首页>> 文学论坛>> 现实百态>> 杰克·伦敦 Jack London   美国 United States   一战中崛起   (1876年1月12日1916年11月22日)
野性的呼唤 The Call of the Wild
  《野性的呼唤》,又名《荒野的呼唤》 (TheCalloftheWild)是作家杰克·伦敦于1903年发表的著名小说。故事叙述一名叫巴克的狗历经磨难,最终回到自然的野生环境的故事。小说十分畅销,后被多次改编成电影。
  
  整个故事以阿拉斯加淘金热为背景,讲述了在北方险恶的环境下,巴克为了生存,如何从一条驯化的南方狗发展到似狗非狗、似狼非狼的野蛮状态的过程。巴克是一条硕大无比的杂交狗,它被人从南方主人家偷出来并卖掉,几经周折后开始踏上淘金的道路,成为一条拉雪橇的苦役犬。在残酷的驯服过程中,它意识到了公正与自然的法则;恶劣的生存环境让它懂得了狡猾与欺诈,后来它自己将狡猾与欺诈发挥到了让人望尘莫及的地步。经过残酷的、你死我活的斗争,它最后终于确立了领头狗的地位。在艰辛的拉雪橇途中,主人几经调换,巴克与最后的一位主人桑顿结下了难分难舍的深情厚谊。这位主人曾将他从极端繁重的苦役中解救出来,而它又多次营救了它的主人。最后,在它热爱的主人惨遭不幸后,它便走向了荒野,响应它这一路上多次聆听到的、非常向往的那种野性的呼唤,并且成为了狼群之首。
  
  虽然巴克只是一条狗,但是它艰苦卓绝的生存道路,反映了作家所生活的时代中的个人奋斗的真谛。这也是当时处于尔虞我诈的资本主义发展时期的美国社会所盛行的自然主义思潮的一种反映。它反映了达尔文的自然环境下“适者生存”的自然选择思想以及斯宾塞的社会进化论中的社会选择观。作者向我们揭示,在生存的道路上,在险恶的自然与社会环境下,只有精英与超人(如小说中的巴克那样的物种)才有生存的可能。
  《野性的呼唤》-作者简介
  
  《野性的呼唤》杰克·伦敦
  杰克·伦敦(JackLondon1876-1916),是二十世纪初美国著名的现实主义作家。他生于旧金山一个贫苦的农民家庭。从小参加体力劳动,受尽生活的折磨。十岁时,他一边读书,一边卖报,每天早晨三点钟就起床分送报纸。后来,他又做过童工、工人和水手,也当过劫取牡蛎的“蚝贼”。1893年美国发生了严重的经济危机,杰克·伦敦参加了失业工人大军组织的“饥饿进军”,一度沦为以乞讨为生的流浪汉,曾以“无业游民”的罪名被捕。1897年,他怀着巨大的希望到北方阿拉斯加地区去淘金,结果一粒金子也没有淘到,却得了坏血症,于次年两手空空地回到家中。此后,他开始了文学创作的生涯,并于1900年发表通称为“北方故事”的系列小说。
  
  来自社会底层的杰克·伦敦对生活在“资本主义文明的垃圾堆上”的悲惨处境有着深切的体会。他在十六年创作生涯中留下了近50部著作,其中长篇小说 19部。 《深渊中的人们》 、 《马丁·伊登》 、 《铁蹄》等优秀的现实主义作品对当时社会的黑暗面作了深刻的批判,具有相当的感染力。小说《荒野的呼唤》、 《热爱生命》等则充满了生命意志的力量和野性的美。成名后的杰克·伦敦追求物质享受,四十岁时在精神极度空虚和悲观失望中自杀身亡。
  《野性的呼唤》-作品思想
  
  现实主义与浪漫主义完美结合
  
  (1)浪漫主义情结
  
  英国浪漫主义诗人柯勒律治曾经谈到一段形象的比喻:“良知是诗才的躯体,幻想是他的衣衫,想象则是他的灵魂,无所不在,贯穿一切,把一切塑成一个有风姿、有意义的整体。”他认为,幻觉是一种记忆中的联想,是一种“聚集和联合能力”,而想象是一种创造,具体表现就是使现实的理想化、客观的主观化和概念的形象化,离开它就不可能把对立的不协调的东西塑造成统一的艺术形象。
  
  《野性的呼唤》特别注重想象和幻觉描写,我们从中不难发现作者有意或无意透露出的浪漫主义情结。
  
  A:把狗作为写作对象就体现了作者天才的想象力和丰富的才情。
  
  B:标题“野性的呼唤”非常的抒情,给人无尽的想象。文中对荒野的描写如“北极光冷冷的在头顶上照耀着,有时繁星在舞蹈中跳动,而大地在冰雪覆盖之下在严寒下麻木了和冻结了。”等等,抒情非常浓郁,语言达到非常优美的境界。
  
  C:书中所体现的浪漫主义并非一般意义上的直抒胸臆,而是同现实主义相结合。有人因此把作者称为“热情奔放的现实主义作家”。
  
  (2)现实主义
  
  A:巴克自身的性格特征。“性格决定命运”,小说开头就提到巴克是“王”,巴克骨子里充满狼性,坚忍不拔,富有强烈的抗争精神,是适者生存的强者。
  
  B:现实的残酷性。巴克勇猛剽悍,阴险狡诈,却又对恩人万分感激,使它身上集中体现了现实生活中的各种矛盾。
  
  (二)文本中体现着不同的哲学思想
  
  (1)马克思的社会主义学说。巴克所学的第一课就是“棍棒的规律”:任何的反抗只能遭到无情的镇压。在棍棒之下,巴克忍受了各种虐待。在这里,我们可以看到马克思主义对作者的影响:无产者受到残酷的剥削和沉重的压迫,而维护这种剥削压迫的,则是棍棒——社会权利机构的象征。
  
  (2)达尔文的进化论。巴克在北国迅速适应环境的过程其实就是“物竞天择,适者生存”的赞歌。(物种起着非常重要的作用)
  
  (3)斯宾塞的社会达尔文主义。小说的地点选在加拿大北部和阿拉斯加靠近北极的冰雪世界,其环境极其险恶。荒野没有和平,生命和肉体随时随刻都处在危险之中。在这样的地理环境中使强者生存成为不可回避的现实。而在那里,任何为生存进行努力的手段和行为都是合乎情理的,斯文、高洁、谦让则都是弱者的表现。
  
  (4)尼采的“超人”哲学。巴克可以拉动千磅重物,一旦起来报复邪恶时,可以把一群印第安人打得狼狈逃窜。在这里作者暗示了被压迫者无比巨大的反抗力量。巴克最后也确实以勇敢和聪明,赢得了狼群中的领袖地位。作者有意强调个人的作用和力量,显然是受了尼采“超人”哲学思想的影响。他的“超人”情结正是他思想深处矛盾的体现。
  
  (三)“异化”折磨的悲怆
  
  陀斯妥耶夫斯基:森林中的生活尽管贫苦可怕,但却自由自在得很,充满着冒险的事业,它有一种令人向往的东西,有一种神秘的诱惑力。
  
  卡尔·桑得伯格:“深埋在人类灵魂深处的,令人捉摸不透的奇特主题之一的研究”:我们的文明程度越高,我们的恐惧就越深,担心我们在文明过程中抛弃了在蛮荒时代属于美,属于生活之乐的东西。
  
  杰克·伦敦:“我的故事有双重性质,表面上是一个简单的故事,任何一个孩子都能读懂——尽是情节、变化和色彩。那下面的才是真正的故事,有哲理,很复杂,充满含义。”
  
  作者塑造巴克这一形象是否也表达了自己心中对被异化的人类文明的悲哀与失望呢?人类在文明进步与自身进化的同时,离自己的纯朴本性也越来越远,那荒野的呼唤也越来越让人感到陌生;而那种升华的、纯朴的自然本能——对自然的爱与向往,对祖先的回忆与召唤,对冥冥之中美好意愿的期守却渐渐被陷入纷争与矛盾中的人类所淡忘。
  
