歌曲gēqǔ(英文:song)
歌曲上有歌词，由人声演唱的一种音乐，可以有乐器伴奏，也可以没有乐器伴奏，单独由人声演唱。可以由一个人独唱，也可以多人齐唱，或多人多声部重唱或合唱。
编辑本段歌曲分类
民歌 - 是民间流行的歌曲，作者一般佚名，歌词通俗，歌唱人民自己关心或身边的事。如果反映时代情况，常自生自灭，中国古代统治者经常派人搜集民歌，以了解民情，古代文献《诗经》就包含大量的当时民歌。如果反映人类共同的主题，如爱情，常能长期在民间传唱，并不断变化完善，因其曲调优美，被音乐家搜集改编，如王洛宾写作的许多新疆民歌。
艺术歌曲 - 一般由音乐家写作，歌词多是著名诗人的诗歌，由音乐家根据诗词谱曲、配伴奏，19世纪以来西方的许多歌曲和歌剧就是这样制作的。也有曲谱采用民间流行的曲牌，诗人按照曲谱填词演唱，如宋代的词。艺术歌曲一般艺术性较高，由于有记录基本没有变化，演员依照词谱演唱。
现代歌曲 - 现代歌曲由专门分工的词作家和曲作家共同完成，有时为特定的演员根据其演唱风格和能力定身写作，有时是为普及歌曲为群众齐唱写作。现代歌曲比较普及，不需要专业演员一般人大家都能唱，但流行的寿命较短，再好的歌曲一般也只能流行一代人，年轻一代一般不会再喜欢上一代人之间流行的歌曲。如同服装一样经常变化。
西方将歌曲分为:trip-hop、world music、new age、dream-pop、classical pop、acappella、bossa nova、post rock、britpop、dub、electro 、jungle、drum'n'bass、big-beat、brit-hop、break beat 、psychedelic trance、trance、ambient、techno、electrophonic music、folk、chamber pop、synth pop、orchestra、gangsta rap、house、r&b、disco、punk、soul、reggae、rap、pop、art rock 35类。
歌曲，也一种情感的表达，对于人的情绪有一定的影响。
编辑本段通俗歌曲的发展史
通俗唱法是借助音响扩大效果，以闪耀变化的舞台美术灯光渲染气氛，用各异的演唱方法，集舞蹈表演、伴唱、伴舞，电声乐器伴奏，集说唱于一体的演唱艺术。声音的主要特点是完全用真声歌唱，接近生活语言。演唱，风格有轻柔自然的；有高亢强劲的；有民谣风格的；有摇滚乐式的；有说唱叙事式的；有队列进行曲式的；有艺术歌曲形式的。是全世界性、目前还在不断的相互交融发展、感染性最强、普及性最大的一种演唱方法。
通俗唱法以青少年为中心，也深受中年人的喜爱。专业通俗歌唱演员，唱龄较之美声唱法的演员和民族唱法的演员相比较要短的多。最多也只是十年八年的时间，唱红几年就要更换。其人才培养主要靠自学，一般训练几个月便可上舞台演唱。为了使朋友们了解通俗唱法的特点，有必要简单地介绍我国通俗唱法的发展历史。中国的通俗歌曲，因国情和民族文化、民族素质所决定，经历了几个不同的发展阶段。其共有特征通俗性、流行性、民族的继承性，始终不曾改变。
从音乐史上看，自唐代结束以后，宫廷音乐逐步走向衰落。民间音乐（包括戏曲、说唱等）日益发展起来。到明清时期，地方特色的戏曲已发展到近400种，说唱音乐300多种，为达官显贵所娱乐的民族器乐也渐渐普及到城市各阶层音乐爱好者中。
20世纪初，尤其经过“辛亥革命”的政治变革，市民阶层的通俗音乐又有了新的发展。以上海为中心，江浙一带出现了许多习奏《江南丝竹》音乐的小型丝竹合奏社团，其代表性的曲目有《熏风曲》、《欢乐歌》、《三六》、《行街》等。以广州为中心的粤港地区则出现了不少以习奏广东小曲（俗称广东音乐）的小型丝竹合奏社团，其代表性的曲目有《旱天雷》、《倒垂帘》、《雨打芭蕉》、《赛龙夺锦》等，“江南丝竹 ”乐随着西方文化的大量流入，通俗性歌唱活动迅速发展。各地盛行传唱各种城市小调。这时的歌曲，大多以民间流传的所谓各种古曲、小调填以新词的方式来演唱，主要有《茉莉花》、《孟姜女》、《无锡景》、《五更调》、《小放牛》、《满江红》、《苏武牧羊》、《凤阳花鼓》等等。各地刊印的各种各样的小调集也为数甚多。著名文学家、诗人刘半农、李家瑞长等人所著的中国俗曲总目稿中，共收集了十一个省6000多首这类城市小调的曲词。另外，以主张改革的知识分子为主，为了推进“新学”，为了向青少年进行改革的启蒙教育，各地以新学堂为阵地，也编写、出版和传唱了多种多样的所谓“学堂乐歌”。这些歌曲大多以日本、欧美的大众歌曲填以新词，以集体演唱方式来表现。主要有《何日醒》、《中国男儿》、《十八省地理历史》、《扬子江》、《送别》等等。当时也有少量歌曲以起国民间流传的曲调填词的，如《祖国颂》、《满江红》、《勉女权》等。也有个别歌曲的曲和词都是新创作的，如沈心工的《黄河》、李叔同的《春游》等等。
