zhōng guó huà jù shǐ yú qīng guāng xù sān shí sān nián（ 1907 nián）
qīng xuān tǒng 'èr nián（ 1910 nián） chuán rù liáo níng。 xuān tǒng 'èr nián， tóng méng huì yuán liú yì zhōu（ mù duó） yóu guān nèi lái dào liáo yáng， yǎn chū liǎo xīn jù《 āi jiāng nán》 hé《 dà lù chūn qiū》。 tóng nián 5 yuè dào fèng tiān， yǔ xìqǔ yì rén dīng xiāng huā、 dù yún qīng děng rén lián hé， xiān hòu zài míng shèng chá yuán yǎn chū pēng jī fēng jiàn zhuān zhì de xīn jù《 guó huì xuè》， rì běn lǐng shì guǎn wèicǐ tí chū kàng yì， fèng tiān shì zhèng dāng jú qū yú yā lì， xià lìng jìn yǎn。 mín guó yuán nián（ 1912 nián）， shàng hǎi tóng méng huì huì yuán miáo tiān yǔ、 féng dí hàn shuài tuán dào liáo yáng shì guǎng dé chá yuán（ liáo yáng dà guān lóu）， yǎn chū huà jù《 bō lán wáng guó cǎn》、《 mín guó hún》 děng。 huà jù chuán rù liáo níng zhī hòu， gè dì 'àihào zhě fēn fēn zǔ zhì huà jù yǎn chū huó dòng。 mín guó 5 nián（ 1916 nián）， dà lián de chén fēi wǒ fā qǐ zǔ zhì huà jù shè， bìng rèn shè cháng， shè yuán dà duō shì gāi shì shāng shēn jí bào guǎn、 xué xiào gè jiè wén huà rén shì， yǎn chū de jù mù yòu qù wèi jù《 zuì guǐ zhuō jiān》， zhèng jù《 qīng lóu xiá jì》、《 xiāng jiāng lèi》、《 měng huí tóu》、《 yì mǔ xiōng dì》 děng。 mín guó 11 nián（ 1922 nián）， fǔ shùn qīng nián huì fù shè xiǎo xué yú fǔ shùn xī xì lóu yǎn chū《 è yīn yuán》、《 nì lún 'àn》 děng。
mín guó 14 nián， ōu yáng yú qiàn dào dà lián、 shěn yáng děng dì gěi dāng dì xì jù jiè hé 'àihào xīn jù de qīng nián yǎn jiǎng píng mín yì shù， chuán bō xiàn dài huà jù。 shěn yáng zhōng gòng dǎng yuán dì xià gōng zuò zhě zhāng guāng qí（ nǚ） hé nǚ shī tóng xué bèi xī shōu cān jiā “ fèng tiān qīng nián huì ” zǔ zhì de huà jù tuán， yǎn chū huà jù《 qiū jǐn hé xú xī lín de gù shì》、《 kǒng què dōng nán fēi》、《 shuí zhī zuì》、《 qiú hūn》 děng。 ōu yáng yú qiàn hái yǔ zhāng guāng qí tóng tái yǎn chū《 shàonǎi nǎi de shàn zǐ》、《 huí jiā zhī hòu》 děng。 tóng nián 2 yuè， ōu yáng yú qiàn yìng dà lián zhōng huá qīng nián huì yāo qǐng， jiǎng yǎn《 zhōng guó xì jù gǎi gé zhī tú jìng》。 liáo níng gè dì jūn zǔ zhì yè yú huà jù tuán tǐ， yǎn chū shí fēn huó yuè。 mín guó 15 nián 2 yuè， dà lián zhèng shì chéng lì 'ài měi jù shè。 zhè shì liáo níng dì yī gè jiào zhèng guī de huà jù tuán tǐ， shè cháng mǎ diàn yuán、 fù shè cháng wáng quán xiáng、 dǎo yǎn bù zhù rèn lǚ fù táng。 mín guó 16 nián（ 1927 nián） 5 yuè， ài měi jù shè yìng zhōng huá jī dū jiào qīng nián huì zhī yāo， wéi chóu bèi píng mín jiào yù jī jīn， yú jī dū jiào qīng nián huì dà lǐ táng（ zài jīn mín zhù guǎng chǎng） yǎn chū， shàng yǎn fǎn yìng jiā tíng hé shè huì máo dùn de bēi jù《 qiān qiū yí hèn》 děng huà jù。 mín guó 18 nián 9 yuè， chē xiàng chén zǔ zhì“ fèng tiān xué shēng píng mín fú wù tuán”， zài fèng tiān jiāo qū dà hán tún děng dì yǎn chū《 gǎi liáng yī yuàn》、《 máng》 děng huà jù。