  《野性的呼唤》毕竟是一部带有浓厚浪漫主义色彩的作品,表面上浮动着作者对自然的无限向往,而深层中却是人不得不陷入自己挖掘的陷阱的悲歌。巴克挣脱最后一点羁绊奔入荒野时,我们隐约意识到只有它才能真正追随那神秘的呼唤。而被日益异化的人类,或许只能在自造的炼狱中永行轮回,担负着困苦与磨难,追求着永恒与爱情,面对着生命与死亡,以及承载着希望与失望的无休纠结。
  
  (四)小说中的死亡意识
  
  希腊哲学家苏格拉底:人活在这个世界上就是准备死亡,练习死亡,因为死亡能够使我们的身体消失,而生命的本质(灵魂)由此摆脱物质世界的牵绊,不会再有各种欲望,妨碍真正的自由了。可见,死亡意识与生命意识是密不可分的。
  
  在杰克·伦敦的作品中,伴随死亡而来的不是眼泪,乞求,而是尊严;死亡也不是阴森森的,而是冷静、清醒的。他的小说的死亡意识主要表现在抗拒死亡的威胁、寻求有尊严的死亡、遵循死亡的自然规律等方面,这也正是他热爱生命,礼赞生命的独特方式。《野性的呼唤》中那些雪橇狗寻求死亡的方式(非常有尊严且高贵)以及巴克最终选择了荒野而不是被异化的人类文明社会,表明了这一点。
  
  作者正是因为有着强烈的而清醒的死亡意识,所以他笔下的主人公对生命有着出自本能的热爱,对死亡有着源自本能的反抗。其实对死亡的恐惧,对死亡的抗争,从另一个角度讲也是对生命的热爱。而只有意识到人类作为生命个体的存在终有一天要被死亡终结这一悲剧性的事实,人们才会倍加珍惜和热爱生命过程中的每一个瞬间。
  
  (五)容格集体无意识学说在文本中的体现
  
  美国著名诗人卡尔·桑德伯格:《野性的呼唤》是一部有史以来最伟大的狗的故事,同时也是对人类灵魂最深处那奇异而又捉摸不定的动机的探讨。我们越是变得更加文明,就越是感到恐惧——因远古时期人本来就具有的某种美好的东西及生命的欢乐已经丧失殆尽而产生的恐惧。
  
  美国最著名的杰克·伦敦专家厄尔·莱柏:杰克·伦敦的主人公巴克就是读者自性的投影,这个自性永恒地寻求着心理的整合,这个过程就是个性化过程。
  
  容格:集体无意识似乎不可能是个别的,而是象一条永不停息的河流,或许也象是一大群出现在我们梦中,或在不正常的心理状态下涌入意识里来的形象和人物。
  
  作为集体无意识中最重要的一种原始意象的自性是容格用来象征对完整人格的追求以达到自我实现的:它是人格的开端、源泉和最终目的。是个人成长的顶点,即自我实现。
  
  《野性的呼唤》中巴克头一次倾听来自它心灵深处的集体无意识的呼唤是在它被偷着拐卖到阿拉斯加拉雪橇后的一个极其寒冷的寒夜。“……在寂静的寒夜里,当它扬起鼻子对着星星象狼一般发出长嗥时,也正是那些早已化为泥土的祖先们把鼻子对着星星的嗥叫,那嗥叫传过千百年传到了他身上。他的腔调也正是祖先们的腔调,这些腔调表达了他们的悲哀,而且对他们来是,这也意味着寂静、寒冷和黑暗。这是,这古老的悲歌在他体内涌动,象征着生命不过是一种听凭摆布的傀儡,他又返本归真了。”这段文字我们完全可以看作是容格集体无意识思想在此文本中的体现。作者那带有自然主义色彩的运笔画龙点睛般地道出了巴克身处萧杀严酷的寂静雪野时所特有的心理状态。
  
  桑顿的出现不可避免地影响可巴克的自性化进程。他使巴克陷入了意识与无意识抗争的旋涡之中。闲暇之余,当它“蹲在约翰·桑顿的火堆边时,他是一条有宽阔的胸脯,长着白牙和长毛的狗;而他身后却映衬着各色狗、半狼半狗和野狼的影子,催促着他、激励着他……和他一道嗅风、一道聆听,给他讲森林中野兽发出的声音,支配着他的情绪,指导着他的行动,和他一道入睡,一起做梦,而且超然身外,成为他梦到的内容。这影子的召唤是这样的不可抗拒,使得人类和人类的要求一天天从他身上远去。……然而,……对桑顿的爱就会重新把它拉回到火堆边。”在这里,意识与无意识的相互争夺使巴克陷入了极度矛盾的状态。象征人类文明的“火堆”与象征集体无意识的“影子的召唤”以同样强大的力量作用与巴克的心灵。根据容格的观点,精神意义上的新生命可由此种痛苦而又艰难的心理矛盾抗争中诞生。然而这种紧张的局势很快就瓦解了,因为桑顿的死,巴克心中对文明社会的唯一牵挂没有了,使它决然地奔赴荒原。也就是说集体无意识最终在巴克的生命中占据了主导地位。
  
  巴克凭着强大的生命意志做了森林里的狼群之首。“……他跑到狼群之首,巨人似的高高跃起在同伴们之上,他的大嗓门高声嗥叫,唱出一曲年轻世界的歌,那便是狼群之歌”。在森林里,在那超越时空的神话般的最原始的地方,自性引导巴克完成了它的自我实现——也就是厄尔·莱柏所说的“读者自性的投影”。
  
  尼采《悲剧的诞生》 :当天才在艺术创作过程中与上述世界原始艺术家站在一道,他才有可能透析艺术的永恒本质,因为此时他已以一种奇妙的方式,就像那童话故事中怪诞的图画一样可以随意翻转自己的眼睛看着他自己:他(指艺术家)此时既是主体又是客体,既是诗人、演员又是观众。
  
  补充:在某种情况下,蕴藏在心灵深处的集体无意识可以操纵人,而此时人只是它要表达的一个载体而已。像海子、戈麦的自杀,以伍尔芙的小说《达洛卫夫人》为原型而改编的电影《时时刻刻》中的小说家、诗人的苦闷、自杀等等……透过这些悲剧,你可以看到隐藏在人类心灵深处的集体无意识。
  《野性的呼唤》-艺术价值
  
  
  (一)巴克的多重性格分析
  
  (1)富有抗争精神,适者生存的强者
  
  A:坚忍不拔的抗争精神。养尊处优(法官家)——听命棍棒法则却并未被驯服(面对训狗人)——勇猛狡诈(打败原来的领头狗)——预知危险时宁死不屈(去道森的旅途上)。
  
  B:勇猛强壮,适应能力强。在第二章中,为躲避严寒,巴克学会了挖雪洞栖身,为填饱肚子甚至学会了偷盗。正如作者所描述的一样,这次偷盗行为就显示了巴克适宜于在充满敌意的北国环境里活命。这显示了他的适应性以及适应变幻无常环境的能力。
  
  例子:巴克成功夺取了领头狗的位置后,统领的雪橇狗队屡次破记录美名远扬,成为伊哈特人谈之色变的“狗妖”,它能拉动在雪地里载有半吨重面粉的雪橇,能用四天的时间拖垮比他重近十倍的麋鹿,能穿越陌生的荒野却从不迷失方向。“方向之准确,足以让人类人他们的指南针感到脸红。”
  
  (2)对新生活的向往者和渴望者
  
  巴克从阳光明媚的南方来到了冰天雪地的北方,投入了远离人类文明的原始荒原。它很快适应了北国富于挑战性的生活并且喜欢上了那里。书中描述它追逐雪兔的一幕写得异常精彩,充满了力量和生气。“巴克的身体紧檫着雪地,急切地呜叫着,优美的身躯在苍白的月光下闪电一般向前跳跃……它率领狗群,发出古老的狼嗥……它被生命的汹涌、生存的潮汐所左右;每一块肌肉,每一条肌腱,都被那种完美无缺的快乐支配了。那阵快乐是建立在除死亡之外的一切事情之上的,它散发出光芒,滋生壮大,在动态中体现出来,在繁星下欢跃飞奔,在静止的死亡面具上舞蹈。”这种自然界生命的追逐是那么的自然和壮观,体现了个体的智慧和能力,是一种健康向上的精神,令人为生命的激动而感动。因此,桑顿死后,巴克就毫不犹豫地响应了森林里新生活的召唤,回到充满神秘与冒险的自由的丛林,这体现了它对新生活的向往。
  
