Read works of Mei Yaochen at 诗海 |
[Mei Yao, Su Shunqin poem]
Ding Shi Chun early Northern Song poetry pattern of three, in essence, the poetry or the continuation of the Tang Dynasty, but Xikun 1:00
Dae sung, but also makes the simulation to study poetry of competitors in the Shinshu and the formation of a department devoted to pre-Ren poetry crafted atmosphere. In the era
Change after the style of Tang has been difficult to maintain, but the lack of passion and talent, poetry authors Shangyin simulation,
Easily become empty words. Therefore, the poetry of the changes have been inevitable at this time. Thus, Mei Yaochen rate
First from a style, and Su Shunqin the chorus, especially in drawing Tang Bai, Han Yu's poetry some of the factors
The same time, conform to the cultural characteristics of the times, in his poems, feelings and language performance of all aspects of new forms of
Attempt to open the Song of the road. And, as Ouyang Xiu's utmost elected, they will create a poetry
Greater impact.
Mei Yao (1002-1060) the word holy Yu, Xuancheng (modern Anhui) who had been a Book of all official Yuanwai Lang, later generations
Result is called "Mei Duguan" he alleged Xuancheng the ancient name, called "Mei Wan Ling." The "Collected Works, Mr. Wan Ling." In Mei
Yao Chen adult decades, the Song Dynasty frequent troubles foreign aggression, social order is unstable, so he though his life
Sink lower official, for national, political, but have strong concerns. Mei Yao Xi Kun, a poet of the early years and very close relationship, but
But with different style of poetry, and later more consciously to correct it. Correct direction, first and foremost emphasis on "Book of Songs"
Intervention since the literary community, and commented on the reality of tradition, against the poetry of entertainment, games tend to. In "A Preface to send Pei Yi"
He wrote:
I was only Er Shi Yan Qi, because the incident shock wind into small articles. Although hard-speech rather meager, until 2 Ya not tolerate tax. An access Tang quarter
23 children, mere images in grinding poverty.
In "A Han Sanzi China, South Korea held the five countries, South Korea 6 Yu-Ru, see the above poem gift", he sharply denounce it: "The Road, by bringing to
Quite a funeral, there is space for Jie Yan. Write the image of smoke, Pa Hui Yong Qing-hong. Personnel very flattering flattering, cited ancient name defense hung. Operating the only cut even,
Wing Lee for being kept. ... ... "In theory, these arguments do not have much new stuff, but no patients were complaining about its being popular
Yin, juggling with words of poetry culture, but there is a certain specific meaning.
Ideas of his own poetry as practice, Mei Yaochen write a lot of reflecting the reality of political issues and hardships for
Products, both the upper rulers want to use this sentiment, but also to demonstrate their moral conscience. Like his "Xiangcheng of snow" in the second,
Addition to the same as the face of sky snow, chilling thought of by the soldiers and to "Nianbi no clothes brown, ashamed of this Diaoqiu temperature"
Expressed their feelings of guilt; "Planed mo old big crossbow teeth show," Nu Ji at the time of the ancient view, expressed hope borderland
War casualties and soldiers will be less. Another example is "Tian", "pottery" and so on, then come into contact with workers who attains the
Age-old social problem. After 1 as follows:
Best soil in front of Tao, housing is no tile. Ten non-stick mud, Lin Lin the buildings.
If the poem is a poem written in the recurring theme, while others work directly criticized the court
Decree of specific measures. Renzong Kangding years, Song and Xia war, because of the lack of troops, ordered the assembly to act as the people bow and arrow D
Hand, and local officials to "Mei", I do not according to the so-called "three small membership an" act of Zhao Ming, both young and old, are difficult to Hang
Free. Mei Yao's second verse for this, "Tian language" by the peasants of the mouth, exposing the people overwhelmed, Tian Jia
Abandoned the case; "Ru grave poor woman," another woman with a poor tone, tells of being the tragedy of those who levy service:
Ru-poor family tomb female, line crying sound sad sad. Since the words are father, lonely Avirulent. Jun Li to any violence, not anti-magistrate.
Governor removal Do not missed, Longzhong to carry the rod. Qinqin Well neighbors, fortunately ready with something to fall back. Fitness News Lvli return, Information suspect still strong. Really
Hanyu, the soil on the river dead. No to prop up a weak, lying dead not to bury. Female than male students, although the deposit when Ho! Fuyinghucang
Day, life and death to Chennai to?