五四运动后，随着反帝反封建群众革命斗争的深入，一个声势浩大的群众歌咏活动也迅速开展起来。这些歌曲都延续过去的“学堂乐歌”那种填词歌曲的方式编写，其曲调既有过去流行的城市小调和学堂乐歌，也有本国本地区和外国的革命歌曲，如《马赛曲》、《国际歌》、《红旗歌》等。当时流传最广影响最大的歌曲是《打倒列强》、《工农兵联合起来》等。这些革命歌曲的演唱，已不再局限在学校范围内，而是扩展到各种群众性集合场所和集体活动中。演唱的对象也从知识阶层扩及到工人、农民和一般市民。因而，这些歌曲形式比较简短，一般是不带伴奏的通俗歌曲。这种以工人、农民为主的群众性歌咏活动和以填词编写的歌曲传统，在当时红军革命根据地和东北抗日联合义勇军中一直保持着。到了30年代，以上海为中心的沿海城市中，又出现了两种新的通俗音乐。一种是随着电影事业的发展和外国娱乐性歌舞音乐的传入，开始萌生了中国的娱乐性通俗歌曲和歌舞音乐。突出黎锦晖及其领导的“明月歌舞剧社”，影响大的歌曲有《桃花江》、《毛毛雨》、《特别快车》、《妹妹起爱你》、《花生米》等等。这些歌曲大部分是用我国城市小调性的曲调，同外国歌舞（如弧步舞、伦巴舞、探戈舞等）的伴奏相混合的产物。有些则完全照搬外国的音乐，只是添上了新词（如《特别快车》、《花生米》、《蔷薇处处开》等。）这些音乐通过“明月歌舞剧社”的演出，特别是唱片公司的灌唱，迅速扩大其影响。这类结合歌舞表演的通俗歌曲，曾因其内容的低俗，艺术的粗劣，遭受到文化教育界、音乐界的致的批评和抵制。后来在群众性的抗日救亡运动日益走向高潮的形式下，它们逐渐走向低落。另一种则是随着国际及国内“左翼”文艺活动的开展，以聂耳、任光、安娥、张曙、吕骥等人为主，积极进行反映工农劳动群众生活现实，和各阶层广大群众民主爱国愿望的，能为广大革命群众所理解和接受的“新兴”革命歌曲创作。即后来进步音乐所提到的“新音乐”。开始，这些“新兴革命歌曲”，主要以电影或戏剧插曲形式出现。其中，影响突出的有聂耳作曲的《大路歌》、《开路先锋》、《毕业歌》、《义勇军进行曲》、《铁蹄下的歌女》，任光作曲的《渔光曲》、《打回老家去》，吕骥作曲的《新编“九一八”小调》、《保卫马德里》等等。与此同时，像黄自作曲的《抗战歌》、《九一八》、《热血歌》，陈洪作曲的《冲锋号》，何安东作曲的《全国总动员》等爱国歌曲，也是以群众性的通俗歌曲形式创作的。在广大青年中有着深远的影响。当时还出现了一批艺术歌曲，如：黄自的《玫瑰三愿》、赵元任的《叫我如何不想她》、青主的《我住长江头》等。
40年代，由于中国长期处于国内外反动派血腥压迫的战火威胁下，政治斗争复杂尖锐，社会生活动荡不安，配合革命斗争的群众歌咏活动迅速普及全国。以民族解放为基本内容的群众通俗歌曲，实际上成为中国各类音乐创作中数量最多、影响最大的一个方面。与此同时，以上海为中心随着电影事业的发展和原来一批歌舞明星转入电影界，以电影歌曲为主的通俗歌曲芤得到一定的发展。这些歌曲的内容和音乐风格比较复杂，基本上由电影本身的具体内容和剧情的需要来决定，但它们绝大多数已与直接的歌舞表演没有什么密切的联系，它们的传播主要依靠电影的播放和电台的广播以及靠唱片乐谱的出版发行，这些歌曲对城市市民的影响比较大。
由此可知，从30年代后半期开始，中国的通俗歌曲是朝着一条不同于欧美各国通俗音乐的道路发展，并逐渐形成了自己的特色和风格。欧美各国的通俗音乐从本世纪以来基本上采取与这些国家严肃音乐分道扬镳的方式，主要为了适应城市娱乐生活的需要，随着满足市民娱乐的商业资本的发展而发展的。这些音乐主要依靠从事通俗音乐的歌星、乐手自编自演的方式产生，依靠在市民娱乐场所（如酒吧、舞厅、夜总会等）的表演及电台广播、唱片发行来传播。这些音乐的艺术风格大多数是与歌舞表演或市民群众自娱的社交舞密切结合的。而中国30年代后半期以来的通俗歌曲，主要是由严肃音乐的音乐家们为了适应当时政治斗争的需要，为了向广大市民进行宣传鼓动和为了满足城市市民生活而发展的电影的需要、主要由专业作曲家或歌曲作家创作依靠群众歌咏活动的开展来传播的。它的艺术风格大多与群众性的舞蹈或歌舞表演没有什么直接的联系，而更接近于进行曲和民歌或比较简单的艺术歌曲。如冼星海的《救国军歌》、《江南三月》、贺绿汀的《秋水伊人》、《游击队歌》，刘雪庵《飘零的落花》、《长城谣》，任光的《打回老家去》、《王老五》等等。