  (3)凶残狡诈的统治者
  
  巴克的狗性在书中得到了淋漓尽致的刻画。它不仅勇猛、凶残,而且狡猾奸诈。它想象力丰富,善于耍心眼,施诡计,为达到目的不择手段。它极具领导才能(打败原来的领头狗斯匹兹,对以后的狗群进行整顿,并且由他率领的狗队多次破记录),一方面体现其反对压迫的抗争精神(与作者反对资本主义压迫同出一辙);另一方面体现尼采的超人哲学。
  
  (4)充满爱意,富有激情的献身者
  
  当桑顿把它从棍棒中救出来,并像孩子般照料它时,它表现出对桑顿义不容辞的责任和爱以及忠诚(在桑顿的试探下跳悬崖;在酒吧里把打桑顿的伯顿的喉咙咬破;多次跳入急流救桑顿;在雪地里为桑顿拖动半吨重的雪橇;桑顿死后为其报仇然后彻底奔向荒原)。
  
  二)主题的多重性
  
  (1)回归自然
  
  A:小说开篇的几句诗,浓缩了整部作品,预示了狗主人公因长期饱受奴役与束缚,将觉醒并复萌野性的本性,回归自然,自由地漫游荒野。
  
  B:故事情节中运用大量的笔墨描写美国北部冰天雪地的原始荒野,并安排巴克最终响应荒野的呼唤回归荒野,充分体现了作品“回归自然”的思想。
  
  
  (2)强者生存原则
  
  巴克作为强者得以生存的形象,深刻地反映了作家受达尔文“适者生存”理论以及尼采超人哲学的影响。(适者形象:迅速适应环境的能力;强者形象:开篇巴克就以统治者的形象出现,到北国后又以非凡的智慧和才干取得领头狗的位置,和表示对桑顿的爱时所表现出来的巨大的力量,这些都无一例外地表明了巴克是一个强者。)
  
  (3)社会生活的折射
  
  这部小说在某种程度上再现了美国历史上的克朗代克淘金热。作者本人于1897年也加入了淘金热,其独特的经历为他的创作积累了丰厚真实的素材。书中的诸多地名都是真名实地。巴克的原型也来自作家1898年冬天在道上结识的朋友邦德兄弟的狗,而邦德兄弟的父亲邦德法官的庄园则成了小说里米勒法官的庄园,作者在1903年12月给马歇尔·邦德的信中也承认了此事。细心的读者不难发现,主人公巴克和它的伙伴们再现了北国雪橇狗的生活与故事。作者在描写巴克时,赋予了它与人相同的情感和品质:它懂自尊,知道害羞,聪明有悟性,善于谋略且想象力丰富。喜欢做梦,有幻觉,感情丰富并且非常怀旧,忠诚勇敢,爱憎分明,不畏强暴,为自由、为报恩视死如归。显而易见,作家在描写狗的生活时,是以人的眼光去观察,以人的心理去揣摩,以人的情感去理解,无不带有作家自己生活经历的影子和对生活的理解与体验。
  
  (4)抗争精神
  
  小说里充满了斗争。为了生存,巴克一直与恶劣的自然环境作斗争。作为外来户备受欺凌,却勇敢地投入数不胜数、血淋淋的拼杀:与饥饿的爱斯基摩狗之间的撕杀,狗队内部间的斗殴,与斯匹兹争夺领导权的生死决战,加入狼群时与狼群的恶战。巴克逐渐从弱到强,从强到同类之冠,它不畏强暴、百折不挠的抗争精神在与训狗为乐的“穿红汗衫的人”和残暴的“哈尔”的斗争中得到了最生动的刻画。美国的评论家玛丽·艾伦(MaryAllen)甚至将巴克称作“典型的美国拓荒英雄”。
  
  (5)人道主义精神
  
  作者不仅反对人与人之间,而且反对人与动物之间以强权为基础的关系。他许多描写动物的中、短篇小说都反映了真正的人道主义的思想,蕴含着人与动物的深情。在《野性的呼唤》中,我们发现狗与人之间关系的变化是随着人对待狗的态度的变化而贯穿整个故事始终的。但综观巴克的一生,它自始至终都没有得到过人类平等的尊重和爱。作家正是通过狗来关照人类的生活和行为,通过人对狗的善恶来揭示人性的美丑。作品表面是动物的悲鸣,实质是人性的呼喊,蕴含着人与动物之间的深情。
  
  这部小说主题的多重性使作品的意义深邃丰富,耐人寻味。它能让读者欣赏到动物的可爱,动物与人之间的深情,又可以品味社会的黑暗,人性的复杂,领略其深刻的思想内涵和不朽的艺术魅力。
  
  (三)多重的叙事视角
  
  叙事角度指作者在叙述一个故事时确立的一种视角。作者总是通过一定的角度向读者展示其虚构作品中构成故事叙事成分的人物、情节、背景和事件。传统理论中对叙述类型的分类大体上分为第三人称叙事体和第一人称叙事体两大类。第三人称叙述体又分为全知全能叙事角度和有限叙事角度。
  
  《野性的呼唤》中作者采用第三人称全知全能的叙事角度来讲述故事,但是不同的是故事有时是从外界来讲述,有时又是通过小说的主人公巴克的眼睛来看世界。在小说第一章中的背景描写就是从外部以一个全知全能的角度来叙述;然而其后的场景中作者又转变了叙事角度,故事又不时地从巴克的视角被讲述。举例阐述……
  
  从上面的分析可以看出《野性的呼唤》中作者所采用的叙事方法就是第三人称配以全知全能的和有限度的讲述视角。
  
  (四)隐喻的世界,象征的艺术手法。
  
  作者笔下的阿拉斯加白雪皑皑,荒野广袤而寂静。“严寒仿佛冻结了大自然的心脏”,“在零下六十五度的气温里,一个人只要在雪里多躺几分钟,就活不了。”然而,这片荒野却有着丰富的意蕴。
  
  (1)象征神圣和威严。北国的荒野,除了极度的严寒,还有一种严酷的、不可侵犯的、超人力甚至超其他自然力(如浪潮、风暴、地震)的神圣和威力。
  
  (2)象征公正。寂静的雪野对任何生命无时无刻都是一场最严峻的生死考验,它很严厉,毫不留情,但很公正。它对一切都铁石心肠,无动于衷;对于人的冒险行为既不帮助也不阻止。但只要稍微违反自然法则,就会统统受到最严厉的制裁。作者生活在资本主义残酷剥削的年代,这也反映了他渴望公正和平等的生活理想。
  
  (3)象征道德感化的力量。作者暗示人们:一方面,一切想要达到道德上的净化、永恒的人,都必须经过北国雪野这种特殊的灵魂洗礼;一方面这里的道德净化似乎又不那么彻底——人人相助的内心本源只是一种生存本能与外界的临时契约。“在北方,诚实是最宝贵的品德。”作者写道,当人们远离北方的荒原来到人声嘈杂的居住地和南方的草原,人们又恢复了恶的本性,北国的洗礼就像冰雪一样融化殆尽。显然,作者在告诉人们:只有北国的荒野才是人们灵魂净化的圣地,这表现出作者对道德的严肃思考。
  
  作者在文中向我们展示了极大的想象空间:荒野,总是充满金子般的诱惑力。作者在这部小说中成功地运用了隐喻的表现手法,其象征的深刻性与宗教性总以让接近这一文本的每一个人着迷。他不仅以狗喻人揭露了深刻的社会主题和人性主题,而且他的作品中始终弥漫着一种宗教气息。领头狗巴克在狼群的呼唤下回归自然与原始,从狗变成狼,表现出一种原始宗教的感召力量。他的象征并不满足于象征所带来的意象、比喻、暗示、讽刺、警示等意义与功能,而是通过透视一组有机联系的象征使人生主题的内涵再现。他将种种象征写得真切形象,令人感动,极具震撼力。例如“幻想——破灭——再幻想”模式。总之,《野性的呼唤》中有我们感受不尽的奇特风景,有我们探索不完的“象征”奥秘。
  
