xiàn zài de xiǎo shuō yòu xǔ duō míng mù， yòu yī zhǒng jiào zuò “ zhí chǎng xiǎo shuō ”， dà yuē jiù shì xiě zhí chǎng de shēng huó。 dàn sì hū yòu bù jìn rán。 wǒ dú liǎo qí zhōng de yī xiē， bǐ rú yòu yī bù jiào《 fú chén》， hái yòu yī bù jiào《 dù lā lā shēng zhí jì》， jiù zài zhè sì yǔ bù sì zhī jiān。 gù rán， zuò zhě bǐ xià de shēng huó shì shǔ yú zhí chǎng de， dàn zài xiǎo shuō xù shì zhōng， yòng chuán tǒng wén xué de yǎn guāng qù kàn， yòu jiā zá liǎo tài duō de fēi wén xué yīn sù。 yú shì， rén men huì yòu zhè yàng de yí wèn： xiǎo shuō kě yǐ zhè yàng xiě má？
rú guǒ huàn chéng dú zhě de jiǎo dù lái kàn， yòu huì zěn me yàng ní？ wǒ xiǎng yī dìng huì yòu hěn dà de bù tóng。 jù shuō， zhè liǎng bù xiǎo shuō de xiāo liàng dōuzài shí jǐ wàn cè huò jǐ shí wàn cè。 zhè hé chún wén xué huò chún xiǎo shuō wǎng wǎng zhǐ xiāo jǐ qiān cè huò wàn bǎ cè de qíng kuàng xíng chéng liǎo qiáng liè fǎn chā。 zhè me dà de xiāo liàng zhì shǎo shuō míng dú zhě shì huān yíng zhè zhǒng dú wù de。 zhè jiù gěi wǒ men de pàn duàn dài lái liǎo kùn nán。 wǒ men shì xiāng xìn xiān huó de、 shēng dòng de、 bǎi zài wǒ men miàn qián de xiāo liàng ní？ hái shì xiāng xìn nà xiē bīng lěng de、 jiāng yìng de、 xiǎo shuō xiě zuò de guān niàn hé yuán zé ní？
shí jì shàng， zài wǒ men de wén xué chuán tǒng zhōng， cóng láidōu shì zhǐ yòu zuò zhě de wèi zhì， ér méi yòu dú zhě de wèi zhì。 shàng shì jì 80 nián dài yǐ lái qiáng diào zuò jiā de zhù tǐ xìng， zuò jiā gǎn shuō wǒ shì wéi zì jǐ xiě zuò， ér bù shì wéi dú zhě xiě zuò。 zhè zài dāng shí de zhōng guó shì jù dà de jìn bù。 zuò jiā zhēn shí dì 'ér bù shì niǔ qū dì biǎo dá zì jǐ de suǒ jiàn suǒ wén suǒ sī suǒ xiǎng suǒ chù suǒ gǎn suǒ 'ài suǒ hèn， zhè yàng de zuò jiā bù shì tài duō， ér shì tài shǎo。
dàn zhè yòu dài lái liǎo lìng wài yī zhǒng lìng rén yōu lǜ de jú miàn： yī dàn zuò jiā gè xìng biǎo dá hé jīng shén zì bái de hé fǎ xìng yǔ hé lǐ xìng bèi bù shìdàng dì fàng dà， zuò jiā yǔ dú zhě zhī jiān de jǐn zhāng guān xì jiù chéng xiàn chū lái。 wǒ bù fǎn duì zuò jiā wéi hù zì shēn de dú lì xìng， wǒ yě chéng rèn wén xué shì yàn duì yú xiǎo shuō xù shì zuò chū liǎo jù dà gòng xiàn， dàn wén xué de cún zài bù jǐn xū yào yòu zuò jiā， yě xū yào yòu dú zhě。 gǔ lái què yòu jiāng zuò pǐn cáng zhī míng shān de， dàn zǒng yòu qí nán yán zhī yǐn， zhì shǎo shì duì dāng dài dú zhě bù xìn rèn， yǐ wéi zhī yīn nán mì， zhǐ hǎo yǐ dài lái shì。 zhè bìng bù gòu chéng wén xué de zhù liú。
zài bǐ zhě kàn lái， jué dà duō shù zuò jiā hái shì xī wàng zì jǐ de xiě zuò néng gòu dé dào dú zhě rèn kě， dú zhě yuè duō， zuò jiā jiù yuè gāo xīng。 hěn shǎo yòu zuò jiā xuān chēng bù xū yào tōng guò dú zhě kěn dìng zì jǐ， wǒ jiù shì gū fāng zì shǎng， zì shuō zì huà， zì lián zì 'ài， zhēn shì zhè yàng， yě hěn lìng rén qīn pèi！
wǒ yī zhí jiān xìn wén xué yīn yuè dú 'ér cún zài。 zhuān jiā、 xué zhě yòu quán jiāng yī gè zuò jiā huò yī bù zuò pǐn cóng wén xué shǐ zhōng“ hū lüè” diào， guǎng dà dú zhě duō nián zhī hòu hái kě yǐ tōng guò yuè dú jiāng zhè gè zuò jiā huò zhè bù zuò pǐn qǐ sǐ huí shēng。 zhè yàng de lì zǐ hěn duō。 xiàn shí shēng huó dāng zhōng yě shì zhè yàng， zuò jiā huò wén xué pī píng jiā men kě yǐ yīn zhǒng zhǒng lǐ yóu pái chì yī xiē zuò pǐn， yǐ wéi tā men shì quē shǎo wén xué xìng huò yōng sú de， dàn dú zhě de yuè dú què xiàng wǒ men chuán dì chū lìng wài de xìn xī。 jiù xiàng《 dù lā lā shēng zhí jì》 huò《 fú chén》 zhè yàng de tōng sú xiǎo shuō， jì rán yòu nà me duō de dú zhě jiē shòu tā、 xǐ huān tā， wǒ men zěn néng wú shì dú zhě de zhè zhǒng xuǎn zé ní？
