xiá yì gōng 'àn xiǎo shuō
jìn dài xiǎo shuō liú pài。 xiá yì xiǎo shuō hé gōng 'àn xiǎo shuō hé liú de chǎn wù。
jìn dài yǐ qián， xiá yì xiǎo shuō hé gōng 'àn xiǎo shuō， gè zì dú lì fā zhǎn。 zì táng dài chuán qí《 kūn lún nú》、《 hóng xiàn》、《 niè yǐn niàn》 děng zuò pǐn chū xiàn zhī hòu， sòng dài de《 jiāng huái yì rén lù》、 míng dài de《 jiàn xiá chuán》， sòng yuán huà běn zhōng de “ pōdāo”、“ gǎnbàng” děng， jūn shǔ xiá yì xiǎo shuō zuò pǐn。
gōng 'àn xiǎo shuō cóng sòng rén shuō huà zhōng“ shuō gōng 'àn” qǐ， rú sòng yuán huà běn《 jiǎn tiē hé shàng》， míng dài de《 lóng tú gōng 'àn》、《 hǎi gāng fēng xiān shēng jū guān gōng 'àn chuán》 děng， dōushì gōng 'àn xiǎo shuō zuò pǐn。 tā mendōu shì duǎn piān huò duǎn piān jí。
jìn dài xiá yì xiǎo shuō、 gōng 'àn xiǎo shuō hé liú， fēngmǐ yī shí。 bù jǐn shù liàng zhòng duō， ér qiě yǐng xiǎng pō dà。 rú《 shī gōng 'àn》、《 péng gōng 'àn》、《 sān xiá wǔ yì》（ yòu míng《 qī xiá wǔ yì》）、《 xiǎo wǔ yì》 jí qí xù shū。 zhè xiē zuò pǐn yǐ cóng duǎn piān fā zhǎn chéng cháng piān。 qí nèi róng jīhū dōushì yǐ yī míng chén dà lì huò qīng guān shěn 'àn zhé yù wéi zhù xiàn， zǒng lǐng yī xiē háo xiá zhī shì， bǎ yī 'àn nèi róng gèn yán wéi shù huí , zǔ zhì chéng diē dàng qǐ fú de qíng jié , gòu chéng yī gè wán zhěng yòu jī de zhěng tǐ。
jìn dài xiá yì、 gōng 'àn xiǎo shuō de hé liú， fǎn yìng liǎo jìn dài shè huì fēng jiàn tǒng zhì de fǔ xiǔ mòluò。 zài nóng mín gé mìng dǒu zhēng de dǎ jī xià， qīng zhèng fǔ fēng jiàn tǒng zhì zhāobù bǎo xī， xū yào gèng duō de bāng xiōng hé zhǎo yá。 xiǎo shuō zhōng de qīng guān shī shì guān、 péng péng děng rén lǚ zāo wēinàn， tā men de zì shēn 'ān quán yǔ shěn 'àn duàn yù， dū bì xū zài xiá kè de bāng zhù xià， cái yòu bǎo zhàng； ér xiá kè yì shì yì xū tóu kào guān fǔ， chōng dāng“ dǎ shǒu”， cái néng fēi huáng téng dá， fēng qī yìn zǐ , liǎng zhě hù xiāng fú chí , hù xiāng yǐ kào。 yīn cǐ， jìn dài xiá yì gōng 'àn xiǎo shuō de zhù yào sī xiǎng qīng xiàng shì：“ jí zàn zhōng liè zhī chén、 xiá yì zhī shì”（ wèn zhú zhù rén《 zhōng liè xiá yì chuán xù》） , cóng“ jiǎn 'è chú □ , kuāng fú shè jì”
chū fā， xuān yáng“ jìn zhōng” sī xiǎng， tí chàng“ nú cái” zhé xué， gǔ chuī biàn jié xíng wéi。《 péng gōng 'àn》 dì yī huí jiù míng yán“ yòu dào míng jūn， tiān jiàng xián chén”。 shū zhōng gē sòng qīng guān， jù yòu qiáng liè“ sòng shèng” sè cǎi hé biǎo xiàn zhōng chén de tè diǎn。 xǔ duō háo xiá yì shì， shì lùlín pàn nì， tā men tóu kào guān fǔ， chū shēng rù sǐ， shí zhì chéng wéi nú cái。
yòu shǎo shù xiá yì gōng 'àn xiǎo shuō , zài yì shù shàng yòu yī dìng chéng jiù。 rú《 sān xiá wǔ yì》 yuán xì shuō huà rén de dǐ běn， jīng cháng qī de yùn niàng hé jiā gōng， jù yòu“ shuō huà” de shēng dòng、 míng kuài de tè sè , lìng yú xiě cǎo yě háo jié ,“ yì yì yòu shén， jiànhuò chèn yǐ shì tài , zá yǐ huī xié , yì měi lìng mǎng fū fènwài shēng sè”（ lǔ xùn《 zhōng guó xiǎo shuō shǐ lüè》）。 dàn dà duō shù zuò pǐn， jūn“ huāng shuài shū shèn”， yì shù cū cāo。
（ hóu zhōng yì）
Chivalry and legal case
Modern fiction genre. Chivalric novels and detective novels a product of convergence.