  (五)史诗般的语言
  
  《野性的呼唤》中激荡人心的震撼力是通过其史诗般的语言实现的。语言是任何一类文本的表现载体。因此,语言的把握极其重要。一部作品能不能吸引读者的眼光,首先取决于它的语言。精美的语言能让读者在未深入作品时提前获得一种直觉的审美愉悦。在这部小说中,作者运用了大量笔墨描写了北国的雪野,特别是巴克响应狼嗥奔走丛林的描写,极具神秘感,且充满力美和野性美。其描写场面之恢宏、空旷与激荡,给人心灵以强烈的震撼。例如写巴克和原来的领头狗决斗的一段:“他们兜这圈子,两耳直竖,互相嗥叫着,寻找出击的时机。巴克感到眼前的情景很熟悉,恍惚想起了一切——白色的树林,白色的大地,白色的月光和喋血浴血的恶战。在一片白色中笼罩着可怕的平静。空气死了一般凝固——一切都停止了运动,连树叶都一动不动。”……等等,诸如此类的句子文中还有很多很多。
  《野性的呼唤》-作品启示
  
  
  (1)多元叙事的运用。小说人物性格的多重,主题的多重以及叙事角度的多重等。这样可以使文本的内涵更加丰富,更具有探究价值。
  
  (2)语言的借鉴。我们在写作的过程中应该注意语言的运用,像这部小说中的很多语段你既可以把它当诗歌看,也可以把它当散文看,当然也可以看成小说中极其重要的环境描写。最好的语言能够引起读者心灵的震撼。
  
  (3)潜能的挖掘。巴克响应荒野的召唤的过程实际上也是他不断挖掘自身潜能的过程。我们可以由此思考自身潜能的挖掘。
  
  (4)顽强的生命意志。在激烈的生存竞争中如何做一个强者以及迅速适应环境的能力。
  
  (5)狼性生存法则。领导能力、团队作战能力以及智谋的运用。
  《野性的呼唤》-银屏再现
  
  
  TheCalloftheWild
  
  简体中文名:野性的呼唤
  
  导演:WilliamA.Wellman
  
  主演:ClarkGable/LorettaYoung/JackOakie
  
  上映年度:1935
  
  语言:英语
  
  制片国家/地区:美国
  
  剧情简介:《野性的呼唤》是杰克·伦敦最负盛名的小说。故事主要叙述一只强壮勇猛的狼狗巴克从人类文明社会回到狼群原始生活的过程。巴克是一头体重140磅的十分强壮的狗。他本来在一个大法官家里过着优裕的生活,后来被法官的园丁偷走,辗转卖给邮局,又被送到阿拉斯加严寒地区去拉运送邮件的雪橇。巴克最初被卖给两个法裔加拿大人。这些被买来的狗不仅受到了冷酷的人类的虐待,而且在狗之间为了争夺狗群的领导权,也无时不在互相争斗、残杀。由于体力超群、机智勇敢,巴克最终打败斯比茨成为狗群的领队狗。他先后换过几个主人,最后被约翰·索顿收留。那是在巴克被残暴的主人哈尔打得遍体鳞伤、奄奄一息时,索顿救了他,并悉心为他疗伤。在索顿的精心护理下巴克恢复得很快,由此他们之间产生了真挚的感情。巴克对索顿非常忠诚,他两次不顾生命危险救了索顿的命,并在索顿和别人打赌时,拼命把一个载有一千磅盐的雪橇拉动,为索顿赢了一大笔钱。不幸的是,在淘金的过程中,索顿被印第安人杀死。狂怒之下,巴克咬死了几个印第安人,为主人报了仇。这时恩主已死,他觉得对这个人类社会已无所留恋。况且,一段时期以来,荒野中总回荡着一个神秘的呼唤声。这个声音吸引着他。最终,他回应着这个声音,进入森林,从此与狼为伍,过着原始动物的生活。但他不忘旧谊,仍然定期到主人的葬身之处去凭吊。
  
  精彩视点:这是一部根据美国著名自然主义小说家杰克·伦敦的探险小说《野性的呼唤》改编的电影。主要叙述一只强壮勇猛的狼狗巴克从人类文明社会回到狼群原始生活的过程。在此过程中,巴克表现出的极强的适应性正是电影的主题.影片主要通过巴克的视角来描写和透视世界,叙事方法独特,具有很强的视觉冲击力。本片深受动物爱好者、尤其是狗的爱好者的推崇和喜爱,当年在美国创下了较高的票房收入,使本片的制片公司在几年后又投资拍摄了它的续集。另外,本片的男主角是美国着名的个性帅哥鲁特格尔·豪尔,相信他娴熟的演技定不会让广大观众失望。


  The Call of the Wild is a novel by American writer Jack London. The plot concerns a previously domesticated dog named Buck, whose primordial instincts return after a series of events leads to his serving as a sled dog in the Yukon during the 19th-century Klondike Gold Rush, in which sled dogs were bought at generous prices.
  
  Published in 1903, The Call of the Wild is London's most-read book, and it is generally considered his best, the masterpiece of his so-called "early period". Because the protagonist is a dog, it is sometimes classified as a juvenile novel, suitable for children, but it is dark in tone and contains numerous scenes of cruelty and violence. London followed the book in 1906 with White Fang, a companion novel[citation needed] with many similar plot elements and themes as Call of the Wild, although following a mirror image plot in which a wild wolf becomes civilized by a mining expert from San Francisco named Weedon Scott. The Yeehat, a group of Alaska Natives portrayed in the novel, are a fiction of London's.
  
  Plot
  
  Buck is a dog who leads a comfortable life in a California ranch home with his owner, a judge, until he is stolen and sold to pay off a gambling debt. Buck is taken to Alaska and sold to a pair of French Canadians who were impressed with his physique. They train him as a sled dog, and he quickly learns how to survive the cold winter nights and the pack society by observing his teammates. Buck is later sold again and passes hands several times, all the while improving his abilities as a sled dog and pack leader.
  
  Eventually, Buck is sold to a man named Hal, his wife, and her brother who know nothing about sledding nor surviving in the Alaskan wilderness. They struggle to control the sled and ignore warnings not to travel during the spring melt. As they journey on, they run into John Thornton, an experienced outdoors man, who notices that all of the sled dogs are in terrible shape from the ill treatment of their handlers. Thornton warns the trio against crossing the river, but they refuse to listen and order Buck to mush. Exhausted, starving, and sensing the danger ahead, Buck refuses. Recognizing him as a remarkable dog and disgusted by the driver's beating of the dog, Thornton cuts him free from his traces and tells the trio he's keeping him. After some argument, the trio leaves and tries to cross the river, but as Thornton warned, the ice gives way and they drown.
  
  As Thornton nurses Buck back to health, Buck comes to love him and grows devoted to him. Thornton takes him on trips to pan for gold. During one such trip, a man makes a wager with Thornton over Buck's strength and devotion. Buck wins the bet by breaking a half-ton sled out of the frozen ground, then pulling it 100 yards by himself. Thornton and his friends return to their camp and continue their search for gold, while Buck begins exploring the wilderness around them and begins socializing with a local wolf pack. One morning, he returns from a three-day long hunt to find his beloved master and the others in the camp have been killed by some Native Americans. Buck finds some of them in the camp and kills them to avenge Thornton, later finding other members of the tribe, then returns to the woods to become alpha wolf of the pack. Each year he revisits the site where Thornton died, never completely forgetting the master he loved.
  Development
  
  Buck, the main character in the book, is based on a Saint Bernard/Collie sled dog which belonged to Marshall Latham Bond and his brother Louis, the sons of Judge Hiram Bond, who was a mining investor, fruit packer and banker in Santa Clara, California. The Bonds were Jack London's landlords in Dawson City during the autumn of 1897 and spring of 1898; the main year of the Klondike Gold Rush. The London and Bond accounts record that the dog was used by Jack London to accomplish chores for the Bonds and other clients of London's. (Dyer, 1997) The papers of Marshall Latham Bond are in the Yale University Historic Collection.
  Adaptations
  
  Several films based on the novel have been produced. The 1935 version starring Clark Gable and Loretta Young emphasized the human relationships over Buck's story. The 1972 The Call of the Wild starred Charlton Heston and Mick Steele. A television film starring Rick Schroder was broadcast in 1993 that focused more on the character of John Thornton.
  