xiāng fǎn， wǒ men yīnggāi yán jiū hé sī kǎo zhè zhǒng xuǎn zé zhōng suǒ bāo hán de dú zhě de yuè dú yuàn wàng hé xū qiú。 wén xué shì shénme bìng bù zhòng yào， zhòng yào de shì dú zhě xī wàng tā shì shénme！ cóng yuè dú xīn lǐ zhōng suǒ tòu shì chū lái de wēi miào zhī chù， bù jǐn chū bǎn shāng yào liǎo jiě， zuò jiā gèng yīnggāi yòu suǒ liǎo jiě， tè bié shì nà xiē yuàn yì hé dú zhě jiàn lì píng děng guān xì de zuò jiā， yóu qí yīnggāi liǎo jiě。
dān jiù wén xué xìng 'ér yán， wǒ xiǎng， shì qíng yě bù xiàng wén xué jiā men xiǎng de nà me jiǎn dān， yǐ wéi dú zhě yuè duō de， wén xué xìng jiù yuè shǎo； ér dú zhě yuè shǎo de， wén xué xìng jiù yuè duō。 shì dú zhě xǐ huān hé wén xué xìng zuò duì ní， hái shì wén xué xìng piān hé dú zhě zuò duì ní？ wǒ yī shí yě hái méi yòu jié lùn。 bù guò， jiù wǒ dú guò de zhè xiē xiǎo shuō 'ér yán， pà yě bù néng shuō jiù méi yòu wén xué xìng。 wén xué xìng de duō shǎo shì yī gè wèn tí， zěn me lái rèn shí wén xué xìng， wén xué xìng zài wén xué zhōng jū zěn yàng de dì wèi， gèng shì gè wèn tí。
qí shí， xiàn zài hěn duō hěn yòu“ wén xué xìng” de zuò jiā， qí zuò pǐn wǎng wǎng quē shǎo xiàn shí xìng， ér hěn duō quē shǎo suǒ wèi“ wén xué xìng” de zuò jiā， qí zuò pǐn dǎo chéng xiàn liǎo dāng dài zhōng guó de xiàn dài xìng。 jiù xiàng xiàn zài zhèng rè de zhí chǎng xiǎo shuō， duì dú zhě lái shuō， tā zì yòu shí yòng xìng de yī miàn， dàn tā yě zhēn shí miáo shù liǎo nián qīng de bái lǐng jiē céng zài zhí chǎng zhōng de shēng cún chǔjìng， yǐ jí tā men de xǐ nù 'āi lè hé líng hún de zhēngzhá。
zhè zhǒng xiàn dài xìng shì bù shì“ wén xué xìng” de nèi hán zhī yī ní？ huò zhě shuō， wǒ men suǒ wèi“ wén xué xìng” shì fǒu yīnggāi wéi xiàn dài xìng suǒ yǐn lǐng ní？ zhè zhǒng qíng kuàng zài wén xué shǐ shàng bìng fēi méi yòu xiān lì， jù shuō， fǎ guó xiǎo shuō jiā zuǒ lā de《 fù nǚ lè yuán》， jiù bèi chēng wéi“ bǎi huò gōng sī xiǎo shuō”， yīn wéi， tā xù shù liǎo dāng nián bǎi huò gōng sī de dēng chǎng hé jīng yíng cè lüè， qí xiě zuò zī liào yě lái zì bǎi huò gōng sī de xiān xíng zhě héng hào chēng quán shì jiè dì yī jiā bǎi huò gōng sī de hǎo shāng jiā hé lìng yī jiā bǎi huò gōng sī sà mǎ lì dān。 zhè sì hū bìng bù yǐng xiǎng tā chéng wéi yī bù xiǎo shuō， ér qiě， yòu rén shèn zhì rèn wéi， zhè bù xiǎo shuō jù yòu fēng fù de xiǎng xiàng sè cǎi。 tā bǎ fǎ lán xī dì 'èr dì guó de xiāo fèi wén huà róng rù zuò pǐn zhī zhōng， xiàn zài， wǒ men yào liǎo jiě xiàn dài xiāo fèi de chū jí jiē duàn， hái shì fēi dú zhè bù xiǎo shuō bù kě。
( zhōng guó qīng nián bào )
Now the novel has many names, there is something called a "market fiction," is writing about workplace life. But it seems not entirely. I read some of them, such as a one called "drifting", and another called "Du Lala Getting Promoted", just like and not like this between. Of course, are the lives of his writing career, but in the narrative, the use of traditional literary perspective, then mixed with too many non-literary factors. So, people have this question: can this novel writing?
If you replace the reader's point of view, then what will happen? I think there will be quite different. It is said that sales of the two novels are more than ten million copies or more 100 000. This is pure literature or pure fiction often sold several thousand copies or 10,000 copies a stark contrast to the situation. Sales of at least shows that such a large audience is welcome such books. This brings us difficult to judge. We believe in fresh, lively, sales in front of us then? Still believe that the cold, stiff, fiction writing ideas and principles?
