reportage
cóng xīn wén bào dào hé jì shí sǎnwén zhōng shēng chéng bìng dú lì chū lái de yī zhǒng xīn wén yǔ wén xué jié hé de sǎnwén tǐ cái， yě shì yī zhǒng yǐ wén xué shǒu fǎ jí shí fǎn yìng hé píng lùn xiàn shí shēng huó zhōng de zhēn rén zhēn shì de xīn wén wén tǐ。 sù xiě、 tè xiě、 wén yì tōng xùn de zǒng chēng。 zuò wéi yī zhǒng jiè yú tōng xùn hé xiǎo shuō zhī jiān de wén tǐ。 tā yǐ xù shì jì shí wéi zhù tǐ， yǐ bào gào zhēn xiāng wéi jǐ rèn， jí yào qiú zuò pǐn zhōng zhàn zhù tǐ de rén yǔ shì bì xū zhēn shí， jù yòu xīn wén xìng； yòu jīng guò yì shù jiā gōng， yǐ xíng xiàng fǎn yìng shēng huó， bìng bǎo hán zuò jiā de sī xiǎng qīng xiàng hé qíng gǎn tài dù， jù bèi wén xué xìng。 yě jiù shì sān gè zhēng： xīn wén xìng、 wén xué xìng hé zhèng zhì xìng。 zhè zhǒng wén tǐ shì jìn dài xīn wén shì yè fā dá de chǎn wù， céng shèng xíng yú 20 shì jì chū qī de sū lián hé 'ōu měi。 zài wǔ sì yùn dòng yǐ hòu de zhōng guó， mǒu xiē tōng xùn、 lǚ xíng jì hé xù shì sǎnwén yǐ jù yòu bào gào wén xué de bù fēn tè xìng。 dàn zhèng shì chàng dǎo hé zì jué chuàng zuò bào gào wén xué， shì cóng 30 nián dài chū kāi shǐ de， bìng yǔ zuǒ yì wén yì yùn dòng hé wài guó bào gào wén xué de chuán rù yòu guān。 dì yī bù yǐ bào gào wén xué míng yì chū bǎn de zuò pǐn jí shì《 shàng hǎi shì biàn yǔ bào gào wén xué》（ 1932）。 shāo hòu yòu《 huó de jì lù》、《 zhōng guó de yī rì》 děng zhuān jí hé《 bāo shēn gōng》 ( xià yǎn )、《 1936 nián chūn zài tài yuán》（ sòng zhī de） děng míng piān。 30 nián dài mò qī yǐ hòu， zhōng guó bào gào wén xué huò dé hěn dà fā zhǎn， yǐ chéng wéi yī gè dú lì de zhòng yào de wén xué pǐn zhǒng。
shénme jiào bào gào wén xué ?
bào gào wén xué shì cǎi qǔ wén xué shǒu duàn jí shí dì fǎn yìng zhēn rén zhēn shì de yī zhǒng xīn wén wén tǐ。
19 shì jì de wǎn qīng， bào zhǐ dēng lù zhōng guó， sǎnwén yǔ xīn wén xiāng jié hé de chǎn wù zǎo bào gào wén xué cái kāi shǐ yùn yù。 yā piàn zhàn zhēng zhī hòu， chū xiàn liǎo dì yī pī chū jù bào gào wén xué chú xíng de zuò pǐn， dàn zhǐ shì dào liǎo liáng qǐ chāo de《 wù xū zhèng biàn jì》 cái míng xiǎn jù bèi liǎo bào gào wén xué de jī běn tè zhēng。 liáng qǐ chāo zhī hòu， bào gào wén xué zuò pǐn màn màn duō liǎo qǐ lái。
“ wǔ sì ” yùn dòng wéi zhōng guó de sī xiǎng、 wén huà dài lái shēn kè de biàn gé， bào gào wén xué zài tí cái hé sī xiǎng nèi róng shàng qǔ dé liǎo jù dà tū pò。 bīng xīn、 qú qiū bái、 liáng qǐ chāo、 lǔ xùn、 róu shí、 xiè bīng yíng hé wén xué yán jiū huì de zhū zuò jiādōu jī jí xiě zuò bào gào wén xué。 chú jiān chí yī guàn de 'ài guó zhù yì jīng shén de xuān yáng wài， tóng qíng rén mín shēng huó jí kǔ、 jiē lù dì guó zhù yì hé fēng jiàn jūn fá zuì 'è、 xún qiú zhōng guó chū lù、 zàn yáng sū 'é gé mìng、 biǎo xiàn běi fá gé mìng děng sī xiǎng nèi róng gèng duō dì biǎo xiàn zài tā men de zuò pǐn zhōng。 zuò zhě men duō yǐ qīn shēn jīng lì de shì jiàn wéi sù cái， zuò pǐn de shū qíng xìng dà wéi zēng qiáng。 dào zhè shí， zuò zhě men shàng méi yòu wén tǐ de zì jué xìng，“ bào gào wén xué” zhè yī míng cí zhí dào 1930 nián cái zhèng shì bèi yǐn jìn。
zhù míng de bào gào wén xué zuò pǐn yòu《 jiǎo xíng jià xià de bào gào》、《 bāo shēn gōng》 děng。
bào gào wén xué shì yī zhǒng zài zhēn rén zhēn shì jī chǔ shàng sù zào yì shù xíng xiàng， yǐ wén xué shǒu duàn jí shí fǎn yìng xiàn shí shēng huó de wén xué tǐ cái。
tā de jī běn tè zhēng shì： 1. jí shí xìng 2. jì shí xìng 3. wén xué xìng
bào gào wén xué wǎng wǎng xiàng xīn wén tōng xùn yī yàng， shàn yú yǐ zuì kuài de sù dù， bǎ shēng huó zhōng gāng fā shēng de jī dòng rén xīn de shì jiàn jí shí dì chuán dá gěi dú zhě。 bào gào wén xué zhī suǒ yǐ shòu dú zhě huān yíng， jiù zài yú tā néng bǎ wò shí dài de mài bó， bǎ qún zhòng guān xīn de xiàn shí qíng kuàng xùn sù dì fǎn yìng chū lái， fā huī“ wén xué qīng qí bīng” de zuò yòng。
bào gào wén xué bù néng xiàng xiǎo shuō nà yàng xū gòu rén wù、 qíng jié， tā bì xū yǐ xiàn shí shēng huó zhōng de zhēn rén zhēn shì wéi miáo xiě duì xiàng， xiě zhēn jì shí shì tā de zhòng yào tè zhēng。
yī bān lái shuō， bào gào wén xué yào xiě zhēn rén zhēn shì， dàn bù shì rèn hé zhēn rén zhēn shìdōu néng chéng wéi bào gào wén xué miáo xiě de duì xiàng。 bào gào wén xué yào zhuī zōng shì shí， dàn bìng bù shì rèn hé shì shí dū zhí dé tā men qù bào gào， ér shì yào yòu suǒ xuǎn zé hé tí liàn。
bào gào wén xué bù néng xiàng xīn wén bào dǎo nà yàng， zhǐ yòu shì jiàn gěng gài， tā bì xū sù zào fēng mǎn de rén wù xíng xiàng， bì xū yòu shēng dòng de xíng xiàng huà de xì jié。