mín guó 20 nián“ jiǔ yī bā” shì biàn hòu， rì wěi dāng jú bān bù《 yì wén zhǐ dǎo gāng yào》， shí xíng wén huà zhuān zhì， liáo níng dì qū gāng gāng xīng qǐ de qún zhòng huà jù rè cháo， zāo shòu yán zhòng dǎ jī。 dàn yòu xiē mín jiān huà jù tuán tǐ zài zhōng guó gòng chǎn dǎng lǐng dǎo hé yǐng xiǎng xià， jì xù wán qiáng dì huó dòng zhe。 mín guó 28 nián（ 1939 nián） xià， jīn shān lóng、 yáng ruò zhū、 wáng zōng rén děng rén chuàng lì shěn yáng yè yú huà jù tuán， shàng yǎn dīng xī lín de xún mù huà jù《 wú qī zhī lěi》。 gāi tuán hòu yǔ fèng tiān huà jù tuán hé bìng， gǎi míng wèiguó jì jù tuán， yóu lǐ qiáo、 jīn shān lóng rèn biān dǎo， xiān hòu zài nán shì guó jì jù chǎng（ jīn liáo yì jù chǎng） yǎn chū《 tú hù》、《 sài shàng fēng huǒ》、《 yè shēn chén》、《 shēng mìng xiàn》 děng huà jù。 zhī hòu， zhuāng hé xiàn nǚ zǐ guó mín gāo děng xué xiào yǎn chū《 hé mù jiā tíng》 hé《 jiā》， běn xī xú diàn lín zì biān zì yǎn huà jù《 ài qíng sān bù qū》， ān shān jìn bù zuò jiā yán lì fū zǔ zhì liǎo zhòng shēng huà jù tuán， yǎn chū tā chuàng zuò de huà jù《 jǐng tì》 děng。
zhè yī shí qī， wěi zhèng quán zǔ jiàn sān dà yù yòng jù tuán“ dà tóng jù tuán”（ cháng chūn）、“ jù tuán hā 'ěr bīn”、“ fèng tiān xié hé jù tuán”， jūn lì shǔ wěi xié hé huì。“ fèng tiān xié hé jù tuán” jiàn yú mín guó 27 nián 9 yuè， quán tuán bǎi yú rén，“ fù yòu wán chéng xié hé huì wén huà fāng miàn de zhòng dà shǐ mìng”。 zhù chí rén yuán dǔ（ wěi mǎn zhōu guó jù tuán xié hé huì wěi yuán cháng）、 ruì shān jìn、 ān tián jūn xì rì běn rén。 shì nián 11 yuè jǔ xíng xiǎo gōng yǎn， jù mù wéi《 chú yè gē shēng》。 mín guó 28 nián 6 yuè， jǔ xíng shǒu cì dà gōng yǎn， jù mù wéi《 dōng gōng dà zuǒ》、《 zài mù chǎng》； tóng nián 12 yuè jǔ xíng xún huí dà zhuān yǎn， jù mù wéi《 cóng jūn wǔ》、《 xuè guǐ》 děng。 zhè xiē jù mù dōushì wéi rì běn qīn lüè zhě gē gōng sòng dé de。 jié zhì mín guó 30 nián， gāi tuán gòng chuàng zuò yǎn chū liǎo 20 duō gè jù mù。 cóng mín guó 30 héng 32 nián jiān， gāi tuán zài dōng běi gè dà chéng shì yǎn chū《 léi yǔ》、《 méng yá》、《 yù mó》 děng。 mín guó 31 nián（ 1942 nián） zài fèng tiān yǎn chū sū lián míng jù《 nù hǒu bā， zhōng guó》， nèi róng shì jiē lù yīng měi dì guó zhù yì qīn lüè zhōng guó de zuì 'è lì shǐ。 rì běn yǎn chū cǐ jù de běn yì shì xiǎng xuān yáng yīng měi liè qiáng cán shí zhōng guó de zuì 'è， jī qǐ zhōng guó rén mín duì měi、 yīng dì guó zhù yì de chóu hèn。 dàn shì yǔ yuàn wéi， fǎn dǎo jī qǐ liǎo guǎng dà guān zhòng duì qīn huá rì jūn de wú bǐ chóu hèn， qún zhòng zhēng xiāng guān kàn， shàng zuò kōng qián。 zhè shǐ rì wěi tǒng zhì zhě dà wéi jīng kǒng， lì jí lè lìng tíng yǎn。 cǐ wài， rì wěi hái zài liáo níng gè dà chéng shì zǔ zhì jù tuán， wéi rì běn qīn lüè zhě fú wù， rú xié hé jù tuán（ dà lián）、 xié hé guǎn jù tuán（ ān dōng） děng。 zhè xiē jù tuán zài“ bā · yī wǔ” dōng běi guāng fù hòu xiāng jì jiě tǐ。
