shī tǐ de yī zhǒng。
qí tǐ jié gòu zì yóu ﹐ duàn shù ﹑ xíng shù﹑
zì shù méi yòu yī dìng guī gé ;
yǔ yán yòu zì rán jié zòu '
ér bù yòng yùn。
zài xī fāng yǐ měi guó shī rén huì tè màn wéi chuàng shǐ rén。
wǒ guó "
wǔ sì "
yǐ lái de xīn shī yě liú xíng zhè zhǒng shī tǐ。
zì yóu shī yòu chēng xīn shī，
zhè shì xiāng duì jiù tǐ shī '
ér yán de。
tā zài zhāng jié、
yīn bù、
yā yùn děng fāng miàn dū bǐ jiào zì yóu、
líng huó，
méi yòu gé lǜ shī nà yàng yán gé、
gù dìng de xiàn zhì hé yuē shù。
yī bān rèn wéi，
měi guó 19
shì jì shī rén huì tè màn shì zì yóu shī de chuàng shǐ zhě ,
dài biǎo zuò《
cǎo yè jí》。
wǔ sì qián hòu，
zì yóu shī kāi shǐ zài wǒ guó liú xíng，
rú guō mò ruò《
nǚ shén》、
hú shì、
liú bàn nóng、
xú zhì mó（
“ xīn yuè pài ”）
zì yóu shī shì bái huà wén xué lǐng yù zhōng de xiān xíng zhě，
tā de chǎn shēng kě yǐ kàn zuò shì wǔ sì xīn wén xué hé wǔ sì wén xué gé mìng kāi duān de biāo zhì。
wǔ sì yùn dòng qián jiù tǐ shī cí de fǔ xiǔ zuì wéi míng xiǎn，
fǎn yìng zài sī xiǎng nèi róng shàng wú bìng shēn yín yán zhī wú wù；
zài xíng shì shàng yòu sǐ sǐ jiān shǒu zhe chén fǔ bù biàn de gé lǜ。
wèicǐ，
hú shì míng què zhǐ chū：
xíng shì shàng de shù fù，
shǐ jīng shén bù néng zì yóu fā zhǎn，
shǐ liáng hǎo de nèi róng bù néng chōng fēn biǎo xiàn ......
wǔ qī yán bā jù de lǜ shī jué bù néng róng fēng fù de cái liào， 28
zì de jué jù jué bù néng xiě jīng mì de guān chá，
cháng duǎn yī dìng de qī yán wǔ yán jué bù néng wěi wǎn biǎo dá chū gāo shēn de lǐ xiǎng hé fù zá de gǎn qíng。 ......
jìn lái de xīn shī fā shēng，
bù dàn dǎ pò qī yán wǔ yán de shī tǐ，
bìng qiě tuī fān cí diào qǔpǔ de zhǒng zhǒng shù fù，
bù jū gé lǜ，
bù jū píng zè，
bù jū cháng duǎn，
yòu shénme tí mù，
zuò shí me shī，
shī gāi zěn me zuò jiù zěn me zuò（
hú shì《
tán xīn shī》）。
zhè yī zhù zhāng，
chéng wéi hòu lái bái huà xīn shī chuàng zuò de jīng diǎn lǐ lùn。
zì yóu shī cóng jiù shì shī cí gé lǜ de liào kào lǐ tuō tāi '
ér chū，
zài tǐ shì、
yīn jié、
yǔ yán fāng miàn lì qiú jiě fàng，
xiǎn shì chū xīn de tè sè：
shǒu xiān shì pò chú jiāng huà chén fǔ wén yán，
yǐ bái huà jiā rù shī xíng。
yóu qí shì tí chàng yǐ jiē jìn dà zhòng kǒu yǔ de jiǎn jié qīnqiè de sú zì sú yǔ qǔ dài wén yán de jiān sè làn diào，
shí xiě shè huì zhuàng kuàng，
biǎo xiàn zhēn zhì de gǎn qíng hé zhǎn xīn de sī xiǎng。
qí cì shì zài yīn jié yùn lǜ shàng pò chú jiù tǐ shī cí de shēng yùn、
gé lǜ píng zè，
fèi chú pián '
ǒu diǎn gù děng jiāng huà de shù fù，
jiǎng jiū qièhé zì rán yīnyuè '
ér bù bì jū yú yīn yùn（
kāng bái qíng《
xīn shī zhī wǒ jiàn》），
shī gē de shēng qì yīn jié qīng zhòng huǎn jí、
yì yáng dùn cuò zhǐ qiú hé hū shī rén zì shēn qíng xù gǎn xīng de zì rán xiāo zhǎng hé yǔ qì de zì rán jié zòu。
lìng wài，
zài tǐ shì shàng yòu yì zhuī qiú yī zhǒng wú jū wú shù zì yóu zì zài de biǎo dá fāng shì。
bùwèi gé lǜ yīn yùn suǒ shù fù，
háo wú gù jì de qīng tù xīn lǐ de dōng xī，
shī jì bù fēn xíng yě bù yā yùn，
jí shǐ fēn jié fēn xíng yě wán quán '
àn zhào zuò pǐn nèi róng '
ér suí yì pái liè，
yǐ cǐ xíng chéng liǎo zì yóu shī yì shù xíng shì shàng de zhù yào tè diǎn。
zì yóu shī zài sī xiǎng nèi róng shàng zuì yǐn rén zhù mùdì tè diǎn，
biàn shì duì bèi yā pò bèi nú yì de xià céng gōng nóng láo dòng zhě de bēi cǎn mìng yùn，
