| 珀西·比西·雪萊 | |||
| 出生地： | 英格蘭薩塞剋斯郡霍捨姆的沃恩漢 | ||
閱讀雪萊 Percy Bysshe Shelley在诗海的作品!!! | |||
雪莱8歲時雪萊就開始嘗試寫作詩歌，在伊頓的幾年裏，雪萊與其表兄托馬斯合作了詩《流浪的猶太人》並出版了諷刺小說《紮斯特羅奇》。1810年，18歲的雪萊進入牛津大學，深受英國自由思想傢休謨以及葛德文等人著作的影響，雪萊習慣性的將他關於上帝、政治和社會等問題的想法寫成小册子散發給一些素不相識的人，並詢問他們看後的意見。1811年3月25日，由於散發《無神論的必然》，入學不足一年的雪萊被牛津大學開除。雪萊的父親是一位墨守成規的鄉紳，他要求雪萊公開聲明自己與《無神論的必然》毫無關係，而雪萊拒絶了，他因此被逐出傢門。
被切斷經濟支持的雪萊在兩個妹妹的幫助下過了一段獨居的生活，這一時期，他認識了赫利埃特·委斯特布洛剋，他妹妹的同學，一個小旅店店主的女兒。雪萊與這個十六歲的少女僅見了幾次面，她是可愛的，又是可憐的，當雪萊在威爾士看到她來信稱自己在傢中受父親虐待後便毅然趕回倫敦，帶着這一身世可憐且戀慕他的少女踏上私奔的道路。他們在愛丁堡結婚，婚後住在約剋。
1812年2月12日，同情被英國強行合併的愛爾蘭的雪萊攜妻子前往都柏林為了支持愛爾蘭天主教徒的解放事業，在那裏雪萊發表了慷慨激昂的演說，並散發《告愛爾蘭人民書》以及《成立博愛主義者協會倡議書》。在政治熱情的驅使下，此後的一年裏雪萊在英國各地旅行，散發他自由思想的小册子。同年11月完成敘事長詩《麥布女王》，這首詩富於哲理，抨擊宗教的偽善、封建階級與勞動階級當中存在的所有的不平等。
雪萊的婚姻一開始就被他的敵人當作最好的武器來攻擊他，當那些富於浪漫的騎士精神經過理性的冷卻，他那場倉猝的婚姻中較為真實的一面隨着兩個人的成長開始顯現。雪萊不得不承認婚姻並沒有救助他的妻子，婚姻衹是將兩個人綁在一起來承受另一種折磨。在精神上，感情上，兩個人之間的差異越來越大。這一時期，雪萊結識了葛德文的女兒瑪麗·葛德文（Mary Wollstonecraft Godwin，1797年-1851年），他們相愛了，出走至歐洲大陸同遊，他們對於愛情和婚姻的理想純潔到連最嚴苛的批評傢也無法緻詞。雪萊死後，瑪麗為他的詩全集編註。
1815年，雪萊的祖父逝世，按照當時的長子繼承法當時在經濟上十分貧睏的雪萊獲得了一筆年金，但他拒絶獨享，而將所得財産與妹妹分享。這一年除了《阿拉斯特》之外，雪萊較多創作的是一些涉及哲學以及政治的短文。
次年五月，攜瑪麗再度同遊歐洲，在日內瓦湖畔與拜倫交往密切，這兩位同代偉大詩人的友誼一直保持到雪萊逝世，雪萊後來的作品《朱利安和馬達洛》便是以拜倫與自己作為原型來創作的。同年11月，雪萊的妻子投河自盡，在法庭上，因為是《麥布女王》的作者，大法官將兩個孩子教養權判給其嶽父，為此，雪萊受到沉重的打擊，就連他最親的朋友都不敢在他的面前提及他的孩子，出於痛苦及憤怒，雪萊寫就《緻大法官》和《給威廉·雪萊》。雪萊與瑪麗結婚，為了不致影響到他與瑪麗所生孩子的教養權，雪萊攜傢永遠離開英國。
1818年至1819年，雪萊完成了兩部重要的長詩《解放了的普羅米修斯》和《倩契》，以極其不朽的名作《西風頌》。《解放了的普羅米修斯》與《麥布女王》相同，無法公開出版，而雪萊最成熟、結構最完美的作品《倩契》則被英國的評論傢稱為“當代最惡劣的作品，似出於惡魔之手”。
1821年2月23日，約翰·濟慈逝世，6月，雪萊寫就《阿多尼》來抒發自己對濟慈的悼念之情，並控訴造成濟慈早逝的英國文壇以及當時社會現狀。
1822年7月8日，雪萊乘坐自己建造的小船“唐璜”號從萊杭度海返回勒瑞奇途中遇風暴，舟覆，雪萊以及同船的兩人無一幸免。按托斯卡納當地法律規定，任何海上漂來的物體都必須付之一炬，雪萊的遺體由他生前的好友拜倫及特列勞尼以希臘式的儀式來安排火化，他們將乳香抹在屍體上，在火中灑????。次年1月，雪萊的骨灰被帶回羅馬，葬於一處他生前認為最理想的安息場所。
主要作品
詩歌
愛爾蘭人之歌（The Irishman`s Song，1809）
戰爭（War，1810）
魔鬼出行（The Devil`s Walk，1812）
麥布女王（Queen Mab，1813）
一個共和主義者有感於波拿巴的傾覆（Feelings Of A Republican On The Fall Of Bonaparte，1816）
瑪麗安妮的夢（Marianne`s` Dream，1817）
緻大法官（To The Lord Chancellor，1817）
奧西曼迭斯（Ozymandias，1817）
逝（The Past，1818）
一朵枯萎的紫羅蘭（On A Faded Violet，1818）
召苦難（Invocation To Misery，1818）
緻瑪麗（To Mary，1818）
伊斯蘭的反叛（The Revolt of Islam，1818）
西風頌（Ode To The West Wind，1819）
饑餓的母親（A Starving Mother，1819）
羅薩林和海倫（Rosalind and Helen，1819）
含羞草（The Sensitive Plant，1820）
雲（The Cloud，1820）
緻雲雀（To A Skylark，1820）
自由頌（Ode To Liberty，1820）
解放的普羅米修斯（Prometheus Unbound，1820）
阿多尼（Adonais，1821）
一盞破碎的明燈（Lines，1822）
劇本
倩契（The Cenci，1819，五幕悲劇）
暴虐的俄狄浦斯（Oedipus Tyrannus，1820，詩劇）
