míng: | fēng lǐ xī | |||||||||
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nǚ wā niàn niàn, fèng xìng, shēng yú chéng jì, yī shuō tā de míng zì wéi fēng lǐ xī( kě néng shì fèng lǐ xī)。 chuán shuō zhōng rén lèi shǐ zǔ, rén lèi wéi tā hé qí xiōng fú xī de hòu dài。 yòu chuán shuō tā yǐ huáng tǔ zào rén, liàn wǔ sè shí bǔ tiān, zhé biē zú chēng sì jí, píng hóng shuǐ shā měng shòu, rén lèi shǐ dé yǐ 'ān jū。
chuán shuō tā shì rén shǒu shé shēn, zài zhōng guó shén huà zhōng, tā yòng ní tǔ chuàng zào liǎo rén lèi, hòu lái shuǐ shén gòng gōng hé huǒ shén zhù róng dǎ zhàng, gòng gōng bèi zhù róng dǎ bài liǎo, tā qì dé yòng tóu qù zhuàng xī fāng de shì jiè zhī zhù bù zhōu shān, dǎo zhì tiān tā xiàn, tiān hé zhī shuǐ zhù rù rén jiān。 nǚ wā bù rěn rén lèi shòu zāi, yú shì liàn chū wǔ sè shí bǔ hǎo tiān kōng。 chú cǐ zhī wài, nǚ wā hái chuàng zào liǎo sè zhè yàng yuèqì。 lìng wài, nǚ wā zài sǐ hòu, tā de cháng huà zuò liǎo shí gè shén rén, dào liǎo xī fāng de dà huāng guǎng sù zhī yě shǒu hù qù liǎo。 yī shuō nǚ wā hòu lái shēng tiān, yóu bái chī hé téng shé bǎo hù zhù qù liǎo tiān gōng。 shén huà zhōng shuō fú xī hé nǚ wā shì xiōng mèi, tóng shí yě shì fū qī。 zài zhōng guó de tú téng shàng gèng yòu nǚ wā hé fú xī jiāo hé de tú xiàng。 zài zhōng guó nán bù de miáo zú děng mín zú zūn qí wéi dà shén, bìng jiàn yòu miào yǔ gòngfèng。
guān yú duì“
qí shí“ wā” zì de dú yīn shí zhì shàng shuō míng liǎo
shēng huǒ zuò fàn xiàng lái shì nǚ rén de shì qíng, gǔ rén jì lù dào
táo qì shì xīn shí qì shí dài de biāo zhì zhī yī。 zhōng guó de táo qì shì zài fú xī shì shí dài wèi qī, gǔ rén zài hú lú dǐ bù tú ní fáng huǒ yǐ biàn shāo zhǔ shí wù de guò chéng zhōng fā míng liǎo táo qì, ér lì shǐ chuán shuō zé 'àn shì
yóu yú táo qì zhù yào shì jiā tíng zhù fù men shǐ yòng, suǒ yǐ zài táo qì chū xiàn de chū qī, táo qì de shāo zhì zhù yào yóu jiā tíng zhù fù men wán chéng, bìng zài zhì zuò guò chéng zhōng tí gāo jì yì, gǎi jìn táo qì。 yuán shǐ táo qì fēi cháng jiǎn lòu, gōng yòng dān yī, dà zhì jiù shì yī gè táo bō, yǐ hòu zài bō tǐ xià miàn jiā shàng sān gè zhōng kōng de zú, ér biàn chéng táo gé。 táo gé de sān gè zú lèi sì yú yáng xià chuí de rǔ fáng, zhōng jiān shì kōng de, xiàn dài kē xué fēn xī rèn wéi zhè yàng kě yǐ zēng jiā shòu rè miàn jī, suō duǎn shāo zhǔ shí jiān。 qí shí gǔ rén bìng bù yī dìng zhè yàng xiǎng, ér shì rèn wéi gé zhōng shāo zhǔ 'ér chéng de shí wù shì liú zhì de, yǔ rǔ zhī yī yàng néng gòu zī yǎng shēng mìng, nà me gěi tā jiā shàng rǔ fáng de xíng xiàng, yīnggāi néng gòu shāo zhǔ chū gèng yòu yíng yǎng de shí wù。 lìng wài, yòng táo bō shāo zhǔ shí wù xū yào zhī chēng qǐ lái, bǐ jiào fèi shì, gěi táo bō shàng jiā shàng shí xīn de táo zú, cū liǎo bù róng yì shāo zhì chéng táo, xì liǎo zé róng yì zhé duàn, zhì chéng kòngxīn zé bǐ jiào hǎo dì jiān gù liǎo liǎng fāng miàn de kǎo lǜ。 