yuèdòufú · wēi · kè luó fū cí Freeman Wills Croftszài小说之家dezuòpǐn!!! | |||
tā 1912 nián jié hūn， dàn yī zhí méi yòu hái zǐ。 1919 nián shēng liǎo yīcháng dà bìng。 zài cháng qī liáo yǎng qī jiān， tā yòng qiān bǐ zài bǐ jì běn shàng shì xiě xiǎo shuō。 tā hòu lái huí yì shuō， dāng shí “ wán quán shì wéi jiě mèn 'ér xiāo mó shí jiān ”， gēn běn méi yòu xiǎng dào yào chū bǎn。 bìng yù hòu， tā zhòng dú zì jǐ de zuò pǐn， chǎn shēng liǎo zì xìn xīn， yú shì jīng guò tuī qiāo xiū gǎi hòu sòng gěi yī jiā yòu míng de zhēn tàn xiǎo shuō chū bǎn shè。 zhè piān zuò pǐn bèi cǎi yòng， yú 1920 nián chū bǎn， dé dào guǎng fàn de hǎo píng。 bù yán 'ér yù， zhè jiù shì bèi yù wéi yīng guó zhēn tàn xiǎo shuō dài biǎo zuò zhī yī de《 tǒng》。 qià hǎo shì zài tóng yī nián， ā jiā suō kè lǐ sī dì fā biǎo liǎo tā de cháng piān chǔnǚ zuò， yóu cǐ kāi shǐ liǎo tuī lǐ xiǎo shuō de“ huáng jīn shí dài”。
zì《 tǒng》 wèn shì hòu， kè luó fū cí měi nián dōuyòu yī bù zuò pǐn chū bǎn。 zài《 bāng sēn 'àn jiàn》、《 mù cái chǎng de mì mì》、《 fú luó tè gōng yuán móu shā 'àn》 zhōng， zhēn tàn zhù rén gōng shì gè bù xiāng tóng de。 dàn dào dì wǔ piān zuò pǐn《 fú lún qí tàn cháng de zuì dà 'àn jiàn》 yǐ hòu， zhēn tàn gù dìng wéi fú lún qí。 kè luó fū cí de zuò pǐn dà duō shì xiě rú hé gōng pò zuì fàn de“ bù zài xiàn chǎng zhèng míng”， zhǐ yòu 1927 nián chū bǎn de《 sī tè bù lè de bēi jù》 hé wǎn nián de zuò pǐn《 liè chē shàng de sǐ zhě》 shì lì wài， qián zhě xiě de shì sōu xún zuì fàn， hòu zhě shì jiàndié xiǎo shuō。 tā shì gè xǐ hǎo lǚ xíng de tiě dào jì shī， tā chōng fēn lì yòng liǎo zì jǐ zài zhè fāng miàn de fēng fù zhī shí hé jīng yàn。
zài běn zhí gōng zuò fāng miàn， tā suī yú 1923 nián shēng rèn zhù rèn jì shī， dàn tā yǐ shēn tǐ bù jiā wéi yóu， zài 1929 nián cí zhí， chéng liǎo zhuān yè zuò jiā， tóng shí yí jū sà lǐ jùn de jí 'ěr fú dé。 1939 nián bèi xuǎn wéi yīng guó yì shù yán jiū yuàn yuàn shì， 1949 nián cóng shì guò sì fú yīn shū de xiàn dài yīng yǔ fān yì gōng zuò。 1957 nián qù shì， liú yòu tuī lǐ xiǎo shuō cháng piān 5 bù、 liǎng gè duǎn piān jí、 yǔ bié rén hé xiě de liǎng bù cháng piān hé yī běn shàonián dú wù。
Birth and education
Crofts was born at 26 Waterloo Road, Dublin, Ireland. His father had the same name as he, Freeman Wills Crofts, and was a surgeon-lieutenant in the Army Medical Service, but he died of fever in Honduras before the young Freeman Wills Crofts was born. His mother, née Celia Frances Wise, re-married the Venerable Jonathan Harding, Vicar of Gilford, County Down, and Archdeacon of Dromore, and Crofts was brought up in the Gilford vicarage. He attended Methodist College and Campbell College in Belfast. In 1912 he married Mary Bellas Canning, daughter of the manager of a local bank in Coleraine.
Engineering Career
In 1896, at the age of seventeen, Crofts was apprenticed to his maternal uncle, Berkeley Deane Wise, who was chief engineer of the Belfast and Northern Counties Railway. In 1899 Crofts was appointed Junior Assistant on the construction of the Londonderry and Strabane Extension of the Donegal Railway. In 1900 he became District Engineer at Coleraine for the L.M.S. Northern Counties Committee at a salary of £100pa, living at 11 Lodge Road in the town. In 1922 Crofts was promoted to Chief Assistant Engineer of the railway, based in Belfast. He lived at 'Grianon' in Jordanstown, a quiet village some 10 miles north of Belfast, where it was convenient for Crofts to travel by train each day to the railway's offices at York Road. One of the projects he worked on was the design of the Bleach Green Viaduct, a significant 10 arch reinforced concrete viaduct approved in 1927 and completed in 1934. This provided a new loop line which obviated the need for trains between Belfast and the north west to reverse at Greenisland. Croft continued his engineering career until 1929. In his last task as an engineer, he was commissioned by the Government of Northern Ireland to chair an inquiry into the Bann and Lough Neagh Drainage Scheme.
Writing career
In 1919, during an absence from work due to a long illness, Crofts wrote his first novel, The Cask (1920), which established him as a new master of detective fiction. Crofts continued to write steadily, producing a book almost every year for thirty years, in addition to a number of short stories and plays.
