yuèdòushǐ dì fēn · jīn Stephen Kingzài小说之家dezuòpǐn!!! | |||
史蒂芬·金bǎng， huò zhě měi yī nián de wén yì jiè fù háo bǎng shàng dōuyòu tā de dà míng， ér qiě bì rán míng liè qián máo。 nián chū， zhè wèi dāng jīn quán
qiú zuì chéng gōng de chàng xiāo shū zuò jiā zài jiē shòu《 luò shān jī shí bào》 cǎi fǎng shí què biǎo shì， zài wán chéng shǒu biān de xiě zuò jìhuà hòu，
nián dǐ jiāng zhèng shì fēng bǐ。 zhè gè xiāo xī suī rán lìng zhòng duō dú zhě xiè qì， dàn bìng bù lìng rén zhèn jīng， shǐ dì fēn． jīn yù shōu shān de
yì tú céng bù zhǐ yī cì xiàng xīn wén jiè tòu lù guò。 qí zuì dà yuán yīn shì xiǎng zài diān fēng shí zhōng zhǐ xiě zuò shēng yá， ér bù shì zài zhuàng tài
、 xiāo liàng、 míng shēng yī lù xià huá shí “ è mèng bān de jié shù ”。 dāng rán shǐ dì fēn． jīn zài nèi xīn shēn chù réng yòu wú fǎ yán shuō de
xīn shì， nà jiù shì tā shí fēn kě wàng chéng wéi mǎ kè． tù wēn shì de dà zuò jiā， dàn bù guǎn tā rú hé nǔ lì， rén men zǒng shì chēng tā
wéi“ kǒng bù xiǎo shuō jiā” héng héng wú yí， zhè lìng tā yì cháng jù sàng。
shǐ dì fēn． jīn de lí qù， wǒ men bù jǐn jiāng dú bù dào tā de xiǎo shuō liǎo， ér qiě yě jiāng kàn bù dào gēn jù tā de xīn zuò gǎi biān de
diàn yǐng liǎo。 yǐ wǎng， tā de měi yī bù xiǎo shuō jīhū dū céng bān shàng guò yín mù。 jù shuō， lùn yuán zhù bèi gǎi biān wéi yǐng shì jù de bǐ
shuài， shǐ dì fēn． jīn kě yǐ pái dì 'èr， dì yī zé shì suō shì bǐ yà。 díquè hěn duō rén suī rán méi dú guò tā de shū， què wèitā
de diàn yǐng chī mí guò， qí zhōng zuì zhù míng de shì《 xiào shēn kè de jiù shú》， zuì wěi dà de shì《 shǎn líng》， hái yòu xǔ xǔ duō duō
…… běn wén jiāng duì gēn jù shǐ dì fēn． jīn xiǎo shuō gǎi biān de jīng diǎn yǐngpiān， yán zhe zhù tí de xiàn suǒ zuò yī gè xún lǐ， huò xǔ yě
kě dāng zuò nǐ guān kàn“ jīng sǒng piàn” hé“ xuán niàn piàn” yī gè cáng bǎo tú。
shǐ dì fēn · jīn - zuò pǐn lèi xíng
【 1】
1973 nián de chūn tiān， qī zǐ dá bì suō cóng jiā lǐ de lā jī duī zhōng jiǎn dào shǐ dì fēn． jīn yí qì de yī dié jiù gǎo， tā jué dé gù
shì hěn bù cuò， yú shì quàn shuō zhàng fū rùn sè yī xià ná dào chū bǎn shè shì shì。 jiēguǒ zhè běn chǔnǚ zuò zǒng gòng mài chū liǎo 230 wàn cè，
cóng cǐ cí diào zhōng xué jiào shī de gōng zuò， chéng wéi zhí yè zuò jiā。 zhè běn míng wéi《 mó nǚ jiā lì》（ Carrie） de xiǎo shuō jǐn jiē
zhe bèi xiào fǎ xī qū kē kè de dà dǎo yǎn bù lāi 'ēn． dé． pà 'ěr mǎ pāi chéng liǎo diàn yǐng， zhè yě shì shǐ dì fēn． jīn dì yī cì yǔ
yǐng shì zhān shàng biān。 zhùjué jiā lì shì yī gè wǎn shú、 gū pì de nǚ hái， mǔ qīn de zōng jiào kuáng rè shǐ tā bèi shòu lín jū yǔ tóng xué de