在这时期，数以千计的中国通俗歌曲中，也有少数电影歌曲表现出明显的受外国娱乐性通俗音乐的影响，如《何日君再来》、《夜上海》、《莫忘今宵》、《香格里拉》等等，反映了以上海上层社会为代表的少数剥削阶级的精神生活和趣味要求，其影响当然也扩及到一般的市民阶层中。
中华人民共和国建国以来，由于当时的历史的政治的原因，政治性的群众歌曲和群众歌舞活动，在人民音乐生活中仍占主要地位，并且成为中国通俗歌曲中唯一受到重视、给予提倡的音乐体裁。而娱乐性的通俗音乐则长期处于被压抑的状况。即使在电影歌曲方面，一些偏重于抒情、委婉的歌曲往往会被认为是感情不健康的“软歌”而遭到批判。
“文革”结束以后，在“拨乱反正”肃清过去“左”的流毒及贯彻执行“改革、开放、搞活”的方针后，西方的通俗歌曲及香港、台湾各种各样的通俗歌曲（包括过去40年代敌伪时期流行于上海等城市的一部分电影歌曲）都随着唱片、盒式录音带及电影、电视、电台广播等媒介手段大量涌入。这些歌曲在一定程度上，满足了群众对于通俗歌曲多样化的需求。但是，随着改革开放的深入和人民大众审美能力、艺术欣赏水平的提高，群众希望作曲家们能够提供既能反映新时期火热生活和社会实践，又能满足他们自娱要求、旋律优美动听、富于抒情而又易于传唱的新的通俗歌曲。在这样的客观条件下，70年代末到80年代又逐渐出现了一批颇受群众喜爱的通俗性的歌曲，如，施光南的《祝酒歌》、《在希望的田野上》、王铭的《妹妹找哥泪花流》、《绒花》，凯传的《角落之歌》、张丕基的《乡恋》、王立平的《太阳岛上》、《浪花里飞出来欢乐的歌》、刘文金的《大海一样的深情》、谷建芬的《年轻的朋友来相会》、《那就是我》、傅大检查的《小螺号》、《妈妈的吻》、《故乡情》，郭峰的《让世界充满爱》等等。军队生活体裁的通俗歌曲也出现了《再见吧妈妈》（张乃城）、《军港之夜》（刘诗召曲）、《十五的月亮》（石祥词、铁源曲）、《望星空》（石祥词、铁源曲）、《小白杨》（士心曲）、《血染的风采》（陈哲词）、《军港之夜》、《军营男子汉》（阎肃词）等很受群众欢迎的抒情性作品。此外随着中小学音乐教育的，以演唱学生歌曲为主的青少年歌咏活动，也获得新的发展，并出现了一批为青少年所喜爱的新歌曲。
80年代初，在音乐舞台上，演唱中国通俗歌曲的演员，主要还是来自专业文艺团体，如朱逢博、李谷一、成方圆、朱明英、苏小明、董文华、毛阿敏等。当时演唱通俗歌曲实际上已成为专业团体演出活动的一个方面，演出的场合也与专业文艺演出几乎相同，尤其在有关新闻媒介和出版部门的推动下，出现了通俗歌曲“热”，这些通俗歌曲的演唱和传播一度形成了对严肃音乐和戏曲的一种强烈冲击。
80年代中期各地区各种音像出版公司的建立和广州、上海、北京等城市先后在一级宾馆开设“酒吧 ”“舞厅”以及“音乐茶座”后，才开始产生一批批的专门演唱通俗歌曲的歌手，并且逐渐在这些场所专门演唱娱乐性通俗歌曲。还有一些文艺团体的演员，如：学戏曲的演员、学美声的演员、学说唱的演员、学舞蹈的演员、学器乐的演员，都纷纷改唱通俗歌曲。同时，通过中央电视台的“通俗唱法”大奖赛等，推出和认可了一批通俗歌曲演唱的红歌星。如毛阿敏、韦唯、陈汝佳、张咪、杭天棋、成方圆、朱明英、郁钧剑、那英、蔡国庆、解晓东、屠洪刚、胡月、田震、苏越、苏红、李玲玉等。总之，这几年来我国演唱通俗歌曲的歌手数量剧增，他们有的也像西方歌星那样崭露头角又迅速隐没、频繁交替。舞台演唱通俗歌曲的歌星常受到追星族的狂热欢迎。娱乐性的通俗歌曲逐渐在电视节目、电台广播、录制音响中占了主要地位。在歌曲创作方面，出现了大量的民谣体的作品，如《京腔京韵自多情》晚会系列歌曲、《黄土高坡》、《信天游》、《我热恋的故乡》、《篱笆、女人和狗》电影插曲等。深受人们喜爱。
Songs gēqǔ (English: song)