希臘（Greece,1821,抒情詩劇）
論文及散文
無神論的必然（1811）
自然神論之駁斥（1814）
關於把改革付諸全國投票的建議（1817）
詩的辯護（1821）
譯著
柏拉圖《會飲篇》
荷馬《維納斯贊》等
旦丁《地獄》篇部分
歌德《浮士德》部分
Shelley's unconventional life and uncompromising idealism, combined with his strong skeptical voice, made him an authoritative and much denigrated figure during his life and afterward. He became the idol of the next two or three generations of poets, including the major Victorian and Pre-Raphaelite poets Robert Browning, Alfred Lord Tennyson, Dante Gabriel Rossetti, Algernon Charles Swinburne, as well as William Butler Yeats and poets in other languages such as Jibanananda Das and Subramanya Bharathy. He was also admired by Karl Marx, Henry Stephens Salt, and Bertrand Russell. Famous for his association with his contemporaries John Keats and Lord Byron, he was also married to novelist Mary Shelley.
Education and early works
Son of Sir Timothy Shelley, a Whig Member of Parliament, and his mother a Sussex landowner, Shelley grew up in Horsham, Sussex, and received his early education at home, tutored by Reverend Evan Edwards of Warnham. In 1802, he entered the Syon House Academy of Brentford. Sometimes, on account of his tender appearance and aristocratic heritage, Shelley was bullied. Shelley had a poor temper and was particularly inept with his fists. As one of his classmates wrote, he was "like a girl in boy's clothes, fighting with open hands." In 1804, Shelley entered Eton College, where he fared little better, subjected to an almost daily mob torment his classmates called "Shelley-baits". Surrounded, the young Shelley would have his books torn from his hands and his clothes pulled at and torn until he cried out madly in his high-pitched "cracked soprano" of a voice. On April 10, 1810, he matriculated at University College, Oxford. Legend has it that Shelley attended only one lecture while at Oxford, but frequently read sixteen hours a day. By all accounts, he was unpopular with both students and dons. His first publication was a Gothic novel, Zastrozzi (1810), in which he gave vent to his atheistic worldview through the villain Zastrozzi. In the same year, Shelley, together with his sister Elizabeth, published Original Poetry by Victor and Cazire. While at Oxford, he issued a collection of verses (perhaps ostensibly burlesque but quite subversive), Posthumous Fragments of Margaret Nicholson, with Thomas Jefferson Hogg.
