetic portrait of a man of mixed White and Aleut ancestry.
London was a boxing fan and an avid amateur boxer. "A Piece of Steak" is atale about a match between older and younger boxers. It contrasts the differing experiences of youth and age but also raises the social question of the treatment of aging workers. "The Mexican" combines boxing with a social theme, as a young Mexican endures an unfair fight and ethnic prejudice in order to earn money with which to aid the revolution.
Numerous stories of London would today be classified as science fiction. "The Unparalleled Invasion" describes germ warfare against China; "Goliah" revolves around an irresistible energy weapon; "The Shadow and the Flash" is a tale about two brothers who take different routes to achieving invisibility; "A Relic of the Pliocene" is a tall tale about an encounter of a modern-day man with a mammoth. "The Red One" is a late story from a period when London was intrigued by the theories of the psychiatrist and writer Jung. It tells of an island tribe held in thrall by an extraterrestrial object. His dystopian novel, The Iron Heel, meets the contemporary definition of soft science fiction.<Which is?>Template:Citation needed, or it is OR
Novels
Cover of Turtles of Tasman by Jack London
London's most famous novels are The Call of the Wild, White Fang, The Sea-Wolf, The Iron Heel, and Martin Eden.
In a letter dated Dec 27, 1901, London's Macmillan publisher George Platt Brett, Sr. said "he believed Jack's fiction represented 'the very best kind of work' done in America."
Critic Maxwell Geismar called The Call of the Wild "a beautiful prose poem;" editor Franklin Walker said that it "belongs on a shelf with Walden and Huckleberry Finn"; and novelist E.L. Doctorow called it "a mordant parable … his masterpiece."[citation needed]
The historian Dale L. Walker commented:
Jack London was an uncomfortable novelist, that form too long for his natural impatience and the quickness of his mind. His novels, even the best of them, are hugely flawed.
Critics have said his novels are episodic and resemble a linked series of short stories. Walker writes:
The Star Rover, that magnificent experiment, is actually a series of short stories connected by a unifying device … Smoke Bellew is a series of stories bound together in a novel-like form by their reappearing protagonist, Kit Bellew; and John Barleycorn … is a synoptic series of short episodes.
[citation needed]Ambrose Bierce said of The Sea-Wolf that "the great thing—and it is among the greatest of things—is that tremendous creation, Wolf Larsen … the hewing out and setting up of such a figure is enough for a man to do in one lifetime." However, he noted, "The love element, with its absurd suppressions, and impossible proprieties, is awful."[citation needed]
The Iron Heel is interesting as an example of a dystopian novel which anticipates and influenced George Orwell's Nineteen Eighty-Four.[citation needed] London's socialist politics are explicitly on display here.
Nonfiction and autobiographical memoirs
He was commissioned to write The People of the Abyss (1903), an exposé of the slum conditions in which the poor lived in London, the capital of the British Empire.
The Road (1907) is a series of tales of London's hobo days. He tells of tricks which hobos used to evade train crews, and about travels with Kelly's Army. He credits his story-telling skill to the hobo's need to tell tales to coax money and/or meals from sympathetic strangers.
London's autobiographical novel John Barleycorn was published in 1913. Since recommended by the Alcoholics Anonymous organization, it depicts the outward and inward life of an alcoholic. The passages depicting the interior mental state, which he called the "White Logic", are among London's strongest and most evocative writing.[citation needed] The question must be raised: is it truly against alcohol, or a love hymn to alcohol? He makes alcohol sound exciting, dangerous, comradely, glamorous, manly. In the end, he sums up:
And so I pondered my problem. I should not care to revisit all these fair places of the world except in the fashion I visited them before. Glass in hand! There is a magic in the phrase. It means more than all the words in the dictionary can be made to mean. It is a habit of mind to which I have been trained all my life. It is now part of the stuff that composes me. I like the bubbling play of wit, the chesty laughs, the resonant voices of men, when, glass in hand, they shut the grey world outside and prod their brains with the fun and folly of an accelerated pulse.
No, I decided; I shall take my drink on occasion.
London shows strong support to prohibit alcohol from civilized society, as if it were the culmination of social progress. He consistently blames his problem as the manifestation of alcohol's ubiquitous availability and of the social establishments which provide it. He provides imagery of John Barleycorn as a well which should be covered up, lest children fall into its dangerous depths.
Joseph Noel (who wrote a memoir with an unflattering portrayal of London) quotes a friend of London's as saying:
Jack has a right to put out as his life story anything he likes, but he lays himself open to just criticism to those who know, when he draws on his imagination for his facts. If he is writing fiction, as in Martin Eden, that is all right... This John Barleycorn of his, however, is not disguised. It is put out as fact. It tells who Jack London is, and of his bouts with liquor, and his reactions. Nearly every line of it provokes thought, but the incidents in many cases are untrue. I know them to be untrue. They are like spurious coins found in a cash drawer supposed to contain good money.