In fact, in our literary tradition, has always been only on the location, not the location of the reader. Since the 80s of last century stressed the subjectivity of writers, writers say I was writing for himself, not writing for readers. This time China is a huge step forward. Writer and not truly express themselves seen and heard distortion are thinking love the touch and feel the hate, this writer is not too much but too little.
But this brings up another worrying situation: Once the writer's individual expression and spiritual legitimacy and rationality of the confession was improperly magnified the tension between writer and reader presents the relationship. I do not oppose the writer to maintain its independence, I also admit that the tests of literature made tremendous contributions to narrative, but there is not only a literary writer, need a reader. Since ancient times, there are really works of possession of the mountains, but always has its reasons that are hard, at least for contemporary readers do not trust, that the Concert difficult to find, had to wait until the afterlife. This does not constitute the mainstream of literature.
In my view, the vast majority of authors still hope to get the reader writing their own recognition, the more readers, writers, the more pleased. Few writers claim that readers do not need to assert themselves through, I was idle and, of talking, self esteem and self-love, so, very impressive!
I always believed that literature exists for reading. Experts, scholars have the right to be a writer or a work of literary history from the "ignore" out, readers can also read after many years this writer or this work back to life. One of many examples. Real life the same way, writers or literary critic can exclude a number of works for various reasons, that they lack literary or vulgar, but the reader has to pass out our other information. Like "Du Lala Getting Promoted" or "rise and fall" like popular fiction, since so many readers to accept it, love it, how can we ignore the readers of this choice?
Instead, we should study and reflect on that choice contained in the aspirations and needs of readers. Literature is not important what is important is what readers want it! Psychology in the perspective from reading out the subtleties, not only publishers to understand that writers should understand, especially those willing to establish equal relations between the reader writer, in particular, should know.
Alone in terms of literature, I think, things are not as simple as what writers have thought that the more readers, the less literary; and fewer readers, and the more literary. Love and literary readers against it, or literary bias and the readers against it? At the moment I have not yet concluded. However, as I read these novels, the fear can not say that there is no literary. Literature of how much is a problem, how to understand literature, literary home in the literature in what position, it is a problem.
In fact, a lot of very "literary" writer, whose works often lack reality, but many lack the so-called "literary" writers, their works fall show of contemporary Chinese modernity. Like a hot job market is novel, the reader, it's own practical side, but it also a true description of the young white-collar existence in the workplace situation and their emotions and spiritual struggles.
(China Youth Daily)
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