bào gào wén xué bù tóng yú xiǎo shuō， bù yǐ sù zào rén wù xíng xiàng wéi zhù， dàn tā zài yì shù xíng xiàng xìng shàng de yào qiú shì hěn gāo de。 rén wù tè xiě zì rán bì xū zài jiè shào rén wù shì jì zhōng nǔ lì kè huà rén wù， jí shǐ zài yǐ xiě shì wéi zhù de zuò pǐn zhōng yě lí bù kāi xiě rén， rú guǒ néng shēng dòng dì kè huà rén wù xíng xiàng， bì rán huì dà dà jiā qiáng gǎn rǎn lì。
bào gào wén xué hái kě yǐ xī shōu xiǎo shuō de miáo xiě jì qiǎo、 xì jù de duì huà yì shù、 diàn yǐng fēn jìng tóu de xù shù fāng fǎ yǐ jí shī gē de tiào yuè shǒu fǎ děng。
reportage
From the news reports and documentary prose generation and independent press and a combination of prose genres of literature, but also a time to reflect and comment on literary techniques in real life the true story of the news style. Sketches, features, general term for literary communication. As a range of communication and style between the novel. Its narrative documentary as the main responsibility to report the truth, which called for work in the dominant people and things must be true, with news of; it through the artistic process, to reflect the image of life and full of writer's ideological tendencies and emotional attitude with literary. That is, the three signs: news and literary and political. This style is a product of modern journalism developed, has prevailed in the early 20th century, the Soviet Union and Europe and the United States. China after the May 4th Movement, some of communication, travel and narrative prose has been credited with some characteristics of reportage. But the official reportage advocacy and conscious creation, beginning from the early 30's, and with the left-wing literary movement and the introduction of foreign reportage. The first to publish the works of reportage is the name of the "Shanghai Incident and Reportage" (1932). Later, a "living record" and "China Day" and other albums and "bonded labor" (Xia Yan), "Spring 1936, in Taiyuan" (Song of) other famous article. The late 30s, China was a great development of reportage that has become an important independent literary variety.
What is reportage?
Literary reportage is the means to take time to reflect true story of a news style.
Late 19th century, newspapers landing in China, essays and news product of the combination of reportage started breeding date. After the Opium War, there has been first begun to take shape in the works of reportage, but only to Liang's "coup d'etat in mind" that obviously has the basic characteristics of reportage. Liang, the reportage work together more slowly.
Famous works of reportage, "the report under the gallows", "bonded labor" and so on.
Reportage is a true story based on the shape in the artistic image, in order to reflect the real life of literature and timely means of literature.
Its basic features are: 1. Timely 2. Documentary 3. Literary
Reportage newsletter as often as good at the fastest speed, the exciting life events that occurred just in time to convey to the reader. Reportage reason by the readers, is that it can grasp the pulse of the times, the reality of concern to the masses quickly reflected in the play "literary light cavalry" role.
Reportage can not be as novel as fictional characters, plot, it must be the real story in real life as his subject, photo documentary is an important feature of it.
In general, the reportage to write true story, but not any real story can become the object of reportage description. Reportage to follow the facts, but not worthy of any facts to report them, but to be chosen and refined.
Reportage did not like the news reports, only the outline of events, it must shape the fullness of the characters, to visualize the details are vivid.
Reportage is different from fiction, not to create the main characters, but it is the image of the art requirements are very high. Close-up of natural persons must be introduced to depict characters in stories, even if mainly in order to write something also needs to write one works, if vivid characterization, is bound to greatly enhance the appeal.
Reportage also can absorb the description of novel techniques, theater arts of dialogue, the film's narrative method and a shooting jump measures in poetry.
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