jiě fàng zhàn zhēng chū qī， zhōng guó gòng chǎn dǎng chōu diào liǎo dà pī gé mìng wén yì gōng zuò zhě lái dōng běi， zài liáo níng dì qū zǔ jiàn yī xiē wén gōng tuán。 zhè xiē wén yì gōng zuò tuán měi dào yī chù， dū biān yǎn chū wén yì jié mù， biān zuò qún zhòng gōng zuò， bìng bāng zhù gè dì jī jí jiàn lì wén gōng tuán、 duì。 biān yǎn liǎo dà pī huó bào jù、 xiǎo huà jù děng， wéi dōng běi、 wéi liáo níng dì qū xīn huà jù de fā zhǎn diàn dìng liǎo jiān shí de jī chǔ。 tóng shí， shěn yáng、 dà lián、 ān dōng děng dì hái zǔ chéng liǎo yī xiē mín jiān huà jù tuán tǐ， tā men shì zì chóu zī jīn、 zì yuàn jié hé de mín jiān sī yíng zhí yè jù tuán， rú dà lián de dōng yì jù tuán、 guāng fù jù tuán、 zhōng huá qīng nián jù tuán、 liáo dōng jù tuán、 dà lián jù tuán、 zhōng sū yǒu hǎo jù tuán děng， yǎn chū liǎo huà《 yè wèi yāng》、《 xuè zhài》、《 qiū hǎi táng》、《 qì zhuàng shān hé》 děng。 yǔ cǐ tóng shí， guó mín dǎng jūn duì suǒ shǔ de“ zhèng gōng duì” jí yī xiē guó mín dǎng cāo zuò de huà jù tuán， céng yī dù bǎ chí liáo níng gè dì tè bié shì gè dà chéng shì de huà jù wǔ tái， tā men zài shěn yáng、 dà lián、 ān dōng děng dì yǎn chū yī xiē fǎn dòng huà jù， rú《 tiān zì dì yī hào》、《 yě méi guī》 děng， tóng shí， yě yǎn chū guò《 léi yǔ》、《 rì chū》。
zhōng huá rén mín gòng hé guó chéng lì zhī hòu， quán shěng gè shì jūn chéng lì liǎo huà jù yuàn、 tuán。 jǐ shí nián lái， huà jù fā zhǎn jiào kuài， péi yǎng chū yī pī shěng nèi wài jiào yòu shēng yù de yǎn yuán duì wǔ。
huà jù - yì shù tè diǎn
huà jù yì shù jù yòu rú xià jǐ gè jī běn tè diǎn：
dì yī， wǔ tái xìng。 gǔ jīn zhōng wài de huà jù yǎn chū dōushì jiè zhù yú wǔ tái wán chéng de， wǔ tái yòu gè zhǒng yàng shì， mùdì yòu 'èr： yī lì yǎn yuán biǎo yǎn jù qíng， yī lì guān zhòng cóng gè gè jiǎo dù xīn shǎng。
dì 'èr， zhí guān xìng。 huà jù shǒu xiān shì yǐ yǎn yuán de zī tài、 dòng zuò、 duì huà、 dú bái děng biǎo yǎn， zhí jiē zuò yòng yú guān zhòng de shì jué hé tīng jué； bìng yòng huà zhuāng、 fú shì děng shǒu duàn jìn xíng rén wù zào xíng， shǐ guān zhòng néng zhí jiē guān shǎng dào jù zhōng rén wù xíng xiàng de wài mào tè zhēng。
dì sān， zōng hé xìng。 huà jù shì yī zhǒng zōng hé xìng de yì shù， qí tè diǎn shì yǔ zài wǔ tái sù zào jù tǐ yì shù xíng xiàng、 xiàng guān zhòng zhí jiē zhǎn xiàn shè huì shēng huó qíng jǐng de xū yào hé shì yìng de。
dì sì， duì huà xìng。 huà jù qū bié yú qí tā jù zhǒng de tè diǎn shì tōng guò dà liàng de wǔ tái duì huà zhàn xiàn jù qíng、 sù zào rén wù hé biǎo dá zhù tí de。 qí zhōng yòu rén wù dú bái， yòu guān zhòng duì huà， zài tè dìng de shí、 kōng nèi wán chéng xì jù nèi róng。
Chinese drama began in the Qing dynasty, thirty-three years (1907)