qí shì hé cháo xiào， rán 'ér shuí yě bù zhī dào tā shì yī gè yōng yòu mó lì de hái zǐ。 chū cháo shǐ dé jiā lì shòu dào yán zhòng jīng xià， mǔ
qīn rèn dìng xié 'è jiàng lín， qiǎngpò tā rèn zuì， jiā lì de yā yì yǔ bēi fèn zài xué xiào wǔ huì shàng chè dǐ bào fā。 wèile zhuō nòng tā，
tóng xué yǔ lǎo shī tè dì yāo qǐng gǔ lì tā zhàn dào wǔ huì huáng hòu de wǔ tái shàng， què bèi yī pén zhū xuè lín tóu sǎ xià。 jiā lì rěn wú kě
rěn zhōng yú mó xìng dà fā， jiāng wǔ huì huà zuò huǒ hǎi， suǒ yòu xiàng nà xiē cháo nòng guò tā de rén kāi shǐ liǎo wú qíng bào fù。
zài shǐ dì fēn． jīn de gù shì lǐ， cháng yǐ shòu dào shè huì yǔ jiā tíng bù gōng duì dài de hái zǐ wéi zhù rén gōng， zhè wán quán lái zì qí běn
rén de jīng lì。 shǐ dì fēn sān suì shí fù mǔ lí yì， yǔ gē gē yóu mǔ qīn fǔ yǎng chéng rén， ér shōu rù jǐn shì mǔ qīn zài yī jiā zhì zhàng
shōu róng suǒ de gōng zuò suǒ dé。 gù cǐ， shǐ dì fēn pín kùn qī cǎn de tóng nián zài tā rì hòu de chuàng zuò zhōng lǚ lǚ chū xiàn， yě kě xiǎng jiàn
tā běn rén zài shàonián shí dài duì wài bù shì jiè shì huái zhe yī zhǒng jīng kǒng yǔ yuàn hèn de xīn tài。 1984 nián， lín dá． hàn mì 'ěr dùn chū
yǎn liǎo yóu shǐ dì fēn． jīn de dé yì zhī zuò gǎi biān de《 yù mǐ tián de xiǎo hái》（ ChildrenoftheCorn）， yǐngpiān
lǐ yī qún xié jiào de qīng shàonián， zhuān mén shā hài chéng nián rén， yòng tā men de xuè jì diàn zì jǐ de shén。 zhè gè gù shì yě lái zì yú wèi
chéng nián zhě duì chéng rén shì jiè de fǎn kàng、 bào fù xīn lǐ。 kǒng bù piàn dà shī yuē hàn． kǎ péng tè zài 1983 nián zhí dǎo tā de zuò pǐn《
kè lǐ sī tīng》， tóng yàng yě shì jiǎng shù gāo zhōng shēng 'ā ní yīn
sī tīng de bù xiáng de lǎo chē hòu， tā kāi shǐ biàn dé bào liè， xiàng yǐ wǎng kuī dài guò tā de rén shí shī bào fù， zuì zhōng yīn zuì 'è zǒu xiàng
huǐ miè。 yǐngpiān chéng wéi qīng chūn kǒng bù piàn de jīng diǎn zhī zuò。
2001 nián 9 yuè， yóu shǐ dì fēn． jīn de zuì xīn xiǎo shuō《 yà tè lán dì sī zhī xīn》 (HeartsinAtlantis) gǎi biān de yǐng
piàn shàng yìng。 xiǎo shuō yuán běn xiě liǎo wǔ gè yíng rào zhe yuè zhàn huí yì de gù shì chuàn lián qǐ lái， bèi jǐng shì lìng shǐ dì fēn． jīn běn rén shí
fēn zháomí de wǔ liù shí nián dài。 yǐngpiān zé qǔ cái yú dì yī gè gù shì， biān jù shì céng gǎi biān guò shǐ dì fēn． jīn zuò pǐn《 wēi qíng
shí rì》 de wēi lián mǔ． gǔ dé màn。 tóng yàng， 11 suì xiǎo zhù rén gōng bào bǐ lái zì yī gè dān qīn jiā tíng， mǔ qīn kè bó zì sī cóng
bù mǎn zú tā xiǎo xiǎo de xīn yuàn。 rán 'ér tā zuì zhōng cóng yóu 'ān dōng ní． huò pǔ jīn sī bàn yǎn de shén mì lǎo rén tài dé nà lǐ zhǎo dào liǎo
