jìn nián lái， “ huàn xiǎng xiǎo shuō ”、“ yōu mò xiǎo shuō”、“ tuī lǐ xiǎo shuō”、“ lì xiǎn xiǎo shuō” děng děng shuō fǎ， zài wǒ guó shàonián xiǎo shuō chuàng zuò、 chū bǎn、 píng lùn jiè， chéng liǎo gèng wéi pǔ biàn hé liú xíng de fēn lèi yòng yǔ。 yī xiē chū bǎn shè hái fēn fēn yǐ cǐ wéi xuǎn tí jiǎo dù， cèhuà、 zǔ zhì bìng lù xù tuī chū liǎo yī tào tào yì shù tè zhēng hé fēng gé sè cǎi shí fēn xiān míng de yuán chuàng xìng shǎo 'ér wén xué cóng shū。 hěn xiǎn rán， zhè zhǒng fēn lèi fāng shì yǔ zǎo xiān de fēn lèi fāng shì xiāng bǐ， tā duì zuò pǐn de yì shù pǐn xìng de zhǐ shè xìng hé tí shì xìng dōudà dà zēng qiáng liǎo。 zài zhè xiē lèi xíng yòng yǔ de qiáng yòu lì de lǐ lùn zhuā wò hé měi xué 'àn shì zhī xià， yī pī pī jù yòu dú tè yì shù pǐn xìng de xiǎo shuō bèi zhào huàn、 jù lǒng zài xiāng yìng de cóng shū zhī zhōng， chéng xiàn zài dú zhě de miàn qián。
cóng wén xué shǐ de jiǎo dù kàn， lì xiǎn xiǎo shuō dāng rán bù shì shǎo 'ér wén xué de yī gè xīn pǐn zhǒng。“ lì xiǎn” zuò wéi yī zhǒng tè shū de wén xué gòu chéng yuán sù， shì shí shàng yī zhí shì、 zhōng wài wén xué fā zhǎn shǐ zhōng yī gè zhòng yào de xù shì yuán xíng。 qí zuì chū de xù shì pēi tāi zài shén huà shí dài jiù yǐ kāi shǐ yùn yù liǎo。 cǐ hòu， yóu“ lì xiǎn” chuàn lián qǐ lái de zhōng wài wén xué míng zhù kě yǐ kāi liè chū yī fèn hěn cháng de qīng dān。 lì rú wèi jū wǒ guó gǔ dài sì dà wén xué míng zhù zhī liè de míng dài cháng piān shén mó xiǎo shuō《 xī yóu jì》， tóng shí yì kān chēng yī bù jié chū de lì xiǎn xiǎo shuō。 xiǎo shuō miáo shù liǎo táng sēng、 sūn wù kōng、 zhū bā jiè、 shā hé shàng shī tú sì rén qù xī tiān qǔ jīng yī lù shàng jiàng yāo fú mó de gù shì。 yán tú tā men jīng lì liǎo jiǔ jiǔ bā shí yī nán， zuì hòu dào dá xī tiān líng shān， qiú dé zhēn jīng。 xiǎo shuō zhōng nà xiē wéi rào zhe xiǎn shān 'è shuǐ、 yāo dòng mó kū suǒ zhǎn kāi de qíng jié miáo huì， wéi zuò pǐn píng tiān liǎo jù dà 'ér fēng fù de xiǎn shì xiǎn qù。 zài xī fāng， wén xué duì lì xiǎn de biǎo xiàn tóng yàng yòu zhe jiǔ yuǎn de lì shǐ， gǔ xī là shén huà lǐ nà xiē jù yòu rén gé tè diǎn de chāo rén， jiù dà duō shì yī xiē yǒng gǎn de mào xiǎn jiā yǔ qiáng hàn de zhēng fú zhě。 zhè xiē chāo rén chuán shuō ( rú guān yú hè lā kè lè sī de， guān yú liè qǔ jīn yáng máo de， guān yú tè luò yī zhàn zhēng de， děng děng ) dōuyòu yī gè gòng tóng zhī chù， jí qí zhù tí dū yǔ biǎo xiàn mào xiǎn、 lüè duó hé zhēng fú yòu guān。 zì gē lún bù fā xiàn měi zhōu hòu， gèng shì chū xiàn liǎo xǔ duō fǎn yìng wěi dà lì xiǎn jīng lì de zuò pǐn， rú dí yà sī · dé 'ěr · kǎ sī dì luò de miáo
shù zhēng fú bǎo xī gē de gù shì、 kǎ mò 'ēn sī de miáo xiě huán qiú háng xíng de pú táo yá shǐ shī、 hā kè lù tè duì yīng guó rén hǎi shàng mào xiǎn huó dòng de jì shù、 ào lì 'ā liú sī duì dān mài yī rì 'ěr màn rén yuǎn zhēng bō sī de miáo xiě， děng děng。 zhí dào 1719 nián， yīng guó zuò jiā dí fú de zhù míng lì xiǎn xiǎo shuō《 lǔ bīn xùn piào liú jì》 miàn shì。 zhè bù míng zhù bèi rèn wéi shì lì xiǎn xiǎo shuō zhōng huāng dǎo xiǎo shuō (Desertislandfiction) zhè yī fēn zhī lèi xíng de fā duān zhī zuò。 huāng dǎo xiǎo shuō shì zhǐ bǎ yuǎn lí rén shì de huāng dǎo zuò wéi huán jìng lái zhǎn kāi gù shì、 miáo huì rén wù de yī lèi zuò pǐn。“ huāng dǎo” zhè yī guī dìng qíng jìng yòu zhe tè shū de xù shì mèi lì。 tā chǔyú“ zhēn shí” shì jiè zhī wài， shì rén men lǐ xiǎng zhōng wèi bèi wài rén shè zú hé wén míng“ wū rǎn” de mán huāng zhī dì。 duì rén men de“ yōu gǔ” xīn lǐ jí mào xiǎn hé tàn suǒ běn néng lái shuō， tā tí gōng liǎo yī gè shí fēn hé shì de shì fàng tú jìng hé kōng jiān。 jì dí fú de míng zhù zhī hòu， zài hěn cháng de yī duàn shí jiān lǐ， ōu zhōu chū xiàn liǎo yī gǔ huāng dǎo xiǎo shuō rè。 ér《 lǔ bīn xùn piào liú jì》 bù jǐn xī yǐn liǎo yī dài dài de shàonián 'ér tóng dú zhě， tóng shí yě yǐng xiǎng liǎo 'ér tóng wén xué zhōng huāng dǎo xiǎo shuō de fā zhǎn， 19 shì jì yīng guó zuò jiā sī dì wén sēn de《 jīn yín dǎo》 (1883 nián ) jiù shì zhè lèi xiǎo shuō de dài biǎo zhī zuò。 20 shì jì zhōng yè， wēi lián · gē 'ěr dīng de《 yíng wáng》 miáo shù liǎo yī qún liú luò gū dǎo de 'ér tóng de lì xiǎn gù shì。 zhè bù zuò pǐn de gù shì miáo shù hé yì yì chéng xiàn yǐ bù tóng yú yǐ wǎng de tóng lèi xiǎo shuō， dàn tā de chū xiàn zhèng míng liǎo huāng dǎo xiǎo shuō yú mài wèi duàn， shèn zhì réng zài huā yàng fān xīn。