Qing Xuantong (1910) introduced Liaoning. Xuantong, alliance members LIU Yi Zhou (wood Duo) from the customs to Liaoyang, performed drama "of Yu" and "mainland Spring." In the same year in May to Mukden, and Opera artists lilac, Duyun Qing, who combined, have performed in the Ming Sheng tea criticized feudalism new drama, "Congress of blood", the Japanese Consulate to protest this, Mukden municipal authorities bowed to pressure and ordered the ban speech. The first (1912), the Shanghai Alliance member Tony rain, Di Feng Han led a delegation to the Liaoyang City, Canton de Tea (Liaoyang Daguanlou), performed drama "miserable subjugation of Poland", "Republic of soul" and so on. Drama after the introduction of Liaoning, local drama fans have organized activities. Republic of China 5 years (1916), Dalian, Chen not my drama club sponsor organizations, and served as president, most members gentry and the city's newspaper business, schools and cultural sectors who plays the show interesting drama "drunk unto them," is drama "Xia brothel prostitutes," "Tears of the Xiang River," "fierce look back", "half brother" and so on. 11 years of the Republic of China (1922), in Fushun Fushun primary school attached to the West YMCA Theater presents "bad marriage", "the case against the London" and so on.
Republic of China for 14 years, Ouyang Yuqian to Dalian, Shenyang and other places to the local youth drama theater and speech-loving civilians art, the diffusion of modern drama. Member of the CPC Shenyang Zhang Guangqi underground workers (female) and female student teachers were absorbed in the "Kill the YMCA," the organization Repertory Theatre, performing drama "The Story of Qiu Jin and Xu Xilin," "Motherhood," "who is at fault," " Courtship "and so on. Ouyang Yuqian Zhang Guangqi also performed with the "soul mate of the fan", "get home" and so on. In the same year in February, Ouyang Yuqian Dalian Chinese YMCA should be invited lecture, "China's dramatic reforms of the way." Liaoning are organized around the amateur drama groups, performances are very active. Republic of China for 15 years in February, was officially established in Dalian beauty Opera. This is the first of a more formal Liaoning drama groups, President Ma Dian-yuan, vice president of Crown Cheung, Fu-Tong Lu, director of the director. In 16 years (1927) in May, the beauty of Chinese YMCA Drama Club should be invited, in preparation of civilians Education Fund, at the YMCA auditorium (in this democratic square) show, staged reflect the tragedy of family and social conflicts " Chiaki grudge "and other drama. Republic of China on September 18, Chen organize truck to "Kill the civilian service groups of students" in the outskirts of Mukden, Tuen Korea and other places show "improved the hospital," "blind" and other drama.