Songs have lyrics, sung by a vocal kind of music, can be instrumental accompaniment, there will be no instrumental accompaniment, separate from the human voice singing. Solo by one person, can people singing in unison, or more and more voices, ensemble or chorus.
Edit this paragraph songs Category
Folk songs - is a popular song, of a general Anonymous, pop lyrics, singing around the people they care about or something. If the situation reflected the times, often fend for themselves, the ancient Chinese rulers often sent to collect folk songs, in order to understand the people, ancient literature, "The Book of Songs" contains a lot of time on the folk songs. If you reflect the common human themes such as love, often long-term civil sung, and the ever-changing sound, because of its beautiful melody, adapted by musicians gather, such as writing many of the Xinjiang Wang Luo folk songs.
Art songs - usually written by the musician, the lyrics are mostly well-known poets, poems _set_ to music by the musicians under, with accompaniment, since the 19th century, the West is so many songs and opera productions. There are also scores with a popular melody, lyrics sang the poet in accordance with the scores, such as the Song of the word. Generally more artistic art song, essentially unchanged due to record the actors in accordance with the word sung.
Modern songs - songs from the specialized division of modern writers and song writers of the word to complete, sometimes for a particular actor in accordance with their singing style and ability to be writing itself, and sometimes singing in unison for the popular song writing for the masses. More popular modern songs do not need professional actors generally can all sing, but the popular short-lived, even the best pop songs generally only one generation, the younger generation do not generally popular among the older generation like the songs. Changes as often as clothes.