The poem says, "not against the magistrate," the author's identity with a certain extent - when Mei Yao is any county in Henan Xiangcheng
Order. In this poem, we see a sense of political responsibility and moral conscience of the lower officials of the current politics of unease
And the sympathy of the people and the reform of political aspirations.
Poetry was the relegation of the text in the game, emphasis on the pursuit of rhetoric and culture in the form of beauty, Mei Yao of the
Class creation, the restoration of the seriousness of poetry, turned to a major theme, undoubtedly played a positive role. On the other hand,
Song of political poetry in general defects, where there are also obvious. As the "Tian language" small order claimed "field for record
Home words, times for the paper to those who once collected poems, "First of all, the starting point of their writing is in politics, is trying to draw a satirical
Expostulation, not a poet inspired by the enthusiasm for life. To "grave Ru poor woman," for example, we see the poet not only self-
Image ("the magistrate can not resist" is neither a positive write themselves, do not expand), who also do not see "poor women" in
Image, although the last four attempts to express the emotional grief and indignation, but it is actually the language of conceptualization, generalization.
In short, as the poet describes an emphasis on events, to convey a political concept, making the appeal of poetry by
Weakened. If the memory of premature death with a girl on the book, "Lunar War on March 21 said the three daughter said," The second phase
Ratio, the difference between the two is very clear:
Bud trees, flowers, gleaming former baby girl. Spring does not last long, Blew it into the earth. Johnson ordered no exception, heaven I do not know pain.
Mother in the eyes of blood, dried milk with the two.
Although the poems in the lyrical aspects of Mei Yao large do not tend to intense (which is also the general characteristics of Song), but this poem
Especially in the end the end of two, but scary, although its tone is not an exaggeration.
Of course, all political topics only Mei Yao a small part of the poems. His poetry covers a very broad, and
There is a sense of natural scenes to life scenes, life experiences to open up, not a conscious search for previous attention
Themes, or the subject matter written in the previous renovation, which also opened well for the new Song, Chen familiar atmosphere to avoid force, for the Song
Escape the shadow of the Tang Dynasty to find a way. For example, he wrote Pomiao, write changes in the evening clouds, writing bizarre legend, write ugly
The old prostitute, or even write lice, fleas, writing in the maggot crows pecking toilet ... ... Some are simply not into poetry, damage
The beauty of poetry, but poetry from here you can see a trend at that time.
In a trivial everyday life themes in the poems, it is easy to become commonplace no fun, so Mei Yao often philosophical
Thinking through which to deepen the meaning of poetry, so intriguing. For example, "Fan Raozhou sit in Hakka food puffer
Fish ", at the beginning of" Spring Island students were buds, spring shore fly Yanghua. Blowfish when is when you are not a few fish, "four to the language plain
Precious words written puffer fish, and then describe its hideous, toxic terrible, people are "excessive Jieyan America, who said that death
If Ma! "Comes down to" a very evil also known as the United States, remark Cheng commendable. "Puffer fish to eat this everyday phenomenon, and
"To the United States and to the evil go hand in hand" which is of universal significance, rather profound philosophical questions linked to the quantity of poetry
Becomes not a general. This is the Song in a warm and weakened after the other direction to a means.
Mei Yao artistic style of poetry, Ouyang said that the "old hardware" (see "Water Valley Night Send e United States, San Yu Poems"),
Also known as "flat" (see "Mei Sheng Yu Epitaph"). The so-called "ancient hard" side, mainly to follow the example of Han Yu's poem
Style. Mei Yao used a number of jerky eccentric poetic text, dim and gloomy colors, wild with terror and a sense of meaning
As, illusion of form rather than the daily mean of Poetry. Such as "I heard jacket Habitat Imperial Bridge night birds, the effect Han Changli body," from
9 jacket Bird wrote the legend of a ghost car night scenes, such as "View of Young beauty painting" images depicted are:
Water officials own true Dragoon, two junior and Chi Cross whale tail. Step trend Qun Li strange eyebrows, a native of the sea unprovoked career. Department of Department on Ray
Phase of, physical beast drum claw negative Chi. Similar to rely on and after the hammer, time capsule Executive electron microscopy wind blowing. Green Snake with full dorsal horn fish up and down
Applied to guide God. ... ...
