movie : Buddhist glossary : ballad : chinese : Jay chou libretto > aboveground
Contents
Alive
Author: Yu Hua
  This book was awarded Taiwan's "China Times", Hong Kong "Boyi" Book Award, Italy 格林扎纳卡 Buddhist Literature Prize and many other awards; superb collection of literature lovers! Yu Hua let us see what is the most thrilling narrative. "Alive", whether it is scenery or humiliation; "alive", whether it is sweet or sour; "live person", whether willing or not, like it or not, had to live ...
  Introduction
  Landlords, rich young master into the nature of gambling, gambling and finally the light of the family business penniless, destitute of wealth among the rich went to seek medical attention because the mother is ill, did not expect half way young men arrested by the KMT forces, after being captured by the PLA, to return home He knows his mother has died, his wife, Jiazhen put up with hardships brought a pair of children, but unfortunately, become deaf daughter, son, clever and lively ... ... However, the real tragedy began gradually from staged, each reading one, are so We could not stop the tears wet his eyes, because life in the golden warmth will be killed again and again tear to pieces, leaving only the rich get old, along with a cow in the sun memories.
Translated by Google
《Living》
Poet: Lu XuGang

  The autumn has begun to crowd in
  as sickles carry wind in hands
  I, however, keep standing on the hillside
  watching birds singing, butterflies fluttering
  trees thinning, and a fruit
  ripen or fall. I’ll take away the dusk quietly
  and load the carriage with dreams of stars
  
  My relatives of the earth and Kaoliang(*) brothers
  Although I'm blessed as living among you
  I mourn not to be a drop of rain, or a breath of wind
  that can walk into your heart directly
  only a grass holding dew beads
  to prevent myself getting lost in the night
  
  * Kaoliang, a kind of crop that is widely grown in North China.
《活着》
Poet: Ge Quzuozhe

活着
huó zhe
  Through life
Translated by Google
No. 5
活着
  I live only for science but also only interested in science
Translated by Google
No. 6
活着
  ◎ alive huózhe
Translated by Google
No. 7
  Life; non-dead state
Translated by Google
No. 8
  He stood dead and alive among the people
Translated by Google
No. 9
  Still life, still not dead
Translated by Google
No. 10
  I am a youth's friends are still alive
Translated by Google
Wonderful with
  Miao was. That chess flexible, not to be sidetracked by the other step. Song Wu Yong "sent Takeo Consulate General Huaixi" Poetry: "Mo Kam victory from the outside, bear in mind the Acer to find alive." Thorough Song "measures towards the Higashiyama chess villa" word: "Private Sin Machine alive, not to be indifferent. "
Translated by Google
Extension work for the adaptable approach
  Extension work for the resourceful approach. Huang Yuan-yung "distinctly sad record": "cover the President sent four to inquire about the meaning, are very cool ... ... This reporter repeated the so-called diplomatic communications not alive, and die never to do with the tragic phenomenon."
Translated by Google
Film "To Live"
电影《活着》
  Title: "alive" (To Live)
Translated by Google
Details
  More Foreign Title: Huozhe
  Lifetimes
  Living .....( international title)
  Woot jeuk .....( Hong Kong)
  Genre: Drama
  Length: 125 minutes
  Country / Region: China
  Dialogue language: Mandarin
  Color: Color
  Mix: Dolby
  Level: Australia: PG Singapore: PG Sweden: 11 Iceland: L Spain: T UK: 12
  Copyright: (1994) Century Communications Ltd.