In 1811, Shelley published a pamphlet The Necessity of Atheism. This gained the attention of the university administration and he was called to appear before the college's fellows. His refusal to repudiate the authorship of the pamphlet resulted in his being expelled from Oxford on March 25, 1811, along with Hogg. The re-discovery in mid-2006 of Shelley's long-lost 'Poetical Essay on the Existing State of Things', a long, strident anti-monarchical poem printed in Oxford, gives a new dimension to the expulsion, reinforcing Hogg's implication of political motives ('an affair of party'). Shelley was given the choice to be reinstated after his father intervened, on the condition that he would have had to recant his avowed views. His refusal to do so led to a falling out with his father. His mother died at a young age just like he did.
Married life
Four months after being expelled, the 19-year-old Shelley travelled to Scotland with the 16-year-old schoolgirl Harriet Westbrook to get married. After their marriage on August 28, 1811, Shelley invited his college friend Hogg to share their household, including his wife. When Harriet objected, however, Shelley brought her to Keswick in England's Lake District, intending to write. Distracted by political events, he visited Ireland shortly afterward in order to engage in radical pamphleteering. Here he wrote his Address to the Irish People and was seen at several nationalist rallies. His activities earned him the unfavourable attention of the British government.
Unhappy in his nearly three-year-old marriage, Shelley often left his wife and child (Ianthe Shelley, 1813-76) alone, first to study Italian with a certain Cornelia Turner, and eventually to visit William Godwin's home and bookshop in London. It was here that he met Godwin's daughter, Mary Wollstonecraft Godwin, later known as Mary Shelley. Mary was the daughter of Mary Wollstonecraft, the author of A Vindication of the Rights of Women.
On July 28, 1814, Shelley abandoned his pregnant wife and child when he ran away with Mary, also inviting her step-sister Jane (later Claire) Clairmont along for company. The three sailed to Europe, crossed France, and settled in Switzerland, an account of which was subsequently published by the Shelleys. After six weeks, homesick and destitute, the three young people returned to England.
In the autumn of 1815, while living close to London with Mary and avoiding creditors, he wrote Alastor, or The Spirit of Solitude. It attracted little attention at the time, but it has now come to be recognized as his first major achievement. At this point in his writing career, Shelley was deeply influenced by Wordsworth's poetry and English language.
Introduction to Byron
In the summer of 1816, Shelley and Mary made a second trip to Switzerland. They were prompted to do so by Mary's stepsister Claire Clairmont, who had commenced a liaison with Lord Byron the previous April just before his self-exile on the continent. Byron had lost interest in Claire, and she used the opportunity of meeting the Shelleys as bait to lure him to Geneva. The Shelleys and Byron rented neighbouring houses on the shores of Lake Geneva. Regular conversation with Byron had an invigorating effect on Shelley's output of poetry. While on a boating tour the two took together, Shelley was inspired to write his Hymn to Intellectual Beauty, often considered his first significant production since Alastor . A tour of Chamonix in the French Alps inspired Mont Blanc, a poem in which Shelley claims to have pondered questions of historical inevitability and the relationship between the human mind and external nature.
Personal difficulties and second marriage
After the Shelleys returned to England, Fanny Imlay, Mary Godwin's half-sister and a member of Godwin's household, killed herself in late autumn. In December 1816, Shelley's estranged wife Harriet drowned herself in the Serpentine in Hyde Park, London. On December 30, 1816, a few weeks after Harriet's body was recovered, Shelley and Mary Godwin were married. The marriage was intended, in part, to help secure Shelley's custody of his children by Harriet, but the plan fell through: the children were handed over to foster parents by the courts.
The Shelleys took up residence in the village of Marlow, Buckinghamshire where a friend of Percy's, Thomas Love Peacock, lived. Shelley took part in the literary circle that surrounded Leigh Hunt, and during this period, he met John Keats. Shelley's major production during this time was Laon and Cythna, a long, narrative poem in which he attacked religion and featured a pair of incestuous lovers. It was hastily withdrawn after only a few copies were published. It was later edited and reissued as The Revolt of Islam in 1818. Shelley also wrote two revolutionary political tracts under the nom de plume of "The Hermit of Marlowe."
