yuèdòuhēng lì · mǐ lè Henry Millerzài小说之家dezuòpǐn!!! yuèdòuhēng lì · mǐ lè Henry Millerzài影视与戏剧dezuòpǐn!!! | |||||
亨利·米勒mǐ lè shēng yú niǔ yuē bù lǔ kè lín， nián qīng shí cóng shì guò xǔ duō bù tóng de gōng zuò， zài dì 'èr wèi fū rén（ yī shēng gòng wǔ wèi） qióng de gǔ lì xià kāi shǐ xiě zuò。 1930 nián qiān jū bā lí， cǐ hòu de shí nián lǐ， tā tóng yī xiē qióng kùn liáo dǎo de qiáo mín hé fàng dàng bù jī de bā lí rén hùn zài yī qǐ， huò dé liǎo fēng fù de xiě zuò sù cái。 1934 nián zài bā lí chū bǎn liǎo《 běi huí guī xiàn》， wǔ nián hòu yòu chū bǎn liǎo《 nán huí guī xiàn》。 zhè liǎng běn shū de xiě zuò fēng gé xíng chéng liǎo yī zhǒng duì chuán tǒng guān niàn de yǒng měng tiǎo zhàn yǔ fǎn pàn， gěi 'ōu zhōu wén xué xiān fēng pài dài lái liǎo jù dà de zhèn dòng。
yóu yú tā de zuò pǐn zhōng cún zài zhe lù gǔ de xìng miáo xiě， yīng yǔ guó jiā cháng qī jù jué fā biǎo tā de zuò pǐn， suǒ yǐ tā zuì chū zài yīng yǔ guó jiā mò mò wú wén。 yīng yǔ guó jiā de guǎng dà dú zhě dú dào hēng lì - mǐ lè de shàng shù sān bù zuò pǐn， shǒu xiān hái yào gǎn xiè méng jūn zài 1944 nián yǐ hòu lái dào bā lí。 yīng měi jūn duì de jūn rén jí suí jūn rén yuán zài bā lí shì chǎng shàng fā xiàn liǎo hēng lì - mǐ lè de shū， zhēng xiāng chuán yuè， bìng bǎ tā men tōu tōu dài huí yīng měi děng guó。 hēng lì - mǐ lè de zuò pǐn yì wài dì bǐ nà xiē liú xíng de wén xué jīng yīng de zuò pǐn huò dé liǎo gèng guǎng fàn de dú zhě。
1940 nián mǐ lè huí dào měi guó， zhù zài jiā zhōu de dà sè 'ěr。 zài nà lǐ tā chuàng zuò liǎo " xùn sè sān bù qū "----《 xìng 'ài zhī lǚ》、《 qíng yù zhī wǎng》 hé《 chūn mèng zhī jié》， dàn yóu yú bèi dàngzuò xiě " xià liú zuò pǐn " de zuò jiā， tā de zhù yào zuò pǐn bù néng zài měi guó chū bǎn。 1961 nián jīng guò yīcháng jù yòu lì shǐ yì yì de sù sòng，《 běi huí guī xiàn》 zhōng yú zài měi guó chū bǎn， mǐ lè chéng wéi yī gè jiā yù hù xiǎo de míng zì， tā bèi 60 nián dài fǎn zhù liú wén huà yù wéi zì yóu hé xìng jiě fàng de xiān zhī。
zuò pǐn nián biǎo
1934 nián《 běi huí guī xiàn》、 1935 nián《 nǐ ná ALF zěn me bàn？》、 1935 nián《 huí dào niǔ yuē》、 1936 nián《 hēi sè de chūn tiān》、 1938 nián《 mǎ kè sī hé bái xì bāo》、 1939 nián《 nán huí guī xiàn》、 1939/1943 nián《 hā mǔ léi tè 1、 2》、 1939 nián《 yǔ zhòu de yǎn jīng》、 1940 nián《 xìng 'ài de shì jiè》、 1941 nián《 mǎ luò xī de dà shí xiàng》、 1944 nián《 zhàn hòu xīng qī tiān》、 1944 nián《 zhōng shí guò qù de huǎng zǐ》、 1944 nián《 měi guó de yì shù jiā》、 1945 nián《 huí shēng zhī shén》、 1945 nián《 hēng lì mǐ lè zá tán》、 1945 nián《 wèihé chōu xiàng？ - tán huà lù》、 1945 nián《 kōng diào 'è mèng》、 1946 nián《 yǒng yuǎn de mò lì cí》、 1947 nián《 guān yú huí yì de huí yì》、 1948 nián《 shí liú qún xià de wēi xiào》、 1949 nián《 xìng 'ài zhī lǚ》、 1952 nián《 wǒ shēng huó zhōng de shū》、 1953 nián《 qíng yù zhī wǎng》、 1956 nián《 kē lì xī de níng jìng rì zǐ》、 1956 nián《 móu shā zhě de nián dài》、 1957 nián《 dà sè 'ěr》、 1958 nián《 hóng sè bǐ jì běn》、 1959 nián《 chóngjù bā sài luó nà》、 1960 nián《 chūn mèng zhī jié》、 1960 nián《 zuò huà shì zài 'ài yī cì》、 1962 nián《 shuǐ cǎi、 huà zuò hé sǎnwén " tiān shǐ shì wǒ de shuǐ yìn "》、 1962 nián《 wěn rú fēng niǎo》、 1963 nián《 xiàng hēng lì yī yàng fēng kuáng》、 1964 nián《 xī là》。
zìzhuàn