  Another adaptation released 1997 called The Call of the Wild: Dog of the Yukon starring Rutger Hauer was narrated by Richard Dreyfuss and adapted by Graham Ludlow. There was also a Call of the Wild television series broadcast in 2000.
  
  A Japanese anime television series adaptation, Anime Yasei no Sakebi, consists of 22 episodes and is based on the novel produced by Wako of Australia. There was also an anime movie made in the 1980s, and animated by the Japanese company Toei Animation.
  
  On June 12, 2009, Vivendi Entertainment released "Call of the Wild in Digital Real-D 3D". The family-oriented adaption was a feature-length film and was rated PG. The 14 theaters equipped for Digital Real-D 3D showed the film in 3D only. The movie performed poorly at the box office (although the 3D element limited its release) making around $750 per screen in its opening weekend. The film was released in 3D on DVD September 28, 2009. The DVD includes 3D glasses to watch this version of the film.
  "Old longings nomadic leap,
   Chafing at custom's chain;
   Again from its brumal sleep
   Wakens the ferine strain."
   Buck did not read the newspapers, or he would have known that trouble was brewing, not alone for himself, but for every tide- water dog, strong of muscle and with warm, long hair, from Puget Sound to San Diego. Because men, groping in the Arctic darkness, had found a yellow metal, and because steamship and transportation companies were booming the find, thousands of men were rushing into the Northland. These men wanted dogs, and the dogs they wanted were heavy dogs, with strong muscles by which to toil, and furry coats to protect them from the frost.
   Buck lived at a big house in the sun-kissed Santa Clara Valley. Judge Miller's place, it was called. It stood back from the road, half hidden among the trees, through which glimpses could be caught of the wide cool veranda that ran around its four sides. The house was approached by gravelled driveways which wound about through wide-spreading lawns and under the interlacing boughs of tall poplars. At the rear things were on even a more spacious scale than at the front. There were great stables, where a dozen grooms and boys held forth, rows of vine-clad servants' cottages, an endless and orderly array of outhouses, long grape arbors, green pastures, orchards, and berry patches. Then there was the pumping plant for the artesian well, and the big cement tank where Judge Miller's boys took their morning plunge and kept cool in the hot afternoon.
   And over this great demesne Buck ruled. Here he was born, and here he had lived the four years of his life. It was true, there were other dogs, There could not but be other dogs on so vast a place, but they did not count. They came and went, resided in the populous kennels, or lived obscurely in the recesses of the house after the fashion of Toots, the Japanese pug, or Ysabel, the Mexican hairless,--strange creatures that rarely put nose out of doors or set foot to ground. On the other hand, there were the fox terriers, a score of them at least, who yelped fearful promises at Toots and Ysabel looking out of the windows at them and protected by a legion of housemaids armed with brooms and mops.
   But Buck was neither house-dog nor kennel-dog. The whole realm was his. He plunged into the swimming tank or went hunting with the Judge's sons; he escorted Mollie and Alice, the Judge's daughters, on long twilight or early morning rambles; on wintry nights he lay at the Judge's feet before the roaring library fire; he carried the Judge's grandsons on his back, or rolled them in the grass, and guarded their footsteps through wild adventures down to the fountain in the stable yard, and even beyond, where the paddocks were, and the berry patches. Among the terriers he stalked imperiously, and Toots and Ysabel he utterly ignored, for he was king,--king over all creeping, crawling, flying things of Judge Miller's place, humans included.
   His father, Elmo, a huge St. Bernard, had been the Judge's inseparable companion, and Buck bid fair to follow in the way of his father. He was not so large,--he weighed only one hundred and forty pounds,--for his mother, Shep, had been a Scotch shepherd dog. Nevertheless, one hundred and forty pounds, to which was added the dignity that comes of good living and universal respect, enabled him to carry himself in right royal fashion. During the four years since his puppyhood he had lived the life of a sated aristocrat; he had a fine pride in himself, was even a trifle egotistical, as country gentlemen sometimes become because of their insular situation. But he had saved himself by not becoming a mere pampered house-dog. Hunting and kindred outdoor delights had kept down the fat and hardened his muscles; and to him, as to the cold-tubbing races, the love of water had been a tonic and a health preserver.
   And this was the manner of dog Buck was in the fall of 1897, when the Klondike strike dragged men from all the world into the frozen North. But Buck did not read the newspapers, and he did not know that Manuel, one of the gardener's helpers, was an undesirable acquaintance. Manuel had one besetting sin. He loved to play Chinese lottery. Also, in his gambling, he had one besetting weakness--faith in a system; and this made his damnation certain. For to play a system requires money, while the wages of a gardener's helper do not lap over the needs of a wife and numerous progeny.
   The Judge was at a meeting of the Raisin Growers' Association, and the boys were busy organizing an athletic club, on the memorable night of Manuel's treachery. No one saw him and Buck go off through the orchard on what Buck imagined was merely a stroll. And with the exception of a solitary man, no one saw them arrive at the little flag station known as College Park. This man talked with Manuel, and money chinked between them.
   "You might wrap up the goods before you deliver 'm," the stranger said gruffly, and Manuel doubled a piece of stout rope around Buck's neck under the collar.
   "Twist it, an' you'll choke 'm plentee," said Manuel, and the stranger grunted a ready affirmative.
   Buck had accepted the rope with quiet dignity. To be sure, it was an unwonted performance: but he had learned to trust in men he knew, and to give them credit for a wisdom that outreached his own. But when the ends of the rope were placed in the stranger's hands, he growled menacingly. He had merely intimated his displeasure, in his pride believing that to intimate was to command. But to his surprise the rope tightened around his neck, shutting off his breath. In quick rage he sprang at the man, who met him halfway, grappled him close by the throat, and with a deft twist threw him over on his back. Then the rope tightened mercilessly, while Buck struggled in a fury, his tongue lolling out of his mouth and his great chest panting futilely. Never in all his life had he been so vilely treated, and never in all his life had he been so angry. But his strength ebbed, his eyes glazed, and he knew nothing when the train was flagged and the two men threw him into the baggage car.
   The next he knew, he was dimly aware that his tongue was hurting and that he was being jolted along in some kind of a conveyance. The hoarse shriek of a locomotive whistling a crossing told him where he was. He had travelled too often with the Judge not to know the sensation of riding in a baggage car. He opened his eyes, and into them came the unbridled anger of a kidnapped king. The man sprang for his throat, but Buck was too quick for him. His jaws closed on the hand, nor did they relax till his senses were choked out of him once more.
   "Yep, has fits," the man said, hiding his mangled hand from the baggageman, who had been attracted by the sounds of struggle. "I'm takin' 'm up for the boss to 'Frisco. A crack dog-doctor there thinks that he can cure 'm."
   Concerning that night's ride, the man spoke most eloquently for himself, in a little shed back of a saloon on the San Francisco water front.
   "All I get is fifty for it," he grumbled; "an' I wouldn't do it over for a thousand, cold cash."
   His hand was wrapped in a bloody handkerchief, and the right trouser leg was ripped from knee to ankle.
   "How much did the other mug get?" the saloon-keeper demanded.
   "A hundred," was the reply. "Wouldn't take a sou less, so help me."
   "That makes a hundred and fifty," the saloon-keeper calculated; "and he's worth it, or I'm a squarehead."
   The kidnapper undid the bloody wrappings and looked at his lacerated hand. "If I don't get the hydrophoby--"
   "It'll be because you was born to hang," laughed the saloon- keeper. "Here, lend me a hand before you pull your freight," he added.
   Dazed, suffering intolerable pain from throat and tongue, with the life half throttled out of him, Buck attempted to face his tormentors. But he was thrown down and choked repeatedly, till they succeeded in filing the heavy brass collar from off his neck. Then the rope was removed, and he was flung into a cagelike crate.
   There he lay for the remainder of the weary night, nursing his wrath and wounded pride. He could not understand what it all meant. What did they want with him, these strange men? Why were they keeping him pent up in this narrow crate? He did not know why, but he felt oppressed by the vague sense of impending calamity. Several times during the night he sprang to his feet when the shed door rattled open, expecting to see the Judge, or the boys at least. But each time it was the bulging face of the saloon-keeper that peered in at him by the sickly light of a tallow candle. And each time the joyful bark that trembled in Buck's throat was twisted into a savage growl.