Western songs are divided into: trip-hop, world music, new age, dream-pop, classical pop, acappella, bossa nova, post rock, britpop, dub, electro, jungle, drum'n'bass, big-beat, brit -hop, break beat, psychedelic trance, trance, ambient, techno, electrophonic music, folk, chamber pop, synth pop, orchestra, gangsta rap, house, r & b, disco, punk, soul, reggae, rap, pop, art rock 35 class.
Songs, but also a kind of emotional expression, for human emotions to a certain extent.
Edit this paragraph history of Popular Music
Pop singing is expanding with sound effects, Changes to shining stage art lighting rendering the atmosphere, using different methods of singing, _set_ dancing, karaoke, dancers, electro-acoustic instrument accompaniment, _set_ in one of the singing art of rap. The main features of the sound is entirely true voice singing, close to the living language. Singing style is gentle nature; a resounding strong; a folk style; a rock style; a rap narrative style; a musical form of queue; the art song form. Of the world, are also being constantly interacting with each other the development of infection was the strongest, most popular method of a concert.
Young people as the center of pop singing, but also greatly loved by middle-aged. Professional popular singer, sang old actor and the nation than the bel canto singing actor, compared to much shorter. Up to only eight or ten years time, made famous a few years to be replaced. Training mainly by its self-learning, general training will be on stage singing a few months. To make friends, learn the characteristics of popular singing, it is necessary to brief development history of China's popular singing. China's popular songs, due to national conditions and culture, determined by the national quality, has gone through several different stages of development. The total feature popular, fashionable, ethnic succession, has not changed.
Music history from the view, since after the end of the Tang Dynasty, the palace's gradual decline. Folk music (including opera, rap, etc.) growing up. To the Ming and Qing Dynasties, the local characteristics of the Opera has grown to nearly 400 species, 300 types of rap music, the entertainment for the high-brow National Instruments has gradually spread to all sectors of music lovers in the city.
The early 20th century, especially through the "Revolution" political changes, the public sectors of popular music has a new development. Shanghai as the center, Jiangsu and Zhejiang Provinces played there a lot of practice, "Jiangnansizhu" a small string and wind ensemble music community, the representative track of "uptrend Song", "Song of Joy", "36", "Bank Street" and so on. Guangzhou as the center of Guangdong and Hong Kong is playing there a lot to learn Cantonese ditty (commonly known as Guangdong music) is a small string and wind ensemble society and its representative track with "Thunder without Rain", "down curtain," "Song of Triumph "" Dragon Boat Race, "and so on," Jiangnansizhu "Music With a large influx of Western culture, popular singing activities rapidly. Sung by a variety of cities around the popular minor. At this time the songs, mostly popular among the so-called all a performance, minor fill to a new way to sing words, mainly "Jasmine", "Lady Meng Jiang", "Wuxi King," "Dawn," "The small release cattle, "" River Red "," Su Wu sheep "," Drum "and so on. Published in a variety of small parts of the mobilization are numerous. Well-known writer, poet ANKANG Jiarui Long et al Head of Chinese folk songs issued in 11 provinces were collected more than 6,000 such cities in the first minor of the lyrics. In addition to the main pro-reform intellectuals, in order to promote the "new learning", in order to reform young elementary education, new schools for the positions around, but also the preparation, publication and sung a variety of so-called "School Songs . " Most of these songs to Japan, Europe and the United States and popular songs filled with new words, a collective approach to concert performance. There are "wake up any day", "Chinese Hero", "18 provinces of Geography and History", "Yangtze River", "Farewell" and so on. There was a small amount of songs to the tune spread from country folk lyrics, such as "Ode to the motherland", "Azolla", "Mian feminist" and so on. A few songs are new songs and writing words such as gong of the "Yellow River", Li Shutong's "Spring Outing" and so on.