shǔ yú zì jǐ de qīn qíng。 zài zhè wèi jù yòu chāo néng lì de lǎo rén de bāng zhù xià， bào bǐ bài tuō liǎo zhōng rì qī fù tā de dà hái zǐ，
bìng huò dé liǎo nǚ hái kǎi luò 'ěr de hǎo gǎn。 jìn guǎn yǐngpiān méi yòu guò duō xuán niàn， dàn tū chū de wēn qíng qīnqiè dǎo zhèng shì shǐ dì fēn．
jīn zhè wèi“ kǒng bù xiǎo shuō zhī wáng” zuì bèi rén hū lüè de lìng yī miàn。
zài cǐ zhù tí yǔ fēng gé xià de“ shǐ dì fēn． jīn diàn yǐng” zhōng，《 bàn wǒ tóng xíng》（ StandbyMe） wú yí shì zuì yōu xiù
de。 shǐ dì fēn． jīn běn rén cóng bù yǎn shì duì zhè bù yǐngpiān de xǐ 'ài， tā rèn wéi“ zhè shì luó bó． léi nà dǎo yǎn de zuì jié chū
、 zuì zhèn hàn rén xīn de zuò pǐn。 wǒ xǐ huān tā shì yīn wéi kàn yǐng piàn shí， néng gǎn jué dào dāng chū xiě zuò shí de xīn qíng。” zhè bù diàn
yǐng gǎi biān zì tā de xiǎo shuō《 shī tǐ》（ TheBody）， jiǎng shù rì hòu chéng wéi zuò jiā de gē dí zài 12 suì shí yǔ sān gè sǐ dǎng
kè lǐ sī、 tài dí、 wéi 'ēn yī qǐ qù xún zhǎo yī jù tóng líng nán hái shī tǐ de gù shì。 zài liǎng tiān de cháng tú bá shè zhōng， gē dí zhōng
yú zhǎo huí liǎo jí jiāng shī qù de zì wǒ。 zhí dé zhù yì de shì， gù shì lǐ de sì gè xiǎo hái de jiā tíng dōubù xìng fú， tā mendōu shòu
dào xué xiào、 jiā tíng， yǐ jí bǐ zì jǐ niánzhǎng de hái zǐ de hū shì huò qī rǔ， zhè xiē wú yí dōushì yuán zhù zuò zhě shǐ dì fēn． jīn
de qīn shēn tǐ yàn。 yǐngpiān de chéng gōng bù jǐn lái zì fēng gé qīng xīn zì rán， ér qiě jù běn gǎi biān yě jí wéi xī yǐn rén， piàn zhōng wǔ shí
nián dài de liú xíng gēqǔ yě shìdàng dì hōng tuō liǎo shí dài qì fēn。 zhè yě shì zuì wéi tè bié de yī bù“ shǐ dì fēn． jīn diàn yǐng”。
【 2】
“ líng yì” wú yí shì shǐ dì fēn． jīn zhōng tuī dòng qíng jié、 xuàn rǎn qì fēn de zuì zhòng yào yīn sù， dāng rán zài xún cháng kǒng bù qì fēn zhōng
， tā tè bié xǐ huān yùn yòng lèi sì gǔ diǎn yīnyuè zhōng“ huá cǎi” de chū qí piàn duàn。 tā zài diǎn píng 1985 nián lǐ wéi sī． tí gǔ zhí
dǎo de zì jǐ yuán zhù de yǐngpiān《 māo yǎn》（ Cat'sEye） shí dà fā láo sāo：“ yuán běn yǐngpiān de dì yī gè jìng tóu shì zhū 'ér
． bā lì mó duān zhe jī guān qiāng zài fáng jiān lǐ zhuī shā tā de māo。 tài jīng cǎi liǎo， jué duì shì shén lái zhī bǐ。 kě dǎo yǎn jiān chí bǎ tā
jiǎn diào！ zhēn shì gè bài xīng guǐ！” díquè lǐ wéi sī． tí gǔ méi néng yíng zào chū tài hǎo de jīng sǒng qì fēn， jìn guǎn zhè bù sān duàn shì
yǐngpiān měi duàn gù shìdōu shí fēn chū zhòng。 bǐ rú dì yī gè jiǎng shù zhān mǔ sī． wǔ dé yǔ yī jiā jiè yān gōng sī qiān yuē， zhè jiā gōng sī
de guīju shì yī dàn qiān yuē jué wú fǎn huǐ， yǐ hòu zhǐ yào nǐ xī yī kǒu yān， quán jiā jiù huì cǎn zāo diàn jī héng héng jiū jìng shì zhè gè gōng