   But the saloon-keeper let him alone, and in the morning four men entered and picked up the crate. More tormentors, Buck decided, for they were evil-looking creatures, ragged and unkempt; and he stormed and raged at them through the bars. They only laughed and poked sticks at him, which he promptly assailed with his teeth till he realized that that was what they wanted. Whereupon he lay down sullenly and allowed the crate to be lifted into a wagon. Then he, and the crate in which he was imprisoned, began a passage through many hands. Clerks in the express office took charge of him; he was carted about in another wagon; a truck carried him, with an assortment of boxes and parcels, upon a ferry steamer; he was trucked off the steamer into a great railway depot, and finally he was deposited in an express car.
   For two days and nights this express car was dragged along at the tail of shrieking locomotives; and for two days and nights Buck neither ate nor drank. In his anger he had met the first advances of the express messengers with growls, and they had retaliated by teasing him. When he flung himself against the bars, quivering and frothing, they laughed at him and taunted him. They growled and barked like detestable dogs, mewed, and flapped their arms and crowed. It was all very silly, he knew; but therefore the more outrage to his dignity, and his anger waxed and waxed. He did not mind the hunger so much, but the lack of water caused him severe suffering and fanned his wrath to fever-pitch. For that matter, high-strung and finely sensitive, the ill treatment had flung him into a fever, which was fed by the inflammation of his parched and swollen throat and tongue.
   He was glad for one thing: the rope was off his neck. That had given them an unfair advantage; but now that it was off, he would show them. They would never get another rope around his neck. Upon that he was resolved. For two days and nights he neither ate nor drank, and during those two days and nights of torment, he accumulated a fund of wrath that boded ill for whoever first fell foul of him. His eyes turned blood-shot, and he was metamorphosed into a raging fiend. So changed was he that the Judge himself would not have recognized him; and the express messengers breathed with relief when they bundled him off the train at Seattle.
   Four men gingerly carried the crate from the wagon into a small, high-walled back yard. A stout man, with a red sweater that sagged generously at the neck, came out and signed the book for the driver. That was the man, Buck divined, the next tormentor, and he hurled himself savagely against the bars. The man smiled grimly, and brought a hatchet and a club.
   "You ain't going to take him out now?" the driver asked.
   "Sure," the man replied, driving the hatchet into the crate for a pry.
   There was an instantaneous scattering of the four men who had carried it in, and from safe perches on top the wall they prepared to watch the performance.
   Buck rushed at the splintering wood, sinking his teeth into it, surging and wrestling with it. Wherever the hatchet fell on the outside, he was there on the inside, snarling and growling, as furiously anxious to get out as the man in the red sweater was calmly intent on getting him out.
   "Now, you red-eyed devil," he said, when he had made an opening sufficient for the passage of Buck's body. At the same time he dropped the hatchet and shifted the club to his right hand.
   And Buck was truly a red-eyed devil, as he drew himself together for the spring, hair bristling, mouth foaming, a mad glitter in his blood-shot eyes. Straight at the man he launched his one hundred and forty pounds of fury, surcharged with the pent passion of two days and nights. In mid air, just as his jaws were about to close on the man, he received a shock that checked his body and brought his teeth together with an agonizing clip. He whirled over, fetching the ground on his back and side. He had never been struck by a club in his life, and did not understand. With a snarl that was part bark and more scream he was again on his feet and launched into the air. And again the shock came and he was brought crushingly to the ground. This time he was aware that it was the club, but his madness knew no caution. A dozen times he charged, and as often the club broke the charge and smashed him down.
   After a particularly fierce blow, he crawled to his feet, too dazed to rush. He staggered limply about, the blood flowing from nose and mouth and ears, his beautiful coat sprayed and flecked with bloody slaver. Then the man advanced and deliberately dealt him a frightful blow on the nose. All the pain he had endured was as nothing compared with the exquisite agony of this. With a roar that was almost lionlike in its ferocity, he again hurled himself at the man. But the man, shifting the club from right to left, coolly caught him by the under jaw, at the same time wrenching downward and backward. Buck described a complete circle in the air, and half of another, then crashed to the ground on his head and chest.
   For the last time he rushed. The man struck the shrewd blow he had purposely withheld for so long, and Buck crumpled up and went down, knocked utterly senseless.
   "He's no slouch at dog-breakin', that's wot I say," one of the men on the wall cried enthusiastically.
   "Druther break cayuses any day, and twice on Sundays," was the reply of the driver, as he climbed on the wagon and started the horses.
   Buck's senses came back to him, but not his strength. He lay where he had fallen, and from there he watched the man in the red sweater.
   " 'Answers to the name of Buck,' " the man soliloquized, quoting from the saloon-keeper's letter which had announced the consignment of the crate and contents. "Well, Buck, my boy," he went on in a genial voice, "we've had our little ruction, and the best thing we can do is to let it go at that. You've learned your place, and I know mine. Be a good dog and all 'll go well and the goose hang high. Be a bad dog, and I'll whale the stuffin' outa you. Understand?"
   As he spoke he fearlessly patted the head he had so mercilessly pounded, and though Buck's hair involuntarily bristled at touch of the hand, he endured it without protest. When the man brought him water he drank eagerly, and later bolted a generous meal of raw meat, chunk by chunk, from the man's hand.
   He was beaten (he knew that); but he was not broken. He saw, once for all, that he stood no chance against a man with a club. He had learned the lesson, and in all his after life he never forgot it. That club was a revelation. It was his introduction to the reign of primitive law, and he met the introduction halfway. The facts of life took on a fiercer aspect; and while he faced that aspect uncowed, he faced it with all the latent cunning of his nature aroused. As the days went by, other dogs came, in crates and at the ends of ropes, some docilely, and some raging and roaring as he had come; and, one and all, he watched them pass under the dominion of the man in the red sweater. Again and again, as he looked at each brutal performance, the lesson was driven home to Buck: a man with a club was a lawgiver, a master to be obeyed, though not necessarily conciliated. Of this last Buck was never guilty, though he did see beaten dogs that fawned upon the man, and wagged their tails, and licked his hand. Also he saw one dog, that would neither conciliate nor obey, finally killed in the struggle for mastery.
   Now and again men came, strangers, who talked excitedly, wheedlingly, and in all kinds of fashions to the man in the red sweater. And at such times that money passed between them the strangers took one or more of the dogs away with them. Buck wondered where they went, for they never came back; but the fear of the future was strong upon him, and he was glad each time when he was not selected.
   Yet his time came, in the end, in the form of a little weazened man who spat broken English and many strange and uncouth exclamations which Buck could not understand.
   "Sacredam!" he cried, when his eyes lit upon Buck. "Dat one dam bully dog! Eh? How moch?"
   "Three hundred, and a present at that," was the prompt reply of the man in the red sweater. "And seem' it's government money, you ain't got no kick coming, eh, Perrault?"
   Perrault grinned. Considering that the price of dogs had been boomed skyward by the unwonted demand, it was not an unfair sum for so fine an animal. The Canadian Government would be no loser, nor would its despatches travel the slower. Perrault knew dogs, and when he looked at Buck he knew that he was one in a thousand-- "One in ten t'ousand," he commented mentally.
   Buck saw money pass between them, and was not surprised when Curly, a good-natured Newfoundland, and he were led away by the little weazened man. That was the last he saw of the man in the red sweater, and as Curly and he looked at receding Seattle from the deck of the Narwhal, it was the last he saw of the warm Southland. Curly and he were taken below by Perrault and turned over to a black-faced giant called Francois. Perrault was a French-Canadian, and swarthy; but Francois was a French-Canadian half-breed, and twice as swarthy. They were a new kind of men to Buck (of which he was destined to see many more), and while he developed no affection for them, he none the less grew honestly to respect them. He speedily learned that Perrault and Francois were fair men, calm and impartial in administering justice, and too wise in the way of dogs to be fooled by dogs.
   In the 'tween-decks of the Narwhal, Buck and Curly joined two other dogs. One of them was a big, snow-white fellow from Spitzbergen who had been brought away by a whaling captain, and who had later accompanied a Geological Survey into the Barrens. He was friendly, in a treacherous sort of way, smiling into one's face the while he meditated some underhand trick, as, for instance, when he stole from Buck's food at the first meal. As Buck sprang to punish him, the lash of Francois's whip sang through the air, reaching the culprit first; and nothing remained to Buck but to recover the bone. That was fair of Francois, he decided, and the half-breed began his rise in Buck's estimation.
