dào jiào cí shì yǐ dào jiào shén xiān lǐ xiǎng lì yì、 biǎo xiàn dào rén jīng shén jìng jiè de yī zhǒng wén xué yàng shì。
jiù qǐ yuán 'ér lùn， dào jiào cí kě yǐ zhuī sù yú xuán gē、 biàn wén。 suǒ wèi 「 xuán gē 」 yě jiù shì「 xuán dào」 zhī gē； cóng xíng shì shàng kàn， xuán gē shǔ yú dào jiào shuō chàng qǔyì zuò pǐn zhōng de chàng cí zhī lèi。 wèile xī yǐn tīng zhòng， xuán gē zuò zhě wǎng wǎng yǐ dì yī rén chēng shǒu fǎ xù shù gù shì。 lì rú《 lǎo zǐ huà hú jīng》 juàn shí suǒ shōu de《 huà hú gē》， yǐ「 wǒ」 dài biǎo lǎo zǐ， miáo huì liǎo lǎo jūn xiū dào chǎng suǒ de xiān jiā jǐng sè， jiǎng shù liǎo「 huà hú chéng fó dào」 de gù shì， jù bèi liǎo xù shì shī de jī běn tè zhǐ。
zài《 lǎo zǐ huà hú jīng》 zhōng hái shōu yòu《 lǎo jūn shí liù biàn cí》 shí bā shǒu， cǐ jí shǔ yú dào jiào biàn wén zhī lèi。 suǒ wèi「 biàn wén」 shì yǎn shù shén biàn gù shì de yī zhǒng xíng shì。「 dào jiào biàn wén」 jí yǎn shù dào jiào shén biàn gù shì de yī zhǒng tǐ shì。 shì yìng shuō chàng de xū yào， dào jiào biàn wén wǎng wǎng cǎi yòng yùn wén xíng shì， rú《 lǎo jūn shí liù biàn cí》 biàn shì chún yùn wén。 zuò zhě 'àn zhào fāng wèi de biàngēng lái zǔ zhì qíng jié， qí chǎng suǒ zhuǎn huàn yì yǐ jù「 yì」 de jiǔ gōng bā guà fāng wèi。 bā guà dài biǎo bā fāng， lún zhuǎn liǎng zhōu， biàn yòu shí liù biàn cí。
chú liǎo xuán gē biàn wén zhī wài，「 xiān gē dào qū」 yě shì dào jiào cí de zhòng yào zǔ chéng bù fēn。 tā de chǎn shēng yǔ dào jiào yí shì de jiàn lì yǔ liú xíng yòu mìqiè de guān xì。 wéi shǐ yí shì de jìn xíng gèng jiā lóng zhòng， dào rén men biàn jiāng zàn gē yǔ gē yǒng jié hé qǐ lái， yú shì yòu liǎo gè zhǒng chàng cí de chū xiàn。《 wú shàng mì yào》 juàn 'èr shí lù yòu xiān gē ruò gān shǒu。 cóng tǐ lì lái kàn，《 wú shàng mì yào》 zài zhāi lù zhè xiē「 xiān gē」 shí dū lüè jiā shuō míng， zhǐ chū qí lái lì jí hé wèi xiān rén suǒ chàng。 qí tǐ cái jiē wéi wǔ yán， jù shǔbù yī。 biǎo xiàn liǎo zǎo qī dào jiào " yǐ shī wéi cí " de chuàng zuò tè diǎn。
yǔ「 xiān gē」 cí xiāng pì měi de shì dào qū zhī cí。 qí zhù yào tǐ shì yòu bù xū cí、 zàn yǒng cí。
bù xū cí shì yuèfǔ wén xué xíng shì zhī yī。 táng wú jìng《 yuèfǔ gǔ tí yào jiě》 zhǐ chū， zhè zhǒng cí， miáo shù gē sòng zhòng xiān piāo miǎo shēng tiān de měi miào jǐng xiàng。 bù xū cí de qǐ yuán， xiàng lái yòu bù tóng de shuō fǎ。 cóng xǔ duō diǎn jí de jìzǎi lái kàn， sān guó shí qī yīngdāng yòu bù xū cí xíng shì。 bù xū cí de gē chàng jié zòu dà tǐ yǐ zhào bā guà jiǔ gōng fāng wèi， cóng 'ér zào chéng yīn yáng huí fù de yùn lǜ。 bù xū cí sòng yǒng guò chéng yòu yī dìng lù xiàn， yào qiú jīng shén zhuān zhù， niàn chàng、 bù fǎ、 dào jù hé xié tǒng yī。
yǔ bù xū cí yī mài xiāng chéng， táng sòng yǐ lái de zàn yǒng cí yě shì yī zhǒng pèi lè de gē cí。 zài dào jiào zhāi zhàn yí shì shèng xíng zhī jì， dào shì、 wén rén nǎi zhì huáng dì guān huàn guǎng zhì dào qū， suì yòu gè zhǒng zàn yǒng cí zhī dàn shēng。 jīn suǒ jiàn《 jīn lù zhāi sān dòng zàn yǒng yí》 yǔ《 yù yīn fǎ shì》 zhōng biàn shōu lù liǎo bù shǎo zàn yǒng cí。 cóng xíng shì shàng kàn， zàn yǒng cí suī rán shàng bǎo cún liǎo bù xū cí de rù lè fǎ shì， dàn yě jù bèi liǎo yī xiē xīn de tè diǎn。 zuì zhòng yào de jiù shì cháng duǎn jù de chū xiàn。 lì rú《 jīn lù zhāi sān dòng zàn yǒng yí》 juàn shàng suǒ lù《 tài qīng lè》 zài qī yán shī de jī chǔ shàng jiā rù xǔ duō chèn jù， zhè jiù xíng chéng liǎo cháng duǎn bù yī de gé shì， jù yòu dú tè de fēng gé。
yóu yú dào jiào sī xiǎng duì zhōng guó wén xué de shēn kè shèn tòu， lì shǐ shàng wéi wén rén men suǒ yǎ hǎo de cí pái yě duō jù shén xiān yùn hán。 jù《 qīn dìng cí pǔ》 suǒ lù，《 fèng huáng tái shàng yì chuī xiāo》、《 jiě pèi lìng》、《 wàng xiān mén》、《 xiàn xiān yīn》 děng， mò bù yǔ dào jiào shén xiān gù shì yòu qiān lián。 cóng nèi róng shàng kàn， sòng dài xǔ duō cí zuò jù yòu xiān míng de dào jiào yùn hán。 bù shǎo dà zuò jiā yě chuàng zuò liǎo yī dìng shù liàng de shén xiān cí。 zhū rú liǔ yǒng、 huáng tíng jiān、 děngdōu yòu cǐ lèi tí cái de cí zuò。 zhè lèi zuò pǐn cháng cháng bǎ xiān huà diǎn gù tóng shén yóu de xīn xù xiāng róu hé， tōng guò shuāng guān yǔ de yìng yòng， ér chǎn shēng qí tè lián xiǎng xiào guǒ， nài rén xún wèi。
Taoist immortal words is the ideal conception, the performance of a Taoist spiritual realm literary genre.
