yuèdòuyī bā niè sī Vicente Blasco Ibáñezzài小说之家dezuòpǐn!!! | |||
bù lā sī kē · yī bā niè sī de xiǎo shuō chuàng zuò kě fēn wéi sān gè shí qī：
dì yī shí qī (1894 ～ 1902) de zuò pǐn zhù yào miáo xiě bā lún xī yà dì qū rén mín de shēng huó hé fēng sú xí guàn， dì fāng sè cǎi nóng hòu。 rú xiě zī chǎn jiē jí de《 dào mǐ yǔ dān wéi yú chuán》 (1894)， xiě yú mín shēng huó de《 wǔ yuè huā》 (1895)， duǎn piān jí《 bā lún xī yà gù shì》 (1896) hé xiě nóng cūn shēng huó de《 máo wū》 (1898)， yǐ jí xiě nóng cūn qīng nián de 'ài qíng de《 lú wěi huóní nào》 (1902) děng。
dì 'èr shí qī (1903～ 1909) de zuò pǐn tí cái bǐ jiào guǎng kuò， cǎi yòng zì rán zhù yì huò yìn xiàng zhù yì de shǒu fǎ， miáo xiě shè huì hēi 'àn， fǎn yìng láo dòng rén mín de tòng kǔ， duì tǒng zhì zhě hé jiào huì de yā pò fā chū liǎo kàng yì。 zuò pǐn yòu《 dà jiào táng》 (1903)、《 chuǎng rù zhě》 (1904)、《 niàng jiǔ chǎng》 (1905)、《 yóu mín》 (1905)。
dì sān shí qī (1910 nián yǐ hòu ) de zuò pǐn tí cái gèng wéi guǎng fàn， qí zhōng yǐ dì yī cì shì jiè dà zhàn wéi bèi jǐng de《 qǐ shì lù de sì qí shì》 (1916) céng fēng xíng 'ōu měi gè guó。 zhè yī shí qī de zuò pǐn hái yòu yǐ měi zhōu wéi tí cái de xiǎo shuō《 mì xún jīn yáng máo chuán shàng de shuǐ shǒu men》 (1914)、《 suǒ yòu rén de tǔ dì》 (1922) hé《 kǎ lā fěi yà nǚ wáng》 (1923)； miáo xiě zhàn zhēng de xiǎo shuō《 wǒ men de dì zhōng hǎi》 (1918)、《 nǚ rén de chóu dí》 (1919)、《 zhàn zhēng gù shì jí》 yǐ jí tàn xiǎn xiǎo shuō《 nǚ rén de tiān táng》（ 1922）。 tā de yóu jì yòu《 yī gè xiǎo shuō jiā de shì jiè zhī xíng》 (1924)。
yī bā liù qī nián yī yuè 'èr shí jiǔ rì , tā chū shēng zài bā lún bǎi yà shěng yī gè shāng rén de jiā tíng , qīng nián shí dài zài shǒu dū mǎ dé lǐ xué fǎ lǜ , jī jí cān jiā gè zhǒng mín zhòng jí huì , chéng wéi yī gè jī jìn de gòng hé zhù yì zhě . yī bā bā jiǔ nián , yīn qiān shè yī zhuāng zhèng zhì mì móu shì jiàn bèi pò liú wáng fǎ guó . yī bā jiǔ yī nián huí guó , chuàng bàn jù yòu gòng hé zhù yì sī xiǎng de《 rén mín bào》 . yī bā jiǔ wǔ nián yīn fǎn duì xī bān yá duì zhí mín dì de zhàn zhēng , zāo dào zhèng fǔ tōng jī , táo lí bā lún xī yà . yī bā jiǔ bā nián bèi bǔ , jiān jìn liǎo shí sān gè yuè , yīn bā lún xī yà zài cì xuǎn jǔ tā wéi yì huì dài biǎo 'ér huò shì ; tā céng lián xù liù cì bèi xuǎn wéi zhè gè yì huì de dài biǎo . yī jiǔ sān nián hòu zhù yào cóng shì wén xué chuàng zuò . wǎn nián yīn zǔ zhì fǎn duì jūn zhù dú zāi zhèng tǐ huó dòng zài cì liú wáng fǎ guó , yī jiǔ 'èr bā nián yī yuè , zú yú fǎ guó máng tōng .