sī yǎn xiàn sì bù， hái shì yòu líng yì kuī shì， gè zhǒng 'ào miào díquè zhuā rén。
1989 nián mǎ lì． lán bó tè dǎo yǎn liǎo shǐ dì fēn． jīn de《 chǒng wù fén chǎng》（ PetSematary）， shǐ dì fēn huí yì shuō
“ dāng shí píng lùn jiā hèn tòu liǎo tā。 qí shí tā wán chéng liǎo tā suǒ yòu de rèn wù héng héng xià sǐ guān zhòng 'ér yǐ。” zhè què shí shì yī bù
gòu xià rén de yǐngpiān： kè ruì dé yī jiā bān dào jiāo qū jū zhù， zài wū hòu yòu yī chù dòng wù fén chǎng， dàn méi yòu rén yuàn yì tán qǐ。
yòu yī tiān， kè ruì dé de māo yù dào chē huò sàng shēng， lín jū cái gào sù tā nà piàn fén chǎng yòu zhe qǐ sǐ huí shēng de néng lì。 kè ruì dé
yī jiā jué dìng qù cháng shì， guǒ rán， tā men de māo huó zhe huí lái liǎo héng héng dàn， huí lái bù jǐn jǐn shì yī zhǐ māo。 yǐngpiān yùn yòng“
xié líng” de shuō fǎ， zhì zào kǒng bù qíng jié， dāng rán qí zhōng de yù yì jiù shì， rén wú lùn rú hé bù néng wéi bèi zì rán fǎ zé， bù
rú bì zāo bào yìng。
jiā ná dà rén dà wèi． kē néng bǎo shì yíng zào kǒng bù、 jīng sǒng xiào guǒ de gāo shǒu， ér qiě hěn shǎo yùn yòng cì jī de shì jué xiào guǒ。 tā
zài 1983 nián pāi shè liǎo shǐ dì fēn． jīn de xiǎo shuō《 sǐ wáng jìn dì》（ TheDeadZone）。 zhù rén gōng qiáng ní fā shēng chē huò
， hūn shuì wǔ nián hòu xǐng lái fā xiàn zì jǐ yōng yòu liǎo chāo néng lì， tā kě yǐ jiè zhù jiē chù bié rén de shǒu lái yù jiàn wèi lái。 yuán běn yòng
cǐ lái chéng shàn chú 'è de qiáng ní què fā xiàn zì jǐ bì xū dú zì bēifù zhe shí zì jià shēng huó xià qù。 tóng yàng yī gè zhù tí chū xiàn zài，
1999 nián de《 lǜ lǐ》（ theGreenMile） zhōng， zài zhè bù zhǎngdà 3 xiǎo shí de yǐngpiān zhōng， tiān xìng shàn liáng yòu dòng chá shì
shì de hēi rén， zài yùn yòng chāo néng lì bāng zhù shì rén zhī hòu， zuì zhōng bù kān rěn shòu jīng shén de zhé mó， zì yuàn xuǎn zé liǎo sǐ wáng zhè yī
jiě tuō de fāng shì。 ér tānɡ mǔ． hàn kè sī yě yīn cháng shēng bù sǐ 'ér rěn shòu zhe sòng zǒu yī gè yòu yī gè qīn yǒu de tòng kǔ。 shǐ dì fēn
． jīn de guān diǎn réng rán shì zì rán fǎ shì wú fǎ kàng jù de， bù rán shì huò 'ér fēi fú。
【 3】
《 lǜ lǐ》 yóu yú guòfèn“ shén huà” shǐ dì fēn． jīn de xiǎo shuō， zài rén wù kè huá yǔ qíng jié pū diàn shàng jī xīn guò zhòng， shǐ dé
yǐngpiān tuō tà rǒng cháng nán yǐ rěn shòu。 dǎo yǎn fǎ lán kè． dé lā bāng tè jù shuō shì“ shǐ dì fēn． jīn zhuān yè hù”， tā zài 1983
nián de chǔnǚ zuò jiù shì gǎi biān zì shǐ dì fēn． jīn de xiǎo shuō《 fáng jiān zhōng de nǚ rén》（ TheWomanintheRoom）。
1994 nián tā pāi shè liǎo dì 'èr bù zuò pǐn，《 xiào shēn kè de jiù shú》（ TheShawshankRedemption）， yòu bèi fān