   The other dog made no advances, nor received any; also, he did not attempt to steal from the newcomers. He was a gloomy, morose fellow, and he showed Curly plainly that all he desired was to be left alone, and further, that there would be trouble if he were not left alone. "Dave" he was called, and he ate and slept, or yawned between times, and took interest in nothing, not even when the Narwhal crossed Queen Charlotte Sound and rolled and pitched and bucked like a thing possessed. When Buck and Curly grew excited, half wild with fear, he raised his head as though annoyed, favored them with an incurious glance, yawned, and went to sleep again.
   Day and night the ship throbbed to the tireless pulse of the propeller, and though one day was very like another, it was apparent to Buck that the weather was steadily growing colder. At last, one morning, the propeller was quiet, and the Narwhal was pervaded with an atmosphere of excitement. He felt it, as did the other dogs, and knew that a change was at hand. Francois leashed them and brought them on deck. At the first step upon the cold surface, Buck's feet sank into a white mushy something very like mud. He sprang back with a snort. More of this white stuff was falling through the air. He shook himself, but more of it fell upon him. He sniffed it curiously, then licked some up on his tongue. It bit like fire, and the next instant was gone. This puzzled him. He tried it again, with the same result. The onlookers laughed uproariously, and he felt ashamed, he knew not why, for it was his first snow.
  Buck's first day on the Dyea beach was like a nightmare. Every hour was filled with shock and surprise. He had been suddenly jerked from the heart of civilization and flung into the heart of things primordial. No lazy, sun-kissed life was this, with nothing to do but loaf and be bored. Here was neither peace, nor rest, nor a moment's safety. All was confusion and action, and every moment life and limb were in peril. There was imperative need to be constantly alert; for these dogs and men were not town dogs and men. They were savages, all of them, who knew no law but the law of club and fang.
   He had never seen dogs fight as these wolfish creatures fought, and his first experience taught him an unforgetable lesson. It is true, it was a vicarious experience, else he would not have lived to profit by it. Curly was the victim. They were camped near the log store, where she, in her friendly way, made advances to a husky dog the size of a full-grown wolf, though not half so large as she. There was no warning, only a leap in like a flash, a metallic clip of teeth, a leap out equally swift, and Curly's face was ripped open from eye to jaw.
   It was the wolf manner of fighting, to strike and leap away; but there was more to it than this. Thirty or forty huskies ran to the spot and surrounded the combatants in an intent and silent circle. Buck did not comprehend that silent intentness, nor the eager way with which they were licking their chops. Curly rushed her antagonist, who struck again and leaped aside. He met her next rush with his chest, in a peculiar fashion that tumbled her off her feet. She never regained them, This was what the onlooking huskies had waited for. They closed in upon her, snarling and yelping, and she was buried, screaming with agony, beneath the bristling mass of bodies.
   So sudden was it, and so unexpected, that Buck was taken aback. He saw Spitz run out his scarlet tongue in a way he had of laughing; and he saw Francois, swinging an axe, spring into the mess of dogs. Three men with clubs were helping him to scatter them. It did not take long. Two minutes from the time Curly went down, the last of her assailants were clubbed off. But she lay there limp and lifeless in the bloody, trampled snow, almost literally torn to pieces, the swart half-breed standing over her and cursing horribly. The scene often came back to Buck to trouble him in his sleep. So that was the way. No fair play. Once down, that was the end of you. Well, he would see to it that he never went down. Spitz ran out his tongue and laughed again, and from that moment Buck hated him with a bitter and deathless hatred.
   Before he had recovered from the shock caused by the tragic passing of Curly, he received another shock. Francois fastened upon him an arrangement of straps and buckles. It was a harness, such as he had seen the grooms put on the horses at home. And as he had seen horses work, so he was set to work, hauling Francois on a sled to the forest that fringed the valley, and returning with a load of firewood. Though his dignity was sorely hurt by thus being made a draught animal, he was too wise to rebel. He buckled down with a will and did his best, though it was all new and strange. Francois was stern, demanding instant obedience, and by virtue of his whip receiving instant obedience; while Dave, who was an experienced wheeler, nipped Buck's hind quarters whenever he was in error. Spitz was the leader, likewise experienced, and while he could not always get at Buck, he growled sharp reproof now and again, or cunningly threw his weight in the traces to jerk Buck into the way he should go. Buck learned easily, and under the combined tuition of his two mates and Francois made remarkable progress. Ere they returned to camp he knew enough to stop at "ho," to go ahead at "mush," to swing wide on the bends, and to keep clear of the wheeler when the loaded sled shot downhill at their heels.
   "T'ree vair' good dogs," Francois told Perrault. "Dat Buck, heem pool lak hell. I tich heem queek as anyt'ing."
   By afternoon, Perrault, who was in a hurry to be on the trail with his despatches, returned with two more dogs. "Billee" and "Joe" he called them, two brothers, and true huskies both. Sons of the one mother though they were, they were as different as day and night. Billee's one fault was his excessive good nature, while Joe was the very opposite, sour and introspective, with a perpetual snarl and a malignant eye. Buck received them in comradely fashion, Dave ignored them, while Spitz proceeded to thrash first one and then the other. Billee wagged his tail appeasingly, turned to run when he saw that appeasement was of no avail, and cried (still appeasingly) when Spitz's sharp teeth scored his flank. But no matter how Spitz circled, Joe whirled around on his heels to face him, mane bristling, ears laid back, lips writhing and snarling, jaws clipping together as fast as he could snap, and eyes diabolically gleaming--the incarnation of belligerent fear. So terrible was his appearance that Spitz was forced to forego disciplining him; but to cover his own discomfiture he turned upon the inoffensive and wailing Billee and drove him to the confines of the camp.
   By evening Perrault secured another dog, an old husky, long and lean and gaunt, with a battle-scarred face and a single eye which flashed a warning of prowess that commanded respect. He was called Sol-leks, which means the Angry One. Like Dave, he asked nothing, gave nothing, expected nothing; and when he marched slowly and deliberately into their midst, even Spitz left him alone. He had one peculiarity which Buck was unlucky enough to discover. He did not like to be approached on his blind side. Of this offence Buck was unwittingly guilty, and the first knowledge he had of his indiscretion was when Sol-leks whirled upon him and slashed his shoulder to the bone for three inches up and down. Forever after Buck avoided his blind side, and to the last of their comradeship had no more trouble. His only apparent ambition, like Dave's, was to be left alone; though, as Buck was afterward to learn, each of them possessed one other and even more vital ambition.
   That night Buck faced the great problem of sleeping. The tent, illumined by a candle, glowed warmly in the midst of the white plain; and when he, as a matter of course, entered it, both Perrault and Francois bombarded him with curses and cooking utensils, till he recovered from his consternation and fled ignominiously into the outer cold. A chill wind was blowing that nipped him sharply and bit with especial venom into his wounded shoulder. He lay down on the snow and attempted to sleep, but the frost soon drove him shivering to his feet. Miserable and disconsolate, he wandered about among the many tents, only to find that one place was as cold as another. Here and there savage dogs rushed upon him, but he bristled his neck-hair and snarled (for he was learning fast), and they let him go his way unmolested.
   Finally an idea came to him. He would return and see how his own team-mates were making out. To his astonishment, they had disappeared. Again he wandered about through the great camp, looking for them, and again he returned. Were they in the tent? No, that could not be, else he would not have been driven out. Then where could they possibly be? With drooping tail and shivering body, very forlorn indeed, he aimlessly circled the tent. Suddenly the snow gave way beneath his fore legs and he sank down. Something wriggled under his feet. He sprang back, bristling and snarling, fearful of the unseen and unknown. But a friendly little yelp reassured him, and he went back to investigate. A whiff of warm air ascended to his nostrils, and there, curled up under the snow in a snug ball, lay Billee. He whined placatingly, squirmed and wriggled to show his good will and intentions, and even ventured, as a bribe for peace, to lick Buck's face with his warm wet tongue.
   Another lesson. So that was the way they did it, eh? Buck confidently selected a spot, and with much fuss and waste effort proceeded to dig a hole for himself. In a trice the heat from his body filled the confined space and he was asleep. The day had been long and arduous, and he slept soundly and comfortably, though he growled and barked and wrestled with bad dreams.
