é luó zuòzhělièbiǎo
jīn Pushkin míng Yi Ming
qiū qiē Qiuteqiefulāi méng tuō Mikhail Yuryevich Lermontov
ān nián Annenski 'ěr méng Balmont
suǒ luò Suoluoguboméi liè Dimitrij Sergeevic Mereskovskij
ān · bié léi An Belyluò wéi Luoheweici Kaja
liè He Liebo Melnikov míng Kuzmin
'ěr · xiè wéi níng 伊戈尔谢维里亚 Ning Vladimir Mayakovsky
shān · luò Alexander Blok liú suǒ Cult Bo
Gippius níng Ivan Bunin
· suǒ luò wéi yuē 弗索洛维约夫 · luò shēn 马沃洛 application
huò xiè wéi Khodasevich Poplavski
liào Gumilyovā tuō Anna Akhmatova
wéi Marina Tsvetaevamàn 'ěr shī Osip Mandelstam
jié 'ěr Boris Pasternak sài níng Sergei Yesenin
'ěr · Vladimir Nabokovwéi · wàn nuò Weiyayiwan Ivanov
ān liè · niè xīng 安德列沃兹涅 Xing Skichái Pyotr Ilyich Tchaikovsky
yóu · jiā 尤里加夫里科夫yóu · méi nuò Yuri Emelianov
luó · mài wéi jié 罗伊麦德维 Jeff liè jīn · bié liè shí Valery Kim Do Leshkov
'ěr · luó wéi · huò luó Mikhail Khorobritbào · luò wéi Boris Mihajlovic
dān 'ěr · shān luó wéi Danielyóu · luò wéi Yuri
fán shì Ivan I (the Money bag)xiè miáo shì Simeon (the Proud)
fán 'èr shì Ivan II (the Fair) · dùn Dimitri I (of the Don)
shì Vasily I 'èr shì Vasily II (the Blind)
fán sān shì Ivan III of Russia (the Great) sān shì Vasily III
fán shì Ivan IV (the Terrible)fèi 'ào duō 'ěr · wàn nuò wéi Fyodor I Ivanovich
bào · dōng nuò Boris Godunovfèi duō 'ěr 'èr shì Feodor II
wěi shì False Dmitriy I shì Vasili IV
'ěr · fèi 'ào duō luó wéi · luó màn nuò Mikhail I Fyodorovich Romanovā liè xiè shì Alexis I
fèi 'ào duō 'ěr sān shì Feodor III fán shì Ivan V Alekseyevich Romanov
Peter I jié lín shì Catherine I
ā lín Bella Akhmadulina
é luó é luó lián bāng  (1937niánsìyuè10rì2010niánshíyīyuè29rì)

shīcí míng qián de shí chén shì zhēn guì de    huā yuán    yuè aug》   

yuèdòuā lín Bella Akhmadulinazài诗海dezuòpǐn!!!
  bèi · ā lín ( 1937-?)
  
   gāo 'ěr wén xué yuàn, 1962 nián chū bǎn liǎo běn shī qín xián》, bìng tóng nián cān jiā lián zuò jiā xié huì
  
   ā lín shēn niè xiān tōng bèi chēng wéi gòng 'èr shí èr shí 'èr de shī rén men sān rén jǐn xiǎng zhì cháng cháng xiě shī xiāng xiàn niè xiān chēng shì é luó guāng róng shēn shuō shì yòu xiàn mèi de shī rén”, shuō chéng liǎo xiàng 'ā tuō wéi zhè yàng xiē 'é guó shī rén de chuán tǒng”, lián píng jiā 'ěr · ào niè 'ā lín de shī shuō shìyóu léi duì xià lái de wēi xiǎn huò duì xīn jìn xiàn de kuài dōunéng zuò chū fǎn yìngléi zhè shì suí biàn yòng de chōng fēn biǎo liǎo de shī gěi rén de zhǒng gǎn jué héng héng jīng cháng de jǐng duì shì jiè de máo dùn kàn ”。
  