Travels in the Italian peninsula
Early in 1818, the Shelleys and Claire left England in order to take Claire's daughter, Allegra, to her father Byron, who had taken up residence in Venice. Contact with the older and more established poet encouraged Shelley to write once again. During the latter part of the year, he wrote Julian and Maddalo, a lightly disguised rendering of his boat trips and conversations with Byron in Venice, finishing with a visit to a madhouse. This poem marked the appearance of Shelley's "urbane style". He then began the long verse drama Prometheus Unbound, a re-writing of the lost play by the ancient Greek poet Aeschylus, which features talking mountains and a petulant spirit who overthrows Jupiter. Tragedy struck in 1818 and 1819, when his son Will died of fever in Rome, and his infant daughter Clara Everina died during yet another household move.
A daughter, Elena Adelaide Shelley, was born December 27, 1818 in Naples, Italy and registered there as the daughter of Shelley and a woman named Marina Padurin. However, the identity of the mother is an unsolved mystery. Some scholars speculate that her true mother was actually Claire Clairmont or Elise Foggi, a nursemaid for the Shelley family. Other scholars postulate that she was a foundling Shelley adopted in hopes of distracting Mary after the deaths of William and Clara. Shelley referred to Elena in letters as his "Neapolitan ward". However, Elena was placed with foster parents a few days after her birth and the Shelley family moved on to yet another Italian city, leaving her behind. Elena died 17 months later, on June 10, 1820.
The Shelleys moved around various Italian cities during these years. Shelley completed Prometheus Unbound in Rome, and he spent the summer of 1819 writing a tragedy, The Cenci, in Livorno. In this year, prompted among other causes by the Peterloo massacre, he wrote his best-known political poems: The Masque of Anarchy and Men of England. These were most likely his most-remembered works during the 19th century. Around this time period, he wrote the essay The Philosophical View of Reform, which was his most thorough exposition of his political views to that date.
In 1820, hearing of John Keats' illness from a friend, Shelley wrote him a letter inviting him to join him at his residence at Pisa. Keats replied with hopes of seeing him, but instead, arrangements were made for Keats to travel to Rome with the artist Joseph Severn.
In 1821, inspired by the death of Keats, Shelley wrote the elegy Adonais. The text of this famous poem can be found at
In 1822, Shelley arranged for Leigh Hunt, the British poet and editor who had been one of his chief supporters in England, to come to Italy with his family. He meant for the three of them — himself, Byron and Hunt — to create a journal, which would be called The Liberal. With Hunt as editor, their controversial writings would be disseminated, and the journal would act as a counter-blast to conservative periodicals such as Blackwood's Magazine and The Quarterly Review.
Leigh Hunt's son, the editor Thornton Leigh Hunt, when later asked whether he preferred Shelley or Byron as a man, replied:-
"On one occasion I had to fetch or take to Byron some copy for the paper which my father, himself and Shelley, jointly conducted. I found him seated on a lounge feasting himself from a drum of figs. He asked me if I would like a fig. Now, in that, Leno, consists the difference, Shelley would have handed me the drum and allowed me to help myself."
Drowning
Shelley's grave, RomeOn July 8, 1822, less than a month before his 30th birthday, Shelley drowned in a sudden storm while sailing back from Livorno to Lerici in his schooner, Don Juan. Shelley claimed to have met his Doppelgänger, foreboding his own death. He was returning from having set up The Liberal with the newly-arrived Leigh Hunt. The name "Don Juan", a compliment to Byron, was chosen by Edward John Trelawny, a member of the Shelley-Byron Pisan circle. However, according to Mary Shelley's testimony, Shelley changed it to "Ariel". This annoyed Byron, who forced the painting of the words "Don Juan" on the mainsail. This offended the Shelleys, who felt that the boat was made to look much like a coal barge. The vessel, an open boat designed from a Royal Dockyards model, was custom-built in Genoa for Shelley. It did not capsize but sank; Mary Shelley declared in her "Note on Poems of 1822" (1839) that the design had a defect and that the boat was never seaworthy.
Many believe his death was not accidental. Some say that Shelley was depressed in those days and that he wanted to die; others that he did not know how to navigate; others believe that some pirates mistook the boat for Byron's and attacked him, and others have even more fantastical stories. There is a mass of evidence, though scattered and contradictory, that Shelley may have been murdered for political reasons. Previously, at his cottage in Tann-yr-allt in Wales, he had been surprised and apparently attacked by a man who may have been an intelligence agent.