54 after exercise, with the mass revolutionary struggle against imperialism and feudalism in depth, a massive mass singing events rapidly unfolded. These songs have continued past the "school music" kind of lyrics of songs written by way of their tunes both past popular urban minor and school songs, but also their regional and foreign revolutionary songs such as "La Marseillaise", "The Internationale" "Red Flag Song" and so on. At that time the most widely influential song is "Down with foreign powers," "the workers, unite," and so on. The singing revolutionary songs, no longer confined to the school context, but extends to all places of mass collections and collective activities. Performing object class from the knowledge extended to the workers, peasants and the general public. Thus, these songs form of relatively brief, usually without the accompaniment of popular songs. This kind of workers, peasants were the main activities and mass singing songs with lyrics written tradition, the Red Army at the time the revolutionary base areas and the Northeast Anti-Japanese joint Volunteers has been maintained. To 30 years, with Shanghai as the center of the coastal cities, then there were two new popular music. One is with the film industry's development and foreign music and dance entertainment and the introduction, beginning initiation of China's popular songs and dance entertainment music. Li Jinhui and outstanding leadership of the "moon musical community," the songs have great impact, "Peach Blossom River", "drizzle", "Special Express", "sister from loving you", "peanuts" and so on. Most of these songs is the melody of urban minor nature, with foreign dance (such as arc-trot, rumba, tango, etc.) mixed with the accompaniment of a product. Others of copying foreign music, but added a new word (such as "Special Express", "peanuts", "rose everywhere open", etc..) Music by these "bright moon Musical Society" performance, especially record companies irrigation singing, rapidly expanding its influence. Such combination of music and dance of pop music, known for its vulgar content, crude art, subjected to cultural and educational, music criticism and resistance induced. Later in the mass anti-Japanese national salvation movement in the form of increasingly move toward the climax, they gradually become depressed. The other is with the international and domestic, "the left" to carry out cultural activities in order to Nie Er, any light, An E, Zhang Shu, Lu Ji, who dominated the masses of workers, peasants actively reflect the reality of life, and all sectors of the general democratic aspirations of the masses of patriotic, revolutionary masses can understand and accept the "new" revolutionary songs. Progressive music that was mentioned in the "new music." Beginning, these "new revolutionary song", mainly in the form of film or drama episode. Among them, the impact of a prominent composer Nie Er's "road song", "pioneer", "Graduation Song", "Anthem," "female singer under the iron heel" of any light composed "Fishing" and "fighting back home to "Lu Ji composed the" New "918" minor "," to defend Madrid "and so on. At the same time, like yellow since the composition of the "War Song", "918", "blood songs" composed Chen Hong, "Chong Fenghao" He Andong composer of the "National Mobilization" and other patriotic songs, but also to mass forms of popular song writing. In the majority of young people have a profound impact. At that time there was even a group of art songs, for example: Huang Zi's "Three Wishes of the Rose," Chao's "How Can I call her" young Lord's "The River" and so on.
It can be seen from the latter half of the 30s, China's popular songs is different from the Western countries towards a path of development of popular music, and gradually formed its own characteristics and style. Popular music from Europe and the United States has basically taken this century serious music parted ways with them the way, mainly in order to meet the needs of urban entertainment, meet the entertainment business with the development of capital development. These rely mainly on music singers in popular music, the way that compiled and performed by musicians, rely on the public places of entertainment (such as bars, dance halls, nightclubs, etc.) performances and radio broadcasts to spread release. The artistic style of music and dance performances or most of the public on the social dance in close combination of self-entertainment. China 30 years since the latter half of the popular songs, mainly by the serious music of the musicians was the political struggle in order to meet the needs of the general public in order to carry out propaganda and public life in order to meet city needs the development of the film, mainly by Writing professional composer or songwriter singing activities carried out relying on the masses to spread. Most of its artistic style and the mass dance or dance performance is no direct link, but closer to the march and the simple folk songs or art songs. Such as Xian Xinghai's "Song of Salvation", "South March", He Luting's "Qiushuiyiren", "guerrilla song," Liu Xue An "wandering of the Fallen," "The Great Wall Ballad", any light "to come back," "bachelor" and so on.
During this period, thousands of Chinese pop songs and a few film songs showed obvious by the foreign music of popular entertainment, such as "you come again", "Night in Shanghai", "Forget not tonight," "Shangri-La "and so on, reflecting the social upper class in Shanghai, represented by a small number of the spiritual life of the exploiting class and taste requirements, of course, its impact extends to the general public classes.