  Filming format: 35 mm
  Printing photos format: 35 mm
Translated by Google
Cast
  Director Director: Zhang Yimou Yimou Zhang
  Screenplay Writer: Reed Wei Lu ..... also novel
  Yu Hua Hua Yu ..... also novel
  Actor Actor: Ge You Ge ..... Fukki Xu Fugui
  Gong Li Gong ..... Jiazhen Xu Jiazhen
  Ben Niu Ben Niu ..... mayor of the Town Chief
  Tao Guo Tao Guo ..... Chunsheng Chunsheng
  Jiang Wu Jiang Wu ..... two hi Wan Erxi
  Zhang Lu Lu Zhang ..... children Fengxia
  Nida Hong Dahong Ni ..... Ryuji Long'er
  Xiao Cong Xiao Cong ..... boy Fengxia
  Dong Fei Dong Fei ..... Qing Xu Youqing have
  Yan Su
  Liu Tianchi Liu Tianchi ..... Fengxia Xu Fengxia, as an adult
  Dong Lifan Lifan Dong
  Lilian Yi Li Lian Yi ...... old full-Lao Quan
  Producer Produced by: Chiu Fu-Sheng Chiu ..... producer
  Funhong Kow ..... producer
  Christophe Tseng ..... producer
Translated by Google
Release Date
  France France 1994 年 5 月 18 日
  Netherlands Netherlands 1994 年 5 月 26 日
  Germany Germany 1994 年 7 月 28 日
  Spain Spain 1994 年 11 月 25 日
  Sweden Sweden 1994 年 11 月 25 日
  United States USA 1994 年 12 月
  Japan Japan 2002 年 3 月 23 日 ..... (Tokyo)
Translated by Google
Producers and Distributors
  Production companies: ERA International
  Shanghai Film Studio, Shanghai Film Studios [China]
  Issuer: Golem Distribución SL [Spain] ..... (Spain)
  Madman Entertainment Pty. Ltd. [Australia] ..... (2004) (Australia) (DVD)
  Samuel Goldwyn Company [United States] ..... (USA) (subtitled)
Translated by Google
Synopsis
  Version of a
  Xu Fugui gambling into the young master of his wife Jiazhen recalcitrant invalid, with her daughter Fengxia back to her parents. Gambled all night Fukki possessions, his father gave him mad. A year later, Jiazhen hugs with her daughter and baby boy are home to celebrate, Fukki repentant go port played a living shadow. Coincides with the civil war, Fukki first pulled by the KMT army prisoners, captured after the captive. Finally released to return home, glad that a reunion. Later, Fukki possessions gambled away by the landlord are not included in composition, but he lost his life to children and other loved ones, what is left is only alive ... ...
  Second Version
  Is a hero of the story Fukki gambling, such as life dude, gambled all around the house Dier, father also mad, and pregnant wife Jiazhen Fengxia away from home with her daughter, a year later with Qing newborn son back. Fukki Since then turn over and together with the village of Chun-sheng picked up a shadow to make a living, he was the Kuomintang troops pulled young men, and later confused when the Communist Party of the prisoners. They agreed, must be alive to go back. Arduous journey, finally safe to return home, his mother already passed away, also because of her health Fengxia lesions dumb.
  Continue to live a poor but happy days. In the "Great Leap Forward" in the spring when the head of the Health and accidentally killed a car celebration, grief-stricken family, Jiazhen can not forgive is the spring of Health, she said: "You remember, you owe us a life home . "During the Cultural Revolution, Chun-sheng persecution, his wife committed suicide, one day he came to Fukki home at midnight, the life savings to Fukki, said he also want to live. Then Jiazhen out of Chun-sheng said, "cool outside, house sit down." Chun-sheng Before leaving, Jiazhen asked him, "Chun-sheng, you owe us a home life where you can get a good living!"
  Later Fengxia know honest two hi, the two tie the knot. Unfortunately, however, always refused to let Fukki one. Soon Fengxia birth to son, he died because of childbirth. Fengxia son's called bread, smart and lovely. End of the film, Fukki of bread, said, "You are a good time to catch up, and in the future this day is getting better."
  Version three
  Xu Fugui is a decline of the landlord family of rich young man. Would have had some as_set_s, but gambling will eventually lose possessions light, also inherited from our ancestors of old houses lost to the shadow dragon two artists. Angry old man and therefore a life Guixi. To persuade them not to listen because his wife Jiazhen, angrily led her daughter, pregnant with her family back. But nothing in Fu Gui, when she heard Fukki has completely quit gambling after she returned to Fukki around with him through thick and thin. She does not covet Taifook you just want to "over a quiet day."