wǒ yú 1891 nián 12 yuè 26 rì shēng zài niǔ yuē shì de yī gè měi guó jiā tíng。 wǒ de zǔ fù mǔ shì wéi táo bīng yì lái dào měi guó de。 wǒ de zǔ xiān dōushì dé guó rén， tā men sàn jū zài dé guó gè dì。 mù qián， wǒ men jiā zú zài quán shì jiè dōuyòu fēn zhī， nǎ pà shì zuì yáo yuǎn zuì piān pì de dì fāng。 wǒ de xiān rén dà dōushì háng hǎi jiā、 nóng mín、 shī rén hé yīnyuè jiā。 zài shàng xué yǐ qián， wǒ zhǐ huì jiǎng dé yǔ。 jìn guǎn wǒ de fù mǔ dū shēng zài měi guó， dàn wǒ chéngzhǎng de huán jìng què shì chè tóu chè wěi de dé yǔ huán jìng。 cóng wǔ suì dào shí suì de rì zǐ shì wǒ shēng huó zhōng zuì zhòng yào de shí rì； wǒ dāng shí shēng huó zài chéng shì de jiē tóu， zhān shàng liǎo diǎn xíng de měi guó liú máng xí qì。 wǒ shēngzhǎng de bù lǔ kè lín dì shí sì qū duì wǒ lái jiǎng yóu wéi qīnqiè。 zhè shì yī gè yí mín qū， wǒ de huǒ bàn men lái zì bù tóng de guó jiā。 wǒ qī suì nà nián， xī bān yá - měi guó zhàn zhēng bào fā， zhè zài wǒ xiǎo shí hòu shì yī jiàn dà shì。 wǒ xǐ huān zì yóu zì zài de bāng huì jīng shén， tā shǐ wǒ zài hěn xiǎo de shí hòu jiù zhī dào bào lì hé wú fǎ wú tiān shì měi guó de tè diǎn。
wǒ de fù mǔ jiào qióng， tā men gōng zuò nǔ lì， qín jiǎn chí jiā， bù dài rèn hé xiǎng xiàng de sè cǎi。 wǒ de fù qīn yī shēng zhōng cóng wèi dú guò shū。 wǒ de jiā tíng duì wǒ zhào gù dé hěn hǎo， shēng huó dé kuài lè jiàn kāng， hòu lái wǒ zì jǐ jiāng yī qiēdōu gǎi biàn liǎo。 wǒ méi yòu móu shēng de yù wàng， méi yòu jīng jì tóu nǎo， quē fá duì fù mǔ xiōng cháng、 duì fǎ lǜ huò duì quē xí de zūn jìng。 zì wǒ huì shuō huà qǐ， jiù kāi shǐ nì zhe fù mǔ hé zhōu wéi de rén。 wǒ jìn chéng lì xué yuàn méi jǐ gè yuè jiù lí kāi liǎo xué xiào， wǒ tǎo yàn xué xiào de huán jìng， tǎo yàn xué yè de yú chǔn nèi róng。 zài cái jīng qū de yī jiā shuǐ ní gōng sī zhǎo liǎo yī fèn gōng zuò， hěn kuài jiù fǎn huǐ liǎo。 liǎng nián hòu， fù qīn gěi wǒ qián ràng wǒ qù kāng nài 'ěr dà xué； wǒ ná liǎo qián hé qíng rén xiāo shī dé wú yǐng wú zōng， nà nǚ rén de nián líng zú yǐ dāng wǒ de mǔ qīn。 yī nián hòu， wǒ huí dào liǎo jiā lǐ， bù jiǔ yǒng yuǎn dì lí kāi liǎo tā qù liǎo xī bù。 wǒ zài běn guó de gè dì dū gān guò huó， zhù yào shì zài xī nán bù， gān guò gè zhǒng zá huó， yī bān shì dāng mù chǎng bāng shǒu。 wǒ céng zài 'ā lā sī jiā de zhū nuò dāng guò jīn kuàng de kuàng gōng， yīn dé rè bìng 'ér qì zhī。 huí dào niǔ yuē hòu， guò zhe jū wú dìng suǒ de liú làng shēng huó， shénme dū gān guò， shénme yě méi gān cháng。 wǒ de tǐ lì hěn hǎo， wǔ nián rú yī rì měi tiān duàn liàn - hǎo xiàng yào qù cān jiā 'ào lín pǐ kè bǐ sài shìde。 wǒ de jiàn kāng tǐ bó guī gōng yú sī bā dá shì de shēng huó， guī gōng yú wǒ de pín kùn shēng huó， guī gōng yú wǒ de lè tiān xìng gé。 wǒ sān shí suì zhī qián yī zhí guò zhe méi yòu jìhuà de fǎn pàn shēng huó， shénme dū cháng shì liǎo； wǒ de dǎo méi zhù yào shì yīn wéi wǒ tài chéng shí， tài zhōng kěn， tài tiān zhēn， tài dà fāng。
wǒ hěn zǎo de shí hòu jiù xué gāng qín， zài zhè fāng miàn xiǎn lù
měi guó cān zhàn yǐ hòu， wǒ qù liǎo huá shèng dùn， zài zuò zhàn bù dāng liǎo gè xiǎo zhí yuán - fēn jiǎn xìn hán。 zài yè yú shí jiān lǐ， wǒ wéi huá shèng dùn de yī jiā bào zhǐ xiě xiē tōng xùn。 wǒ yòng jì miǎn diào liǎo fú bīng yì de yì wù， zài cì huí dào niǔ yuē； fù qīn zài bìng zhōng， wǒ yòu cāo chí qǐ tā de shēng yì。 wǒ yī zhí shì chè dǐ de hé píng zhù yì zhě， xiàn zài réng rán shì。 wǒ xiāng xìn zài fèn nù zhī xià shā rén shì zhèng dāng de， ér shì jiè shàng de xuè xīng huò zhèng fǔ hé fǎ lǜ 'àn mǒu zhǒng yuán zé shā rén zé shì bù zhèng dāng de。 zài zhàn zhēng qī jiān， wǒ jié liǎo hūn dāng liǎo fù qīn。 