The People's Republic of China since the founding, as was the history of political reasons, political activities of public songs and people dance in the musical life of the people are still dominant, and become the only popular song by the attention given to promoting the music genre. The entertainment of popular music is a long time suppressed condition. Even in the movie songs, some emphasis on lyrics, songs euphemism often considered unhealthy feelings of "soft song" and was criticized.
"Cultural Revolution" ended, the "order out of chaos" eliminate the last "Left" pernicious influence and implement the "reform and opening up, invigorating" approach, the Western popular music and Hong Kong, Taiwan, a variety of popular songs (including the last 40 puppet's popular in Shanghai and other cities during the part of movie songs) are with the records, cas_set_te tapes and film, television, radio and other media means for the influx. To some extent, these songs, popular songs for the masses to meet the diverse needs. However, with the deepening of reform and opening up the masses and aesthetic ability, raising the level of art appreciation, people want to provide both composers were able to reflect hot new period of life and social practice, but also to meet their demands for self-entertainment, beautiful sounding melodies rich and easy-sung lyrics of popular new songs. In this way the objective conditions, the late 70's and 80's has emerged a group of people like the popular, popular songs, such as, Shi Guang-nan's "Zhujiu Ge", "in the field of hope," Wang Ming's "girl looking for her brother with tears flow," "tasselflower" Kai Chuan's "corner of the song," Pi-based "Xiang Lian", Wang Liping, the "Sun Island", "the waves of joy fly out of Song," Liu Jin's " the sea as affectionate, "Gu Jianfen of" young friends to meet, "" me, "Fu inspection of the" Little Luo Hao "," Mother's Kiss, "" Hometown, "Guo Feng's" Let the world filled with love "and so on. The military life of pop music genre also appeared in "Good-bye Mom" (Nai City), "Jungangzhiye" (Shi-Zhao Song), "15 of the Moon" (Shi Xiang words, iron source song), "Wang Xingkong" (Stone Cheung words, iron source song), "Little Poplar" (Shi Heart Song), "A Dry White style" (Chen Zhe words), "Jungangzhiye", "man camp" (Yan Su words) so popular among the welcome Lyrical works. In addition, with the primary and secondary music education to young singing students singing songs based activities as well as access to new development, and the emergence of a number of the young people love the new songs.
The early 80s, the music scene, singing the Chinese pop music performers, mainly from the professional art organizations, such as Zhu Fengbo, Li Gu Yi, Cheng Fangyuan, ZHU Ming-ying, Su Xiaoming, Dong Wenhua, Mao Amin and so on. Singing popular songs was in fact has become a professional group performances, the performance of occasions and almost the same professional theatrical performances, especially in the media and publishing sector, driven by the emergence of popular song "hot", these popular songs singing and spread once formed a serious music and opera a strong impact.
The mid-regions of 80 various audio and video publishing company to establish and Guangzhou, Shanghai, Beijing and other cities have _set_ up in a hotel "bar" "Ballroom" and "music cafe" before beginning to have a special singing groups of Popular Music singer, and gradually specialized in these areas entertaining pop music concerts. There are a number of artistic groups of actors, such as: learning opera actor, learning vocal performer singing actor theory, learning dance, actors, instrumentalists, actors learn all have changed to popular songs. The same time, CCTV's "Popular Singing," Grand Prix, etc., introduced and endorsed a number of popular songs sung by famous singers. Such as Mao Amin, Wei Wei, Chen Rujia, Zhang Mi, Hang-day chess, Cheng Fangyuan, ZHU Ming-ying, Yu Jun Jian, Na Ying, Cai Guoqing, Xie Xiaodong, Tu Honggang, Hu Yue, Tian Zhen, Su Yue, Su Hong, Li Lingyu so. In short, the past few years singing popular songs in China surge in the number of singers, some of whom also star as the West as budding and rapid subduction, frequently alternating. Stage singing popular songs of the singer often welcomed by fanatical groupies. Popular songs gradually entertainment television programs, radio broadcasting, sound recording, accounting for the main position. In the song creation, there has been a lot of folk body works, such as "Beijing Accent from sentimental" party series song, "Loess Plateau", "Xin Tian You", "I love the home," "fence, a woman and a dog" movie soundtrack and so on. Very popular.
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