  Because it added a new Jiazhen mother and son, living more difficult. Fukki opening Ryuji seeking to borrow some money to open a Xiaopu family. Ryuji did not lend to him a little with a trace of irony, their belongings in a shadow box to his (long since won two made a fortune after Fukki is no need to get another shadow a), let him earn handle money. Fukki already love to read, love to sing shadow play, some performances of the foundation, when the festival at this time, had to support the family by singing a shadow. In fact, the origin Kuoshao, in addition to singing shadow, he will do it! ? Therefore, Fukki itself is also very value of these possessions, take them as the foundation of support the family destiny.
  Time to the liberation war, Fukki in a performance by the KMT during the pull "small." Scenes witnessed on the battlefield horrors, and finally be "crawled out from the pile of dead," were captured by the PLA. In the People's Liberation Army team, and Fu Gui Chun students helped pull the guns, work, returned to the People's Liberation Army singing shadow. Just liberated, Fukki back home, and Chun-Sheng they want to drive a car to achieve the ideal, when a military vehicle, with the army south of the PLA.
  Her daughter Fengxia for a serious illness and became a mute, not a Fu Gui no longer shout, "father", and hearing is also affected by the damage, but at this time of the day _set_tled down a little. Great Leap Forward, iron and steel, mounted shadow boxes just because there are a few nails, shadow has almost ruined belongings. Luckily Fukki inspiration, that can sing the shadow to the refining of steel by the masses and encouraging children, was able to preserve the family silver shadow. At this point, Fukki in the "steel-making site" on the shadow sing; Jiazhen to the "site" bottled water, but also helped her daughter Fengxia dry; son lovely celebration, also known guarding dumb sister, and all seem to have hard work brings a - This is a most happy time.
  Unwittingly Fengxia grown up, Chula become a big girl. On this day the mayor to propose marriage, a young man in the county introduced to Fengxia. Fugui and Jiazhen looking young man, although he felt some lame leg, but no serious problem, "honest people", was very satisfied, do not know, "people can not see the Fengxia." Finally, and this young man Fengxia or 12,000 like (with the mayor's words, "the ringing of the working class") married. Married two days have been very happy. Fugui and Jiazhen and life is full of hope.
  While everyone wants them to lead a stable life for two years, when, unfortunately, has once again come to this unfortunate family head. As the "Cultural Revolution" during the hospital's experts have been locked up in a "cow", by a bunch of inexperienced small Nvwa Zi as nurses, doctors, Fengxia birth to a baby boy in, because bleeding can not get the right treatment death.
  Bread (see 12,000 hi case from the "bullpen" where the doctor got gnawing greedily bought bread for his appearance - the doctor due to overeating too much, stomach cramps and did not help Fengxia crossing over life and death - Jiazhen casually give birth to a baby boy Fengxia remove the nickname) and slowly grow to five or six of the circumstances. During this period, gave the bread a year according to Fukki couple photos to get the grave to Fengxia see. While not forgetting to have a celebration to bring twenty dumplings. Every time I see grandson bread, Fukki and Jiazhen are irrepressible warmth, concern on his face. So live with a person who, on so alive ......
Translated by Google
Film analysis
  The film according to Yu Hua's novel of the same name as the original, with little popular drama of real life style reflects decades of Chinese people "good death is better than live" outlook on life.
Translated by Google
Behind the Scenes
  Zhang Yimou was born in 1951, Xi'an, Shaanxi. In early 1968 after graduating from dry counties in Shaanxi Rural jump the queue labor, Xianyang City, Shaanxi Province after the cotton plant when eight workers. Admitted to the Beijing Film Academy in 1978, photography. After graduating in 1982, assigned to the Guangxi Film Studio when the photographer. Zhang Yimou is China's fifth generation of the most important film director, is also a good actor and photographer. "Alive" adapted from author Yu Hua's novel "To Live," the original novel, more painful, the movie cut a lot. The film is Zhang Yimou has not been banned by the Chinese film.
Translated by Google
Actor Profile
  Ge was born in Beijing in 1957, native of Hebeiraoyang County. Award-winning work: "editorial story" (Golden Eagle Award for Best Actor Award), "New Year" (Hundred Flowers Award for Best Supporting Actor Award), "Da Saba" (Golden Rooster Award for Best Actor Award) and so on. Major films are: "Live" and "Wan Zhu," "Da Saba", "Farewell My Concubine," "there or be square", "Party B", "endless", the "big names" " phone, "" You Are the One "and so on. Ge with "live" one to obtain Cannes Film Festival Best Actor Award, is also famous Chinese comedian.