The Funeral of Shelley by Louis Edouard Fournier (1889); pictured in the centre are, from left, Trelawny, Hunt and ByronIn the days before he died, he was almost shot on two separate occasions. A British consul defended the shooter from the first of these two incidents, keeping him from all legal consequence. Two other Englishmen were with him on the boat. One was a retired Navy officer, Edward Ellerker Williams and the other a boatboy, Charles Vivien, who should have known how to navigate to the nearby coast at Livorno. The boat was found ten miles offshore, and it was suggested that one side of the boat had been rammed and staved in by a much stronger vessel. However, the liferaft was unused and still attached to the boat. The bodies were found completely clothed, including boots. In his 'Recollections of the Last Days of Shelley and Byron', Trelawny noted that the shirt that Williams's body was clad in was 'partly drawn over the head, as if the wearer had been in the act of taking it off [...] and [he was missing] one boot, indicating also that he had attempted to strip.' Trelawny also relates a supposed deathbed confession by an Italian fisherman who claimed to have rammed Shelley's boat in order to rob him, a plan confounded by the rapid sinking of the vessel.
The day following Shelley's death, the Tory newspaper "The Courier" gloated "Shelley, the writer of some infidel poetry, has been drowned, now he knows whether there is a God or not."
Edward Onslow Ford's sculpture in the Shelley Memorial at University College, OxfordShelley's body washed ashore and later, in keeping with quarantine regulations, was cremated on the beach near Viareggio. An 1889 painting by Louis Eduard Fournier, The Funeral of Shelley (also known as The Cremation of Shelley), contains inaccuracies. In pre-Victorian times it was English custom that women not attend funerals, for health reasons. Mary Shelley did not attend but was featured in the painting, kneeling at the left-hand side. Leigh Hunt stayed in the carriage during the ceremony but is also pictured. Also, Trelawney, in his account of the recovery of Shelley's body, records that "the face and hands, and parts of the body not protected by the dress, were fleshless," and by the time that the party returned to the beach for the cremation, the body was even further decomposed. In his graphic account of the cremation, he writes of Byron being unable to face the scene, and withdrawing to the beach.
Shelley's heart was snatched from the funeral pyre by Edward Trelawny; Mary Shelley kept it for the rest of her life, and it was interred next to her grave at St. Peter's Church in Bournemouth. Shelley's ashes were interred in the Protestant Cemetery in Rome under an ancient pyramid in the city walls with the Latin inscription, Cor Cordium ("Heart of Hearts"), and a few lines from Shakespeare's The Tempest. The grave site is the second in the cemetery. Some weeks after Shelley had been put to rest, Trelawny had come to Rome, had not liked his friend's position among a number of other graves, and had purchased what seemed to him a better plot near the old wall. The ashes had been exhumed and moved to their present location. Trelawny had purchased the adjacent plot, and over sixty years later his remains were placed there.
A reclining statue, of Shelley's body washed up onto the shore, created by sculptor Edward Onslow Ford at the behest of Shelley's daughter-in-law, Lady Jane Shelley, is the centerpiece of the Shelley Memorial at University College, Oxford.
Shelley in fiction
Julian Rathbone's 2002 novel A Very English Agent, about 19th century government spy Charles Boylan, carries a lengthy section on Shelley's time in Italy, in which Boylan tampers with Shelley's boat on orders from the English government, thus causing his death. Rathbone though is at pains to state he is "a novelist, not a historian" and that his work is very much a piece of fiction.
He also makes an appearance in Jude Morgan's 2005 novel Passion, along with Byron, Keats, Coleridge, Leigh Hunt, and a wealth of other English Romantic figures, though the novel's main focus is the lives of the women behind the famous poets: Lady Caroline Lamb, Augusta Leigh, Mary Shelley, and Fanny Brawne.
Shelley appears in Frankenstein Unbound by Brian Aldiss. The book is a time travel romance featuring Mary Shelley. There was also a movie made, based on the novel, directed by Roger Corman and starring John Hurt and Bridget Fonda, in 1990.
Shelley also features prominently in The Stress of Her Regard, a 1989 novel by Tim Powers which proposes a secret history connecting the English Romantic writers with the mythology of vampires and lamia.
He makes an appearance in the alternative history novel The Difference Engine by William Gibson and Bruce Sterling. Only referenced in passing by another character, in this world he does not drown in Italy, but lives to become a fierce critic (and perhaps saboteur) of Lord Byron's pro-industrial 'Radical party' government, for which he is arrested, declared insane, and placed in a madhouse.
Events in Shelley's and Byron's relationship at the house on Lake Geneva in 1816 have been fictionalized in film three times. (1) A 1986 British production, Gothic, directed by Ken Russell, and starring Gabriel Byrne, Julian Sands, and Natasha Richardson (2) A 1988 Spanish production, Rowing with the Wind (Remando al viento), starring Lizzie McInnerny as Mary Shelley,Hugh Grant and Elizabeth Hurley Both these movies deal mostly with Mary Shelley's creation of the Frankenstein novel, while Percy tends to be quite a minor character in both films.