yì wéi《 cì jī 1995》（ 1995 nián zài xiāng gǎng shàng yìng）。 shǐ dì fēn． jīn shuō：“ yī qiēdōu hěn wán měi héng héng wǒ méi xiàng chuán
shuō de zài yǐngpiān jié shù shí háo táo dà kū， dàn yǎn kuàng què shí yòu diǎn cháo。”
zhè de què shì yī bù jī dòng rén xīn de zuò pǐn， zhì jīn réng rán shì“ yǐng mí xīn zhōng yǒng héng de jīng diǎn、 diàn yǐng lùn tán lǐ bù guò shí de
huà tí、 yǐng dié diàn nèi de chàng xiāo huò、 quán wēi diàn yǐng wǎng zhàn IMDB shàng de qián sān míng。” yǐngpiān guān yú jiù shú de lùn diǎn yǐ jīng bèi
tàn tǎo de chàbù duō liǎo， ér jiù pǔ tōng yǐng mí lái shuō，《 xiào shēn kè de jiù shú》 bù jǐn zài jié wěi tí gōng liǎo yī gè wěi dà de xuán
niàn， ér qiě duì rén wù de kè huá、 nán xìng yǒu yì de miáo huì， yǐ jí duì xī wàng yǒng bù mó miè de shū xiě。 hěn duō rén shèn zhì jiāng dī
mǔ． luó bīn sī zài guǎng bō shì bō fàng mò zhā tè de piàn duàn dāng zuò 'ōu gē měi hǎo rén xìng de zuì wěi dà de chǎng jǐng。 yǐngpiān zhōng nà gè“
tài píng yáng shàng méi yòu huí yì de xiǎo dǎo”， yě chéng wéi rén men xī wàng de xiàng zhēng dì。 jiù yī bù tōng sú jù lái shuō， chǎn shēng rú cǐ zhī
dà de yǐngpiān bù jǐn zài dǎo yǎn xù shì shǒu fǎ de xián shú shān qíng， ér qiě shǐ dì fēn． jīn de què tí gōng liǎo yī gè chū sè de múbǎn héng
héng yī gè qiú fàn zài kàn shǒu jí qí yán mì de jiān yù lǐ， shì rú hé lì yòng yī zhǐ xiǎo záo zǐ， huā 19 nián shí jiān wā dì dào táo chū qù
。
shèn zhì yóu yú《 xiào shēn kè de jiù shú》 guò yú hōng dòng， shǐ dì fēn． jīn céng xìn shì dàn shuō， wéi bǎo yòu měi hǎo jì lù， yǐ hòu jué
bù zài xiě jiān yù xiǎo shuō。 rán 'ér guò liǎo jǐ nián， dé lā bāng tè réng rán méi yòu yǐngpiān pāi， shǐ dì fēn zhǐ dé pò lì bìng yī lián xiě chéng
liǎo liù běn yòu guān“ lǜ lǐ” sǐ xíng yù suǒ de chàng xiāo xiǎo shuō。 rán 'ér yǐngpiān méi yòu néng gòu qǔ dé yù qī de xiào guǒ， shǐ dì fēn．
jīn zài nà yī nián yě yù dào liǎo chē huò， lìng tā duì rén shēng gǎi biàn liǎo kàn fǎ， zhú jiàn méng shēng tuì yì。 ér dé lā bāng tè yě yǔ“ shǐ
dì fēn． jīn de jiān yù” gào bié， qù chóu pāi《 diàn yǐng rén shēng》 liǎo。
【 4】
1997 nián， mǎ kè． bā wéi yà zhè wèi nián qīng dǎo yǎn yě jiè zhù shǐ dì fēn． jīn de zuò pǐn， chéng wéi yǐn rén zhù mùdì xīn ruì dǎo yǎn
， tā gǎi biān de shì《 yè yuè fēng gāo》（ NightFlier）。 yī jiā xiǎo zá zhì de jì zhě lǐ chá wèile yǔ tóng shì jìng zhēng， jué
dìng zhuī zōng bào dào yī míng lì yòng sī rén fēi jī lián huán shā rén de xiōng shǒu， rán hòu tā yù zhì zào sǒng dòng xiào yìng de xīn lǐ， cù shǐ tā yuè
lái yuè huái yí nà gè xiōng shǒu shì xī xuè guǐ…… zhēn xiāng dà bái hòu， lǐ chá duì rén shuō“ qiān wàn bié xiāng xìn nǐ suǒ xiě de shì shí， yě
