shì zhǐ míng dài wǔ běn zhù míng chuán qí xiǎo shuō jí de hé chēng， “ sān yán ” jí《 yù shì míng yán》、《 jǐng shì tōng yán》、《 xǐng shì héng yán》 de hé chēng。 zuò zhě wéi míng dài féng mèng lóng。“ èr pāi” zé shì zhōng guó nǐ huà běn xiǎo shuō jí《 chū kè pāi 'àn jīng qí》 hé《 èr kè pāi 'àn jīng qí》 de hé chēng。 zuò zhě líng méng chū。
sān yán
féng mèng lóng biān de“ sān yán”， shì《 yù shì míng yán》《 jǐng shì tōng yán》《 xǐng shì héng yán》 sān bù xiǎo shuō jí de zǒng chēng。《 yù shì míng yán》 yì chēng《 gǔ jīn xiǎo shuō》， dàn“ gǔ jīn xiǎo shuō” shí wéi“ sān yán” de tōng chēng。
“ sān yán” měi jí 40 piān， gòng 120 piān。 fēn bié kān yú tiān qǐ yuán nián（ 1621） qián hòu、 tiān qǐ sì nián（ 1624）、 qī nián（ 1627）。 zhè xiē zuò pǐn yòu de shì ji lù liǎo sòng yuán míng yǐ lái de jiù běn， dàn yī bān dū zuò liǎo bù tóng chéng dù de xiū gǎi； yě yòu de shì jù wén yán bǐ jì、 chuán qí xiǎo shuō、 xìqǔ、 lì shǐ gù shì， nǎi zhì shè huì chuán wén zài chuàng zuò 'ér chéng， gù“ sān yán” bāo róng liǎo jiù běn de huì ji hé xīn zhù de chuàng zuò， shì wǒ guó bái huà duǎn piān xiǎo shuō zài shuō chàng yì shù de jī chǔ shàng， jīng guò wén rén de zhěng lǐ jiā gōng dào wén rén jìn xíng dú lì chuàng zuò de kāi shǐ。 tā“ jí mó rén qíng shì tài zhī qí， bèi xiě bēi huān lí hé zhī zhì”（ xiào huā zhù rén《 jīn gǔ qí guān xù》）， shì sòng yuán míng sān dài zuì zhòng yào de yī bù bái huà duǎn piān xiǎo shuō de zǒng jí。 tā de chū xiàn， biāo zhì zhe gǔ dài bái huà duǎn piān xiǎo shuō zhěng lǐ hé chuàng zuò gāo cháo de dào lái。
èr pāi
zài“ sān yán” de yǐng xiǎng xià， líng méng chū biān zhù liǎo《 chū kè pāi 'àn jīng qí》（ kān yú 1628 nián） hé《 èr kè pāi 'àn jīng qí》（ kān yú 1632 nián） gè 40 juàn， rén chēng“ èr pāi”。 líng méng méng chū（ 1580 héng 1644）， zì xuán fáng， hào chū chéng， bié hào jí kōng guān zhù rén， wū chéng（ jīn zhè jiāng wú xīng） rén。 18 suì bǔ lǐn shàn shēng， hòu kē chǎng yī zhí bù lì。 55 suì shí， yǐ yōu gòng shòu shàng hǎi xiàn chéng， hòu zhuó xú zhōu tōng pàn bìng fēn shǔ fáng cūn。 chóng zhēn shí qī nián（ 1644）， lǐ zì chéng bù jìn bī xú zhōu， yōu fèn 'ér sǐ。 tā yī shēng zhù shù shèn duō， ér yǐ“ èr pāi” zuì yòu míng。“ èr pāi” yǔ“ sān yán” bù tóng， jī běn shàng dōushì gè rén chuàng zuò，“ qǔ gǔ jīn lái zá suì shì kě xīn tīng dǔ、 zuǒ tán xié zhě， yǎn 'ér chàng zhī”（《 èr kè pāi 'àn jīng qí xiǎo yǐn》）。 tā yǐ jīng shì yī bù gè rén de bái huà xiǎo shuō chuàng zuò zhuān jí。“ juàn zhì hào fán， guān lǎn nán zhōu”（ xiào huā zhù rén《 jīn gǔ qí guān xù》）， gù cóng zhōng xuǎn qǔ 40 zhǒng chéng《 jīn gǔ qí guān》。 hòu sān bǎi nián zhōng， tā jiù chéng wéi yī bù liú chuán zuì guǎng de bái huà duǎn piān xiǎo shuō de xuǎn běn。
sān yán zhōng měi yī zhāng dū jiǎng liǎo yī gè dào lǐ， dàn yòu de zhāng jié huì yǔ shèn duō， ér yòu de zé gù shì qíng jié yǐn rén rù shèng， bǐ rú《 xǐng shì héng yán》 zhōng yòu yī zhāng《 mài yóu láng dú zhàn huā kuí》 jiǎng liǎo yóu láng qín zhòng xún fù、 huā kuí niàn zǐ xún fū cóng liáng guò chéng zhōng liǎng rén cóng xiāng shí dào xiāng 'ài de měi hǎo gù shì。
“ sān yán” suǒ shōu lù de zuò pǐn， wú lùn shì sòng yuán jiù piān， hái shì míng dài xīn zuò hé féng mèng lóng nǐ zuò， dū chéng dù bù tóng dì jīng guò féng mèng lóng zēng shān hé rùn shì。 zhè xiē zuò pǐn， tí cái guǎng fàn， nèi róng fù zá。 yòu duì fēng jiàn guān liáo chǒu 'è de qiǎn zé hé duì zhèng zhí guān lì dé xíng de zàn yáng， yòu duì yǒu yì、 ài qíng de gē sòng hé duì bèi xìn qì yì、 fù xīn xíng wéi de chì zé。 gèng zhí dé zhù yì de， yòu bù shǎo zuò pǐn miáo xiě liǎo shì jǐng bǎi xìng de shēng huó。 rú《 shī rùn zé tān jué yù yǒu》、《 jiǎng xīng gē zhòng huì zhēn zhū shān》、《 dù shí niàn nù chén bǎi bǎo xiāng》、《 mài yóu láng dú zhàn huā kuí》 děng。 zài zhè xiē zuò pǐn lǐ， qiáng diào rén de gǎn qíng hé rén de jià zhí yīnggāi dé dào zūn zhòng， suǒ xuān yáng de dào dé biāo zhǔn、 hūn yīn yuán zé， yǔ fēng jiàn lǐ jiào、 chuán tǒng guān niàn shì xiāng wéi bèi de。 zhè shì chōng mǎn shēng mìng huó lì de shì mín sī xiǎng yì shí de tǐ xiàn。“ sān yán” zhōng de yōu xiù zuò pǐn， jì zhòng shì gù shì wán zhěng， qíng jié qū zhé hé xì jié fēng fù， yòu diào dòng liǎo duō zhǒng biǎo xiàn shǒu duàn， kè huà rén wù xìng gé。 tā de kān xíng， tuī dòng liǎo duǎn piān xiǎo shuō de fā zhǎn hé fán róng， biāo zhì zhe zhōng guó duǎn piān bái huà xiǎo shuō de mín zú fēng gé hé tè diǎn yǐ jīng xíng chéng。