suí zhe zhì táo jì yì de tí gāo, gǔ rén yòu wéi táo qì zhǎo dào liǎo gèng duō de gōng yòng, rú shì yòng zhù cún bù tóng shí wù、 kǒu liáng hé yǐn shuǐ de táo qì。 yòng táo qì zhù cún tóng yàng yì yì zhòng dà。 lǎo shǔ tiān xìng bàn suí zhe rén lèi shēng huó, tōu shí rén men de kǒu liáng hé yǐn shuǐ, lǎo shǔ shàn yú niè yǎo, yī bān qì wù dū tuō bù liǎo bèi lǎo shǔ yǎo huài de mìng yùn, dàn lǎo shǔ duì táo qì wú néng wéi lì。 suǒ yǐ yòng táo qì zhù cún dōng xī néng yòu xiào bì miǎn shǔ hài。 yīn cǐ kě yǐ shuō, táo qì de shǐ yòng hé fā zhǎn tuī dòng liǎo zhōng huá shǐ qián wén míng de yī cì jù dà jìn bù,
jiā tíng de chū xiàn shì chéng nián nán nǚ gòng tóng fǔ yù 'ér nǚ de xū yào, chéng nián nán nǚ jié wéi fū qī zǔ chéng jiā tíng cái néng gèng yòu xiào dì bà'ér nǚ fǔ yù chéng rén。 qī zǐ yóu yú yī biān yào jīng cháng gěi yòu 'ér wèi nǎi, yī biān zhào gù jiào dà de hái zǐ, xíng dòng hěn bù fāng biàn, xún zhǎo shí wù hé yǐn shuǐ de néng lì shòu dào hěn dà xiàn zhì, yīn cǐ yào jīng cháng xìng dì kào zhàng fū tí gōng yǐn shí。 táo qì chū xiàn yǐ hòu, qī zǐ kě yǐ yī biān zhào liào hái zǐ, yī biān zhǔn bèi yǐn shí, yě jiù shì zhù nèi; zhàng fū zé kě yǐ 'ān xīn wéi yǎng jiā hú kǒu 'ér fèn dǒu, jí zhù wài。 zhè yàng quán jiā rén jiù kě yǐ tóng chī tóng zhù, gòng tóng shēng huó, jiā tíng yīn cǐ gèng jiā wěn dìng。 zhè yīnggāi shì
nǚ rén shēng hái zǐ zuò mǔ qīn, nǚ rén yòng ní tǔ zhì zuò táo qì。 zài gǔ rén kàn lái, dāng chū méi yòu rén lèi, zhǐ yòu yī gè wěi dà nǚ xìng
shēng huǒ zuò fàn miǎn bù liǎo yào xiàng huǒ duī chuī qì, yǐ biàn chuī qǐ huǒ miáo。 kě yǐ hé lǐ shè xiǎng, wèile fáng zhǐ shāo shāng hé biàn yú cāo zuò, gǔ rén huì shè fǎ yòng gǔ guǎn zhú guǎn zhī lèi xiàng huǒ duī chuī qì, yóu xiē huì zhù yì dào kě yǐ chuī chū xiǎng shēng。 nà me yóu cǐ fā míng chuī zòuyuè qì, yě shì hé qíng hé lǐ de。
zhì yú fú xī nǚ wā xiōng mèi chéng hūn 'ér wéi rén lèi shǐ zǔ de gù shì, dà zhì shì yuǎn gǔ shí qī zhōng huá dà dì shàng mǒu xiē jú bù qū yù zāo yù hóng shuǐ zāi hài, jié hòu yú shēng de rén men duì hóng shuǐ xíng chéng pō gǎn kǒng jù de yìn xiàng, kǒu 'ěr xiāng chuán liú gěi hòu rén, hòu lái de gǔ rén biàn yǐ cǐ wéi qǐ diǎn, zài róu hé shàng fú xī nǚ wā gù shì 'ér chéng。 lèi sì chuán shuō jīhū cún zài yú quán shì jiè gè mín zú zhī zhōng, qí shí qí zhōng máo dùn shèn duō, bù kě xìn yǐ wéi zhēn。
In fact, "Wa" pronunciation of the word essentially describes the story of Nu Wa's. "Wa", the pronunciation modeling is the spoon in the bottom of the pot when the issue of friction scratched a "quack" sound, Wa read wā, Ga read gā, similar pronunciation. Wa of the word should be "Guo." "Guo" words have more than one pronunciation, reading wāi that "skew" meaning; read hé classics when the "rice"; read wǒ that the "oblique vertical" meaning; read wā is an ancient name of the time; read guǎ when the classical with the "cut"; read guō that a family name. In fact, the pronunciation is very close to these, except for