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Parent type: 赋 |
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Fu, Chinese classical literature as an important style, although for modern man, its nowhere near as poetry, prose, fiction so popular. But in ancient times, particularly when in the Han and Tang poetry and often simultaneously with, said Fu, from Cao Pi's "Elegance seeking" and Lu's "Lyric Poetry Profusion, Fu style thing and visit the light" can peep clues.
So, what do fu? Fu initiation in the Warring States Period, flourished in the Han and Tang Dynasties, declined in the Yuan, Ming and Qing. In the Han and Tang period, not only for fu poetry of writers, but almost did not only write poetry but not Fu wit. After the Six Dynasties period and the whole Jian, Fu respected even on the poem. "Historical Records", said Fu Qu Yuan's works as "Han" also known as Qu Yuan, who works for the Fu. Later generations because of Praise "history", "Han", so they Qu Yuan, who works as the Fu.
Fu is a range of poetry, prose style between the edge. Between the two, enabling it more nearly poetic. From the Han to early Tang period, Fu and much closer to poetry in the text, from the subject point of view, Chu body themes are more single, more as a "sad Shibuyu." Its form is relatively fixed, is to follow style Qu Yuan, Qu Yuan so as to write their own misfortune and Grief. Qu Yuan's "Evocation" all articles of the extravagant hyperbole, the influence of the Han Dynasty goes without saying. Since the birth will be endowed with a strong literary flavor, which is deeply affected by Chu reasons. Sao type, multi-use Chu's "Vanilla Beauty" of metaphor, often following the use of Chu's "drawing class analogy" approach.
Fu and poetry intertwined, affecting each other from the "Fu" character formation began. To Wei, the more there poems and songs in the phenomenon of convergence. It was, however, two kinds of poetry and Fu style, in general, mostly love poems creating words, and Fu are often made for the text of the situation. Poetry to express their emotions as the most important, the main Web results for Fu Ze Yi narrative. Qing Liu Xizai said: "Fu different from poetry, poetic speech and sound and feeling less love and more, enabling speech sound and feeling less and love more."
Han's style in general there are three, namely, Sao Fu, Fu and Four Poems in Prose Style (or Fu). . Fu's structure from the language side, loose, seven bodies, based on the body, and the Tang Dynasty style they are relatively close to the prose Fu, and some entirely attributable to the prose category. Fu's poems seem like the characteristics of the text, and modern literature in the prose poem some resemblance. It has three main features: 1, the statement on a four-, six-words-based, and the pursuit of parallelism; second harmonic sound voice on demands Association; 3, diction and the use of embellishments on the stress code. Parallelism and embellishments are a major feature of Han.
Parallel effects conferred by the large parallel than in the Eastern Han Dynasty and matured in the Northern and Southern. Widely used in the article side by side Fu form, is the regular practice of Han literati. So some in Ci and articles are being treated as Parallel. Liu Song Southern as of Bao Zhao's "Desolate City Fu", Xie Hui with the "Snow Fu" and Chuang Tse's "Fu on" and so on.
Also known as speech or prose saying.
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