   ā lín de shī zuògāng qiáng dào jìnbiǎo xiàn què yòu háo liú xiān qiǎo shàn cóng tōng de shēng huó zhōngshè shī rán hòu xiǎo shēn suì de zhé xiǎng xiàng kāi kuòqíng xùn jiāo shǐ rén xiá jiē yán suī huá cǎiquè zhuāng zhòng shēn chénduì rén shēng rán de kǎoshì de shī zuò zhōng jīng cháng chū xiàn de zhù kāi tuò jiào shēnjiǎo jiào xīn yíng
  
   de shī yòuqín xián》、《 fēng xuě》、《 zhúděng。 1977 nián bèi měi guó wén xué shù yán jiū yuàn tuī xuǎn wéi míng yuàn shì
  
   bèi · ā lín é : Бе́лла(Изабе́лла)Аха́товнаАхмаду́лина, dīng huà: BellaAchatownaAchmadulina, 1937 nián 4 yuè 10 2010 nián 11 yuè 29 ), é shī rénduǎn piān xiǎo shuō jiāfān jiā shì 'é guó xīn làng cháo wén xué yùn dòng de cānyù zhězài shì shí céng bèi yuē · luó chēng wéizuì yōu xiù de zài shì 'é shī rén”。 xiǎo jiě dòng shí céng shù chū guó fǎng wènyíng luó guó zhě de zhù suī rán de zuò pǐn bìng guān xīn zhèng zhìdàn hái shì jīng cháng píng lián dāng bìng shēng yuán xiē chí tóng zhèng jiàn de zhī shí fènzǐbāo kuò nuò bèi 'ěr jiǎng huò zhě jié 'ěr luó suǒ 'ěr rén qín


  Izabella Akhatovna "Bella" Akhmadulina (Russian: Бе́лла (Изабе́лла) Аха́товна Ахмаду́лина [] ( listen); 10 April 1937 – 29 November 2010) was a Soviet and Russian poet, short story writer, and translator, known for her apolitical writing stance. She was part of the Russian New Wave literary movement. She was cited by Joseph Brodsky as the best living poet in the Russian language.
  
  
  
  Despite the aforementioned apolitical stance of her writing, Akhmadulina was often critical of authorities in the Soviet Union, and spoke out in favour of others, including Nobel laureates Boris Pasternak, Andrei Sakharov, and Aleksandr Solzhenitsyn. She was known to international audiences via her travels abroad during the Khrushchev Thaw, during which she made appearances in sold-out stadiums. Upon her death in 2010 at the age of 73, President of Russia Dmitry Medvedev hailed her poetry as a "classic of Russian literature."
  
  
  
  The New York Times said Akhmadulina was "always recognized as one of the Soviet Union's literary treasures and a classic poet in the long line extending from Lermontov and Pushkin." Sonia I. Ketchian, writing in The Poetic Craft of Bella Akhmadulina, called her "one of the great poets of the 20th century. There's Akhmatova, Tsvetaeva, Mandelstam, and Pasternak — and she's the fifth".
  
  Early life, education and work
  
  
  
  Bella Akhmadulina was born the only child of a Tatar father and a Russian-Italian mother. Her birth occurred on 10 April 1937. They underwent evacuation to Kazan when World War II broke out.
  
  
  
  Akhmadulina's literary career began when she was a school-girl working as a journalist at the Moscow newspaper, Metrostroevets, and improving her poetic skills at a circle organized by the poet Yevgeny Vinokurov. Her first poems appeared in the magazine October after being approved by established Soviet poets. These first poems were published in 1955. Émigré critic Marc Slonim described her prospects as follows in 1964 (Soviet Russian Literature): "Her voice has such a purity of tone, such richness of timbre, such individuality of diction, that if her growth continues she will be able some day to succeed Akhmatova" as "the greatest living woman poet in Russia".
  
  
  
  After finishing school, Akhmadulina entered the Maxim Gorky Literature Institute from which she graduated in 1960. While studying at the institute, she published her poems and articles in different newspapers, both official and handwritten. She was the subject of criticism in Komsomolskaya Pravda in 1957. She was expelled in 1959 (but allowed re-entry as time progressed) as a result of her opposition to the persecution of Boris Pasternak. In 1962 the first collection of her poems, titled Struna (The String), was published and was a resounding success. In spite of being expunged, many of her collections of verses were published later: Music lessons (1970), Poems (1975), Candle (1977), Dreams of Georgia (1977), The Mystery (1983), Coastline (1991), and others. A collection called Sad (Garden) led to Akhmadulina receiving the USSR State Prize in 1989.
  
  
  
  "Many dogs and one dog", a short story written in a surreal style, was published in 1979 in Samizdat's Metropol Almanac. She assisted in the creation of Metropol. She wrote essays about Alexander Pushkin and Mikhail Lermontov.
  
  
  
  She appeared in sold-out stadiums in the 1960s, as did the poets Yevgeny Yevtushenko, Andrei Voznesensky and Robert Rozhdestvensky.
  
  
  
  Her open letter was published supporting the exiled Andrei Sakharov. In October 1993, she signed the Letter of Forty-Two.
  
  
  
  She was a journalist in a 1964 film.
  