yī bā niè sī - xiǎo shuō
yī bā niè sī de xiǎo shuō chuàng zuò jī běn shàng kě fēn wéi sān gè shí qī , dì yī shí qī (1894 yī 1902) de zuò pǐn zhù yào miáo xiě zuò jiā gù xiāng bā lún xī yà dì qū rén mín de shēng huó hé fēng sú xí guàn , dì fāng sè cǎi hěn nóng . zhù míng de yòu xiě yú mín shēng huó de cháng piān xiǎo shuō《 wǔ yuè huā》 , xiě nóng cūn shēng huó de duǎn piān jí《 máo wū》 , yǐ jí xiě nóng cūn qīng nián 'ài qíng de《 lú wěi huóní nào》 , qí zhōng《 wǔ yuè huā》 ,《 lú wěi huóní nào》 guó nèi yǐ yòu liǎo yì běn chū bǎn . dì 'èr shí qī (1903 yī 1909) de zuò pǐn , tí cái bǐ jiào guǎng fàn , yòng zuǒ lā shì de zì rán zhù yì huò yìn xiàng zhù yì de shǒu fǎ , miáo xiě shè huì hēi 'àn , fǎn yìng láo dòng rén mín de tòng kǔ , duì tǒng zhì zhě hé jiào huì de yā pò fā chū liǎo kàng yì . zhù míng de zuò pǐn yòu《 dà jiào táng》 (1903),《 chuǎng rù zhě》 (1904),《 niàng jiǔ chǎng》 (1905),《 yóu mín》 (1905),《 sǐ zhě de zhǔ fù》 (1909) děng děng . dì sān gè shí qī (1910 nián yǐ hòu ) de zuò pǐn tí cái gèng wéi guǎng fàn , qí zhōng yǐ dì yī cì shì jiè dà zhàn wéi bèi jǐng de《 qǐ shì lù de sì qí shì》 (1916) céng fēng xíng 'ōu měi gè guó ,
shǐ zuò zhě huò dé liǎo shì jiè de míng yù .
《 bì xuè huáng shā》 (1908) shì yī bā niè sī chuàng zuò dì 'èr gè shí qī de zhòng yào zuò pǐn . zài zhè bù cháng piān xiǎo shuō lǐ , zuò jiā yǐ chōng mǎn tóng qíng de xù shù bǐ diào , bàng bó hàn rén de qì shì , miáo huì liǎo xī bān yá dǒu niú shì de shēng huó , zhǎn shì liǎo yī fú xióng wěi shēng dòng de xī bān yá fēng sú mín qíng de cháng juàn . zhù rén gōng jiā lā 'ěr tuó cóng yī gè gū kǔ líng dīng de xiǎo xié jiàng chéng wéi yī gè zhù míng de dǒu niú dà shī , bèi guì zú fù rén suǒ yǐn
yòu , hòu lái yòu bèi pāo qì , yǐ zhì zài dǒu niú chǎng shàng cǎn sǐ . zuò zhě miáo xiě dǒu niú chǎng miàn shēng dòng jǐn zhāng , dòng rén xīn bó , tóng shí lùn shù liǎo dǒu niú de lì shǐ gēn yuán , shè huì jī chǔ , zhèng zhì zuò yòng , xīn lǐ yǐng xiǎng , pàn dìng zhè zhǒng yú lè shì yī zhǒng shí dài cuò wù . zài zhè gè yǐ dǒu niú jiā liàn 'ài wéi zhù yào kuàng jià de gù shì lǐ , zuò zhě jiè guó jiā hé xiǎo yǔ máo zhè liǎng gè rén wù biǎo dá liǎo zhèng zhì sī xiǎng , yòng tā men de yán xíng , pōu xī liǎo dāng shí zhěng gè xī bān yá yán kù de xiàn shí shēng huó . zhè wú yí jiā shēn liǎo xiǎo shuō de sī xiǎng xìng . dàn shì , zuò zhě de zhèng zhì lǐ xiǎng réng rán shì méng lóng chōu xiàng de ,
guó jiā de zuì gāo zhèng zhì guān diǎn yě zhǐ shì " jiào yù jiù guó ", xiàng xiǎo yǔ máo zhè yàng ná qǐ dāo qiāng hé fǎn dòng zhèng fǔ yīng yǒng dǒu zhēng de " gé mìng zhě ", zuò zhě què 'ān pái liǎo yī gè bèi zì jǐ rén 'àn shā de jié jú , yīn cǐ , zài biǎo xiàn zuò zhě gòng hé zhù yì sī xiǎng fāng miàn , yuǎn yuǎn bù rú tā duì yú dǒu niú chǎng miàn de jīng zhàn miáo huì . gǎi xiě běn lì tú yǐ zuì dà de kě néng bǎo chí zhè yī fāng miàn de tè sè . jìn guǎn duì yú dǒu niú guò chéng de xì
nì miáo xiě dá dào liǎo zì rán zhù yì shì de chéng dù , dàn duì yú biǎo xiàn dǒu niú shì yī zhǒng yě mán de yú lè zhè yàng de zhù tí , réng rán yòu zhe bù kě hū shì de jī jí zuò yòng . yīn cǐ , duì yú píng duàn dǒu niú yè de shì fēi , liǎo jiě tā , shú xī tā , bìng zài xīn líng zhōng rǎn shàng xiān míng de yìn xiàng , jiù xiǎn dé bì bù kě shǎo liǎo .