Translated by Google
Video reviews
  "Alive" is a Chinese-style black humor film, the hero Fukki experiences abnormal miserable. Film through a person's life experience, covering the history of man's destiny in life can not control the pain of death derived from a smile. In Fukki's lifetime, the initial dissipation, to the five sub-guns fear of premature death to his son's grief when a complaint to the unexpected death of her daughter but to accept the film at the end of dinner when the bitterness of emotions and personal fate of the crowd, was History traction. "Alive" is a longer span of a film's historical condensed into the fate of individuals. Life, such as ants like personal fate, can only produce Wang Zi sigh of life pain.
  "To Live" has a certain epic, this epic is packed in the fate of individuals and families under the same faint wave of compassion and showing sad black humor. Videos existence and suffering of individuals, in a streamlined historical background, reflecting the little joys and sorrows and a sense of the absurdity of the times. Although the mild end of the film, but rather thought-provoking. Fukki life is a gradual process of evolution. Film on the Great Leap Forward, the Cultural Revolution period, also had a mild irony. The film's desperate, helpless, unable to get in the black humor in the transformation into the Chinese people living in difficult conditions to endure. To live is to endure.
Translated by Google
Awards
  By the 47th International Cannes Film Festival Jury Prize, Best Actor Award (Ge), humanity award
  13th Hong Kong Film "Awards" one of 10 Chinese-language films
  Full American Film Critics Association Best Foreign Language Film
  Los Angeles Film Critics Association Best Foreign Language Film
  U.S. film "Golden Globe" Best Foreign Language Film Nomination
  British national "Oscars" Best Foreign Language Film Award
Translated by Google
Novel "To Live"
  Author: Yu Hua
  Publisher: Shanghai Literature & Art Publishing House
  ISBN: 7532125947
  Revision: 2008
  Folio: 32
  Binding: Paperback
  Price: 13.00
Translated by Google
Overview of work
  As a ship in the ocean turbulence, waves and valleys will always be ups and downs in the same way before the line of writing creative writers can not be stable if a state of doubt. Yu Hua is no exception. If careful analysis, you will find around 1995 Yu Hua, also in his essay 'alive' pre-creation, Yu Hua's literature into a very delicate period.
  So then we look back to 1995, you will find both realistic Yu Hua's the only novel feature of literature and the works of pioneers, the sensational thing I read is "alive." Say, "live" should be the creation of a transitional Yu Hua.
  From this perspective, "alive" is the author of the pioneering text in their own innovations, when exhausted, to find out a way out. But the author himself probably does not agree with this view. From the work itself to see, especially in the first half of the work to the great showing of arbitrariness can be seen, "alive" is not a fully mature until after the idea of ​​creative work. Yu Hua could write like a normal child doodles beginning (the beginning if this were the words of Yu Hua's own experience, you will find amazing authenticity, in fact, when an idle person is writing, Yu Hua's initial motivation).
  The author crafted this work before, it may not be called in writing. In Yu Hua's creation into a downturn, the writing is actually just a habit. "Live" is a completed novel in a casual, for readers and writers, all good works, is a dual pick up, or a luck.
  In fact, the latter may be very large, because Yu Hua is described in the brutal cold is his forte. He is like a skilled surgeon slowly from the essence of life Canku false benevolence was spun off as "alive" in a very calm, even a very slow way, there may be people reading one another to good the direction of the illusion shattered one by one. This will have an end: people will leave a deep impression of this book. Because reading is a psychological fear of experience.
  In fact, Chinese literature, which in turn implies another fact: to make realistic slogan of realism is most afraid to face reality. For example: In essence, people living outside of their own in addition to live, not make any sense. So if we must give meaning to, then only regarded as significant, probably only alive itself. "Live" may be precisely due to the great sense here.
  Because of this, "live" content on a clear, alive in the general understanding is a process, however, is essentially living a static state.
  Yu Hua want to tell the reader: in fact there is no happiness in life, or unfortunately, life is alive, living quietly, a hint of solitary endeavor.