  
  
  Bella participated in many international poetry events including Kuala Lumpur International Poetry Reading (1988).
  
  
  
  After the Soviet Union she published Casket and Key (1994), A Guiding Sound (1995) and One Day in December (1996).
  
  
  
   Translation
  
  
  
  The main themes of Akhmadulina's works are friendship, love, and relations between people. She wrote numerous essays about Russian poets and translators, some devoted to her close friend, Bulat Okudzhava. Akhmadulina avoided writing overtly political poems, but took part in political events in her youth, supporting the so-called "dissident movement". She translated into Russian poetry from France, Italy, Chechnya, Poland, Yugoslavia, Hungary, Bulgaria, Georgia, Armenia, and many others.
  
  
  
  Akhmadulina wrote in a "resolutely apolitical" style. She made use of imagery and humour in her work. She used rhymed quatrains in her early works, which discussed ordinary, yet imaginative occurrences from daily life in language that was full of both archaisms and neologisms. Religion and philosophy became her themes as she aged and she wrote in longer forms.
  
  
  
   Personal life
  
  Bella Akhmadulina and Anna Netrebko at the Russian State Prize ceremony at the Kremlin
  
  Bella's first marriage in 1954 was to Yevgeny Yevtushenko, another famous poet of the era; her second husband since 1960 was Yuri Nagibin, major novelist and screenwriter. By her 1971 marriage to film director Eldar Kuliev she has a daughter, Elizaveta Kulieva, who is also a poetess. In 1974, she married her last husband, the famous artist and stage designer Boris Messerer. They had homes in Peredelkino and Moscow.
  
  
  
   Death
  
  
  
  Akhmadulina died at her home in Peredelkino near Moscow on 29 November 2010. She was 73 years old. Her death was announced about one hour later. Akhmadulina's husband said her death was from a heart condition, describing it as a " cardiovascular crisis". Dmitry Medvedev and Vladimir Putin both paid tribute, with Medvedev writing on his blog that the death was an "irreparable loss". Medevdev also wrote that Akhmadulina's poetry was a "classic of Russian literature".
  
  
  
   Filmography
  
  
  
   Cameo
  
   I Am Twenty (1961), directed by Marlen Khutsiev
  
  
  
   Actor
  
   There lives such a guy (1964), directed by Vasily Shukshin (Russian: Живёт такой парень)
  
   Sport, sport, sport (1970), directed by Elem Klimov
  
  
  
   Screenwriter
  
   Clean Ponds (1965), based on the works of Yuri Nagibin
  
   Stuardess (1968)
  
  
  
   Bibliography
  
   Struna (The String), Moscow, 1962
  
   Oznob (Fever), Frankfurt, 1968
  
   Uroki Muzyki, (Music Lessons), 1969
  
   Stikhi (Verses), 1975
  
   Svecha (The Candle), 1977
  
   Sny o Gruzii (Dreams of Georgia), 1978–79
  
   Metell (Snow-Storm), 1977
  
   Taina (The Secret), 1983
  
   Sad (The Garden), 1987
  
   Stikhotvorenie (A Poem), 1988
  
   Izbrannoye (Selected Verse), 1988
  
   Stikhi (Verses), 1988
  
   Poberezhye (The Coast), 1991
  
   Larets i Kliutch ('Casket and Key), 1994
  
   Gryada Kamnei ('The Ridge of Stone), 1995
  
   Samye Moi Stikhi (My Own Verses), 1995
  
   Zvuk Ukazuyushchiy (A Guiding Sound), 1995
  
   Odnazhdy v Dekabre (One Day in December), 1996
  
  
  
   Award
  
  
  
  In 1977, Bella Akhmadulina became an Honorary Member of the American Academy of Arts and Letters (see AAAL website).
  
   USSR State Prize Laureate (1989)
  
   State Prize of the Russian Federation (2004)
  
   Order of Friendship of Peoples (1984)
  
   Order of Merit for the Fatherland, 2nd class (August 11, 2007) - for outstanding contribution to the development of national literature and many years of creative activity; 3rd class (April 7, 1997) - for services to the State and outstanding contribution to the development of national literature
  
   Laureate of the Foundation "Banner" (1993)
  
   Winner of the "Nosside" (Italy, 1994)
  
   Laureate of "Triumph" (1994)
  
   Pushkin Prize winner (1994)
  
   Laureate of the President of the Russian Federation in the field of Literature and Art (1998)
  
   Winner of "Brianza" (Italy, 1998)
  
   Winner of the journal "Friendship of Peoples" (2000)
  
   Prize winner Bulat Okudzhava (2003)
  
   Honorary Member of Russian Academy of Arts
    

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