Shelley is, however, the main character in a movie entitled Haunted Summer, made in 1988, starring Laura Dern and Eric Stoltz. It is set in the same time frame as Rowing with the Wind. Though somewhat sensationalistic in some scenes, Haunted Summer's impressive strength is its three-dimensional characterization of Shelley, Mary Shelley and Lord Byron. The psychology of these three is quite accurate, realistic and vivid, and the movie uses words for its dialogue that the three actually said during their lives. The movie also does a good job of recreating Switzerland in 1816, where the four exiles lived.
Howard Brenton's play, Bloody Poetry, first performed at the Haymarket Theater in Leicester in 1984, concerns itself with the complex relationships and rivalries between Shelley, Mary Shelley, Claire Clairmont, and Byron.
Shelley is also the main character in Bulgarian poet Pencho Slaveykov's philosophical poem, Heart of Hearts.
Mary and Percy Shelley also appears in a 2006 novel AngelMonster, by Veronica Bennet. This book is a fictional version of Mary's and Percy's elopement and the series of depressing events.
Percy, Mary and her sister Claire are some of the main characters in the novel, The Vampyre: The Secret History of Lord Byron, by Tom Holland (1995). The story concerns Lord Byron, poet and friend of Percy Shelly. Their meeting and the growth of their friendship are described, along with a hypothetical account of the time the foursome shared in Switzerland. Holland provides a fictional conclusion to the mysteries that surround Shelley's death.
Shelley's cremation at Viareggio and the removal of his heart by Trelawny are described in Tennessee Williams' play Camino Real by a fictionalized Lord Byron.
Shelley's strange death and his claims of having met a Doppelganger served as inspiration for the 1978 short story "Paper Boat", written by Tanith Lee
A quote from Shelly's Prometheus Unbound is said by Captain Jean Luc Picard in Star Trek: The Next Generation, in the episode "Skin of Evil". "A great poet once said, All spirits are enslaved that serve things evil"
Advocacy of vegetarianism
Both Percy Bysshe and Mary Shelley were strong advocates of vegetarianism. Shelley wrote several essays on the subject, the most prominent of which being "A Vindication of Natural Diet" and "On the Vegetable System of Diet".
Shelley, in heartfelt dedication to sentient beings, wrote: "If the use of animal food be, in consequence, subversive to the peace of human society, how unwarrantable is the injustice and the barbarity which is exercised toward these miserable victims. They are called into existence by human artifice that they may drag out a short and miserable existence of slavery and disease, that their bodies may be mutilated, their social feelings outraged. It were much better that a sentient being should never have existed, than that it should have existed only to endure unmitigated misery;" "Never again may blood of bird or beast/ Stain with its venomous stream a human feast,/ To the pure skies in accusation steaming;" and "It is only by softening and disguising dead flesh by culinary preparation that it is rendered susceptible of mastication or digestion, and that the sight of its bloody juices and raw horror does not excite intolerable loathing and disgust."
Shelley was a strong advocate for social justice for the 'lower classes'. He witnessed many of the same mistreatments occurring in the domestication and slaughtering of animals, and he became a fighter for the rights of all living creatures that he saw being treated unjustly. How he reconciled his views with his lack of responsibility for Harriet and his offspring, both inside and outside of marriage, is a matter of some debate.
Family history
Ancestry
Shelley was a seventeenth generation descendant of Richard Fitzalan, 10th Earl of Arundel through his son John Fitzalan, Marshall of England (d. 1379). John was married to Baroness Eleanor Maltravers (1345 – January 10, 1404/1405). Their eldest son succeeded them as John FitzAlan, 2nd Baron Arundel (1365 – 1391). He was himself married to Elizabeth le Despenser (d. April 1/ April 10, 1408).
Elizabeth was a great-granddaughter of Hugh the younger Despenser by his second son Edward Despenser of Buckland (d. September 30, 1342). Her parents were Sir Edward Despenser, 1st Lord Despenser (March 24, 1336 – November 11, 1375) and Elizabeth Burghersh (d. July 26, 1409).