Born in Valencia, today he is best known in the English-speaking world for his World War I novel Los cuatro jinetes del apocalipsis. Filmed in 1921 as The Four Horsemen of the Apocalypse, it was filmed again in 1962, reset in World War II. However, in his time he was a best-selling author inside and outside of Spain, and also known for his controversial political activities. While Sangre y arena (Blood and Sand) and Los cuatro jinetes del apocalipsis are his most popular novels, particularly outside of Spain, his Valencian novels such as La barraca and Cañas y barro are the ones most valued by scholars.
He finished studying law, but hardly practiced. He divided his time between politics, literature and dalliances with women, of whom he was a deep admirer. He wrote with uncanny speed and energy. He was a fan of Miguel de Cervantes.
His life, it can be said, tells a more interesting story than his novels. He was a militant Republican partisan in his youth and founded a newspaper, El Pueblo (translated as either The Town or The People) in his hometown. The newspaper aroused so much controversy that it was brought to court many times and censored. He made many enemies and was shot and almost killed in one dispute. The bullet was caught in the clasp of his belt. He had several stormy love affairs.
He volunteered as the proofreader for the novel Noli Me Tangere, in which the Filipino patriot José Rizal expressed his contempt of the Spanish colonization of the Philippines. He travelled to Argentina in 1909 where two new cities, Nueva Valencia and Cervantes, were created. He gave conferences on historical events and Spanish literature. Tired and disgusted with government failures and inaction, Vicente Blasco Ibáñez moved to Paris at the beginning of World War I.
He was a supporter of the Allies in World War I.
His themes include his native Valencia.
He died in Menton, France, in 1928 at the age of 61, in the residence of Fontana Rosa (also named the House of Writers, dedicated to Cervantes, Dickens and Shakespeare) that he built.
Woman Triumphant, a translation of La maja desnuda by Vicente Blasco Ibáñez into English
[edit]Works
A los pies de Venus
Argentina y sus grandezas
Arroz y tartana at Project Gutenberg
Cañas y barro, about life among the fishermen-peasants of the Albufera marshes in Valencia. Also a Spanish TV series.
Cuentos valencianos
El caballero de la virgen
El intruso, about immigration to the Basque Country
El oriente
El papa del mar, about the antipope Benedict XIII, who established his court at Peñíscola.
El paraíso de las mujeres at Project Gutenberg
El préstamo de la difunta at Project Gutenberg
En busca del Gran Khan
Entre naranjos, another Valencian piece. Also a Spanish TV series.
Fantasma de las alas de oro
Flor de mayo
La araña negra
La Barraca at Project Gutenberg
La bodega
La Catedral at Project Gutenberg
La horda
La maja desnuda, novel with title inspired on Goya's painting Nude ""Maja"".
La Tierra de Todos at Project Gutenberg
La Pared
Los argonautas
The Four Horsemen of the Apocalypse (Los Cuatro Jinetes del Apocalipsis), about Argentina and the First World War. Several times filmed. The Four Horsemen of the Apocalypse at Project Gutenberg Best seller in the United States in 1919.
Los muertos mandan
Luna Benamor
Mare Nostrum, a spy novel in the Mediterranean. Filmed in 1926.
Novelas de la costa azul
Blood and Sand (Sangre y arena), about a matador in a love triangle. Filmed several times.
Vistas sudamericanas
Voluntad de vivir
Vuelta del mundo de un novelista, a travelogue.