“ èr pāi” de yòu xiē zuò pǐn fǎn yìng liǎo shì mín shēng huó hé tā men de sī xiǎng yì shí。 rú《 zhuǎn yùn hàn yù qiǎo dòng tíng hóng》 xiě shāng rén fàn hǎi jīng shāng shì， kě yǐ kàn chū míng mò shāng rén men zhuī qiú qián cái de qiáng liè yù wàng。《 wū jiāng jūn yī fàn bì chóu》、《 dié jū qí chéng kè dé zhù》 děng zhòng shì shāng yè miáo xiě， zài yǐ wǎng de duǎn piān xiǎo shuō zhōng fēi cháng hǎn jiàn。 yòu xiē zuò pǐn tí chū zài 'ài qíng hūn yīn shēng huó zhōng yào qiú nán nǚ píng děng de guān diǎn。 rú《 lǐ jiāng jūn cuò rèn jiù》， miáo xiě liǎo liú cuì cuì hé jīn dìng zhōng zhēn bù yú de 'ài qíng。 xiān shì cuì cuì pò shǐ fù mǔ fàng qì“ mén dāng hù duì” de xí sú chén guī 'ér hé jīn dìng jié hé， hòu cuì cuì bèi lǐ jiāng jūn lǔ qù zuò qiè， jīn dìng yòu lì jìn jiān xīn， zhōng yú zhǎo dào liǎo cuì cuì。 dàn pò yú jiāng jūn quán shì， bù dé yǐ fū qī xiāng rèn， zuì hòu yǐ shuāng shuāng xùn qíng lái biǎo shì tā men zhī jiān de zhì sǐ bù yú de gǎn qíng。“ èr pāi” shàn yú zǔ zhì qíng jié， yīn cǐ duō shù piān zhāng yòu yī dìng de xī yǐn lì， yǔ yán yě jiào shēng dòng。 dàn cóng zǒng de yì shù mèi lì lái shuō， tā bǐ“ sān yán” chàdé duō。
Refers to the famous Ming Dynasty Legends five sets collectively, the "three words" that "Yu Shiming Yan", "Jingshitongyan", "Awaken the common saying" the collectively. The author is Ming Feng Meng. "Amazing Stories" is telling in this novel set in China, "first moment of surprises," and the "moment of surprises" and collectively. On the early Ling Meng.
Three Words
Feng Meng-long series of "Three Words" and "Yu Shiming Words" and "Jingshitongyan" "Awaken common saying" the three novels set in general. "Yu Shiming words," also known as "ancient and modern fiction," but "ancient and modern fiction" is actually "three words" the generic term.
Amazing Stories
Three words in each chapter tells a truth, but some sections of offensive language are many, while others fascinating story, such as "Awaken the common saying" a chapter in "exclusive courtesan oil merchant" about the heavy oil Lang Qin Looking for Father, courtesan lady looks for her husband during the two from the good from acquaintance to love the good stories.
"Three Words" by your work, whether old papers Song or the Ming and Feng Meng intended for new work, both additions and deletions in varying degrees through Feng Meng and retouching. These works varied, and complexity. A condemnation of the feudal and bureaucratic integrity ugly officials praised virtue, there are about friendship, love, praise and treachery, betrayal act of rebuke. More noteworthy, a number of works depicted the lives of the people marketplace. Such as "Que Tan Shi Runze case of" Friends, "the Spatial weight will Zhenzhu Shan Brother", "Du Shiniang", "exclusive courtesan oil merchant" and so on. In these works, the emphasis on human feelings and human values should be respected, for a moral standard, the principle of marriage, and the feudal ethical code, runs counter to the traditional notion. It is full of vigor and vitality of the public manifestation of ideology. "Three words" in good works, not only to complete the story, plot twists and details of the rich, the mobilization of a variety of means of expression, characterization Characters in. It is the published, promoted the development and prosperity of short stories, marked the vernacular short fiction has become the national style and features.
|