zuòzhě zuòzhělièbiǎo
nèi · sài Rene Groussetā lán · pèi léi fěi Alain Peyrefitte
ā · níng Anaïs Nin méng · Simone de Beauvoir
ā 'ěr bèi · jiā miù Albert Camus · Marguerite Duras
ān liè · bǎo 'ěr · yuē · André Paul Guillaume Gideràng · nèi Jean Genet
lǎng suǒ · gāng Françoise Sagan · lāi yīn Gerard Klein
· bài Yves Mabin Chennevière 'áng · jiǎ Christian Jacq
· · lóng Nicole de Buronā lán · luó · Alain Robbe-Grillet
'ěr · nèi Pascal Bruckner · lán wéi 'ěr Patrick Grainville
· wéi 'áng Boris Vianduō · 'āi 'ěr Dominique Lapierre
fěi · luó Philippe Labroài méi · kǎi Aimé Jacquet
qiáo zhì · 'ěr Georges Sadoul 'āi 'ěr gài 'ěr Pierre Miquel
ràng Jean Le Bitoux · yóu 'ěr Marguerite Yourcenar
· lāi 'ào J. M. G. Le Clézio · Jacques Derrida
ān liè · sòng Jean-Paul Sartre
André Gide · nuò Patrick Modiano
· gāng Jacques Lacansài miù 'ěr · bèi Samuel Beckett
ān liè · luò André Mauroisān liè · gāo André Gorz
dīng · · jiā 'ěr Roger Martin du Gard nèi xiū Sœur Emmanuelle
'ěr · nèi Pascal Bruckner
zuòzhě  (1948niánshíèryuè15rì)

kǒng xuán terror cliffhangdào měi zéi

yuèdòu 'ěr · nèi Pascal Brucknerzài小说之家dezuòpǐn!!!
   'ěr · nèi, 1948 nián shēng zhé xué shuò shìwén xué shìcéng zài zhèng zhì yán jiū xué yuàn měi guó duō suǒ xué rèn jiào shòuxiàn wéi zhuān zuò jiā guóxīn guān chá zhōu kān yuē zhuàn gǎo rén zhù yào zuò pǐn yòu xiǎo shuō xiān shēng》《 yuè》( pāi chéng diàn yǐng)、《 shèng tóngděngzhé xué zhuān zhe yòubái rén de 》、《 mín zhù de yōu 》、《 tiān zhēn de yòu huòděng


  Pascal Bruckner (born 15 December 1948 in Paris) is a French writer.
  
  Biography
  
  After studies at the university Paris I and Paris VII Diderot, and then at the École Pratique des Hautes Études, he became maître de conférences at the Institut d’Études Politiques de Paris, and collaborator at the Nouvel Observateur.
  Pascal Bruckner began writing in the vein of the so-called "nouveaux philosophes" and counts among their best known French proponents. He published Parias (Parias), Lunes de Fiel (adapted to film by Roman Polanski) and Les voleurs de beauté (The beauty stealers) (Prix Renaudot in 1997). Among essays, La tentation de l'innocence (Temptation of innocence) (Prix Médicis in 1995) and, famously, Le Sanglot de l'Homme blanc (The Tears of the White Man), an attack on narcissistic and destructive policies intended to benefit the Third World, and more recently "La tyrannie de la pénitence" (2006), an essay on the West's endless self-criticism, translated as "The Tyranny of Guilt" (2010).
  From 1992 to 1999, he was an active supporter of the Croatian, Bosnian and Kosovar causes against Serbian aggression. He supported the 1999 NATO bombings of Serbian forces led by Milosevic. In 2003, he supported the toppling of Saddam Hussein by the US forces but later criticized the mistakes of the American army and the use of torture in Abu Graib and Guantanamo.
  
  Criticism of multiculturalism
  His fiery polemic stance against multiculturalism has kindled an international debate. In an article titled "Enlightenment fundamentalism or racism of the anti-racists?", which defends in particular Ayaan Hirsi Ali by criticizing other articles by Ian Buruma and Timothy Garton Ash, Modern philosophers from Heidegger to Gadamer, Derrida, Max Horkheimer and Theodor Adorno have mounted a broad attack on the Enlightenment, claiming that "all the evils of our epoch were spawned by this philosophical and literary episode The Enlightenment ]: capitalism, colonialism, totalitarianism",. Bruckner agrees that the history of the twentieth century attests to the fanaticism of modernity, but argues that the modern thought that issued from the Enlightenment proved capable of criticizing its own errors, and that "Denouncing the excesses of the Enlightenment in the concepts that it forged means being true to its spirit.
  [edit]Le Sanglot de l'Homme blanc
  
  Le Sanglot de l'Homme blanc (The Tears of the White Man), published by the Éditions le Seuil in May 1983, subtitled "Third World, culpability and self-hatred", was a controversial opus. The author describes what he sees as a pro-Third-World sentimentalism of part of the Western Left-wing and its cheap self-culpabilisation. The essay had an influence on a whole trend of thought, especially on Maurice Dantec and Michel Houellebecq.
    

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