qiān wàn bié xiě nǐ suǒ jiàn de shì shí”。 qí shí zhè shì shǐ dì fēn． jīn zuò wéi yī gè zuò jiā（ tā yě céng shì xiǎo bào de zhuàn gǎo rén）
， duì méi tǐ de fǎn fěng， gèng zhòng yào de shì， nǐ kě yǐ kàn chū yī gè zuò jiā miàn duì shēng huó yā lì， xīn lǐ de wú xíng kǒng jù rú hé
zhú jiàn huà zuò lái zì wài bù kōng jiān de yōu líng。“ mó yóu xīn shēng” de zhù tí， shì shǐ dì fēn． jīn xiǎo shuō zhōng bìng zuì wéi chū sè de
shè jì。 ér zhù rén gōng de zuò jiā shēn fèn yě cháng cháng chū xiàn zài tā de xiǎo shuō yǐ jí diàn yǐng zhōng。
《 shǎn líng》（ TheShining）， zhè bù zuì wěi dà“ shǐ dì fēn． jīn diàn yǐng” zài 1980 nián， bèi sī tǎn lì． kù bù lì
kè zhè wèi“ tiān cái de húndàn” pāi jùn。 dàn shǐ dì fēn． jīn shèn zhì cóng lái méi yòu zhè yàng chéng rèn guò zhè shì yī bù“ shǐ dì fēn．
jīn diàn yǐng”， tā rèn wéi kù bù lì kè wán quán cuàn gǎi liǎo tā de yuán zuò， yīn wéi zài yǐngpiān zuì hòu， kù bù lì kè ràng zhù rén gōng zuò
jiā jié kè shā sǐ hēi rén chú shī hòu， yòng lì fǔ fēng kuáng kǎn shā zì jǐ de qī 'ér， què bèi dòng sǐ zài mí gōng zhōng。 ér zài xiǎo shuō zhōng，
jié kè bìng wèi shā sǐ rèn hé rén， liú xià yī gè guāng míng de wěi bā。 shǐ dì fēn． jīn rèn wéi kù bù lì kè shì zài yòng tā de xiǎo shuō“
xù yì shāng hài guān zhòng”。 wú lùn rú hé zhēng yì，《 shǎn líng》 zuò wéi yī bù yì shù kǒng bù piàn， wú yí shì jīng diǎn de。 tā pāi chū
liǎo rén lèi zài shēng cún yā lì xià、 bǐ cǐ wú fǎ gōu tōng xià de jīng shén biàn yì， zhí zhì huǐ miè。 zhù rén gōng jié kè de shēn fèn shì yè yú
zuò zhě， zhèng zài wèijiā tíng shēng huó hé gè rén shì yè 'ér kǔ nǎo héng héng zhè yě qià qià shì shǐ dì fēn． jīn céng jǐ hé shí de zhēn shí xiě zhào
。 kù bù lì kè zài shì tīng yǔ yán shàng de gāo chāo yùn yòng shǐ dé qí tā“ shǐ dì fēn． jīn diàn yǐng” xiǎn dé yòu xiē bù zú dào。 yóu qí
shì yòng dī jī wèi gāo sù shè xiàng jī zhuī pāi jié kè de 'ér zǐ zài guǐ yì wú bǐ de dì tǎn shàng qí chē de jìng tóu xiǎn zú liǎo tiān cái běn sè。
yǐngpiān lǐ zuì xiǎn lù xīn lǐ kǒng bù zhī chù mò guò yú， qī zǐ zhà jiàn jié kè rì yè dǎ yìn de xiǎo shuō gǎo zhǐ shàng jìng rán yīháng xíng quán shì
“ zhǐ huì gōng zuò bù huì yú lè de jié kè hěn kuài jiù yào fā fēng”！ guān zhòng de liáng yì zěn me bù cóng zú dǐ shēng qǐ， ér zhè kǒng pà yě
shì shǐ dì fēn． jīn zài wèi chéng míng qián de jiāo lǜ、 jué wàng xīn tài de shū fā。 ér yǐngpiān zhōng yǔ jié kè hē jiǔ de yōu líng zé kě yǐ dāng
zuò shì tā chuàng zuò chū lái de héng héng zuò jiā yóu cǐ shòu dào nèi xīn yǔ wài jiè de shuāngchóng zhé mó 'ér zhōng jiū bēng kuì。 yǔ běn piàn kě duì zhào guān
