wǔ yán gǔ shī shì zhōng guó gǔ dài shī gē tǐ cái de yī zhǒng， wǔ yán gǔ shī yī shǒu shī gòng sì jù， měi jù 5 gè zì， yī bān lái shuō dì yī、 èr、 sì jù de zuì hòu yī gè zì shì yā yùn de， dì sān jù de zuì hòu yī gè zì jiù bù shì yā yùn liǎo。
hàn dài yǐ qián， ǒu yòu wǔ yán de shī jù， dàn méi yòu wán zhěng de wǔ yán gǔ shī。 wǔ yán gǔ shī shì zài liǎng hàn mín yáo héyuè fǔ mín gē zhōng shǒu xiān chǎn shēng hé fā zhǎn qǐ lái de。 jù《 hàn shū ． wǔháng zhì》 hé《 yǐn shǎng chuán》 suǒ yǐn xī hàn chéng dì shí gē yáo， yǐ wéi wán zhěng de wǔ yán gǔ shī xíng shì； dōng hàn shí wǔ yán gē yáo jì xù chǎn shēng， bìng bèi cǎi rù yuèfǔ， qí zhōng rú《 mò shàng sāng》、《 jiāng nán kě cǎi lián》 děng， yǐ shì bǐ jiào chéng shú de wǔ yán gǔ shī zuò pǐn。
wén rén wǔ yán gǔ shī shǐ yú hé shí， qián rén de kàn fǎ pō bù yī zhì。 jiù chuán xī hàn méi chéng、 lǐ líng、 sū wǔ、 bān jié yú děng rén de wǔ yán gǔ shī zuò pǐn， shí jì shàng bù kě kào。 jīn cún zuì zǎo de wén rén de wǔ yán gǔ shī dāng wéi dōng hàn bān gù de《 yǒng shǐ》 ∶
yǒng shǐ
sān wáng dé mí bó。 wéi hòu yòng ròu xíng。 tài cāng lìng yòu zuì。 jiù dì cháng 'ān chéng。 zì hèn shēn wú zǐ。 kùn jí dú qióng qióng。 xiǎo nǚ tòng fù yán。 sǐ zhě bù kě shēng。 shàng shū yì jué xià。 sī gǔ gē jī míng。 yōu xīn cuī zhé liè。 chén fēng yáng jī shēng。 shèng hàn xiào wén dì。 cè rán gǎn zhì qíng。 bǎi nán hé kuì kuì。 bù rú yī tí yíng。
zhōng róng《 shī pǐn》 shuō tā 「 zhì mù wú wén 」， zhè shuō míng wén rén chū xué wǔ yán shī tǐ， jì qiǎo hái hěn bù shú liàn。
jì zuò zhě yòu zhāng héng《 tóng shēng gē》、 qín jiā《 zèng fù shī》 hé zhào yī《 jí xié gē》 děng， biǎo xiàn jì qiǎo rì qū chéng shú。 dōng hàn mò nián wú míng shì《 gǔ shī shí jiǔ shǒu》 de chū xiàn， biāo zhì zhe wǔ yán gǔ shī yǐ jīng dá dào chéng shú jiē duàn。 zhì jiàn 'ān hé wèi jìn nán běi cháo shí qī， wǔ yán gǔ shī yǐ「 jū wén cí zhī yào」， chéng wéi zuì shèng xíng de shī tǐ， chū xiàn liǎo dà pī míng zuò。
wǔ yán gǔ shī kě yǐ róng nà gèng duō de cí huì， cóng 'ér kuò zhǎn liǎo shī gē de róng liàng， néng gòu líng huó xì zhì dì shū xíng hé xù shì。 zài yīn jié shàng， jī'ǒu xiāng pèi， yě gèng fù yú yīn lè měi。 yīn cǐ， tā gèng wéi shì yìng hàn yǐ hòu fā zhǎn de shè huì shēng huó， cóng 'ér zhú bù qǔ dài liǎo sì yán shī de zhèng tǒng dì wèi， chéng wéi gǔ diǎn shī gē de zhù yào xíng shì。 chū táng yǐ hòu， chǎn shēng liǎo jìn tǐ shī， qí zhōng jí yòu wǔ yán lǜ shī、 wǔ yán jué jù。 táng dài yǐ hòu de wǔ yán shī biàn tōng chēng wéi「 wǔ yán gǔ shī」 huò「 wǔ gǔ」。
Five-character poem is a genre of ancient Chinese poetry, a poem of four Wuyan Poems, each sentence five words, in general, the first, second, four of the last word is rhyme, the third sentence The last word is not rhyming.
Before the Han Dynasty, Five-character verses sometimes, but not complete Wuyan Poems. Five Characters in Ancient ballads and folk songs in the Han Dynasty created and developed first. According to "Han. Five Elements Chi "and" Yin Tour Biography "songs when the index spans the Western Han Dynasty, Five-character poem has a complete form; the Eastern Han Dynasty Wu Yan songs continue to produce, and was adopted into the verse, of which, such as" Mo Shang Sang "," South recoverable Lin, "and so on, is already a more mature work Wuyan Poems.
Five-character poem begins when the author, quite inconsistent with the views of their predecessors. Old Chuan Han Mei Cheng, Li Ling, Su Wu, Ban Gu and others Wuyan poetry works, in fact, unreliable. Keep the first author of this poem as the Eastern Han Wu Yan Ban Gu's "Ode to History":
Yong Shi
3 De Mi thin. However, after the use of corporal punishment. Tai Cang that guilt. Chang'an on delivery. Regret no children from the body. Trapped radical independence Qiongqiong. Father made my daughter pain. The deceased is not Health. Under the petition Yique. Ponder song cock. Twisted by the rack crack worried. Morrowind Yang excited voice. San Han Emperor Xiaowen. Ceran Genuine sense. 100 men and how confused confused. As a Ti-ying.
Zhong Rong's "Poetry" that he "quality wood-free paper", indicating that the Cao novice writers body, skills still very inexperienced.
Following the authors Zhang Heng "sing song", Qinjia "Dedicated to Women Poetry" and Zhao Yi, "Song of sick evil", etc., showing increasingly sophisticated techniques. Eastern Han Dynasty Anonymous "Nineteen," the appearance of marks has reached a mature stage Five-character poem. To Jian and Wei, Wu Yan, poetry has been "Home diction of to" become the most popular verse, there has been a large number of masterpieces.
Five-character poem can accommodate more words, to extend the poetry of capacity, flexibility and detailed books and narrative lines. The syllable, the parity match, and more rich musical beauty. Therefore, it is more adapt to the future development of Chinese social life, thus gradually replacing the four-word poem about the legitimacy and become the main form of classical poetry. Tang later, produced a nearly style poetry, which is a Five-character verses, Wu Yan quatrains. Five-character after the Tang dynasty poem will known as "Five Characters poetry" or "five ancient."
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