Translated by Google
Author Introduction
活着 作者介绍
  Yu Hua, and Zhejiang Haiyan people, born in 1960 in Hangzhou, Zhejiang, and later moved with his parents Haiyan. After graduating from high school, the parents of a doctor relations, Yu Hua worked for the dentist, after five years from medicine into the Union County Cultural Center and Jiaxing Wen, from a close relationship with creation. Yu Hua Lu Xun Literature Institute in Beijing and the Beijing Normal University postgraduate courses organized by the Department of Chinese studies. Yu Hua's novel published in 1984, the Chinese mainland representative of avant-garde fiction, and Ye Zhaoyan and Su Tong, who with par. His works have been translated into English, French, German, Russian, Italian, Dutch, Norwegian, Korean and Japanese, and published abroad. The "alive" and "Xu Sanguan a Blood," also _select_ed one hundred critics and literary editor of the _select_ion of the "Talk of the ten most influential works." Italy won the literature prize 格林扎纳卡 Buddha (1998), Australian suspense sentence Prize for Literature (2002). With a collection of short stories "Eighteen-year-old journey out", "Dreams of smoke," and the novel "Live" and "crying in the rain" and "trembling." He also wrote many essays and literature, music reviews.
Translated by Google
Introduction
  Master Fukki landlord into the nature of gambling, gambling and finally the light of the family business penniless, poverty among the Fukki because the mother is ill to go to a doctor, did not expect half way young men arrested by the KMT forces, after being captured by the PLA, back home he knows his mother has died, his wife, Jiazhen put up with hardships brought a son and daughter, but unfortunately, become deaf daughter, son, clever and lively ... ... However, the real tragedy began gradually from staged, each reading one, are Let's not stop the tears wet his eyes, because life will be a rare warmth death tear to pieces again and again, only the rich old along with memories of a cow in the sun.
Translated by Google
Shuzhai
活着 书摘
活着 书摘
  The now ten years younger than I, lying in the middle of leaves and grass, slept for two hours. There have been few ants climb up my legs, my fingers are still sleeping in their bomb to go exactly. Later, as if to the water's edge, an old man insisted on a bamboo raft in the distance loud cry. I break free from the sleep out, cries came clear in reality, I got up and saw an old man nearby fields are enlighten a cow.
  The cow may have been plowing deeply tired, it stands in the bow, where the plow behind the naked back of the elderly, the negative attitude of the cow seems unhappy, I heard him loud voice said to the cow:
  "Do cattle farming, do a dog housekeeping, do monks alms, cooking chicken crowing, a woman weaving to do, which is not only cattle farming? This is the truth since ancient times, walking up, walking up."
  Hear the tired old cow, after shouting, as if our mistakes like raised his head, pulled the plow walked on.
  I see the same old people back and Cattle dark, into the dusk of life, two old-fashioned piece of land to farming was rushing flip, like water off a wave. Then, I heard old gruff voice was impressive, he sang the old songs, at first reluctant to sing ah ah friends long primer, followed by a two lyrics -
  Emperor trick I do son,
  I do not go far-span.
  Because of the distance, do not want to do the emperor's son. Let me speechless elderly smug smile. Cattle may be slowed down, the old man and shouted up:
  "Two happy, do not be lazy with Qing; Jiazhen, Fengxia farming well; bitter root is also the line ah."
  A cow could hold so many names? I am curious to come to the edge, the old man approached to ask!
  "This is how many cattle the name?"
  The elderly hold plow stood, he looked up and down some after I asked:
  "You are city people, right?"
  "Yes." I nodded.
  Proud of them elderly, "I glance out."
  I said: "This cow how many names?"
  The old man replied: "This cow named Fu Gui, on a name."
  "But you just called a few names?"
  "Oh -" old man happy to laugh, he beckoned to me mysteriously, when I went over, he said they just want to, he saw the cow is head high, you rebuke it:
  "You do not eavesdrop, head down."
  ... ...
