Pic Description: Landscape Painting color grasp - ABH painting method Wen 李天基 Landscape painting is a required course for the professional artist, for the people engaged in related disciplines attractive, it is because nature is the greatest teacher and the best aesthetic aesthetic education classroom! Her culture's aesthetic feelings, to capture the rich color is irreplaceable way of passion and a sense of landscape painting, the scene is more a sense of infinite charm. However, when we face Banlan nature ten thousand kinds of customs and color, there would be confused, such as off-take in the hands of the brush, paint the beautiful drawing it? For many years, I always side of the painting, while thinking, hoping to find an easy way to operate and easy to explain the language. When this method found the later continued to verify. Today, to take this opportunity to dedicate it to my friends, this is the ABH painting method. When we go out to paint, draw open the box or my portfolio, colorful show before the Association, the patchwork of natural landscape, the ecstatic, it would also somewhat helpless feeling. But as long as the sum will be found, no matter how intricate scenery, but without exception, have been included among the five fundamentals (see ABIH schematic sketch law) that ① A1B1 days flat, ② A2B2 ground plane, ③ h1 recent elevation, ④ h2 neutral surface, ⑤ h3 far facade, the two level three of the five fundamentals of legislation constitutes a scene structure, space and color relations, life drawing precisely to deal with these relationships. As a three-dimensional visual arts painting paintings, in addition to the letter, the language is its external shape, color, light. Sketch the form of painting is often not a single individual, but rather complex group, is the relationship between shape and form, strictly speaking, is a sketch relations, therefore, draw a good life drawing one of the prerequisites is still drawing basis. Color sketch does not mean, however, because only it has the cold and warm colors of the different properties and vary in different hue gradation, and the hidden nature of color is unmatched in the rich. Both the mountains and rivers or just leaves the grass, all demonstrate the magnificent and glorious, combined with the light against the background, changing, really wonderful Since fame, is set to move smoothly to the screen? Experience tells us that it is not. There are three situations often occur: First, the diagram of the painter, often after the move to h2 with h1; h3 h2 was again moved forward, so that the distance between AB is reduced, spatial relations will not pull out, get out of shape Wait, we tentatively called "disorder." Cause this phenomenon, drawing on both the reasons, there are reasons for color. The second case, let us look at the color changes, especially changes in the color attribute: In general, in addition to the inherent color object itself to its environment color, the sky is a source of cool; sunlight and warm the ground reflected light source, due to perspective effect, they are a decreasing h1 to h3 is the change in status (as shown), that is, strong h1, h2 Strong, h3 weak. To the sky as an example (assumed to be clear), h1 at the top will be more blue, colder; h2 top of the gradient is more blue, cooler; h3 above the micro-micro-violet blue, like the cold may warm. H1 shadow on the ground with the sky, the shadow also has a corresponding change in decreasing cool. The warm part of the ground by the light versa; h1 warm, h2 warmer, h3 seems like warm cold. Once we ignore or reverse the decline of this relationship will lead to black and white or color of chaos. Such that the cold air farther (into a cool increments), then the distance to get out of A1B1, day far in the past, the shadow of the ground when this happens, A2B2 get out the same distance, and the earth back not the past. The same clouds: the cloud is nearly white, very white; the cloud is gray with a slightly, well the cloud is gray with a micro-micro-purple, white, so that can produce a sense of space between the clouds. Just think, no room for painting a picture would be very difficult to read. Let us call it "colorless." The third situation is the use of light, whether classical or modern classics, we can see the great masters of the importance of light, especially after the works of the Impressionist use of external light reaching the point of dazzling! As such daunting results that the younger generation tend to try to catch up with the camera to them. However, facts prove that the light-sensitive camera system and the human sensing systems can not replace each other. People have to absorb light physical and psychological effects, although it is less comprehensive than machinery to absorb - all-inclusive, sweeping, but lovingly, which is the core of painting is the painting's unique language, both past, present and future will not be replaced by other languages. However, different from painting and photography, the former is carried out in a unit time, which is done in a flash. The so-called unit time, is that 1 / 2 hour, 1 hour, 2 hours, and then you can not continue long, the change of light per unit time has appeared, so painting must have measured in the unpredictable and seeking for the job must be endowed picture some light perception: light, low light, sunrise, sunset ... ... so that each painting works are not identical, have vitality, if indifferent to light, ignoring its existence, regardless of when and where a certain habit of the total to deal with the intensity of light and color, as well as depicting the King with diametrically opposed to our right to say that life drawing is "dull." More than three non - disordered, colorless, matte painting in the use of ABH law, in general can quickly overcome. Of course, the objective is the colorful scenery, our three H is only a general, when this relationship is established, should be returned to the scene as much as possible to their diversity. Moreover, in the grasp "inevitable" after, it must be "free" to come, not only do the re-view of the objective, but also sought to subjective Xuanxie. Method of painting with the time, steps are also important, ABH painting divided into three steps: First, the first step is to capture the color phases: the fastest will be put on the five fundamentals of color to the bulk. In general, this is a perceptual stage, very emotional, but with five large area based on the concept of chaos is not fast, so as to ensure paint does not neglect the gift of nature, can enjoy put, stroke is also possible larger. Followed by a bright color into the eyes of those forms covered with pictures soon to ABH. For many writers, is the beating heart in the sound quickly finish this step, The second step is the characterization phase, with the impulse faded, color shop completed, must enter the stage of rational analysis and objective comparison, the colors of the five surface decreases further verification, adjustment of some of the inappropriate relationship, so that together harmonic blend, the work of this step is a more refined and detailed, rational distinctive characteristics. The third step is finishing, but also a beyond the stage. If the first step that we enter the picture environment, in the second step is to linger in the drawing environment, and the third step is to return to its original position, for reflection. The first two steps only to find the words to be a good outline, and this step is a real language. Only this time, a complete sense of the work will appear, this is the impulse to return, is a summary of the analysis is the combination of emotional and rational, is a complete expression. In this way, no matter when and where, we will draw worthy of the beautiful scenery of the drawing to. These are just a view, eagerly looking forward to colleagues, students correction. Thank you!