In terms of the origin, the word Taoism can be traced back in the mysterious song, change the text. The so-called "Mystery Song" is "Mystery Road" song; from the formal point of view, mysterious song of the Taoist works of folk art rap lyrics and the like. In order to attract listeners, Hyun Song of approach is often the first person narrative stories. Such as "I of Hu by" volume received 10 "of Hu Ge" to "I" stands for I, describes the monastic sites of Xian Jia Laojun view, about the "Buddha of Hu Road" story, with a narrative poem basic features.
In "I of Hu Jing" also received the "Laojun 16 change the word" 18, that is, a Taoist text of the class variable. The so-called "change text" is the story play out a god into a form. "Taoism and change the text" that play out the story of a Taoist god into a style. Meet the needs of rap, change the text of Taoism often use verse forms, such as "Laojun 16 change the word" is pure verse. In accordance with the change of position to organize the circumstances, the place is also based on conversion, "easy" Jiugong gossip position. Gossip on behalf of P Plus, rotation two weeks, there are 16 change the word.
In addition to changing the text Hyun Song, the "Fairy Song Tao Song" is also an important part of Taoist words. Its appearance and Taoist ritual to establish a close relationship with the epidemic. To make a more solemn ceremony, Tao There is filth on hymn singing together with, so with the emergence of various operas. "Supreme Miyao" Volume 20 number of the first songs recorded for the immortal. From the style point of view, "Supreme Miyao" in the extract of the "Fairy Song" slightly when they note that any bit of their origin and sung immortal. The genres are all Wu Yan, the number of different sentences. Performance of the early Taoist "in Poetry for the word" creative features.
And "Fairy Song" is a term comparable to Road Song of the story. The main style with Dreamland, Chan Wing-word.
Dreamland is one of the verse form of literature. Tang Wu Jing, "Yue Gu title to understanding" that such a word to describe the beauty of heaven praise Assembly of Immortals ethereal scene. Dreamland origin, has always had a different opinion. Records from the view of many books, three times the World Bank should be Dreamland. Dreamland singing rhythm in general accordance with gossip Jiugong position, resulting in the rhythm of yin and yang back. Dreamland process chant chant a certain line, requires a lot of focus, and chant, footwork, props harmony and unity.
And Dreamland the same strain, since the Tang and Song Yong-word praise is also a soundtrack of lyrics. Taoist ritual dip in the prevalence of the occasion, priests, scholars and even the emperor system Officials in Canton Road, the music, then there are various words of praise chant was born. Now see the "golden record fast three holes praise Winnie" and "Yu sound ceremonies" will be included in a lot of praise chant words. From the formal point of view, praise chant the word still holds despite the entry Dreamland French music, but with some new features. The most important thing is the emergence of Long Short Sentence. Such as "King recorded three holes Chan Wing-yee fast," the volume was recorded, "too pure music" on the basis of the Piece by adding a number of liner sentence, which formed the format of varying lengths, has a unique style.
Taoism on Chinese literature as the deep penetration of the history of the AGB for the scholar more than a fairy good tune also contains. According to "imperil the word spectrum," which was recorded, "Phoenix Yi Chui Xiao stage", "Xie Pei order", "Wang Xian Gate", "Xian Xian Yin", etc., everyone involved with the immortal story. From the content point of view, the Song Dynasty many words to make a clear implication of Taoism. Many great writers have created a number of gods word. Such as Liu Yong, Huang, and others have words for such subject matter. Such works often allusions Immortals blend with the journey of the spirit of the mood phase, through the application of a pun, but a wonderful association effects, it is interesting.
|