biǎo xiàn chū shēnqiè de tóng qíng hé guān huái。
qián suǒ wèi yòu de yǐ dà liàng piān fú，
zhǎn xiàn liǎo tā men xiàn shí rén shēng de kǔ nán，
yǐ cǐ lái jiē shì jiù shè huì pín fù jiān ruì duì lì hé fēng jiàn zhuān zhì de běn zhì tè zhēng。
lìng yī xiǎn zhù tè diǎn shì zài fǎn fēng jiàn zhuān zhì zhǒng zhǒng jiù chuán tǒng jiù guān niàn de jīng shén jìn gù hé shù fù de zhù tí shàng gèng duō dì jì yù zhe kě qiú gè xìng zì yóu jiě fàng、
dú lì bùē de yì yì。
zhè yī tè diǎn yòu jí zhōng dì tǐ xiàn zài yǐ wāng jìng zhī hé féng zhì wéi dài biǎo de '
ài qíng hūn yīn tí cái de zì yóu shī chuàng zuò zhōng。
tā men chì luǒ luǒ dì biǎo shù nán nǚ qīng nián zài liàn '
ài shàng de yù wàng hé yào qiú，
háo wú jū shù dì zì yóu fàng sì dì gē chàng zì jǐ de qīng chūn '
ài qíng，
qīng chè jiàn dǐ dì qīng tù hé zhǎn lù wǔ sì qīng nián bù shòu chuán tǒng dào dé guān niàn shù fù de nèi xīn shēn chù de zì yóu xiàng wǎng hé gè xìng jiě fàng yào qiú，
biǎo xiàn chū yī zhǒng miè shì jiù lǐ jiào de pàn nì zī tài hé duì hūn yīn duì zì yóu de rú huǒ rú shū de rèqiè xiàng wǎng，
zhēn zhèng dì xiǎn shì chū wǔ sì yào qiú gè xìng zì wǒ jiě fàng de shí dài zhù tí。
zì yóu shī zhōng yě yòu yī xiē zàn měi láo dòng yì yì，
gē sòng láo dòng rén mín yōu liáng pǐn zhì，
shū xiě duì lǐ xiǎng shè huì hé guāng míng qián jǐng chōng jǐng de zuò pǐn，
zhè xiē zuò pǐn yóu wéi kě guì de sī xiǎng tè zhēng shì wǎng wǎng zài zàn měi de wén zì lǐ tòu lù chū fǎn fēng jiàn de zhù tí hé lè guān míng lǎng jī jí jìn qǔ de qīng xiàng，
tǐ xiàn chū xīn de shí dài jīng shén。
hái yòu xiāng dāng shù liàng de xiě jǐng shū qíng duǎn shī，
zhū rú bīng xīn、
zōng bái huá de nà xiē shī yì yōu měi de xiǎo shī，
suī rán bù rú jiē shì láo kǔ dà zhòng bēi cǎn mìng yùn hègē chàng zhuī qiú '
ài qíng zì yóu fǎn pàn fēng jiàn jiù lǐ jiào de shī piān shēn kè dòng rén，
dàn tā men kāi jué hé tàn suǒ rén shēng de yì yì，
bìng yóu cǐ zhǎn shì chū zhè fāng miàn de kǔ nǎo mí wǎng gǎn shāng hé fèn mèn，
tóng yàng yìng zhào chū shí dài de tóu yǐng，
bìng qiě zài sī xiǎng gǎn qíng de biǎo xiàn shàng yóu wéi zhēn zhì xì nì xīn yíng，
xiǎn dé bié yòu yì wèi。
zì yóu shī de bù zú yě fēi cháng míng xiǎn：
yī fāng miàn shī de yǔ yán hé xíng shì zì yóu zì zài dì kāi fàng quē fá yīngyǒu de yuē shù，
zì yóu chéng zhāng，
yǔ fēng sǎnmàn，
zǒng xiǎn dé píng pū zhí xù，
yī lǎn wú yú。
zhè zhǒng guò fēn zhí lù hé míng kuài de máo bìng bù jǐn shǐ shī zuò běn shēn quē fá yīngyǒu de yì jìng hé chōng pèi shēn kè de gǎn qíng，
yě cóng zhěng tǐ de gòu chéng shàng sàng shī liǎo shī gē de měi gǎn，
bìng qiě sǔn hài liǎo zài chōng pò jiù tǐ shī cí liào kào de jī chǔ shàng xīng qǐ hé fā zhǎn qǐ lái de bái huà xīn shī de xìn yù hé dì wèi。
lìng yī fāng miàn yǐ tài duō tài shèng de shuō lǐ rù shī，
shǐ lǐ niàn duō yú qíng gǎn，
zhè yì fǎn yìng chū shī rén tǐ yàn shēng huó de fū qiǎn hé duì shī gē shū qíng tè diǎn de yòu zhì bǎ wò。
yǔ cǐ xiāng lián xì de shì，
nà xiē miáo shù shè huì rén shēng kǔ nán shēng huó de shī zuò de xiě shí shǒu fǎ yě jiào fū qiǎn，
duō yǐ bàng guān zī tài hé yī xiē shēng huó biǎo xiàng de luó liè duī jí shǒu fǎ，
yīn '
ér quē fá duì xiàn shí shè huì de xì zhì guān chá hé gēngshēn kè de fēn xī，
zhè xiē dōushì zì yóu shī de tōng bìng。