Translated by Google
Chinese version of the preface
  A true writer will always write just for the heart, the heart will be true only told him that he's selfish, how noble his prominent. Heart so that he truly understand themselves, will understand once you understand their world. Many years ago, I understand this principle, but must pay to defend this principle hard work and prolonged pain, because the heart is not always open, it closed up more often it touches, so only the writing, keep writing in order to make the heart open in order to make themselves at being discovered, like the sunrise light illuminated the darkness, only this time a sudden inspiration came.
  Over the years, my work is derived from the reality of that layer and tensions. I indulge the imagination, the reality has been tightly controlled, I clearly feel the self-division, I simply can not make itself, I had hoped to become a fairy tale writer, or is a real work owner, if I can be in any one of the two, I think will be a slight pain in my heart a lot, but at the same time a lot of my strength will weaken.
  In fact now I can only become such a writer, I always write for the inner needs, rational substitute for my writing, because of this, I am a long period of time is a writer of anger and apathy.
  This is not just my personal difficulties faced by almost all the good writers are in and the tense relationship between reality, They wrote that only when the reality is far away when, in reality, their work will be shiny. It should be noted that although the reality of the past is full of charm, it has cast a layer can be illusory color, it stuffed with personal imagination and personal understanding. The real reality is a writer living in reality, is puzzling and difficult to get along.
  Writer to express the reality with which from morning till evening, he often feels unbearable, swarms of almost all tell the real ugly and sinister, Blame here, why do ugly things are always around, and good things are far away in the Cape. In other words, human love and sympathy are often just as the mood came, but the fact is the opposite hand can touch. As a poet expressed: humans can not tolerate too much reality.
  This is also the writer, his life of self and reality in the _set_tlement of tensions, is a successful example of William Faulkner, he found a modest way, he describes the intermediate state of things at the same time inclusive of the beautiful and ugly, he will put the American South and the reality of history and the human spirit, it is a real sense of literary reality, because it connects the past and the future.
  The authors also describe a number of unsuccessful reality, but they described the reality of truth is an environment that is fixed, the reality of death. They do not see how people came to be, do not see how to walk. When they care about the characters in the description, we will feel the writer himself is also preoccupied. This writer is realistic in the works, and not real life.
  As already said, I and the reality of the tension, put it more seriously, I have been based on a hostile attitude towards reality. Over time, my inner anger subsided, I began to realize that a true writer looking for the truth, is a rejection of the truth of moral judgments. Writer's mission is not to vent, not a complaint or disclosure, he should show to the noble people. Talking about here is not the kind of pure noble good, but the understanding of all things after the detachment, of good and evil equally, with sympathetic eyes see the world.
  It is in this state of mind, I heard an American folk song "old slaves", the song the old slaves who has experienced a lifetime of suffering, before his family away, and he is still friendly to the world, No one complained about it. This song moved me deeply, so I decided to write a novel, is this "alive", wrote the capacity of the suffering people of the world optimism. I understand the writing process, while the person is living their own lives, rather than anything to live outside of the living. I felt I wrote the noble work.
  Sea salt, July 27, 1993
Translated by Google
Japanese Preface
  I have had discussions with the author's identity Fukki life. Some of the Italian high school students asked me a very useful question: "Why is your novel" alive "in that an extreme environment but also about life rather than survive? Between living and surviving minor boundary where?"
  My answer is this: "In China, for the people living in the bottom of society, life and survival is one cents on both sides, the boundary between them lies in the direction of slightly different on the" live "is concerned, life is a person experiences feelings of their own, and survived experiences of others is often the spectator's view. "alive" in the Fukki although after suffering, but he is in telling their own stories. I use the first-person narrative, Fukki's about the opinions of others in need, only his own feelings, so he is about life, if the third person to describe, if you have the views of others, then Fukki in the reader's eyes would be a the suffering of the survivors. "
  For these reasons, at other times I have repeated this view. I said in the eyes of others Fukki life is working hard and making life; but for Fukki myself, I believe he felt more happy. Italian high school students so that the ancestors of the great Horace warned me: "Man's happiness to wait until the last, in his lifetime and before the funeral, no right to say he was happy."