suī rán dāng shí yòu gè zhǒng gè yàng de chāishi， kě wǒ zǒng shì méi yòu gōng zuò。 wǒ gān guò shù bù qīng de huó 'ér， cháng cháng zhǐ gān yī tiān bàn tiān。 wǒ gān guò de huó 'ér bāo kuò： xǐ wǎn、 gōng gòng qì chē shòu piào、 mài bào、 sòng xìn、 wā mù kēng、 tǎo zhài、 mài shū、 qiāo zhōng、 jiǔ bā zhāo dài、 mài jiǔ、 dǎ zì、 kāi jī qì、 tú shū guǎn lǐ、 tǒng jì、 cí shàn shì yè fú wù rén yuán、 jī xiè shī、 bǎo xiǎn yè shōu kuǎn、 lā jī qīng yùn、 kāndàmén、 jiào huì mì shū、 mǎ tóu gōng rén、 chū zū chē sī jī、 yùn dòng jiào liàn、 sòng niú nǎi、 jiǎn piào yuán， děng děng。
wǒ shēng huó zhōng zuì zhòng yào de yī cì xiāng yù shì zài jiā zhōu shèng dié gē jiàn dào 'ài mǎ。 gē 'ěr dé màn。 tā xiàng wǒ zhǎn shì liǎo 'ōu zhōu wén huà de zhěng gè shì jiè， gěi wǒ de shēng huó zēng tiān liǎo xīn de dòng lì hé fāng xiàng。 shì jiè chǎn yè gōng rén zǔ zhì yùn dòng zhǎn kāi shí， wǒ cǐ jí yòu xīng qù， zhì jīn réng huái zhe chóng míng zhī qíng jì dé rú xià rén wù： jí mǔ。 lā jīn、 yī lì suō bái gé lāi、 fú lín qiáo wàn ní hé kǎ luó tè liè sī kǎ。 wǒ cóng wèi jiā rù rèn hé jù lè bù， wú lùn shì zōng jiào、 shè huì hái shì zǔ zhì。 wǒ cóng xiǎo bèi rén dài wǎng gè zhǒng jiào táng - xiān shì lù dé pài， suí hòu shì zhǎnglǎo huì pài， suí hòu shì wèi lǐ huì gōng pài， zài hòu shì shèng gōng huì pài。 shāo hòu， wǒ huái zhe jí dà de xīng qù tīng liǎo bā hā pài de jiǎng zuò， yě tīng liǎo shén xué zhé xué jiā、 xīn sī xiǎng pài hé yé sū zài shēng lùn zhě de jiǎng zuò。 wǒ wán quán zhàn zài zhé zhōng de lì chǎng shàng， nǎ pài yě bù zhuī suí， guì gé jiào pài hé mó mén jiào pài gěi wǒ de yìn xiàng shì tuán jié zhōng chéng、 zìjǐ zì zú。 wǒ rèn wéi tā men shì zuì mó fàn de měi guó rén。
1920 nián， zài yī jiā gōng sī dāng liǎo yī zhèn xìn chā hé mí bǎo hòu， wǒ chéng liǎo niǔ yuē shì xī bù lián hé diàn bào gōng sī de rén shì jīng lǐ。 wǒ zài cǐ wèi zǐ shàng zuò liǎo dà yuē wǔ nián shì qíng， zhì jīn réng jué dé shì wǒ yī shēng zhōng zuì fù yù de shí qī。 wǒ jiē chù liǎo niǔ yuē xíng xíng sè sè de xià céng rén wù - dà yuē shí wàn nán nán nǚ nǚ。 1923 nián， zài sān gè xīng qī de xiūjià zhōng， wǒ xiě liǎo dì yī běn shū -- shì shí 'èr gè xìn chā guài rén de gù shì。 zhè běn shū hěn cháng， xiěde yě bù hǎo， dàn tā jī qǐ liǎo wǒ xiě zuò de yù wàng。 wǒ zhāo hū yě méi dǎ jiù lí kāi liǎo gōng zuò gǎng wèi， jué xīn chéng wéi yī gè zuò jiā。 cóng cǐ， zhēn zhèng de bēi cǎn shēng huó kāi shǐ liǎo。 cóng 1924 nián dào 1928 nián， wǒ xiě liǎo dà liàng de xiǎo shuō hé wén zhāng， yī piān yě wèi bèi rén jiē shòu。 zuì hòu， wǒ zì jǐ yìn shuà liǎo wǒ de zuò pǐn， zài dì 'èr rèn qī zǐ de bāng zhù xià， āi jiā 'āi hù qù dōu shòu， hái qù guò cān tīng hé tuī xiāo。 jiēguǒ， wǒ yán jiē qǐ tǎo。
yóu yú dé dào yī bǐ yì wài de xiǎo cái， wǒ dé yǐ yú 1928 nián lái dào 'ōu zhōu dāi liǎo yī zhěng nián， qù liǎo 'ōu zhōu xǔ duō dì fāng。 1929 nián wǒ dāi zài niǔ yuē， shēn wú fēn wén， shēng huó bēi cǎn， kàn bù dào qián tú。 1930 nián chū， wǒ còu