country names and surnames of two meanings of office, the various meanings of the rest can be integrated as a kind of utensils, such objects are often skewed, to be cut while the issue of "quack" sound, and with Wo related, indicating that it is an ancient Chinese used to cook food, "pot." "Set Dance" called "Guo or for Ge." "Ge" is also more pronounced in gé an ancient time that name, or through "diaphragm" links "Ge" links "across"; read lì said an ancient Chinese cooking, used for cooking or Pengchao pot similar to the tripod. Can be seen, "Guo, Ge", said the original word is the same artifacts, but the former is described from a subjective point of view function, which from an objective point of view to describe the shape. Ancient cooking with the Cooking. Pottery Neolithic already, its shape is similar to march pot rim extraversion, there are three hollow of the foot, easy cooking heat. The three feet of hollow, there will be cooking the food enough, we must take this part of the foods containing them, it must be tilted Pottery, and then spoon containing them, so tilt and cut (ie, scraping, scraping with a spoon containing liquid food), said the two actions completely the function of Pottery. From the "Ge" links "diaphragm" links "repeat" of analysis, the Ge of the name separated from it have, and the role of food and fire.
Neolithic pottery is one of the signs. China's pottery is not of age in the Fu Xi, ancient mud coated the bottom of the gourd fire to cook food in the process of the invention of pottery, and historical legends are implied immediately Fu Xi Nu Wa's era era era actually shows Nvwa It is with Tao Ge Tao Guo or times as the representative of the pottery. Compared with the barbecue, clay Cooking cook food more convenient and effective, and can only be used for larger pieces of grilled food, such as pieces like nuts or plant roots, while cooking, you can plant for small particles seeds, which greatly increased the speed of eating, thus saving more time, it brings the convenience and interests can be said is unmatched. Seed particles are generally small, although the starch material containing high-energy, but if eaten raw must be chewed and capsules, or it will wear off intestinal and, while capsules and crushing the seeds and the like, such as grain, almost Belly enough to eat all day. Cooked after big difference, as long as they eat it can absorb, cooking technology has greatly expanded the people's food sources. Dry seeds and fruits are more resistant than the game long-term storage, the ancient people so you can store a large number of collected seeds suitable for consumption, food scarcity in winter are no longer around wandering across the frozen, and for the final settlement laid the foundation of life. Therefore, the invention of pottery Cooking is a revolutionary leap in technology, the human diet.