The eldest son of Elizabeth by Baron Maltravers was John Fitzalan, 13th Earl of Arundel. Their third son was Sir Thomas Fitzalan of Beechwood. His own daughter Eleanor Fitzalan was married to Sir Thomas Browne of Beechworth Castle. They had four sons and one daughter, Katherine Browne, who in 1471 married Humphrey Sackville of Buckhurst (1426 – January 24, 1488).
Their oldest son Richard Sackville of Buckhurst (1472 – July 18, 1524) was married in 1492 to Isabel Dyggs. Their oldest son Sir John Sackville of Buckhurst (1492 – October 5, 1557) was married to Margaret Boleyn. Margaret was a sister to Thomas Boleyn, 1st Earl of Wiltshire. His younger brother Richard Sackville had a less prominent marriage which resulted in the birth of Anne Sackville. Anne herself was later married to Henry Shelley.
Henry became father to a younger Henry Shelley. This younger Henry had at least three sons. The youngest of them Richard Shelley was later married to Joan Fuste, daughter of John Fuste from Ichingfield. Their grandson John Shelley of Fen Place was married himself to Helen Bysshe, daughter of Roger Bysshe. Their son Timothy Shelley of Fen Place (born c. 1700) married widow Johanna Plum from New York City. Timothy and Johanna were the great-grandparents of Percy.
Family
Percy was born to Sir Timothy Shelley (September 7, 1753 – April 24, 1844) and his wife Elizabeth Pilfold following their marriage in October, 1791. His father was son and heir to Sir Bysshe Shelley, 1st Baronet of Castle Goring (June 21, 1731 – January 6, 1815) by his wife Mary Catherine Michell (d. November 7, 1760). His mother was daughter of Charles Pilfold of Effingham. Through his paternal grandmother Percy was great-grandson to Reverend Theobald Michell of Horsham.
He was the eldest of seven children. His younger siblings were:
John Shelley of Avington House (March 15, 1806 – November 11, 1866; married on March 24, 1827 Elizabeth Bowen (d. November 28, 1889)
Mary Shelley
Elizabeth Shelley (d. 1831)
Hellen Shelley (d. May 10, 1885)
Margaret Shelley (d. July 9, 1887)
Shelly's uncle, brother to his mother Elizabeth Pilfold, was Captain John Pilfold, a famous Naval Commander that served under Admiral Nelson during the Battle of Trafalgar.
Descendants
Three children survived Shelley: Ianthe and Charles, his daughter and son by Harriet; and Percy Florence, his son by Mary. Charles suffered from tuberculosis but died in a rain storm as he was struck by lightning in 1826. Percy Florence, who eventually inherited the baronetcy in 1844, died without children. The only lineal descendants of the poet are therefore the children of Ianthe.
Ianthe Eliza Shelley was married in 1837 to Edward Jeffries Esdaile. The marriage resulted in the birth of two sons and a daughter. Ianthe died in 1876.
Shelley's son Percy Florence Shelley, and his wife Jane, adopted Jane's niece Bessie Florence Gibson. Bessie married Leopold James Yorke Campbell Scarlett, and so the Scarletts (later the Scarlett/Abingers after their son, Shelley Leopold Laurence Scarlett, succeeded his second cousin to become the fifth Baron Abinger in 1903) became heirs to the Shelleys. Several members of the Scarlett family were born at Percy Florence's seaside home 'Boscombe Manor', in Bournemouth. The 1891 census shows Lady Shelley living at Boscombe Manor with several great nephews.
Legacy
Shelley's mainstream following did not develop until a generation after his passing. This differed from Lord Byron, who was popular among all classes during his lifetime despite his radical views. For decades after his death, Shelley was mainly only appreciated by the major Victorian poets, the pre-Raphaelites, the socialists and the labour movement. One reason for this was the extreme discomfort with Shelley's radical politics which led popular anthologists to confine Shelley's reputation to the relatively sanitised 'magazine' pieces such as 'Ozymandias' or 'Lines to an Indian Air'.
Karl Marx, Henry Salt, Mahatma Gandhi, George Bernard Shaw, Alfred Nobel, Upton Sinclair, and William Butler Yeats were admirers of his works. Ralph Vaughan Williams, Sergei Rachmaninoff, Roger Quilter, John Vanderslice and Samuel Barber composed music based on his poems.
Critics such as Matthew Arnold endeavoured to rewrite Shelley's legacy to make him seem a lyricist and a dilettante who had no serious intellectual position and whose longer poems were not worth study. Matthew Arnold famously described Shelley as a 'beautiful but ineffectual angel'. This position contrasted strongly with the judgement of the previous generation who knew Shelley as a skeptic and radical.