chú liǎo wǒ yòng sān zhōu xiě chéng de xìn chā gù shì wài， wǒ zài měi guó hái wán chéng liǎo liǎng bù xiǎo shuō， wǒ bǎ wèi wán chéng de dì sān bù xiǎo shuō dài dào liǎo 'ōu zhōu， xiě wán zhè běn shū hòu wǒ jiù bǎ tā sòng dào liǎo bā lí yī gè chū bǎn shāng shǒu shàng； tā xuán jí jiāng shǒu gǎo yí shī， fǎn guò lái yī tiān wèn wǒ shì fǒu kěn dìng bǎ tā jiāo gěi tā liǎo。 wǒ shēn biān wèi liú fù xiě běn - sān nián de xīn xuè chéng wéi pào yǐng。 wǒ kāi shǐ xiě zuò《 běi huí guī xiàn》， dào bā lí yī nián hòu， tā chéng liǎo wǒ de " dì yī běn shū "。 zhè běn shū shì suí shí suí dì xiě zài gè zhǒng zhǐ shàng de， cháng cháng xiě zài jiù shǒu gǎo de bèi miàn。 xiě tā de shí hòu， wǒ jīhū méi yòu zhǐ wàng néng gòu chū bǎn。 zhè běn shū shì jù sàng zhī zuò。 bā lí 'ào bié liè sī chū bǎn shè chū bǎn liǎo cǐ shū， wèiwǒ dǎ kāi liǎo tōng xiàng shì jiè zhī mén。 zhè běn shū gěi wǒ dài lái liǎo shì jiè gè dì wú shù de péng yǒu hé xiāng zhī。 wǒ réng rán méi yòu qián， réng rán bù zhī rú hé móu shēng； dàn wǒ yòu xǔ duō péng yǒu hé xī wàng wǒ chéng gōng de rén， yīn cǐ wǒ bù zài hài pà jī 'è， jìn guǎn jī 'è chéng liǎo yōu xīn chōng chōng zhī lǜ。 wǒ xiàn zài jué duì yǔ mìng yùn gòng cún， ān yú rèn hé kě néng fā shēng de shì qíng。 wǒ yī diǎn 'ér yě bù dān xīn wèi lái， yīn wéi wǒ xué huì liǎo rú hé zài mù qián shēng huó。
zhì yú yǐng xiǎng ...... zhēn zhèng de yǐng xiǎng shì shēng huó běn shēn， yóu qí shì wǒ cóng bù yàn juàn de jiē tóu shēng huó。 wǒ shì gè chè tóu chè wěi de chéng shì rén； wǒ tǎo yàn zì rán， zhèng rú wǒ tǎo yàn " míng zhù " yī yàng。 wǒ dé yì yú zì diǎn hé bǎi kē quán shū hěn duō； wǒ xiǎo shí hòu dú gōng jù shū jiù xiàng dú bā 'ěr zhā kè yī yàng guò yǐn。 wǒ 'èr shí wǔ suì zhī qián jīhū méi dú shénme xiǎo shuō， chú liǎo rén xiě de yǐ wài。 wǒ tè bié liú xīn zōng jiào、 zhé xué、 kē xué、 lì shǐ、 shè huì xué、 yì shù、 kǎo gǔ xué、 yuán shǐ wén huà、 shén huà děng xué wèn。 wǒ jīhū bù dú bào zhǐ， shēng píng yě wèi dú guò zhēn tàn gù shì。 lìng yī fāng miàn， wǒ yuè dú liǎo dào shǒu de suǒ yòu yōu mò gù shì -- zhǐ yòu yī xiǎo bù fēn yòu jià zhí。 wǒ xǐ huān dōng fāng mín jiān gù shì hé tóng huà， yóu qí shì rì běn tóng huà， lǐ biān chōng mǎn lì liàng hé yáng gāng zhī měi。 wǒ xǐ huān de zuò jiā yòu sī bīn sài、 fǎ bù 'ěr、 hè fū luò kè、 fú léi zé、 lǎo hè xū lí děng rén。 duō kuī 'ài mǎ gē 'ěr dé màn de zhǐ diǎn， wǒ guǎng fàn yuè dú liǎo 'ōu zhōu jù zuò -- wǒ duì 'ōu zhōu jù zuò jiā de liǎo jiě bǐ duì yīng měi jù zuò jiā de liǎo jiě yào zǎo。 wǒ dú zuò jiā bǐ dú yīng guó zuò jiā zǎo， wǒ dú dé guó zuò jiā bǐ dú fǎ guó zuò jiā zǎo。 duì wǒ yǐng xiǎng zuì dà de shì tuó sī tuǒ yé fū sī jī、 ní cǎi hé 'ài lì fú 'ěr。 wǒ jué dé pǔ lǔ sī tè hé sī bīn gé lè shì jí yòu shēng mìng lì de zuò jiā。 duì wǒ zhēn zhèng yòu yǐng xiǎng de měi guó zuò jiā zhǐ yòu huì tè màn hé 'ài mò shēng。 wǒ chéng rèn mài 'ěr wéi 'ěr de tiān cái， dàn jué dé tā de zuò pǐn tài fá wèi。 wǒ jí bù xǐ huān hēng lì zhān mǔ sī， jué duì tǎo yàn 'ài lún pō。 wǒ bù xǐ huān měi guó wén xué de qīng xiàng； měi guó wén xué tài xiàn shí、 tài sàn， tài kè bǎn； měi guó wén xué shì xiě gěi zuì dǐ céng de rén kàn de； zài wǒ kàn lái， měi guó wén xué zhǐ yòu duǎn piān xiǎo shuō bù cuò。 xiàng shè wǔ dé 'ān dé sēn hé shā luó yáng zhè yàng de liǎng jí zuò jiā cái suàn shì dà shī jí de， kān yǔ 'ōu zhōu zuò jiā xiāng bǐ， jiǎ rú bù shì shèng guò de huà。 yīng guó wén xué ràng wǒ rè bù qǐ lái， jiù xiàng yīng guó rén běn shēn yī yàng， tā hǎo xiàng shì yú de shì jiè， lìng wǒ gǎn dào mò shēng。 wǒ yòu xìng jiē chù fǎ guó wén xué， zǒng tǐ lái jiǎng tā suī rán dān bó yòu xiàn， dàn yǔ yīng guó wén xué xiāng bǐ， tā shì wú qióng xiǎng xiàng de shì jiè。 wǒ shòu dá dá zhù yì hé chāo xiàn shí zhù yì yǐng xiǎng hěn shēn。 wǒ xǐ huān bù tài fǎ guó huà de fǎ guó zuò jiā。 wǒ rèn wéi fǎ guó shì xī fāng de zhōng guó， suī rán zài gè fāng miàn cì yú zhēn zhèng de zhōng guó。 wǒ rèn wéi fǎ guó shì xī fāng shì jiè zuì shì yú jū zhù hé gōng zuò de dì fāng， dàn tā yuǎn bù shì jiàn kāng 'ér yòu huó lì de shì jiè。
