yuèdòufú lì dá · láo lún sī Frieda von Richthofenzài小说之家dezuòpǐn!!! |
hūn hòu de rì zǐ bìng bù hǎo guò, shè huì yā lì dà, láo lún sī yòu méi qián, liǎng rén qù měi guó xīn mò xī gē zhōu guò liǎo hǎo jǐ nián。 wú xiū wú zhǐ de zhēng chǎo, xiāng hù páo xiào, shèn zhì hù jiū tóu fā 'ōu dǒu, shuí yě bù céng xiǎng dào dāng chū rè liè de 'ài, huì yùn yù chū zhè děng chǎng miàn。 zhè zhǒng 'àn wú tiān rì de shēng huó, bǎ láo lún sī zào jiù chéng liǎo líng hún de kuàng gōng, tā zhī dào zì jǐ zhǐ yòu tōng guò bù tíng de xiě zuò, cái néng pú fú chuān yuè liàn yù, jiàn dào xīn líng de yáng guāng。 tā kāi shǐ jìn rù chuàng zuò shèng nián,《 hóng》( 1915)、《 liàn 'ài zhōng de nǚ rén》( 1920)、《 yà lún de shǒu zhàng》( 1922)、《 yǔ shé》( 1926), yī bù cháng piān jiù shì tōng wǎng líng hún tiān táng de yī jí tái jiē, bù zhī dào《 chá tài lāi fū rén de qíng rén》( 1928) wèn shì shí, tā shì fǒu jiàn dào liǎo yī xiàn shǔ guāng? fú lì dá shì shēn 'ài láo lún sī de, yòu shí hòu qià qià yīn wéi 'ài, cái xiāng hù zhé mó dé sǐ qù huó lái。
láo shì 1930 nián sǐ yú lǚ tú, xiān mái zài fǎ guó xiǎo zhèn wēn sī de gōng mù, wǔ nián hòu yóu fú lì dá qǔ chū huǒ huà。 tā tiǎo liǎo yī zhǐ jīng zhì de huā píng, wěi tuō péng yǒu lā wǎ lì zhuāng shàng láo shì de gǔ huī, dài wǎng xīn mò xī gē zhōu běi bù de táo sī zhèn héng héng nà shì láo shì fū fù liú wáng shí zuì xǐ huān de dì fāng。 zhè lā wǎ lì shì hé xǔ rén ní? shì fú lì dá de rè liè zhuī qiú zhě, duì tā shì yòu qiú bì yìng, kě yào tā dài qíng rén wáng fū de gǔ huī yuè yáng lǚ xíng, shí zài shì shòu bù liǎo, tā zuǐ shàng dāyìng zhe, què zài qù mǎ sài de lù shàng, zhǎo liǎo gè kào jìn luó nè hé de dì fāng, bǎ dà wén háo de gǔ huī yī bǎ sǎ diào, suí hòu zài niǔ yuē zhuāng shàng yī xiē bù zhī nǎ 'ér nòng lái de gǔ huī yùn dào táo sī 'ān zàng。 zhè shì lā wǎ lì hòu lái liáng xīn fā xiàn, zì jǐ chéng rèn de。
zài hēi 'àn zhōng liú làng, zhè shì láo lún sī de mìng。 tā de gǔ huī zǎo yǐ bèi dì zhōng hǎi de nuǎn fēng chuī dào shì jiè de gè gè jiǎo luò liǎo, xiǎng lái zhè yě fú hé tā de yuàn wàng。 céng jīng dú guò yī piān miáo shù fēi zhōu kuàng nán de wén zhāng, shuō kuàng gōng men wèile shǎo xiāo hào yǎng qì, tǎng zài dì xià děng dài shī jiù, hēi 'àn zhōng zhǐ yòu kuàng cháng yòu biǎo, yǎng qì jǐn néng wéi chí sān gè bàn xiǎo shí。 dà jiā yào qiú kuàng cháng měi 'áo guò bàn xiǎo shí jiù bào gè xìn, zhè yàng hǎo zhī dào zì jǐ lí sǐ qī hái yòu duō yuǎn。 kuàng cháng ní, yòu yì tuō yán bào xìn de shí chén, zhǐ yòu tā zhī dào, qí shí děng dài de shí jiān zǎo yǐ guò liǎo jí xiàn。 hòu lái jiù yuán duì zhōng yú dào dá, dà huǒ 'ér zài yǎn yǎn yī xī zhōng huò jiù, zhǐ yòu kuàng cháng sǐ liǎo。 gēn láo lún sī xiāng bǐ, wǒ mendōu shì zài méng mèi zhōng qiú shēng de kuàng gōng。
( shěn dōng zǐ líng dù piào liú )
Life
Emma Maria Frieda Johanna Freiin (Baroness) von Richthofen (also known as Frieda Weekley, Frieda Lawrence, and Frieda Lawrence Ravagli) was born in Metz. Her father was Baron Friedrich Ernst Emil Ludwig von Richthofen (1844-1916), an engineer in the German army, and her mother was Anna Elise Lydia Marquier (1852-1930).
In 1899, she married a British philologist and professor of modern languages, Ernest Weekley, with whom she had three children, Charles Montague (born 1900), Elsa Agnès (born 1902) and Barbara Joy (born 1904). They settled in Nottingham, where Ernest worked at the university. During her marriage with Weekley, she started to translate pieces of German literature, mainly fairy tales, into English and took considerable pride in their publication in book form.
In 1912 she met D. H. Lawrence, at the time a former student of her husband. She soon fell in love with him and the pair eloped to Germany, leaving her children behind. During their stay, Lawrence was arrested for spying and, after the intervention of Frieda's father, the couple walked south, over the Alps to Italy. Following her divorce from Weekley, Frieda and Lawrence married in 1914. They intended to return to the continent, but the outbreak of war kept them in England, where they endured official harassment and censorship. They also struggled with limited resources and D.H. Lawrence's already frail health.
Leaving post-war England at the earliest opportunity, they travelled widely, eventually settling at the Kiowa Ranch (now D. H. Lawrence Ranch) near Taos, New Mexico and, in Lawrence's last years, at the Villa Mirenda, near Scandicci in Tuscany. After her husband's death in Vence, France in 1930, she returned to Taos to live with her third husband, Angelo Ravagli. The ranch is now owned by the University of New Mexico at Albuquerque.
Mainly through her elder sister Else von Richthofen, Frieda became acquainted with many intellectuals and authors, including the socioeconomist Alfred Weber and sociologist Max Weber, the radical psychoanalyst Otto Gross (who became her lover), and the writer Fanny zu Reventlow.
By approving the dramatization for the theatre of Lawrence's Lady Chatterley's Lover - thought to be based partly on her own relationship as an aristocrat with the working class Lawrence - it became his only novel ever to be staged. John Harte's play was the only dramatization to be accepted by her, and she did her best to get it produced. Although she loved the play when she read it, the copyright to Lawrence's story had already been acquired by Baron Philippe de Rothschild, who was a close friend. He only relinquished it in 1960. John Harte's play was first produced at The Arts Theatre in 1961, five years after her death.
Frieda Lawrence died on her 77th birthday in Taos.
Further reading
Frieda Lawrence: "Not I, but the Wind...", Rydal/Viking, 1934.
Janet Byrne: A Genius for Living - A Biography of Frieda Lawrence, Bloomsbury, 1995.
Green, Martin Burgess: The Von Richthofen Sisters