  Horace's warning made me feel uneasy. I tried to convince myself: Do not go after someone else's life talk. Now, when Kadokawa Shoten want me to "live" to write a preface, I want to talk about another topic. I want to talk about is ─ ─ who created the story and the magic? I think it is time to create. I believe it is time to create a birth and death, creating happiness and suffering, creating a calm and turmoil, creating memories and feelings, creating understanding and imagination, and finally to create a story and magical. He knows the chapter "return home even remember" the time is right to bring joy and bitterness:
  I left home young and back,
  Accent changed and coming from the bad hair.
  Children meet strangers,
  Asked the customer where to laugh.
  Today, this door last year,
  Moment of truth matched red.
  Faces of the people do not know where to go,
  Love and be loved.
  This short story out of time meaningful. Between the girls coming back and head in addition to four phase, as no other contacts, but day and night thoughts of love, the rhythm of time in their flowing. Here, the time to hide its identity, but they hold the fate of two people. We read can not touch it, can not watch it, but we always feel its presence. As the cold came, we can not look nor touch, we can only shudder to feel. So, what words are needless to say, what behavior do not have to write, as long as a year's time, it can be more transient or more long, coming back and the girls will love Yujiebingqing the wind dissipated, will be "I do not know where people face to go. " Similar to the narrative in our literature can be seen everywhere, so that interrupt the flow of narrative time, and then many years later from the start, this time radically different scenarios do not need to pave the way, do not need to explain it naturally emerged. Described in the literature, nothing is more convincing than the time, because time without notice we can change everything.
  Another example comes from Dante's "Divine Comedy" in the verse, when Dante wrote the cosine arrows hit the target, he would write: "arrow in the target from a string." This verse of the magic is, but small changes in the language of the time sequence, so that we feel the language to bring instant speed. This example tells us that time not only to create a magical story and plot, but also to create a sentence and details of the magic.
  Finally, I should come back to talk about "alive." I think this is about a person's life story, it also expressed a long time, and time is short, a time of turbulence and the expression of quiet time. Described in the literature to describe the way his life is the most direct way to express time, I mean that the change of time to master the "live" in Fukki fate changes, or the way time is Fukki living way. I know that is the magical time I completed the "live" account, but I do not know "live" account of whether they express such an amazing? I know that life Fukki narrow palm of your hand, but I do not know whether the width if the earth?
  Yu Hua Beijing, January 17, 2002
Translated by Google
Korean version of the preface
  I do not know how to explain this film, to the author of this task is very difficult to accomplish, but I am willing to try, I hope readers can tolerate my Korean adventure.
  Subject of this work is called "alive" as a word, "alive" in our Chinese language is full of power, its strength not from the cry, not from the attack, but to endure, to endure the life-giving our responsibility to endure gives us real happiness and misery, boredom and mediocrity. As a work, "alive" and the story of a friendship between his fate, which is the most touching friendship, because they appreciate each other, but also hate each other; they who can not abandon each other, but no one has reason to complain about each other. They live together when walking in the dusty road, with dead time and turned into rain and mud. At the same time, "live" also tells people how to take the immense suffering, like the Chinese proverb: close call. Let the hair to withstand a weight of three kilograms, it is not broken. I believe that "Live" also tells the tears of a broad and rich; about the despair does not exist; tells people to live their own and living, not for anything other than alive and alive. Of course, the "live" also tells us that the Chinese people for decades is how to survive it. I know, "alive", said about much more than that. Literature is such that it tells the writer aware of things, but also about the writers did not realize, is that when readers come to speak.
  Beijing, October 17, 1996
Translated by Google
English preface
  In 1993, my Chinese version of the Preface to write this to say: "I heard an American folk song" old slaves ", the song the old slaves who has experienced a lifetime of suffering, before his family away, while the He is still friendly to this world, no one complain about this song touched me deeply, so I decided to write a novel, is this "alive". "
  Writer's writing is often from a smile, a gesture, a fleeting memory, a casual conversation, some scattered in the newspaper caught in the start of the message, these droplets as small details can sometimes evoke the fate of the long and magnificent scenes. "Live" writing is no exception, a U.S. folk songs, a few lines of expression, the growth of Fukki moving and suffering life is calm and happy life.