Many of Shelley's works remained unpublished or little known after his death, with longer pieces such as A Philosophical View of Reform existing only in manuscript till the 1920s. This contributed to the Victorian idea of him as a minor lyricist. With the inception of formal literary studies in the early twentieth century and the slow rediscovery and re-evaluation of his oeuvre by scholars such as K.N. Cameron, Donald H. Reiman and Harold Bloom, the modern idea of Shelley could not be more different.
Paul Foot, in his Red Shelley, has documented the pivotal role Shelley's works, especially Queen Mab, have played in the genesis of British radicalism. Although Shelley's works were banned from respectable Victorian households, his political writings were pirated by men such as Richard Carlile who regularly went to jail for printing 'seditious and blasphemous libel' (ie material proscribed by the government) and these cheap pirate editions reached hundreds of activists and workers throughout the nineteenth century.
In other countries such as India, Shelley's works both in the original and in translation have influenced poets such as Rabindranath Tagore and Jibanananda Das. A pirated copy of Prometheus Unbound dated 1835 is said to have been seized in that year by customs at Bombay.
In 2005 the University of Delaware Press published an extensive two-volume biography by James Bieri. In 2008 the Johns Hopkins University Press published Bieri's 856-page one-volume biography, Percy Bysshe Shelley: A Biography.
List of major works
(1810) Zastrozzi and St Irvyne
(1811) The Necessity of Atheism
(1813) Qeen Mab: A Philosophical Poem
(1815) Alastor, or The Spirit of Solitude
(1816) Mont Blanc
(1817) Hymn to Intellectual Beauty
(1817) The Revolt of Islam
(1818) Ozymandias (text)
(1818) Plato, The Banquet (or Symposium) translation from Greek into English
(1819) The Cenci
(1819) Ode to the West Wind (text)
(1819) The Masque of Anarchy
(1819) Men of England
(1819) England in 1819
(1819) The Witch of Atlas
(1819) A Philosophical View of Reform
(1819) Julian and Maddalo
(1820) Prometheus Unbound
(1820) To a Skylark
(1821) Adonais
(1821) Hellas
(1821) A Defence of Poetry (first published in 1840)
(1822) The Triumph of Life (unfinished, published in 1824 after Shelley died)
(1822) THE CLOUD [A ROMANTIC POEM]
See also
Godwin-Shelley family tree
Bolesław Prus (use of Shelley's tomb inscription on Prus's tomb, in Polish)
Notes
^ Bysshe is pronounced as if written bish.
^ [Ian Gilmour. Byron and Shelley: The Making of the Poets. New York: Carol & Graf Publishers. 2002. 53.]
^ [Ian Gilmour. Byron and Shelley: The Making of the Poets. New York: Carol & Graf Publishers. 2002. 96-97.]
^ Article in the Times Online
^ Benita Eisler, Byron: Child of Passion, Fool of Fame 1999: p668.
^ John Bedford Leno. The Aftermath with Autobiography of the Author. London: Reeves & Turner 1892.
^ Richard Holmes, Shelley: The Pursuit (New York: E.P. Dutton, 1975).
^ Edmund Blunden, Shelley, A Life Story, Oxford University Press, 1965.
^ The Life and Times of Captain John Pilfold, CB,RN; Hawkins, Desmond, Horsham Museum Society, 1998
^ Some details on this can also be found in William St Clair's The Reading Nation in the Romantic Period (Cambridge: CUP, 2005) and Richard D. Altick's The English Common Reader (Ohio: Ohio State University Press, 1998) 2nd. edn.
^ Plato, The Banquet, translated by Percy Bysshe Shelley, Pagan Press, Provincetown 2001, ISBN 0-943742-12-0. Shelley's translation and his introductory essay, "A Discourse on the Manners of the Antient Greeks Relative to the Subject of Love", were first published unbowdlerized in 1931.
References
James Bieri, Percy Bysshe Shelley: A Biography, Johns Hopkins University Press, 2008, ISBN 0801888611.
Altick, Richard D., The English Common Reader. Ohio: Ohio State University Press, 1998.
Holmes, Richard. Shelley: The Pursuit. New York: E. P. Dutton, 1975.
Maurois, André, Ariel ou la vie de Shelley, Paris, Bernard Grasset, 1923
St Clair, William. The Godwins and the Shelleys: A Biography of a Family. London: Faber and Faber, 1990.
St Clair, William. The Reading Nation in the Romantic Period. Cambridge: Cambridge University Press, 2005.