zài xiě zuò shí， wǒ de mù biāo shì jiàn lì yī gè gèng dà de xiàn shí。 wǒ bù shì xiàn shí zhù yì zhě huò zì rán zhù yì zhě； wǒ de mùdì shì wèile shēng huó； zài wén xué zhōng， sì hū zhǐ yòu yùn yòng mèng huàn hé xiàng zhēng cái néng dá dào zhè gè mùdì。 cóng gǔ zǐ lǐ jiǎng， wǒ shì gè xíng 'ér shàng de zuò jiā， wǒ yùn yòng xì jù qíng jié zhǐ shì wèile biǎo xiàn gèng jīng cǎi de dōng xī。 wǒ xǐ huān xiǎng xiàng、 huàn jué， wǒ xǐ huān cóng wèi mèng jiàn guò de zì yóu， tā men shèn yú yī qiē。 wǒ chuàng zào xìng dì lì yòng huǐ miè， yě xǔ dé guó shì de dōng xī yòng dé tài làn liǎo， dàn wǒ de mù biāo shǐ zhōng cháo xiàng zhēn shí de nèi xīn hé xié yǐ jí nèi xīn de 'ān níng hé píng jìng。 zài yì shù zhōng wǒ zuì xǐ huān yīnyuè， yīn wéi tā néng chōng fēn zì chí， yīn wéi tā qū yú níng jìng。 wǒ xiāng xìn， wén xué ruò yù biàn dé zhēn zhèng néng gòu jiāo liú（ mù qián hái bù xíng）， bì xū dà liàng dì shǐ yòng xiàng zhēng hé bǐ yù shǒu duàn， dà liàng yùn yòng shén huà hé wén xiàn。 wǒ men de wén xué dà dū xiàng kè běn， yī qiēdōu fā shēng zài zhī shí de dāi bǎn píng miàn shàng。 bǎi fēn zhī jiǔ shí jiǔ de wén xué zuò pǐn -- dāng rán yě bāo kuò qí tā yì shù zuò pǐn -- yīngdāng huǐ diào。 wǒ yào ràng dú wǒ zuò pǐn de rén yuè lái yuè shǎo； wǒ duì qún zhòng de shēng huó bù gǎn xīng qù， duì shì jiè shàng xiàn cún zhèng fǔ de yì tú yě bù gǎn xīng qù。 wǒ xī wàng bìng xiāng xìn zài jīn hòu yī bǎi nián lǐ zhěng gè wén míng shì jiè jiāng huì xiāo shī。 wǒ xiāng xìn méi yòu " wén míng "， rén lèi kě yǐ shēng cún dé gèng hǎo， gèng fēng fù duō cǎi。
hūn yīn hé 'ài qíng
qī zǐ： qióng - màn sī fěi 'ěr dé。
qióng - màn sī fěi 'ěr dé， yě jiào qióng - yī dí sī， qióng - mǐ lè。
qióng zài 1923 nián yù dào hēng lì - mǐ lè， dāng shí tā shì niǔ yuē bǎi lǎo huì de wǔ dǎo yǎn yuán， ér mǐ lè shì xī lián gōng sī de rén shì jīng lǐ。 mǐ lè de dì yī gè qī zǐ shì gè gāng qín jiā hé gāng qín jiào shī， zài hé tā lí hūn hòu， 1924 nián mǐ lè qǔ liǎo qióng， bìng cí zhí kāi shǐ zhuān shì xiě zuò， qī jiān yóu qióng shǐ jìn hún shēn xièshù lái yǎng huó liǎng rén。 1928 nián， mǐ lè fū qī jīng guò cháng tú háng xíng lái dào 'ōu zhōu， yóu lì fǎ guó、 ào dì lì、 xiōng yá lì hé dé guó。
1930 nián， mǐ lè dú zì huí dào bā lí， qióng kùn liáo dǎo què jīng shén chōng shí， nà shì tā rì hòu zài《 běi huí guī xiàn》 zhōng huí yì qǐ de yī duàn rì zǐ。 1931 nián qióng lái bā lí kàn wàng tā， mǐ lè bǎ tā jiè shào gěi 'ā nà yī sī níng。 zhè liǎng gè nǚ rén lì jí bèi duì fāng de mèi lì mí huò qīng dǎo。 zhè mí lí jiū chán de chí xù dào qióng 1932 nián 1 yuè de zuì hòu yī gè xīng qī huí dào niǔ yuē。 dāng 1932 nián 10 yuè qióng zài huí lái shí， yīcháng fù zá de gǎn qíng jiū gé bào fā liǎo。 mǐ lè zài 'ā nà yī sī hé lìng yī wèi péng yǒu de bāng zhù xià shì tú táo wǎng lún dūn， dàn zài 1932 nián 12 yuè zuì hòu de jiāo fēng zhōng qióng yào qiú lí hūn， bìng huí dào niǔ yuē。 lí hūn yú 1934 nián 12 yuè yóu mò xī gē lǜ shī xié zhù jìn xíng， dàn qióng cóng cǐ chéng liǎo mǐ lè xīn zhōng yíng rào bù qù de mí tí。 qióng hòu lái zài hūn， zài niǔ yuē huáng hòu qū zuò guò yī duàn shí jiān de shè huì gōng zuò。
qíng rén： ā nà yī sī - níng。