He is best remembered for his favourite detective, Inspector Joseph French, who was introduced in his fifth book, Inspector French's Greatest Case (1924). Inspector French always set about unravelling each of the mysteries presented him in a workmanlike, exacting manner - this approach set him apart from most other fictional sleuths.
In 1929, he abandoned his railway engineering career and became a full-time writer. He settled in the village of Blackheath, near Guildford, in Surrey, and a number of his books are set in the Guildford area, including The Hog's Back Mystery (1933) and Crime at Guildford (1935). Many of his stories have a railway theme, and his particular interest in the apparently unbreakable alibi often focussed on the intricacies of railway timetables. At the end of his life, he and his wife moved to Worthing, Sussex 1953, where they lived until his death in 1957, the year in which his last book was published.
Freeman Wills Crofts also wrote one religious book, The Four Gospels in One Story, several short stories, and short plays for the BBC.
Marriage, affiliations and other interest
In 1912 he wed Mary Bellas Canning, the daughter of John J.C. Canning of Coleraine, Ireland, bank manager. They had no children.
He was a member, with Dorothy L. Sayers and Agatha Christie, of the Detection Club which met in Gerrard Street.
In 1939 he was elected a fellow of the Royal Society of Arts.
Crofts was not only a railway engineer and writer, but also an accomplished musician. He was organist and choirmaster in Killowen Parish Church, Coleraine, St Patrick's Church, Jordanstown and the parish church of St Martin's in Blackheath..
Reputation
Crofts was esteemed, not only by his regular readers, but also by his fellow writers of the so-called Golden Age of Detective Fiction. Agatha Christie included parodies of Inspector French alongside Sherlock Holmes and her own Hercule Poirot in Partners in Crime (1929). Raymond Chandler described him as "the soundest builder of them all when he doesn’t get too fancy" (in The Simple Art of Murder). His attention to detail and his concentration on the mechanics of detection makes him the forerunner of the "police procedural" school of crime fiction. However, it has also given rise to a suggestion of a certain lack of flair - Julian Symons describing him as of "the humdrum school". This may explain why his name has not remained as familiar as other more colourful and imaginative Golden Age writers, although he had 15 books included in the Penguin Books "green" series of the best detective novels and 36 of his books were in print in paperback in 2000.
List of work
Novel
The Cask (1920)
The Ponson Case (1921)
The Pit-Prop Syndicate (1922)
The Groote Park Murder (1923)
Inspector French's Greatest Case (1924)
Inspector French and the Cheyne Mystery (1926) aka The Cheyne Mystery
Inspector French and the Starvel Tragedy (1927) aka The Starvel Hollow Tragedy
The Sea Mystery (1928)
The Box Office Murders (1929) aka The Purple Sickle Murder
Sir John Magill's Last Journey (1930)
Mystery in the Channel (1931) aka Mystery in the English Channel
Sudden Death (1932)
Death on the Way (1932) aka Double Death
The Hog's Back Mystery (1933) aka The Strange Case of Dr. Earle
The 12:30 from Croydon (1934) aka Wilful and Premeditated
Mystery on Southampton Water (1934) aka Crime on the Solent
Crime at Guildford (1935) aka The Crime at Norne
The Loss of the 'Jane Vosper' (1936)
Man Overboard! (1936) aka Cold-Blooded Murder
Found Floating (1937)
The End of Andrew Harrison (1938) aka The Futile Alibi
Antidote to Venom (1938)
Fatal Venture (1939) aka Tragedy in the Hollow
Golden Ashes (1940)
James Tarrant, Adventurer (1941) aka Circumstantial Evidence
The Losing Game (1941) aka A Losing Game
Fear Comes to Chalfont (1942)
The Affair at Little Wokeham (1943) aka Double Tragedy
Enemy Unseen (1945)
Death of a Train (1946)
Silence for the Murderer (1949)
French Strikes Oil (1951) aka Dark Journey
Anything to Declare? (1957)
Short Story Collection
Murderers Make Mistakes (1947)
Many a Slip (1955)
Mystery of the Sleeping Car Express and Other Stories (1956)
"The Mystery of the Sleeping Car Express" (1921)
"Mr Pemberton's Commission"
"The Greuze" (Inspector French)
"The Level Crossing" (1933)
"East Wind" (Inspector French)
"The Parcel"
"The Motive Shows the Man"
"The Affair at Saltover Priory" (Inspector French)
"The Landing Ticket" (Inspector French)
"The Raincoat" (Inspector French)
Anthologies containing stories by Freeman Wills Croft
Great Short Stories of Detection, Mystery and Horror 2nd Series (1931)
Great Short Stories of Detection, Mystery and Horror 3rd Series (1934)
The Mystery Book (1934)
The Great Book of Thrillers (1935)
Fifty Famous Detectives of Fiction (1983)
The Scoop and Behind the Screen (1983) (Originally published in The Listener (1931) and (1930), both written by members of The Detection Club)
Great Irish Detective Stories edited by Peter Haining (1993)
Lost Short Storie
These stories are known to have been published but no copies of the publications concerned are believed to exist today
"Nemesis", published in Round About [Guildford Round Table Christmas Annual, 1933]
"Who Killed Cock Robin?", published in St Martin's Review [date unknown]
Reference
^ a b c 'Who Was Freeman Wills Crofts', Derek Martin, The Bann Disc Vol 10, Coleraine Historical Society, October 2004.
^ Derek Martin's interview on BBC Radio Ulster's 'Your Place and Mine'