Recent past, chivalric novels and detective novels, developed independently. Since the Tang Dynasty Legends "Kunlun Nu", "red line", "Nie" and other works appeared after the Song Dynasty "recorded Jianghuai different people," Ming "A swordsman Biography", Song and Yuan Dynasties of "Pu Dao," " Gan Bang, "and so on, are chivalrous novels.
Detective Stories from the words of the Song, "said Detective" on, such as the Song and Yuan Dynasties "Jane posts a monk," Ming "Lung Detective," "Mr. Fung Hoi just anchoret Detective Biography", are detective novels. They are short stories or short _set_.
Modern chivalry novels, detective fiction merge, all the rage. Not only a large number, but a lot of influence. Such as "Shi", "Peng Detective," "San Xia Wu Yi" (also known as "Five Seven Chivalrous righteousness"), "Xiao Wu Yi" and its Sequel. These works from the development of growth of short articles. Almost all of its contents to a minister Dali or sitting upright official prison break the main line, the logistics of some gallant people in, interactive content to extend the case number back, organized into ups and downs of the plot, a complete organic whole.
Modern Chivalry, detective novels confluence, reflecting the decay of modern society of feudal rule. Revolutionary struggle against the peasants under the feudal rule of the Qing government precarious, more accomplices and lackeys. Morally novel Shi Shi Lun, Peng Peng, who repeated distress, their own safety and adjudicating adjudication and must help the warrior, is guaranteed; the righteous knight must seek refuge official, act as a "hatchet man" in order to Apprentice , Feng Yin wife son, both mutual support, interdependence. Therefore, the modern novel's main idea and Chivalrous tendency: "The minister highly praised Martyrs, chivalrous people in" (ask the owner of Bamboo "Martyrs chivalry transfer order"), from "Cutting evil except □, and restorative Sajik"
Starting to promote "loyal" thinking, to promote "slave" philosophy, advocating renegade behavior. "Peng Detective" The first chapter made it clear that "a proper way could maintain, heaven upright ministers." The book praises clean government, with a strong "Song San" color and performance characteristics of loyal. Many gallant chivalrous, is greenwood treason, they seek refuge official, highlighted the danger, real as slaves.
A small number of Chivalry and legal case, there are certain achievements in the arts. Such as "San Xia Wu Yi," originally the speaker's libretto, after a long gestation period and processing, with the "speak" a vivid, lively features, and the other in writing Kusano hero, "Yi-yi God, sometimes lined with the world state, mixed with witty, but also every so Mangfu exceptionally chromophore "(Lu Xun," A Brief History of Chinese Fiction "). But most of the works are "very special shortage rate", Art rough.
(Hou Zhongyi)
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