Because pottery is mainly housewives to use, so there's early pottery, pottery firing primarily by housewives completed and the production process to improve skills, improve pottery. Primitive pottery is very simple, single function, generally is a Tao Bo, after the mortar by adding three hollow foot, but instead Pottery. Pottery similar to sheep in three foot drooping breasts, the middle is empty, modern scientific analysis that this would increase the heating area, shorten the cooking time. In fact, the ancients did not necessarily think so, but that Ge formed in the cooked food is fluid, and milk to nourish the life of the same, then add to it the image of the breast should be able to cook a more nutritious food. In addition, cooking food needs support with Taobo up more trouble, adding the solid to the Tao Bo Tao foot, firing into the thick of the pottery is not easy, small a is easily broken, hollow is made of better balance between the two considerations. With the improvement of ceramic art, ancient Chinese pottery to find more for the function, if applicable, the storage of different food rations and drinking water pottery. Pottery store with the same significance. Mouse-day partner with the human life, stealing people's food rations and water, rats good bite, objects are generally not bitten off a bad fate, but rats do anything on the pottery. So what can be stored with the pottery to avoid rodents. It can be said to promote the use and development of pottery of the Chinese civilization, a prehistoric great progress, and Nu Wa's is the symbolic of this era.
The emergence of the family is the common men and women need to care for children, adult men and women married to a family bringing up children more effectively to adults. Because while his wife often to nurse her child to one side to take care of the older kids, very easy operation, the ability to find food and water are very limited, and therefore regularly by her husband to provide food. After the pottery there, while his wife can take care of children while preparing food, that is the Lord; husband struggle to feed their families can rest assured that the main outside. Room and board so the whole family can be together, family, therefore more stable. This should be the legend of Nu Wa's development of marriage system, where the story of the kernel. On the other hand, compared to men, women love a more specific and focused, so the phenomenon of married women's jealousy is a powerful, female is one of the most intolerable thing around philandering husband. These psychological characteristics of women decided they pay more attention to family stability, shows that the ancients to develop successful track record in the marriage system of the great female Goddess's name, is very much justified.
Woman, children and mothers, women making clay pottery. In the ancient view, had no human, only one of the great Goddess of women's one, she can not marry the way through metaplasia of human, then the soil becomes someone she had only Tuan. This is in fact than the "Holy Bible" God created Adam and Eve story is more in line with "Everything is born of" the reasonable.
Nu Wa's finishing a strong sense of world stories of myth, but we take them as is the Chinese ancestors challenge the illusion of nature, which means the strength of their Chinese ancestors have a new understanding of nature is no longer willing submissive . First of all, the ancients might think Yin Yu not only due to a loophole in the sky, but up clothes, cooking food is a woman with pottery full-time, then mixing the Sky colored stone only by women, the cause of God alone. The Sky is the order of heaven and earth as the first step, then the rest of the next process is none other than the natural non-Nu Wa's. Ao foot short center of gravity low, supporting the body's most stable enough to stand off Ao quadrupole natural most effective. The dragon is spraying water to control the Religious artifacts situation around, the land of China, generally from north to south movement of the clouds were black ink and bring more heavy rain, Black Dragon is the master, in order to prevent further heavy rains, then kill Black Dragon to the economy is rational Jizhou also do. As the saying goes, "nine of the Yellow River Miles of sand", because mud more often diverted the Yellow River, the North China Plain to the pendulum to swing so that ancient North China Plain swamps. Reed is the only wetland in northern tall grass, grows in swamps and shallow water along the coast, layer upon layer in the swamps around herself tightly. Yellow River is the Chinese ancestors one of the main living areas, in order to improve the living environment or round up the prey, Chinese ancestors who would set fire to the reed, and water drainage pipes and drainage lead eventually to a number of shallow marsh to dry land reform. Lu gray plot to stop sexual secretion is a brief description of the process.
The Fu Xi Nu Wa brother and sister married and the story of human ancestors, largely on the ancient land of China suffered flooding in some local areas, the surviving people in fear on the flood quite the impression, left to later generations through word of mouth, Later, the ancients would use this as a starting point, and then combines the story of Fu Xi and Nu Wa made. Similar legend exists in almost among all the nations around the world, in fact, many of which conflict can not be true.