kàn de shì yòu kǎi xī． bèi cí tàn wéi guān zhǐ de biǎo yǎn de《 wēi qíng shí rì》（ Misery）。 yǐngpiān jiǎng shù de shì zuò jiā yǔ dú
zhě jiān de jīng sǒng gù shì。
zài 1990 nián de《 wēi qíng shí rì》 lǐ， shū mí 'ān nī zài dà xuě zhōng jiù qǐ liǎo tā chóng bài de zuò jiā bǎo luó． xī 'ěr dùn， bìng jiāng
tā dài huí jiā xiū yǎng tuǐ shāng。 xī 'ěr dùn wéi xiě chū zhēn zhèng de xiǎo shuō， ràng tā liánzǎi xiǎo shuō de zhù rén gōng mǐ sài luó sǐ qù， ān nī
bó rán dà nù， shāo huǐ liǎo shǒu gǎo， lìng wú fǎ xíng zǒu de xī 'ěr dùn zhòng xiě。 dāng xī 'ěr dùn fā xiàn tā yǔ xiǎo shuō zhōng de rén wù miáo xiě
yòu sī sī guān lián hòu， ān nī gèng jiāng tā de huái guān jié qiāo suì！ zuì zhōng xī 'ěr dùn zhōng yú jiāng zuì hòu yī bù fēn xiě wán， bìng ràng mǐ sài
luó sǐ 'ér fù shēng。 dāng 'ān nī xīn xǐ ruò kuáng shí， xī 'ěr dùn zì jǐ jiāng shǒu gǎo shāo huǐ yǐ shì bào fù…… cóng zhè gè gù shì lǐ， bù
nán fā xiàn shǐ dì fēn． jīn nèi xīn shēn chù yú dú zhě de duì lì， tā kě wàng zuò yī gè“ zhēn zhèng de zuò jiā”， tā zǔ zhòu dú zhě men
de wú de shù fù， tā què yě wú fǎ jiē shòu kù bù lì kè shì de cán rěn jié jú héng héng yú shì， zuò jiā、 rén wù、 dú zhě， sān zhě
zài míng míng zhōng jiū chán zhě， xiāng hù shāng hài， wú xiū wú zhǐ， duì yú shǐ dì fēn． jīn de chuàng zuò shēng yá lái shuō， zhè shì“ jīng sǒng”
zuì dà de xīn lǐ yuán quán。
zuì jìn yòu jì zhě wèn shǐ dì fēn． jīn：“ nǐ rèn wéi shàng dì shì hǎo rén hái shì huài rén？” tā shuō：“ wǒ xiǎng tā hái suàn kě 'ài。
bì jìng wǒ men bàn gè shì jì duō zhǐ bèi yuán zǐ dàn zhà guò yī cì。” jù shuō zài《 shǎn líng》 de pāi piàn qī jiān， kù bù lǐ kè céng jīng
zài líng chén sān diǎn dǎ diàn huà wèn shǐ dì fēn． jīn：“ nǐ xiāng xìn shàng dì má？”， nà yī cì méi yòu rén zhī dào shǐ dì fēn． jīn de
huí dá。
Stephen attended the grammar school in Durham and then Lisbon Falls High School, graduating in 1966. From his sophomore year at the University of Maine at Orono, he wrote a weekly column for the school newspaper, THE MAINE CAMPUS. He was also active in student politics, serving as a member of the Student Senate. He came to support the anti-war movement on the Orono campus, arriving at his stance from a conservative view that the war in Vietnam was unconstitutional. He graduated from the University of Maine at Orono in 1970, with a B.A. in English and qualified to teach on the high school level. A draft board examination immediately post-graduation found him 4-F on grounds of high blood pressure, limited vision, flat feet, and punctured eardrums.