ā nà yī sī shēng yú bā lí fù jìn de yī zuò xiǎo chéng， tā de fù qīn shì xī bān yá zuòqǔ jiā qiáo qín - níng， tā xiǎo shí hòu gēn zhe fù mǔ yóu lì 'ōu zhōu， zhí dào 11 suì fù qīn pāo qì liǎo jiā tíng。 tóng nián， tā de yòu fǎ guó hé dān mài xuè tǒng de mā mā dài 'ā nà yī sī hé lìng liǎng gè 'ér zǐ dào liǎo niǔ yuē。 zài dài zhe 'ā nà yī sī yuǎn lí 'ōu zhōu hé fù qīn de chuán shàng tā kāi shǐ xiě tā nà zhù míng de rì jì。
1923 nián tā jià gěi liǎo yǔ guǒ， yǔ guǒ shì xué xí wén xué hé jīng jì de， zài yī jiā guó jì yínháng móu dào liǎo yī fèn hǎo zhí wèi， kě yǐ ràng tā men guò shàng shū shì de shēng huó。
zhè duì xiǎo fū qī 1924 nián bān dào bā lí。 zài bā lí tā men zhù guò gè zhǒng gōng yù， qí zhōng bāo kuò lù wén sēn de yī suǒ piào liàng fáng zǐ。 ā nà yī sī yě jīng cháng zhù dào tā zài sài nà hé shàng de yī suǒ chuán wū ---- tā de gōng zuò shì lǐ qù。
zài bā lí tā hé yǔ guǒ zī zhù guò hǎo jǐ wèi xiān fēng yì shù jiā， qí zhōng hēng lì - mǐ lè gēn 'ā nà yī sī chǎn shēng liǎo sī qíng， tōng liǎo shàng bǎi fēng xìn。《 wén xué zhī qíng》 yī shū zhōng shōu lù liǎo tā men duō nián lái dà liàng de tōng xìn， tí gōng liǎo yòu guān tā men dǒu zhēng de yòu qù zī liào， tā men wèile huò dé zuò wéi zuò jiā de chéng rèn hé bǐ cǐ guān xì de chéng rèn suǒ jìn xíng de dǒu zhēng。
ā nà yī sī zài 'èr zhàn bào fā qián bān huí liǎo niǔ yuē。 zài niǔ yuē guò liǎo yī duàn dòng dàng de shēng huó hòu tā kāi shǐ guò zhe yī zhǒng yī fēn wéi 'èr de shēng huó， yī biān shì niǔ yuē hé yǔ guǒ， yī biān shì luò shān jī hé lǔ pō tè， yī gè bǐ tā nián qīng dé duō de qíng rén hé péng yǒu。 zuò wéi zǎo qī nǚ xìng yùn dòng de fēng yún rén wù， ā nà yī sī bù jiǔ jiù yǐ xiě zuò huò dé liǎo guó jì shēng yù。 tā zuì zhù míng de shì tā de rì jì， dàn tā yě xiě guò yī xiē xiǎo shuō、 yī bù chāo xiàn shí zhù yì fēng gé de sǎnwén shī hé yī xiē chū sè de sè qíng duǎn gù shì。 tā de zuò pǐn yǐ qiáng yòu lì hé lìng rén bù 'ān de yì xiàng wéi tè sè， jù yòu jí qiáng de gǎn shòu lì hé dòng chá lì。
1973 nián tā huò dé liǎo fèi chéng yì shù xué yuàn bān fā de míng yù bó shì xué wèi。 bìng yú 1974 nián bèi xuǎn wéi guó jiā yì shù xué huì chéng yuán。 qián nián， tā de rì jì yuán zhuāng chū bǎn， qǔ míng《 huǒ》。 tā bèi chēng wéi shēn tǐ lì xíng de xìng jiě fàng xiān qū： " bù lùn shénme 'ài qíng， wǒdōu wú fǎ dǐ kàng， wǒ de xuè yè kāi shǐ qǐ wǔ， wǒ de shuāng tuǐ zhāng kāi "。
dì sān qíng： ā nà yī sī hé qióng。
1966 nián， 63 suì de 'ā nà yī sī - níng jiāng zǎo nián shēng huó de rì jì gǎi biān chéng xiǎo shuō《 hēng lì hé qióng》， miáo shù tā bù jǐn chéng wéi mǐ lè de qíng rén， hái 'ài shàng liǎo mǐ lè jué měi de fū rén qióng， xiǎo shuō běn shū jì shù de shì 1931 － 1932 nián jiān， tā gēn hēng lì hé qióng xiāng shí xiāng 'ài de guò chéng hé zài zhè duàn sān jiǎo liàn qíng zhōng nèi xīn jīng lì de fēng bào。 gāi xiǎo shuō yú 1990 nián bèi gǎi biān chéng wéi tóng míng diàn yǐng。
Biography
Miller was born to tailor Heinrich Miller and Louise Marie Neiting, in the Yorkville section of Manhattan, New York City, of German Catholic heritage. As a child he lived at 662 Driggs Avenue in Williamsburg, Brooklyn, known in that time (and referred to frequently in his works) as The Fourteenth Ward. As a young man, he was active with the Socialist Party (his "quondam idol" was the Black Socialist Hubert Harrison). He briefly—for only one semester—attended the City College of New York. Although he was an exceptional scholar, he was willing neither to be anchored nor to submit to the traditional college system of education.