The Cruise of the Snark (1911) is a memoir of London's 1907-1909 voyage across the Pacific. In 1906, he began to build a 45-foot (14 m) yacht on which he planned a round-the-world voyage, to last seven years. After many delays, Jack and Charmian London and a small crew sailed out of San Francisco Bay on April 23, 1907 bound for the South Pacific. His descriptions of "surf-riding", which he dubbed a "royal sport", helped introduce it to and popularize it on the mainland. They encountered danger on their long sailing trip in the South Seas.
Apocrypha
Jack London Credo
London's literary executor, Irving Shepard, quoted a "Jack London Credo" in an introduction to a 1956 collection of London stories:
I would rather be ashes than dust!
I would rather that my spark should burn out in a brilliant blaze than it should be stifled by dry-rot.
I would rather be a superb meteor, every atom of me in magnificent glow, than a sleepy and permanent planet.
The function of man is to live, not to exist.
I shall not waste my days trying to prolong them.
I shall use my time.
The biographer Stasz notes that the passage "has many marks of London's style" but the only line that could be safely attributed to London was the first. The words Shepard quoted were from a story in the San Francisco Bulletin, December 2, 1916 by journalist Ernest J. Hopkins, who visited the ranch just weeks before London's death. Stasz notes "Even more so than today journalists' quotes were unreliable or even sheer inventions" and says no direct source in London's writings has been found.
The Scab
Main article: Strikebreaker
A short diatribe on "The Scab" is often quoted within the U.S. labor movement and frequently attributed to London. It opens:
After God had finished the rattlesnake, the toad, and the vampire, he had some awful substance left with which he made a scab. A scab is a two-legged animal with a corkscrew soul, a water brain, a combination backbone of jelly and glue. Where others have hearts, he carries a tumor of rotten principles. When a scab comes down the street, men turn their backs and Angels weep in Heaven, and the Devil shuts the gates of hell to keep him out...."
This passage figured in a 1974 Supreme Court case, in which Justice Thurgood Marshall quoted the passage in full and referred to it as "a well-known piece of trade union literature, generally attributed to author Jack London." A union newsletter had published a "list of scabs," which was granted to be factual and therefore not libelous, but then went on to quote the passage as the "definition of a scab." The case turned on the question of whether the "definition" was defamatory. The court ruled that "Jack London's... 'definition of a scab' is merely rhetorical hyperbole, a lusty and imaginative expression of the contempt felt by union members towards those who refuse to join," and as such was not libelous and was protected under the First Amendment.
The passage does not seem to appear in London's published work. He once gave a speech entitled "The Scab" which he published in his book The War of the Classes, but this speech contains nothing similar to the "corkscrew soul" quotation and is completely different from it in content, style, and tone. Generally London did not use demotic language in his writing except in dialogue spoken by his characters.
In 1913 and 1914, a number of newspapers printed a passage virtually identical to the first three sentences of the "scab" diatribe, except that the type of individual being vilified varies: God uses the awful substance to make, not a "scab," but a "knocker," or a "stool pigeon," or a "scandal monger." None of these sources name any author.
A 1913 Fort Worth newspaper columnist quotes the "Rule Review" as saying "After God had finished making the rattlesnake, the toad and the vampire, He had some awful substance left, with which he made the knocker." A Macon, Georgia paper published three full sentences of the definition of a "knocker."
A 1914 Duluth newspaper article, reporting on a trial, has the defense using this passage as a definition of a "stool pigeon."
In 1914 the New Age Magazine, quoted a paragraph from The Eastern Star, another Masonic publication. This passage, too, is virtually identical to the first three sentences of the "Scab" diatribe, except that it defines the "scandal monger."
Might is Right
Anton LaVey's Church of Satan claims that "Ragnar Redbeard", pseudonymous author of the 1896 book Might is Right, was London. No London biographers mention any such possibility. Rodger Jacobs published an essay ridiculing this theory, arguing that in 1896 London was unfamiliar with philosophers heavily cited by "Redbeard", such as Nietzsche, and had not even begun to develop his mature literary style.
B. Traven
The enigmatic novelist B. Traven, best known in the U. S. as the author of The Death Ship (1926) and The Treasure of the Sierra Madre (1927), was hailed as "the German Jack London".
Traven kept his identity secret during his life. Almost every commentator on Traven mentions in passing a fanciful speculation that Traven actually was London. It is not clear whether this suggestion was ever made seriously. No London biographer has even bothered to mention it. Any serious assertion that London authored Traven's best-known novels would need to reconcile their publication dates with London's death certificate which states that London died in 1916. Supporters of this theory suggest that London only pretended to have died.