A verse. The structure free, the number of segments ﹑ ﹑ words without a certain number of rows specifications; language has a natural rhythm without rhyme. In the West, the poet Walt Whitman as the founder of the United States. My "54" is also popular since the poetry of this verse.
Also known as free verse poetry, this is a relatively Classical purposes. Its chapters, foot, rhyme and so are more free, flexible, and not as strict metrical poems, fixed the limits and constraints.
Is generally believed that the United States 19th century poet Walt Whitman was the founder of free verse, masterpiece "Leaves of Grass."
54 before and after the epidemic in China began to free verse, such as Guo, "Goddess," Hu Shi, Liu Bannong, Xu ("New Moon")
Free Verse Poem from the shackles of old bodiless inside out, in style, syllable, seeks to liberate language to show the new features:
First, break old classical rigid, in order to join the vernacular verse. Particularly close to public speaking to promote the simple kind of folk characters saying to replace the abstruse classical cliché, actually wrote the social situation, the performance of sincere feelings and new ideas.
Second, the break in rhythm syllables rhyme words Classical, Classical tonal pattern, such as abolition of the rigid parallelism allusions binding, pay attention to music without having to meet the natural arrest at the phonological (Baiqing "Poetry My Opinion"), complain poetry syllable priorities, self-assured just to meet the emotional sense of the poet's own natural fluctuation Hing natural rhythm and tone.
In addition, the style is deliberately pursuing a unfettered free expression. Metrical phonology is not fettered the pouring heart of things with impunity, neither branch nor rhyming poetry, even if sub-section branch is fully in accordance with the works of the contents of arbitrary order, thus forming a major art form of free verse characteristics. Free verse in the ideological content of the most striking feature is on the lower deck of the oppressed workers and peasants enslaved the tragic fate of the workers, showing deep sympathy and care. Unprecedented for a lot of space to show their real life suffering, in order to reveal the rich and the poor old society sharply divided and the essential characteristics of the feudal autocracy.
There are also some praise poem free labor sense, praised the working people good quality, and describe an ideal society and look forward to a bright future works, these works are particularly valuable feature is often thought of writing in praise in the theme of anti-feudal revealed clear positive and optimistic aggressive tendencies, reflecting a new spirit of the times.
Paint a portrait of a substantial number of lyric poems, such as Bing Xin, Zong of those beautiful and poetic verses, while revealing the working class as the tragic fate and freedom singing rebel pursuit of love poems old feudal ethical code profound and moving, they dig and explore the meaning of life, and thus show the distress this confusion sadness and anger, the same projection reflects the times, and sincere thoughts and feelings are particularly fine performance of the novel, seem special meaning.