  Beijing, April 26, 2002
  Alive - Shuntaro Tanigawa
  Alive
  So now alive, and that is thirst
  Was shot down between the branches bright sunlight
  Is suddenly sounded a melody
  Sneezy
  Hand in hand with you
  Alive
  The so-called live now
  That miniskirt
  The Planetarium
  Are about Han Strauss
  Picasso
  Alps
  Is experiencing all the good things
  Also, make
  Watch carefully the first hidden evil
  Alive
  The so-called live now
  Dares to cry
  Is Gannu
  Free
  Alive
  The so-called live now
  Is now a dog barking in the distance
  Earth's rotation is now
  Is now crying somewhere in the birth of life
  Is now certain to wounded soldiers
  Sway the swing is now
  The passage of time is now
  Alive
  The so-called live now
  The birds wings
  Is raging Haitao
  A snail's pace
  Is in love
  Your hands warm
  Life
  [Song "alive"]
  Artist: hackberry Album: I went to in 2000
  Lyrics: Hackberry
  You see those poor people are stuck mending
  What kind of living and so I do not understand it
  I have so many ideal I have so much power
  I left my imagination to change the world
  Mr. Chang told me a young man next to me like you crazy
  Fearless drinking large bowl to eat meat
  Then throw the old and become like little somersault with little
  Forget the dream just begging to live safely
  I was going to be a big hero to eat a piece of sky
  Now I know this does not matter fed on the line
  We are all very soft animals live in the shell vowed to resist
  Finally, but slowly obedience Diukuixiejia
  We are all very small insignificant animals
  If you want happiness will forget some of the world's vast
  We are very poor animal to the world
  Wronged by point by point stimulation so carelessly alive
  We are very animals that live in their side
  So looking to do this so make do with so happy to be alive
  Mr. Chang told me a young man next to me like you crazy
  Fearless drinking large bowl to eat meat
  Then throw the old and become like little somersault with little
  Forget the dream just begging to live safely
  Sometimes I'm Happy Sometimes I'm sorry
  Until Mr. Chang will become live like a dog
  Able to accept this reality can only be looking at doing the can not do
  This life will end too quickly
  I was going to be a big hero to eat a piece of sky
  Now I know this does not matter fed on the line
  We are all very soft animals live in the shell vowed to resist
  Finally, but slowly obedience Diukuixiejia
  We are all very small insignificant animals
  If you want happiness will forget some of the world's vast
  We are very poor animal to the world
  Wronged by point by point stimulation so carelessly alive
  We are very animals that live in their side
  So looking to do this so make do make do with
  Friends ......
Translated by Google
Song "alive"
  Artist: Richie Jen
  Album: "Love to go for the End of the World"
  Own language: Mandarin
  Label: Rock Records
  Release Date: 2000
  NARRATOR: Karen
  MV Starring: Karen Richie
  Lyrics:
  Being alive without any
  Alive in the world, dragging painful self (read Karen White)
  Cried the night or in color
  Dead or alive in the world
  Loved people remember only _set_back
  The pain which can not be forgiven
  Back pain, eat a little piece missing
  You miss one day there will be a night
  More profound awareness of the cruel and then I was still alive even if I
  You can not see hear there are around
  When they have to live in a remote little involvement
  Really loved the people will know how desperate the ups and downs still alive
  Between our past and present
  Never had any love (read Karen White)
  God forgive me evil
  Not asked to speak to you
  Desire to love people without a miracle
  The love of a man many years
  Back pain, eat a little piece missing
  You miss one day there will be a night
  More profound awareness of the cruel and then I was still alive even if I
  You can not see hear there are around
  When they have to live in a remote little involvement
  Really loved the people will know how desperate the ups and downs still alive
  Back pain, eat a little piece missing
  You miss one day there will be a night
  More profound awareness of the cruel and then I was still alive even if I
  You can not see hear there are around
  When they have to live in a remote little involvement
  Really loved the people will know how desperate the ups and downs still alive
  Why is that I used to live
  Although I was a dead man alive (read Karen White)
Translated by Google
English Expression
  1. n.:  above ground,  keep one's head above ground,  on the hoof,  be on one's pins,  on one's pins,  in plant,  be above snake,  see the sun,  alive,  surviving,  living
  2. v.:  exist
  3. adv.:  aboveground
  4. vi.:  breathe,  live