In both 1928 and 1929, he spent several months in Paris with his second wife, June Edith Smith (June Miller) (his first wife was Beatrice Sylvas Wickens, whom he married in 1917). The next year he moved to Paris unaccompanied, and he continued to live there until the outbreak of World War II. Althouth Miller had little or no money the first year in Paris, things began to change with the meeting of Anais Nin who would go on to pay his entire way through the 1930s including the rent for the beautiful and modern apartment at 18, villa Seurat. Anaïs Nin became his lover and financed the first printing of Tropic of Cancer in 1934 with money from Otto Rank.
In the fall of 1931, Miller was employed by the Chicago Tribune (Paris edition) as a proofreader, thanks to his friend Alfred Perlès who worked there. Miller took this opportunity to submit some of his own articles under Perlès name, since only the editorial staff were permitted to publish in the paper in 1934. This period in Paris was highly creative for Miller, and during this time he also established a significant and influential network of authors circulating around the Villa Seurat. One author who became a lifelong friend was the young British author Lawrence Durrell. Durrell, who lived in Corfu, invited Miller out to Greece, a visit which Miller describes vividly in The Colossus of Maroussi. Miller's correspondence with Durrell was later published. During the Paris period he was also influenced by the French Surrealists.
His works contain detailed accounts of sexual experiences, and his books did much to free the discussion of sexual subjects in American writing from both legal and social restrictions. He continued to write novels that were banned in the United States on the grounds of obscenity. Along with Tropic of Cancer, his Black Spring (1936) and Tropic of Capricorn (1939) were smuggled into his native country, building Miller an underground reputation. One of the first acknowledgments of Henry Miller as a major modern writer was by George Orwell in his 1940 essay Inside the Whale, where he wrote:
“ Here in my opinion is the only imaginative prose-writer of the slightest value who has appeared among the English-speaking races for some years past. Even if that is objected to as an overstatement, it will probably be admitted that Miller is a writer out of the ordinary, worth more than a single glance; and after all, he is a completely negative, unconstructive, amoral writer, a mere Jonah, a passive acceptor of evil, a sort of Whitman among the corpses. ”
In 1940, he returned to the United States, settling in Big Sur, California, and continued to produce vividly written works that challenged contemporary American cultural values and moral attitudes. He spent the last years of his life at his home in 444 Ocampo Drive, Pacific Palisades, Los Angeles, California.
While Miller was establishing his base in Big Sur, the 'Tropics' books, still banned in the USA, were being published in France by the Obelisk Press and later the Olympia Press. There they were acquiring a slow and steady notoriety among both Europeans and the various enclaves of American cultural exiles. As a result, the books were frequently smuggled into the States, where they would prove to be a major influence on the new Beat generation of American writers (most notably Jack Kerouac) some of whom would adopt stylistic and thematic principles found in Miller's oeuvre.
The publication of Miller's Tropic of Cancer in the United States in 1961 led to a series of obscenity trials that tested American laws on pornography. The U.S. Supreme Court, in Grove Press, Inc., v. Gerstein, citing Jacobellis v. Ohio (which was decided the same day in 1964), overruled the state court findings of obscenity and declared the book a work of literature; it was one of the notable events in what has come to be known as the sexual revolution. Elmer Gertz, the lawyer who successfully argued the initial case for the novel's publication in Illinois, became a lifelong friend of Miller's. Volumes of their correspondence have been published.
In addition to his literary abilities, Miller was a painter and wrote books about his work in that field. He was a close friend of the French painter Grégoire Michonze. He was also an amateur pianist.
After his move to Pacific Palisades, he held innumerable dinner parties for a host of famous guests. His cook and caretaker was a young artist's model called Twinka Thiebaud who later wrote a book of his evening chats: Reflections published by Capra Press in 1981. (This book is being extensively rewritten for republication in 2010.)
During the last four years of his life, Miller held an ongoing correspondence of over 1500 letters with Brenda Venus, a young and vivacious Playboy playmate, actress and dancer. An article detailing their affair ran in a special edition of Playboy in 1996. The article called her Miller's "twilight muse" during the bedridden final years of his life.
Before his death, Miller filmed with Warren Beatty for his film Reds. He spoke of his remembrances of John Reed and Louise Bryant as part of a series of 'witnesses'. The film was released eighteen months after Miller's death.
Miller died in Pacific Palisades in 1980. After his death, he was cremated and his ashes scattered off Big Sur.