   Nor did he open his eyes till roused by the noises of the waking camp. At first he did not know where he was. It had snowed during the night and he was completely buried. The snow walls pressed him on every side, and a great surge of fear swept through him--the fear of the wild thing for the trap. It was a token that he was harking back through his own life to the lives of his forebears; for he was a civilized dog, an unduly civilized dog, and of his own experience knew no trap and so could not of himself fear it. The muscles of his whole body contracted spasmodically and instinctively, the hair on his neck and shoulders stood on end, and with a ferocious snarl he bounded straight up into the blinding day, the snow flying about him in a flashing cloud. Ere he landed on his feet, he saw the white camp spread out before him and knew where he was and remembered all that had passed from the time he went for a stroll with Manuel to the hole he had dug for himself the night before.
   A shout from Francois hailed his appearance. "Wot I say?" the dog-driver cried to Perrault. "Dat Buck for sure learn queek as anyt'ing."
   Perrault nodded gravely. As courier for the Canadian Government, bearing important despatches, he was anxious to secure the best dogs, and he was particularly gladdened by the possession of Buck.
   Three more huskies were added to the team inside an hour, making a total of nine, and before another quarter of an hour had passed they were in harness and swinging up the trail toward the Dyea Canon. Buck was glad to be gone, and though the work was hard he found he did not particularly despise it. He was surprised at the eagerness which animated the whole team and which was communicated to him; but still more surprising was the change wrought in Dave and Sol-leks. They were new dogs, utterly transformed by the harness. All passiveness and unconcern had dropped from them. They were alert and active, anxious that the work should go well, and fiercely irritable with whatever, by delay or confusion, retarded that work. The toil of the traces seemed the supreme expression of their being, and all that they lived for and the only thing in which they took delight.
   Dave was wheeler or sled dog, pulling in front of him was Buck, then came Sol-leks; the rest of the team was strung out ahead, single file, to the leader, which position was filled by Spitz.
   Buck had been purposely placed between Dave and Sol-leks so that he might receive instruction. Apt scholar that he was, they were equally apt teachers, never allowing him to linger long in error, and enforcing their teaching with their sharp teeth. Dave was fair and very wise. He never nipped Buck without cause, and he never failed to nip him when he stood in need of it. As Francois's whip backed him up, Buck found it to be cheaper to mend his ways than to retaliate. Once, during a brief halt, when he got tangled in the traces and delayed the start, both Dave and Sol- leks flew at him and administered a sound trouncing. The resulting tangle was even worse, but Buck took good care to keep the traces clear thereafter; and ere the day was done, so well had he mastered his work, his mates about ceased nagging him. Francois's whip snapped less frequently, and Perrault even honored Buck by lifting up his feet and carefully examining them.
   It was a hard day's run, up the Canon, through Sheep Camp, past the Scales and the timber line, across glaciers and snowdrifts hundreds of feet deep, and over the great Chilcoot Divide, which stands between the salt water and the fresh and guards forbiddingly the sad and lonely North. They made good time down the chain of lakes which fills the craters of extinct volcanoes, and late that night pulled into the huge camp at the head of Lake Bennett, where thousands of goldseekers were building boats against the break-up of the ice in the spring. Buck made his hole in the snow and slept the sleep of the exhausted just, but all too early was routed out in the cold darkness and harnessed with his mates to the sled.
   That day they made forty miles, the trail being packed; but the next day, and for many days to follow, they broke their own trail, worked harder, and made poorer time. As a rule, Perrault travelled ahead of the team, packing the snow with webbed shoes to make it easier for them. Francois, guiding the sled at the gee- pole, sometimes exchanged places with him, but not often. Perrault was in a hurry, and he prided himself on his knowledge of ice, which knowledge was indispensable, for the fall ice was very thin, and where there was swift water, there was no ice at all.
   Day after day, for days unending, Buck toiled in the traces. Always, they broke camp in the dark, and the first gray of dawn found them hitting the trail with fresh miles reeled off behind them. And always they pitched camp after dark, eating their bit of fish, and crawling to sleep into the snow. Buck was ravenous. The pound and a half of sun-dried salmon, which was his ration for each day, seemed to go nowhere. He never had enough, and suffered from perpetual hunger pangs. Yet the other dogs, because they weighed less and were born to the life, received a pound only of the fish and managed to keep in good condition.
   He swiftly lost the fastidiousness which had characterized his old life. A dainty eater, he found that his mates, finishing first, robbed him of his unfinished ration. There was no defending it. While he was fighting off two or three, it was disappearing down the throats of the others. To remedy this, he ate as fast as they; and, so greatly did hunger compel him, he was not above taking what did not belong to him. He watched and learned. When he saw Pike, one of the new dogs, a clever malingerer and thief, slyly steal a slice of bacon when Perrault's back was turned, he duplicated the performance the following day, getting away with the whole chunk. A great uproar was raised, but he was unsuspected; while Dub, an awkward blunderer who was always getting caught, was punished for Buck's misdeed.
   This first theft marked Buck as fit to survive in the hostile Northland environment. It marked his adaptability, his capacity to adjust himself to changing conditions, the lack of which would have meant swift and terrible death. It marked, further, the decay or going to pieces of his moral nature, a vain thing and a handicap in the ruthless struggle for existence. It was all well enough in the Southland, under the law of love and fellowship, to respect private property and personal feelings; but in the Northland, under the law of club and fang, whoso took such things into account was a fool, and in so far as he observed them he would fail to prosper.
   Not that Buck reasoned it out. He was fit, that was all, and unconsciously he accommodated himself to the new mode of life. All his days, no matter what the odds, he had never run from a fight. But the club of the man in the red sweater had beaten into him a more fundamental and primitive code. Civilized, he could have died for a moral consideration, say the defence of Judge Miller's riding-whip; but the completeness of his decivilization was now evidenced by his ability to flee from the defence of a moral consideration and so save his hide. He did not steal for joy of it, but because of the clamor of his stomach. He did not rob openly, but stole secretly and cunningly, out of respect for club and fang. In short, the things he did were done because it was easier to do them than not to do them.
   His development (or retrogression) was rapid. His muscles became hard as iron, and he grew callous to all ordinary pain. He achieved an internal as well as external economy. He could eat anything, no matter how loathsome or indigestible; and, once eaten, the juices of his stomach extracted the last least particle of nutriment; and his blood carried it to the farthest reaches of his body, building it into the toughest and stoutest of tissues. Sight and scent became remarkably keen, while his hearing developed such acuteness that in his sleep he heard the faintest sound and knew whether it heralded peace or peril. He learned to bite the ice out with his teeth when it collected between his toes; and when he was thirsty and there was a thick scum of ice over the water hole, he would break it by rearing and striking it with stiff fore legs. His most conspicuous trait was an ability to scent the wind and forecast it a night in advance. No matter how breathless the air when he dug his nest by tree or bank, the wind that later blew inevitably found him to leeward, sheltered and snug.
   And not only did he learn by experience, but instincts long dead became alive again. The domesticated generations fell from him. In vague ways he remembered back to the youth of the breed, to the time the wild dogs ranged in packs through the primeval forest and killed their meat as they ran it down. It was no task for him to learn to fight with cut and slash and the quick wolf snap. In this manner had fought forgotten ancestors. They quickened the old life within him, and the old tricks which they had stamped into the heredity of the breed were his tricks. They came to him without effort or discovery, as though they had been his always. And when, on the still cold nights, he pointed his nose at a star and howled long and wolflike, it was his ancestors, dead and dust, pointing nose at star and howling down through the centuries and through him. And his cadences were their cadences, the cadences which voiced their woe and what to them was the meaning of the stiffness, and the cold, and dark.
   Thus, as token of what a puppet thing life is, the ancient song surged through him and he came into his own again; and he came because men had found a yellow metal in the North, and because Manuel was a gardener's helper whose wages did not lap over the needs of his wife and divers small copies of himself.
首页>> 文学论坛>> 现实百态>> 杰克·伦敦 Jack London   美国 United States   一战中崛起   (1876年1月12日1916年11月22日)