The identification of Traven with London is one of many such speculations - another unlikely one being Ambrose Bierce. In a 1990 interview Traven's widow identified Traven as Ret Marut, a left-wing revolutionary in Germany during World War I.
Bibliography
Source
Novels
* The Cruise of the Dazzler (1902)
* A Daughter of the Snows (1902)
* The Call of the Wild (1903)
* The Kempton-Wace Letters (1903)
(published anonymously, co-authored with Anna Strunsky)
* The Sea-Wolf (1904)
* The Game (1905)
* White Fang (1906)
* The Iron Heel (1908)
* Martin Eden (1909)
* Burning Daylight (1910)
* Lost Face (1910)
* Adventure (1911)
* The Scarlet Plague (1912)
* A Son of the Sun (1912)
* The Abysmal Brute (1913)
* The Valley of the Moon (1913)
* The Mutiny of the Elsinore (1914)
* The Star Rover (1915)
(published in England as The Jacket)
* The Little Lady of the Big House (1916)
* Jerry of the Islands (1917)
* Michael, Brother of Jerry (1917)
* Hearts of Three (1920)
(novelization of a movie script by Charles Goddard)
* The Assassination Bureau, Ltd (1963)
(left half-finished, completed by Robert L. Fish)
Short story collections
* Son of the Wolf (1900)
* Children of the Frost (1902)
* Tales of the Fish Patrol (1906)
* South Sea Tales (1911)
* The House of Pride & Other Tales of Hawaii (1912)
* Smoke Bellew (1912)
* The Turtles of Tasman (1916)
* On the Makaloa Mat (1919)
Autobiographical memoirs
* The Road at Project Gutenberg (1907)
* John Barleycorn (etext) at Project Gutenberg (1913)
Nonfiction and essays
* The People of the Abyss (1903)
* Revolution, and other Essays (1910)
* The Cruise of the Snark (1911)
Short stories
* "A Curious Fragment" (1908)
* "A Piece of Steak" (1909)
* "A Relic of the Pliocene" (1901)
* "A Thousand Deaths" (1899)
* "An Odyssey of the North" (1900)
* "All Gold Canyon" (1905)
* "Aloha Oe" (1908)
* "Diable—A Dog" (1902), renamed Bâtard in 1904
* "Before Adam" (1907)
* "By The Turtles of Tasman"
* "Even unto Death" (1900)
* "Goliah" (1910)
* "Good-by, Jack" (1909)
* "In a Far Country" (1899)
* "In the Forests of the North" (1902)
* "Keesh, Son of Keesh" (1902)
* "Love of Life" (1905)
* "Moon-Face" (1902)
* "Negore the Coward" (1904)
* "Samuel" (1909)
* "South of the Slot" (1909)
* "That Spot" (1908)
* "The Apostate" (1906)
* "The Chinago" (1909)
* "The Death of Ligoun" (1902)
* "The Dream of Debs" (1909)
* "The Dominant Primordial Beast" (1903)
* "The Enemy of All the World" (1908)
* "The God of His Fathers" (1901)
* "The Heathen" (1908)
* "The King of Mazy May" (1899)
* "The Law of Life" (1901)
* "The Leopard Man's Story" (1903)
* "The Madness of John Harned"
* "The Man With the Gash" (1900)
* "The Mexican" (1911)
* "The Minions of Midas" (1901)
* "The One Thousand Dozen" (1903)
* "The Red One" (1918)
* "The Rejuvenation of Major Rathbone" (1899)
* "The Scarlet Plague" (1912)
* "The Seed of McCoy" (1909)
* "The Shadow and the Flash" (1903)
* "The Strength of the Strong" (1911)
* "The Sun-Dog Trail" (1905)
* "The Unparalleled Invasion" (1910)
* "The White Silence" (1899)
* "To Build a Fire" (1902, revised 1908)
* "Told in the Drooling Ward" (1910)
* "To the Man on Trail" (1898)
* "War" (1911)
* "When the World was Young" (1910)
* "Who Believes in Ghosts!" (1895)
Plays
* Theft (1910)
* Daughters of the Rich: A One Act Play (1915)
* The Acorn Planter: a California Forest Play (1916)
Legacy and honors
* Mount London, also known as Boundary Peak 100, on the Alaska-British Columbia boundary, in the Boundary Ranges of the Coast Mountains of British Columbia, is named for him.
* A leftist artists' club in Newark, New Jersey, was named after him.
* Jack London Square on the waterfront of Oakland, California was named for him.
* He was honored by the United States Postal Service with a 25¢ Great Americans series postage stamp.