Mei Yao Han poetry study aims to rectify the weak late Tang Dynasty poetry mature, since the shortcomings, in order to vigorous
Beauty. He "sent by Yun and Wang Pingfu see" in praise of the Han Yu, "the article leather floating cast, such as the Korean Modern no. Jian document
Follow thunderbolt, dragon and snake hidden Fen Pan, "is his own expectations. However, he wrote poetry has the face of very close to Han Yu
Poems (including the above example of), but not always successful. Korean poetry is not only because the strange stiff surface, where the
Implies the intensity of male Zhang unrestrained, is actually the character's metamorphosis Tangren Hong release performance, this is not the Song from the surface to go to school
Of. While he relatively easy in the current penetration of poetry is sometimes strange folder into the old bend Tactful's poem, but has a unique effect.
Mei Yao's "plain" way of the poem, more of his personal characteristics. He said: "No ancient and modern poetry, the only manufacturing
Plain difficult. "(" Reading Shao Bachelor of papers do not doubt ")
By "flat", is to avoid the performance of passion, strong color, bold Paradox words, the obtained
Natural Apprehension of Interest, the following two, is his masterpiece:
Appropriate and wild feeling satisfied, Qianshan high recovery low. Good peak change everywhere, quiet lane lone fan. Cream off the rose tree bears, deer Qin Xi Lin empty.
Others where cloud soon as the chicken. ("Lushan Mountain Line")
Dongxi line to see the water, sit solitary satellite made the Pro ships late. Wild teal sleep shore leisure Italy, old trees with flowers no ugly sticks. Velvet short Po
Qi like scissors, flat sand sieve net in. Although the situation may not tire of living, traveling back fatigue dusk. ("Dongxi")
Very consistent tone of these poems, rhythm and more soothing, natural language fluency, reading rough approximation of Po Chu-style, its
Song really is typical, it's refined and back through the fine attributable to natural, absolutely no light white body slide. As "soon as cloud
Chicken, "" ugly old tree branches without flowers, "are new sentence, but it is the charm of novelty, rather than sentences, vocabulary,
Rhetoric means novel, so read very common. Song after one or even as an aesthetic feature of view.
Probably the Six Dynasties to Tang, and many more gorgeous as the United States, anger outward as the United States, and the "ugly old tree branches without flowers," but is restrained,
It is calm and beauty. Mei Yao said: "Although the main Poets (1 for rates) is intended, and made words difficult. If the new language is intended to work,
Predecessors who have not Road, Sri Lanka is good too. Difficulties will be able to write like the King, as in the present, with endless meaning, found in illocutionary, Ran
After Zhiyi. "(" 61 Poetry "drawing) shows what he called" dull "is not easily to the environment, his poetry
There is a high demand.
Whether "old hardware" or "flat" style, or whether the classical or modern style, Mei Yao somewhat poetic prose
Tendency, but its extent and manifestations different. This means prose, the main effect of receipt of the following: the first
One, poetry has long been gradually formed sentences combination of inherent form of a poem prose poem can break this
Forms of dependence, not only to regain a kind of "strangeness," "amazing feeling", but also more freedom of expression, including that
Kind of bend the stiff performance; second, which is poetic embellishment for Xikun whole Lai, image-intensive matter are both trademarks eyes and connotation
Shallow defects, through the use of function words (such as "a thousand mountains high complex low" and "complex" word), more in line with conventional grammar
Sentence, and generally not considered appropriate to introduce into the poetry of common things, simple words, making image thinning of the poem, visual poem
Environment less rapid transformation, intricate blurred, so that readers appreciate poetry more accessible and the content; third, Mei Yao
(Including at a number of other poets) of ancient poetry, often highly descriptive, and narrative prose poem to be clear
Clarity.
Mei Yao's poetry, sometimes ancient hard and could not chew too plain lack of charm, prose written in full sentences sometimes
Not become a poem, and some ugly things he writes poetry, these are obvious drawbacks. But as "the village
Poetry, "said" this move but Wan Ling is blazed the trail poetry, "After all, the many directions he opened the Song of the road,
In poetry there is a greater influence.
(History of Chinese Literature, Pei Luo Yu, youth sweep school)
Translated by Google