He and Tabitha Spruce married in January of 1971. He met Tabitha in the stacks of the Fogler Library at the University of Maine at Orono, where they both worked as students. As Stephen was unable to find placement as a teacher immediately, the Kings lived on his earnings as a laborer at an industrial laundry, and her student loan and savings, with an occasional boost from a short story sale to men's magazines.
Stephen made his first professional short story sale ("The Glass Floor") to Startling Mystery Stories in 1967. Throughout the early years of his marriage, he continued to sell stories to men's magazines. Many of these were later gathered into the Night Shift collection or appeared in other anthologies.
In the fall of 1971, Stephen began teaching high school English classes at Hampden Academy, the public high school in Hampden, Maine. Writing in the evenings and on the weekends, he continued to produce short stories and to work on novels.
In the spring of 1973, Doubleday & Co. accepted the novel Carrie for publication. On Mother's Day of that year, Stephen learned from his new editor at Doubleday, Bill Thompson, that a major paperback sale would provide him with the means to leave teaching and write full-time.
At the end of the summer of 1973, the Kings moved their growing family to southern Maine because of Stephen's mother's failing health. Renting a summer home on Sebago Lake in North Windham for the winter, Stephen wrote his next-published novel, originally titled Second Coming and then Jerusalem's Lot, before it became 'Salem's Lot, in a small room in the garage. During this period, Stephen's mother died of cancer, at the age of 59.
Carrie was published in the spring of 1974. That same fall, the Kings left Maine for Boulder, Colorado. They lived there for a little less than a year, during which Stephen wrote The Shining, set in Colorado. Returning to Maine in the summer of 1975, the Kings purchased a home in the Lakes Region of western Maine. At that house, Stephen finished writing The Stand, much of which also is set in Boulder. The Dead Zone was also written in Bridgton.
In 1977, the Kings spent three months of a projected year- long stay in England, cut the sojourn short and returned home in mid-December, purchasing a new home in Center Lovell, Maine. After living there one summer, the Kings moved north to Orrington, near Bangor, so that Stephen could teach creative writing at the University of Maine at Orono. The Kings returned to Center Lovell in the spring of 1979. In 1980, the Kings purchased a second home in Bangor, retaining the Center Lovell house as a summer home.
Because their children have become adults, Stephen and Tabitha now spend winters in Florida and the remainder of the year at their Bangor and Center Lovell homes.
The Kings have three children: Naomi Rachel, Joe Hill and Owen Phillip, and three grandchildren.
Stephen is of Scots-Irish ancestry, stands 6'4" and weighs about 200 pounds. He is blue-eyed, fair-skinned, and has thick, black hair, with a frost of white most noticeable in his beard, which he sometimes wears between the end of the World Series and the opening of baseball spring training in Florida. Occasionally he wears a moustache in other seasons. He has worn glasses since he was a child.
He has put some of his college dramatic society experience to use doing cameos in several of the film adaptations of his works as well as a bit part in a George Romero picture, Knightriders. Joe Hill King also appeared in Creepshow, which was released in 1982. Stephen made his directorial debut, as well as writing the screenplay, for the movie Maximum Overdrive (an adaptation of his short story "Trucks") in 1985.
Stephen and Tabitha provide scholarships for local high school students and contribute to many other local and national charities.
Stephen is the 2003 recipient of The National Book Foundation Medal for Distinguished Contribution to American Letters.
Originally written by Tabitha King, updated by Marsha DeFilippo.