Miller's papers were donated to the UCLA Young Research Library Department of Special Collections. The Henry Miller Art Museum at Coast Gallery in Big Sur, the Harry Ransom Humanities Research Center at the University of Texas at Austin, and UCLA all hold a selection of Miller's watercolors, as did The Henry Miller Museum of Art in Omachi City in Nagano, Japan, before closing in 2003. A portion of the correspondence between the Grove Press and Henry Miller are currently housed in the Special Collections Research Center at Syracuse University. Special Collections at the University of Victoria holds a significant collection of Miller's manuscripts and correspondences, including the corrected typescript for Max and Quiet Days in Clichy, as well as Miller's lengthy correspondence with Alfred Perlès.
Works
Moloch or, This Gentile World, written in 1927, not published until 1992 (by the Estate of Henry Miller). ISBN 0-8021-3372-X
Crazy Cock, written 1928–1930, not published until 1960. ISBN 0-8021-1412-1
Tropic of Cancer, Paris: Obelisk Press, 1934.
What Are You Going to Do about Alf?, Paris: Printed at author's expense, 1935.
Aller Retour New York, Paris: Obelisk Press, 1935.
Black Spring, Paris: Obelisk Press, 1936. ISBN 0-8021-3182-4
Max and the White Phagocytes, Paris: Obelisk Press, 1938.
Tropic of Capricorn, Paris: Obelisk Press, 1939. ISBN 0-8021-5182-5
Henry Miller's Hamlet Letters, Vol. I, with Michael Fraenkel, Santurce, Puerto Rico: Carrefour, 1939. ISBN 0-8095-4058-4
Vol. II, with Michael Fraenkel, New York: Carrefour, 1941.
Vol. I complete New York: Carrefour, 1943.
The Cosmological Eye, New York: New Directions, 1939. ISBN 0-8112-0110-4
The World of Sex, Chicago: Ben Abramson, Argus Book Shop, 1940.
Oneworld Classics 2007 ISBN 978-1-84749-035-3
Under the Roofs of Paris (originally published as Opus Pistorum), New York: Grove Press, 1941.
The Colossus of Maroussi, San Francisco: Colt Press, 1941. ISBN 0-8112-0109-0
The Wisdom of the Heart, New York: New Directions, 1941. ISBN 0-8112-0116-3
Sunday after the War, New York: New Directions, 1944.
Semblance of a Devoted Past, Berkeley, Calif.: Bern Porter, 1944.
The Plight of the Creative Artist in the United States of America, Houlton, Me.: Bern Porter, 1944.
Echolalia, Berkeley, Calif.: Bern Porter, 1945.
Henry Miller Miscellanea, San Mateo, Calif.: Bern Porter, 1945.
Why Abstract?, with Hilaire Hiller and William Saroyan, New York: New Directions, 1945. ISBN 0-8383-1837-1
The Air-Conditioned Nightmare, New York: New Directions, 1945. ISBN 0-8112-0106-6
Maurizius Forever, San Francisco: Colt Press, 1946.
Remember to Remember, New York: New Directions, 1947. ISBN 0-8112-0321-2
Into the Night Life, privately published 1947
The Smile at the Foot of the Ladder, New York: Duell, Sloan and Pearce, 1948.
Sexus (Book One of The Rosy Crucifixion), Paris: Obelisk Press, 1949. ISBN 0-87529-173-2
The Waters Reglitterized, San Jose, Calif.: John Kidis, 1950. ISBN 0-912264-71-3
The Books in My Life, New York: New Directions, 1952. ISBN 0-8112-0108-2
Plexus (Book Two of The Rosy Crucifixion), Paris: Olympia Press, 1953. ISBN 0-8021-5179-5
Quiet Days in Clichy, Paris: Olympia Press, 1956. ISBN 0-8021-3016-X
London: Oneworld Classics, 2007. ISBN 978-1-84749-036-0
Recalls and Reflects, New York: Riverside LP RLP 7002/3, 1956
The Time of the Assassins: A Study of Rimbaud, New York: New Directions, 1956. ISBN 0-8112-0115-5
Big Sur and the Oranges of Hieronymus Bosch, New York: New Directions, 1957. ISBN 0-8112-0107-4
The Red Notebook, Highlands, N.C.: Jonathan Williams, 1958.
Reunion in Barcelona, Northwood, England: Scorpion Press, 1959.
Nexus (Book Three of The Rosy Crucifixion), Paris: Obelisk Press, 1960. ISBN 0-8021-5178-7
To Paint Is to Love Again, Alhambra, Calif.: Cambria Books, 1960.
Watercolors, Drawings, and His Essay "The Angel Is My Watermark," Abrams, 1962.
Stand Still Like the Hummingbird, New York: New Directions, 1962. ISBN 0-8112-0322-0
Just Wild about Harry, New York: New Directions, 1963. ISBN 0-8112-0724-2
Greece (with drawings by Anne Poor), New York: Viking Press, 1964.
Insomnia or The Devil at Large, New York: Doubleday and Company, 1974. ISBN 0-385-9037-4
Opus Pistorum, New York: Grove Press, 1983. ISBN 0-394-53374-7
Dear, Dear Brenda: The Love Letters of Henry Miller to Brenda Venus, 1997. (ISBN 0-688-02816-0)
Films
Miller was portrayed by Fred Ward in the 1990 movie Henry & June, and by Rip Torn in the 1970 film adaptation of Tropic of Cancer. In the 1970 Jens Jørgen Thorsen adaptation of Quiet Days in Clichy, the Miller-based character of 'Joey' was played by the late Paul Valjean. Claude Chabrol's 1990 adaptation of the same novel saw Andrew McCarthy play the Miller role as "Henry Miller" himself. Miller was also featured in the documentary Henry Miller Is Not Dead that featured music by Laurie Anderson. Miller appeared as an interviewee in Warren Beatty's film Reds.