lì xiǎn xiǎo shuō de zhǐ shè fàn wéi dāng rán bāo kuò liǎo huāng dǎo xiǎo shuō， tā fàn zhǐ yǐ miáo huì zhù rén gōng zài yì cháng qíng jìng zhōng jīng lì gè zhǒng xiàn shí de huò xū gòu de xiǎn qíng wēi jú wéi zhù de shǎo 'ér xiǎo shuō zuò pǐn。 zhè xiē zuò pǐn zhōng de zhù rén gōng ( gè tǐ huò qún tǐ ) cháng cháng shēn chù jué jìng 'ér zhōng yú 'ān rán tuō xiǎn； zuò pǐn xuán niàn dié shè， wēi qíng jīng xīn dòng bó； zuì zhōng， jīng lì liǎo xiǎn jìng de mó nán hé xǐ lǐ， zhù rén gōng shí xiàn liǎo rén shēng de qǐ wù hé chéngzhǎng。
From the perspective of the history of literature, children's adventure novels, of course not a new variety of literature. "Adventure", as a particular literary form element, in fact had been, the history of Chinese and foreign literary narrative an important prototype. The original Age of Mythology Narrative embryos began bred. Since then, the "adventure" to link up with foreign literary classics can be opened out a very long list. For example, among the four ancient Chinese literary classics of the Ming Dynasty long series Ghost Stories, "Journey to the West," also called an excellent adventure novel. Novel describes the Tang Monk, Monkey, Pig, Shahe Shang mentoring four to learn along the way west in the story of Jiang Yao Demon. Along the way they went through 99 81 is difficult, and finally reach the Western Paradise Mountain, obtained Scriptures. Risk that the novel revolves around the evil mountain water, monster hole to start the plot described by the den for work added to a huge and rich potential insurance risk interest. In the West, literature on the performance of the same adventure has a long history, ancient Greek mythology, who have the personality characteristics of Superman, the most powerful of some brave adventurers and conquerors. The Superman myth (such as on the Hercules, and on the hunt for the Golden Fleece, and on the Trojan war, and so on) have one thing in common, that is its subject with the performance of adventure, plunder and conquer the. Since Columbus discovered America, the more there were many works reflect the great adventures, such as 迪亚斯德尔 Castillo's description
The story referred to conquer Baoxi Ge, Kamoensi description of the Portuguese sailing round the world epic, Hakelute on account of the British maritime adventure, Ao Lie Aurelius people of Denmark on the 1st Germain description of the Persian expedition, and so on. Until 1719, the British author Daniel Defoe's famous adventure novel "Robinson Crusoe" published. This classic adventure novel is considered a desert island fiction (Desert island fiction) the originator of this branch of the type to make. Desert island novel refers to the island away from the human world as the environment to expand the story, depicting the characters kind of work. "Desert island" that provides the narrative context of special charm. It is "real" world outside is not the ideal people and outsiders involved in civilization "pollution" of wild land. On people's "quiet old" psychological and instinct for adventure and exploration, it provides a very appropriate way to release and space. Following Daniel Defoe's masterpiece, after a long period of time, Europe has emerged in the hot desert island fiction. And "Robinson Crusoe" is not only attracted generations of children's readers, but also affected the island children's literature in the development of novel, 19-century English writer Robert Louis Stevenson's "Treasure Island" (1883 ) is the representative for this type of novel. Mid-20th century, William Golding's "Lord of the Flies," describes a group of children living on the island adventures. Description of this work and significance of the story has been different from the previous presentation of similar stories, but it appears that a desert island fiction Mountains is not broken, and even still guise.
Referential range of adventure novels, including of course a desert island fiction, it depicts the hero refers to abnormal situations experienced in a variety of real or imaginary dangers dangers of children's novels based. The heroes of these works (individual or groups) are often desperate and finally safely out of danger; works of suspense Diego based, soul-stirring crisis situation; the end, through the danger of suffering and the baptism of the hero to achieve a life of enlightenment and growth.
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