During this period, the puppet government set up three Queen's Theatre "Great Theatre" (Changchun), "Theatre in Harbin", "Kill Union Theatre" are attached to the pseudo-Union Council. "Kill Union Theatre" was built in 27 years in September, the entire regiment over a hundred people, "complete the Union will bear the important mission of culture." Moderator of the original Benedict (Puppet State Theatre Union State Council Chairman), Rui Jin Shan, Yasuda they were all Japanese. Was held in November of small performances, plays for the "In addition to the night song." Republic of China on June 28, held its first big public performance, plays the "Orient House, Colonel," and "pasture"; roving college in December the same year, acting, plays for the "comfort Wu", "blood-track" and so on. These plays are all singing the praises of the Japanese invaders. As of 30 years, the group created and performed a total of more than 20 plays. 30-32 years from the Republic of China, the group performed in major cities in the Northeast, "Thunderstorm", "bud," "For magic," and so on. 31 years of the Republic of China (1942) performed in the Soviet Union were Fengtian drama "Shout, China", the content is to expose the evil American imperialist invasion of China history. Japan to perform the play's intention is to promote Anglo-American powers erode China's evil, aroused the Chinese people in the United States and hatred of British imperialism. But it did not, hand, aroused the audience extremely hate the Japanese invasion of China, the people competing to watch the unprecedented attendance. This greatly frightened the Puppet ruler immediately ordered to stop play. In addition, the Puppet Theater also organize major cities in Liaoning Province, for the Japanese invaders services, such as the Union Theatre (Dalian), Concord Pavilion Theatre (Anton) and so on. The Theatre in the "eight hundred and fifteen," After the restoration of Northeast have disintegrated.
Liberation War, Revolutionary Communist Party of China a large number of writers and artists drawn to the northeast, some of the art troupe formed in the Liaoning region. Art Everywhere these missions are performed theatrical side, while doing mass work, and to help create art troupe around the active, team. Compiled a large number of live drama performances, a small drama, for the Northeast, a new drama for the development of Liaoning province has laid a solid foundation. Meanwhile, Shenyang, Dalian, Anton and other places also composed a number of folk drama groups, they are self-financing, voluntary non-governmental private professional troupes combined, such as Dalian East Arts Theatre, Recovery Theatre, Youth Theatre Journal, Theatre Liaodong, Dalian Theatre, Theatre of the Sino-Soviet friendship and so on, then performed "Night is young", "blood debt", "Begonia", "magnificent" and so on. At the same time, the KMT army belongs to the "Political Force" and some KMT operations Repertory Theatre, once dominated, especially around the major cities of Liaoning drama stage, they are Shenyang, Dalian, some of Anton reactionary drama performances and other places, such as " bully, "" Wild Rose ", etc., but also show off" Thunderstorm "," Sunrise. "
After the founding of the PRC, all cities have set up Theatre and regiment. For decades, rapid development of drama, train a number of internal and external actors are more reputable team.
Drama - Art Features
Dramatic Arts has the following basic features:
First, the stage of. Ancient and modern drama is done by means of the stage, stage a variety of styles, has two purposes: the story of a benefit performers, a benefit audience appreciated from all angles.
Second, the intuitive. First is the actor's gesture drama, action, dialogue, monologue performances, directly on the audience's visual and auditory; and use makeup, costumes and other means of character modeling, so that they can directly view the image of the characters appearance.
Third, comprehensive. Drama is a comprehensive art, which is characterized by the specific shape and artistic image on the stage, directly to the audience needs to show scenes of social life and adaptation.
Fourth, dialogue. Drama drama features different from other stage of the dialogue through the front of a large number of plot, theme shaping the character and expression. Characters which monologue, dialogue with the audience, in particular, the air content within drama.
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